Why on Earth Did Sailor Discontinue Apricot?

Ever since we got the word last year that Sailor was discontinuing it's current Jentle line of inks, and, somewhat oddly, replacing them with new versions of inks previously issued as "limited editions", I've been mourning the discontinuation of Apricot, Sailor's orange ink.  I understand that this is utterly nonsensical.  I'm hoarding two or three bottles of the stuff, and since I've only finished one or two bottles of ink in the five years I've been in this hobby, this probably qualifies as a 10-year supply, if not more.  (Some people may use orange ink on a daily basis.  I don't.)  Despite this, over the past year I've been searching for a suitable alternative to my Apricot, should I ever run out.   

If you look carefully, in the background, you can see my newest ink obsession.  

Enter the first pretender.  Iroshizuku Yu-Yake is a perfectly good ink.  It doesn't feather on my cheap office paper, it flows well, and it has a nice pure orange color that shades decently.  So what's the problem with it?  I'll show you: 

This isn't a 100% accurate color reproduction, but it's close (Orange Inks are hard to photograph/scan.)  In this picture, the Yu-yake shows up a tad light, and the Apricot a shade darker, but the difference in vibrancy is accurate.  

Yu-yake certainly doesn't have the same "pop" as the Apricot, and to be fair, Pilot probably intended Yu-Yake to be a completely different color.  It's also somewhat unfair that I chose to show off the Apricot in a 1911 with a Nagahara-tuned music nib, but Apricot looks just as good in a fine nib.  Iroshizuku does win out on the cheap office paper that I have to use on a daily basis at work, so I will probably keep this bottle around.  Apricot tends to bleed through.

The hunt for a suitable Apricot replacement continues.  But then again, what else do I have to do with my time and money?    

Ink Review: Sailor Yama-Dori

I was fully expecting to find this ink overrated, and thought it would be impossible for it to live up to the hype generated before its (re)release.  I was wrong.  While I love Miruai and Nioi-Sumire, Yama-Dori is probably going to end up being my favorite of the new Sailor Jentle line.  

The color is a dark teal.  Miruai could also be considered a very dark teal, but this ink has a different tone altogether because there's more blue in it.  The color has a lot of subtle depth:  there is some reddish sheen to the ink once it dries and you look at it from an angle, but it doesn't photograph very well (at least with my limited skill and equipment).  You do, however, see a lot of shading with some black coming through where the ink is heavily applied to the paper.   

In a way, the ink reminds me of a mix Pendleton Brown does (or did, before Organics Studio started making inks for him) called Blakwa, which I understood to be a 50/50 mix of Waterman Black and Waterman "Inspired Blue" ("formerly South Seas Blue," commonly known as "turquoise").  That mix didn't have the sheen, and wasn't as saturated, but I always thought it was a cool color. 

Yama-Dori has all the properties of the Sailor Jentle ink line:  good dry time, even on super smooth paper; low feathering and bleed-through, even on super cheap paper, and what I would call a very balanced level of color saturation.  It's not watery ink, but it's also not super saturated to the point where it will smear.  What I especially like about this ink is that it's an interesting color that is dark enough to use for work, or pretty much any other purpose.   

Handwritten Ink review of Sailor Yama-Dori Ink on Exacompta card stock.  The pen I used is a Pilot Vanishing Point with a Broad nib stubbed by Mike Masuyama. 

 

Thanks to our sponsors at Pen Chalet for sending me this bottle. In full disclosure, I received this bottle for review purposes free of charge.