2023 Pen Show Schedule: T.G.S. at the Baltimore and Arkansas Pen Shows!

Mark your calendars! Just a quick note to let you all know that we will be at both the Baltimore Washington International Pen Show and the Arkansas Pen Show next month! Stay tuned for details on exactly what we’ll be bringing with us, but you can look forward to plenty of notebooks and cases from Lochby and Traveler’s Company, including the ability to put together your own notebook cover + refills at the table. I’ll also be teaching a workshop at both shows, more details to come.

I will have some limited ability to bring shop orders for pickup. If you would like to place an order for pickup at the pen show, and it’s a smaller item (i.e., not a 30-min Sandglass), go ahead and check out and use the coupon code 615PICKUP at check out to drop the shipping charge. Send an e-mail to joe (at) gentlemanstationer.com, noting the order number and the show you will be attending. As always, if you have any questions, just reach out.

It's Pelikan Hubs Week! What They Are and How to Participate

Though Pen Show Season is for the most part over, there are still plenty of opportunities to gather with your friends and fellow pen enthusiasts, whether that’s a meeting of your local pen club, online pen forums, or attending this Friday’s Pelikan Hub! The Pelikan Hubs are a series of events held in cities around the world and sponsored by German pen manufacturer Pelikan to raise their brand awareness. In years past, Pelikan has provided each attendee with handful of free gifts, including a magazine, pad of paper, and - quite generously - a bottle of the latest special edition Edelstein ink. This year, Pelikan has opted not to ship the ink, due to rising shipping costs, but many of the “Hubmasters” (hosts) are organizing gift bags, giveaways and more. If you’re interested in learning whether there is a Hub in your area, Though signup has long passed, many of the Hubs still have space (including ours here in Nashville), and you can join the Facebook group to see if there is a hub in your area. Be sure to reach out to the Hubmaster before showing up on Friday, as some locations have limited capacity due to the location.

Interested in Participating in the Nashville-Area Hub? Contact Me

If you missed the sign-up and are still interested in attending the Nashville-area Pelikan Hub, please e-mail me at Joe (at) gentlemanstationer.com, or send me a message via the site. I think we will have adequate space for a few more people, and would love to have you attend even if you can only stop by for a few minutes.

I hope to see you there!

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program.

Wrapping Up Pen Show Season: This Weekend and Travels So Far

I’m on family vacation this week, so I won’t be attending, but those of you in the area(s) should remember that both the Colorado Pen Show and the New York Metropolitan Pen Show (formerly the Long Island Pen Show) are both this weekend! It’s always worth the effort to attend. If you’d like to read more about what you can expect at a pen show and what things there are to do, check out my recaps from my 2022 Pen Show Travel:

• 2022 Baltimore Pen Show

• 2022 Atlanta Pen Show

• 2022 Chicago Pen Show

• 2022 Washington D.C. Pen Show

• 2022 San Francisco Pen Show

Personally, my pen show travel is likely over for the year, so I’ll live vicariously through all of you attending the remaining 2022 shows. And for those of you who can’t visit a pen show this weekend, it’s 10% off all paper this week in the T.G.S. Curated Shop, through Saturday at 11:59pm CT, using the coupon code “VACAY10” at checkout. Many thanks for your support!

From Plotters to Paper to Ebonite Pens: My 2022 San Francisco Takeaways

In my main recap earlier this week, I talked about how the San Francisco Pen Show is a different kind of event, with a focus on classes, seminars, and community in addition to the typical pen show shopping extravaganza. Well, for all of those who have been asking for photos of my show haul, this is it, and it was a bit of a doozy. I rarely do “haul” posts, but I thought it might be fun to walk through my San Francisco pen show experience photographically, discussing each of my purchases/acquisitions by category, since what I ended up taking home from this show says a lot about the feel of the show and how I hope more shows evolve in the future.

Paper = Mostly Plotter

Earlier in August, I was on the fence whether to attend the San Francisco Pen Show at all, and then Plotter announced that they would be on-site with their creative director, Takayuki Saito, hand-assembling special-edition binders in specialty leathers that would only be available at that show. OK, I was in.

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My yellow Plotter A5 being hand-assembled and adjusted.

At last year’s San Francisco Pen Show (2021), I was gifted the “Narrow” in brown “Pueblo” leather as part of Plotter’s US launch, when they sent out review kits to get feedback on the product in advance of a broader release. I’ve used my Narrow Plotter as my primary T.G.S. business notebook for the better part of a year, though I’ll admit it took me a while to get a feel for the system and discovery how it fits into my particular workflow. To be honest, it was more a factor of me being out of the “ring system” mentality for the better part of a decade and having to rethink how I could incorporate the ability to organize and shuffle pages around. Having now used the system at some length, perused the full range of refills, and visited with the people behind Plotter (both the U.S. and Japanese creative teams), I feel like I understand the system a bit better and there are definitely aspects that could drastically improve my research and writing process, as well as my daily capture of thoughts I don’t want to lose/miss.

Plotter: Infinitely customizable. You can make the system as intricate or as simple as you desire.

I had my personal Plotter appointment at 11:56 on Friday morning. (The time intervals were very precise, which is not strange at all for someone who has tracked their life in six-minute increments for the past 17 years.) But before my booked time slot, at which I planned to purchase a Plotter A5, Saito-san’s own personal Plotter Mini-5 caught my eye. The Mini-5 is a newer size, at least in the U.S. Market: a wallet-sized Plotter that appeared to be wallet + pocket notebook + penholder solution for which I’d been actively searching for years. I bought one in grey Pueblo leather, to match my “aged” Baron Fig wallet.

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Later that afternoon, as I watched Takayuki Saito - Plotter’s creative director - assemble my binder (A5 ochre/yellow leather with gold trim), I started thinking about the accessories I needed and how I would use the Plotter system. I ended up purchasing a wide selection of add-ons and different refills to set up each Plotter for the various roles I have planned for each size. While most of this will be featured in a longer series on Notebook Systems/System Techo that I have in the works, I’ll give a brief photographic overview below:

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My Plotter Mini-5 in grey Pueblo leather has replaced my wallet since approximately an hour after I bought it. If you intend to use it as a wallet, you’ll need at least one of the cardholder accessories. The pen loop is also an add-on, if you want to carry a pocket pen. (The one shown here is a Penco “Perfection” Bullet pen - back in stock in the shop!)

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My Plotter Narrow (in more worn/aged brown Pueblo), vs. my Mini-5 in grey Pueblo. The mesh bags seen behind them are one of the more intriguing Plotter accessories that I ordered after the show, and were delivered yesterday. The Narrow will remain my TGS business notebook for checklists, posting schedules, etc. The Mini-5 will serve as my wallet and pocket notebook.

My yellow Plotter A5 - I’m not sure what this leather is called, or whether it will be generally available, but it’s gorgeous and about as close to my beloved natural undyed leather as you can currently get in the Plotter lineup. This one will age beautifully. I intend for this notebook to serve as a general purpose creative and idea inbox - a place to sketch out ideas before moving them into storage or figuring out where they will permanently live.

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A Plotter group shot so you can get a sense of the different sizes in relation to one another.

Plotter refills in various sizes and rulings. One of the unique things about Plotter “refills” is that many are sold as bound pads that can be used as stand-alone notebooks. That way, you can selectively choose which sheets to remove and store in your binder. I’ll discuss this concept in more depth as part of a forthcoming review, but Plotter is not necessarily a planner system - you can use it that way, but it was originally conceived as curated binder system allowing you to carry with you those ideas that you’re currently working on, while archiving others elsewhere.

If you’re a fan of compartmentalized packing, bag-within-a-bag organization, etc., I highly recommend the Plotter Mesh Cases. Each case has a hinged opening that securely closes, two interior compartments, and while they are sized for the various Plotters (as shown in my pictures above), you can use them for an infinite number of other purposes.

I didn’t limit the “paper” theme of this show to Plotter. On Saturday, I scored a seat in the “paper tasting” seminar with Taizo Yamamoto and Bruce Eimon, and following that fascinating hour and a half session, picked up ten different memo pads full of unique, fountain-pen friendly Japanese papers at the Yamamoto Paper booth. I later discovered that the small square memo sheets can be hole-punched to fit perfectly into the Plotter (or any standard six-ring binder), should you want to keep any loose notes.

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My takeaways from the Yamamoto Paper class and table!

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Of these five, the Sleight White and the Soliste papers were the ones that pleasantly surprised me.

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I doubled down on Soliste, though the textured Air Mail Bond White was also a lightweight favorite. I’m going to buy some full-size sheets because I suspect it will make for excellent typewriter paper.

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The Memo Boxes themselves are well designed and useful. I really hope these become more readily available outside of pen shows.

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You can use a standard Rapesco or Filofax hole punch to insert notes into the Plotter system (or whatever standard six-ring system you use). Plotter rings are not proprietary, so you don’t need to purchase an expensive proprietary hole punch to use your own paper with the system.

While I was at the Yamamoto Paper table, I also spotted some of their Ro-Biki Notebooks along with a cotton wrap-style case. Since it’s a long-narrow format, the Ro-Biki notebooks caught my eye, and I picked one up for experimentation. While most Traveler’s Company refills are too wide for this particular wrap, I found that I can make the MD Cotton Letter pad from the B-Sides series work. Honestly, though, the artwork on the Ro-Biki is what drew me in (that and the rumor that they may be moving to the Soliste paper in the future, which I adore.)

The Yamamoto Ro-Biki Cotton Canvas Cover plus two refills.

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I love the details on the “Star Map” Cover.

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The Canvas Cover Folds over and closes with an elastic strap.

Pen Cases = Mostly Rickshaw Bagworks

The other big piece of news in advance of San Francisco was the re-launch of the Nock Co. Sinclair (aka the Arguably Greatest Pen Case of All Time), in collaboration with San Francisco-based Rickshaw Bagworks. Rickshaw brought at least one tubful of the new Sinclair “Model-r”, one of which I purchased, and Brad supplied me with another for review purposes. The Sinclair is still an outstanding pen case, and Rickshaw has made some slight adjustments to the design (with more possible as customizations).

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The Rickshaw show sticker was also available - if you picked up a fortune cookie at the entrance to the show, the “Fortune” was, at a minimum, a free sticker from the Rickshaw table!

Ink = Finally, Some Wearingeul (Plus a Lot of Giveaway Freebies)

Later on Saturday afternoon, Jesi over at the Dromgoole’s table finally got me with the Wearingeul Inks. Once again, I’m blown away by how many different ink brands there are now, and how many new inks they can bring to market. Sure, some companies aren’t very creative and don’t pay attention to whether or not they’re duplicating colors that already exist, but others - like Wearingeul - continue to amaze me with unique muted colors that are interesting but still suitable for everyday writing.

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I can’t pick a favorite. All of these are good, if not amazing.

Did I mention I can’t pick a favorite? The paper shown here is Midori MD Cotton - my new favorite paper for ink sampling, but in a test run Plotter refill where Plotter took A5 sheets and letterpressed lines into the cotton paper. Please do me a favor and e-mail Plotter USA now, and demand that they bring this paper into the standard lineup. It’s amazing. For now, I’ll have to settle for taking the standard MD Cotton A5 pad and punching holes in it.

Nagasawa was selling Kobe ink for $10 a bottle on Sunday. Was I really going to pass that up? Plus I picked up a bottle of Ferris Wheel Press Mirror, Mirror of Moiraine, which I’ve been obsessing over for the better part of a year.

Not a purchase, but I definitely acquired a few more bottles of ink from a giveaway box that was floating around the show. Somebody apparently took a radical approach to thinning out their collection, leaving it with Jesi at the Dromgoole’s table!

I swabbed for posterity/sampling far more bottles than I brought home!

Pens = All Ebonite

So, Joe, no pens? That was the plan, and I held out until Sunday, when I found myself eyeing Ranga premium ebonite pens over at the Peyton Street Pens table. Never having owned a Ranga pen, and loving ebonite in general, I acquired a dark red/black striated Bamboo model, as well as one of the Abhimanyu models in a green/yellow color. Ranga pens take No. 6 (and sometimes, No. 8) JoWo nibs, making them perfect platforms for nib customization.

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The Ranga Abhimanyu (left) and the Bamboo (right).

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I love the color variation on the section of this pen. It’s what sold me on this specific piece. All of the pens are different.

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I’m not sure there’s a color of ebonite that could speak to me more.

Nib Grinds = Further Exploring Naginata Styles

I picked up four nib grinds: two Nag-architect hybrid nibs with ultra-fine points from The Nib Tailor, and a Mini-Nag and architect from C.Y. of Tokyo Station Pens (who I enjoyed meeting for the first time!). The Naginata-style grind deserves its own post, so I won’t write at length here, but the grind features line variation similar to an architect (thick horizontal, thinner vertical), with less definition and a slightly smoother feel, plus the ability to vary line thickness depending on the angle at which you hold the pen. Different nib grinders use different techniques and have their own style, so no two pens will be the same. You really need to experiment to find your preference with this grind, which is why I’ve requested nibs from various people and will be doing a longer comparison post in the future. (For reference, check out my review of the Custom Nib Studio “Perspective” grind, which so far I consider one of my favorite Naginata-style nibs out there.) As an FYI, Gena is now offering pre-ground Naginata-style and cursive italic nibs through Schon DSGN, at least at pen shows. I picked up one of the former and it’s really, really good.

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Once again, many thanks to everyone who made the 2022 San Francisco Pen Show such a great experience. I can’t wait to see you all again next year! If you have specific questions about any of the products featured here, feel free to reach out.

** I have strategically omitted certain purchases from this recap since I did pick up some cool things for upcoming birthday and holiday gifts. (The recipients read the blog.) :)

This post does not contain affiliate links or paid sponsorships, and unless expressly indicated otherwise, the products purchased here were acquired with my own funds at full price. Certain of the Plotter refills I ordered online were subject to a discount code that was floating around the show. The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and the T.G.S. Patreon Program.

2022 San Francisco Pen Show: The Main Event for the Modern Enthusiast

There is a key difference between the San Francisco Pen Show and pretty much every other pen show out there: Other legacy pen shows are primarily geared towards the “collector” or “hobbyist,” whereas the San Francisco Pen Show goes out of its way to appeal to true enthusiasts, or those who see stationery as an integral part of their life. Sure, there’s a lot of buying, selling, and trading - I enjoy those things as much as anyone and shows are a great place to indulge - but it begs the question: what do you do with it all? For those looking to lean heavily into analog and incorporate it even further into their daily routine, this past weekend offered a lot.

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The Nib Tailor (JC Ament) setting up on Friday. Note the space surrounding the table.

Creating a More Easily Navigable and Enjoyable Show Experience

Let’s start with the basics: the San Francisco Pen Show is incredibly well-run. The organizers carefully think through everything, from table layout to aisle spacing to food and after-hours events. And while the show itself is carefully planned, there’s still enough flexibility to allow vendors to experiment with the user experience. For example, this year Atelier Musubi “inverted” their three tables into a horseshoe shape, essentially creating a “shop” where you could walk in and explore their offerings. (You can watch my walkthrough video here.) The ballroom certainly became crowded at points during the weekend, especially on Saturday, but I never witnessed the kind of congestion and table backups I’ve seen at many other shows, except maybe at the Toyooka Craft table on Friday, which is another story…. More on that below.

I basically learned to make an inky mess at Leigh’s first class (Mad Scientist Mode).

Seminars, Meetups, and Classes Throughout the Weekend

While most pen shows these days offer classes and seminars, the roster is fairly predictable and rarely ventures beyond vintage-pen education (repair, history, etc.) and calligraphy. Don’t get me wrong - these events should exist and often see strong attendance, but the range of interests in the pen community is far more diverse. An example of what else is possible: San Francisco featured free seminars that included an “Introduction to System Techo” (i.e., how to use Japanese-style notebook systems) and “Paperchase!”, a paper-related class by Daryl Lim of notebook-maker Atelier Musubi. In addition to calligraphy, paid classes included multiple journaling workshops, a class on sketchnoting, class on travel sketching and ink washing, a workshop on modifying Pilot Parallel calligraphy pens, and more.

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Please don’t balk at paying class “tuition”. In addition to compensating the teachers for the time spent in organizing and putting on the seminar, it often includes a full toolkit that you can take home to continue whatever it is you learn that day.

As I noted on Saturday, I attended two journaling workshops: “Mad Scientist Mode ON” and “Notes to Self” by Leigh Reyes, both of which were excellent and focused on visual and nontraditional journaling exercises, in addition to just having fun playing with inks an paper in ways most people wouldn’t think you could. I also sat in on the System Techo seminar by April from DesignPhil (parent company of Traveler’s Company and Plotter USA), which I found fascinating as she not only talked about products but the results of the interviews they conducted with individuals who used them. I came away with plenty of ideas not just for more content I can bring you but how I plan to use my own notebooks more on an everyday basis. Finally, I attended “Every Paper Has Its Origin Story,” by Taizo Yamamoto (of Yamamoto Paper) and Bruce Eimon, which allowed participants to sample and learn the details/origins of eighteen different Japanese specialty writing papers. (I visited the Yamamoto Paper table after the class and took home samples of ten of them - there’s a LOT out there beyond Tomoe River, and I personally wouldn’t have known about any of them absent this class.)

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I spent some time exploring the ink racks at the Dromgoole’s tables, and ended up coming away with some Wearingeul inks. (Finally!)

And, of Course, There Was Shopping

The San Francisco Pen Show is famous for drawing vendors and brands from Japan, and while this year’s show didn’t quite hit pre-2020 levels of international attendance, Toyooka Craft, Nagasawa, and Bungubox all attended the show. Bungubox and Nagasawa brought plenty of exclusive pens and inks, and Nagasawa was running some crazy promotions on Sunday as they certainly didn’t want to carry any of it home to Japan. As you may have heard, the Toyooka Craft table was more or less stripped bare of all the pen chests and larger items by noon on Friday! Given the size of a wooden pen chest, it wasn’t something that I planned to carry home with me cross-country, but it would’ve been nice to have a look, y’all. :)

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No, I didn’t buy all this ink. Someone had a “free ink” box that was being passed around and I grabbed a handful of bottles and paid the rest forward. The things you see at pen shows!

I won’t go through the roster of show vendors who attended - you can view that on the show website - but I will make a general observation that I enjoyed seeing a focus on notebooks and paper that can be lacking at other shows. In addition to Traveler’s Company and Plotter USA (which make Japanese-style planner/journal systems and related products), Yamamoto Paper had two large tables full of specialty papers in both samplers and full-size pads and notebooks, and Atelier Musubi completely sold out of their high-end journals and notebooks. While people certainly bought pens, there was a level of excitement around the paper and paper-related events that I had not seen before at other shows.

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Nagasawa brought all of their Kobe inks (Sailor inks in colors drawing on locations in Kobe, Japan), as well as many limited and special edition pens. This was a very popular table throughout the weekend.

Takeaways from the 2022 San Francisco Pen Show

If you can’t tell already from my Saturday recap and the discussion so far, I thoroughly enjoyed the 2022 San Francisco Pen Show. In order to stay relevant to the modern enthusiast, I would argue that pen shows need to accommodate a broader range of vendors and events, including more classes and seminars that focus less on acquisition and more on use. Shopping is fun, but the items I buy are meaningless to me if I don’t do anything with them. That said, I plan to do a further post this weekend highlighting what I picked up and why, as well as some nib grinds I had done. (I still have not finished unpacking.)

If my show description isn’t enough to draw you to the San Francisco Pen Show, I hope this is. Did I mention there’s a great food scene?

Will I be back in San Francisco? Absolutely. I try to plan my “show calendar” at the beginning of each year, and during that process identify the 2-3 shows that are “must-attend” events for me. After two consecutive “excellent” shows, San Francisco will replace D.C. at the top of my list in terms of priority scheduling, and I’m strongly considering reserving a table or two when registration opens back up for 2023.

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges from via the T.G.S. Patreon Program. This post does not contain paid sponsorships or affiliate links.