Pen Review: Platinum Preppy Wa Modern Maki-e, Season 2

I’ve been working my way back through the lower-priced tiers of Platinum fountain pens in recent weeks, from the newer Prefounte to the old standbys like the Platinum Plaisir and the Platinum Preppy. I have to say - Platinum absolutely rules the $5-20 price point, with very few pen companies offering the same level of choice and consistent quality. As I’ll discuss more today, Platinum has even opened up the entry-level price segment to the limited edition game, allowing new and price-conscious enthusiasts to explore special releases and things like Japanese Maki-e style finishes that otherwise would be cost-prohibitive to many.

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My two favorite patterns from this year's Preppy Wa release: Koi no Taki-Nobori (Carp Climbing a Waterfall), left, and Yanagi ni Kournori (Bats and Willow), right. Both pens feature silver and gold screened artwork, respectively, over a dark blue-black/blue-green base.

I decided to review Platinum’s Preppy Wa, Modern Maki-e Series 2, because this weekend is the San Francisco Pen Show and, well, that show can be a very expensive proposition. It’s known for hosting a large number of vendors focused on high-end Japanese pens, both modern and vintage, including pens with specialized urushi lacquerwork and Maki-e designs. I’ve never delved deeply into that area, mainly because I don’t feel that I know enough about it to fully appreciate the art, making it difficult to justify laying out $1,000 or more for a high-end finished piece. I do, however, genuinely enjoy the intricate designs and overall look of this style of artwork, which is one reason I’ve become such an enthusiastic supporter of what Platinum has done with the Preppy Wa.

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At first, I scratched my head when I saw that Platinum had decided to introduce a “modern Maki-e” special edition to the Preppy lineup. A limited edition version of a $5 pen? With Maki-e? After seeing the first series, however, I knew that Platinum probably had a hit on their hands and that going forward, we’d all be awaiting each year’s release. How did they do this and keep the price point so low? Well, “modern Maki-e” uses a different technique from traditional Maki-e, which allows it to be produced in larger quantities. According to Platinum:

“Unlike conventional Maki-e, it is applied with silk screen printing instead of urushi lacquer on the underlayer, which is then sprinkled with colored powders such as gold and silver and hand-finished one by one by Maki-e artisans. It gives more thickness compared to normal printing, while the reflections and shades of the powders create a three-dimensional feel.”

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The gold and silver powders used in the "maki-e style" artwork really does sparkle, and the texture feels nice in the hand. Shown here with the matte black Platinum Plaisir.

This process results in an extremely nice pen for the price point. While it is a Preppy, and therefore won’t last forever, the designs on the pens in my own collection have proven durable without any real discernible wear. Each modern Maki-e collection features six “traditional and elegant Japanese patterns,” and Platinum has provided a short description of the meaning behind each. For example, the two pens shown here are:

• Koi no Taki-Nobori (“Carp climbing up a waterfall”): “Carp with strong vitality is considered the chief river fish. And it is also said to be an auspicious pattern that symbolizes success in life, based on an ancient Chinese story that says ‘A carp that climbs a rushing waterfall ascends to the sky and becomes a dragon.’”

• Yanagi ni Kournouri (“Bats and Willow): “In China, the kanji for bat has the same sound as ‘turning into good fortune,’ so it is considered an auspicious pattern that symbolizes good fortune and longevity. Japan was also influenced by this and was seen as a symbol of happiness during the Heian period.”

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So a history lesson with your pens? Always fun! Plus, I’m a big believer in usable, functional artwork. You shouldn’t hesitate to use a pen like a Platinum Preppy in your everyday life, especially where even the limited edition costs only $13, and Platinum’s excellent stainless steel nibs and slip-and-seal cap system have long been regarded as low-cost workhorses that write reliably whenever you need them. These pens are versatile - many people add an o-ring or silicone grease to the threads and fill them as eyedroppers - but I prefer to use my Preppy fountain pens as cartridge pens for simplicity and because I tend to use them when I travel. Just keep in mind that Platinum uses proprietary cartridges and converters.

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The Platinum Preppy, Prefounte, and Plaisir fountain pens all use the same steel nib. In my experience, Preppys tend to hold up well but eventually you might see cracks form on the plastic clip and around the lip of the cap. The caps on the Preppy Wa pens are clear, meaning they can be replaced if you want to keep your special barrel.

Takeaways and Where to Buy

The Platinum Preppy remains a go-to recommendation for beginners and enthusiasts alike, and the Preppy Wa series is a fun upgrade to the standard Preppy. Personally, I’ve enjoyed both “Modern Maki-e” series more than the original Preppy Wa, and of the six screen-printed designs, most people will be able to find one that appeals to them. If I were forced to pick a favorite, it would be the Koi no-Taki-Nobori (Carp Climbing the Waterfall), though I also appreciate the darker tones in the Yanagi ni Kourbori (Bats and Willows) design.

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I might have kept all six this time, as I regret not doing so last year.

The Preppy Wa series are annual limited editions, so once they’re gone from retailers, you’ll have to wait for the next run, which will feature a different set of designs. We currently still have some stock of each pen from the second series in our shop, priced at $13. While the first series of Modern Maki-e pens sold out long ago, we still have a handful of the Yellow Urukomon pens available, and they are on sale. Note that these do not feature a “Modern-Maki-e” screen-printed pattern, but rather are the colored acrylic versions.

The Gentleman Stationer is an authorized reseller of Platinum Pens.

Stationery Trends: Subscription Services Today, Do You Still Use Them?

A few years ago, subscription services were all the rage, and it seems like every stationery company had one. Field Notes started the trend, originally known as the “colors” series. Write Notepads and Baron Fig got in on the game, launching a separate subscription service for each of four different product lines (pens, pencils, and hard and softcover notebooks). Blackwing launched its “Volumes” series, where they would issue a quarterly limited edition pencil that subscribers could receive before anyone else had a chance to buy. Supposedly, the rationale behind these subscriptions was that they would allow small makers to have a guaranteed revenue stream up front from subscriptions, which they could then use to make smaller runs of more experimental products that would otherwise be too speculative or cost-prohibitive. Originally, this was a good idea. It allowed Field Notes to test ideas for pocket notebooks beyond the original Kraft Paper design, and now the special and limited run products make up a majority of the Field Notes line. Similarly, the Volumes program allowed Blackwing to “field test” different pencil finishes and graphite grades that eventually made their way into the standard lineup. (Hello, Blackwing Natural and the Extra-Firm graphite!)

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The last four editions of Blackwing Volumes, from left in no particular order: Blackwing 3 (“Ravi Shankar”); Blackwing XIX (“19th Amendment”), Blackwing 6 (“Neon”), and Blackwing 223 (“Woody Guthrie”).

So where do things stand today? Honestly, apart from Blackwing and Field Notes, it seems like the subscription model could be losing momentum. Write Notepads and Baron Fig discontinued their subscription programs after 1-2 years, in favor of releasing special editions on their own schedules. This could partly be due to the businesses stabilizing and becoming established in the industry, and there for no longer needing to rely on subscriptions to fund their manufacturing, but I can’t help but wonder whether the market for this sort of subscription product is saturated by one or two companies. For example, how many pocket notebooks or pencils does one person actually need? I’m sure there are people out there who go through six or more notebooks and a dozen-plus pencils per quarter, but it can’t be the majority of subscribers. Plus, as companies like Field Notes and Blackwing become established (if not omnipresent in mainstream retailers), the key rationale that drove many to subscribe - that you have to support your favorite small brands through a “guaranteed revenue” program - becomes less compelling. I’m sure that both Field Notes and Blackwing continue to have legions of hardcore fans and healthy subscriber bases, but given how large some of these recent runs are, I do wonder whether the majority of the sales from the special editions comes through retail channels or direct sales to non-subscribers. Are even the Field Notes and Blackwing programs becoming less relevant?

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Field Notes recently released “Fifty,” their fiftieth limited edition release. (Disclaimer: The Gentleman Stationer does retail select Field Notes Products)

Personally, the only subscription service to which I still belong is Blackwing Volumes, but even that I’m questioning. Not that I don’t like Blackwing, it’s just that I have so many pencils I would prefer not to receive them by default and only purchase those editions that really strike me as special. My recent favorite special editions have actually been the Blackwing store-exclusives, “Eras” releases, and non-Volumes “Blackwing X” collaborations, such as the Third Man Records pencil and the “Hardest Job in the World” edition. While I think the last four Blackwing Volumes pencils have been “good,” I can’t help but wonder why they are moving so much good stuff outside of the subscription program, away from those who are, presumably, their most devoted fans?

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I’d be curious to know how many of you still subscribe to stationery subscription services. What do you like and dislike about the option to subscribe? What keeps you coming back?

(This is not “market research”, just genuine curiosity. I have no desire to launch or participate in any sort of subscription service, so I’ll get that out of the way up front. As you all know, I’ve previously written on what sometimes feels like the stationery industry’s fixation on limited and special releases, so this post is intended to continue the discussion along those lines.)

What Makes a Great Anniversary Edition: Kanilea Pen Company Honokalani Maile Lei

I’ve spent the past week or so writing about my frustration with the constant stream of “special” and “limited” edition pens flooding the market, seemingly without a lot of thought or meaning behind each release. But I can gripe all day, and it doesn’t make any difference unless I (1) offer some sort of alternative myself; or (2) offer my thoughts on what makes a good special edition product. Today I’ll open door number two, using the recent release from Kanilea Pen Company, their Fifth Anniversary Honokalani Maile Lei fountain pen, as an example of how a company can do things the “right” way. After thinking on these issues, I’ve come up with four key points that, to me, make a legitimately “special” limited or special edition pen:

1. It’s made to commemorate an actual event, or otherwise represents something with special meaning.

2. The design ties to the “theme” of the special edition in a meaningful way.

3. If the price point of the special or limited edition product is significantly higher than the company’s standard product line, there is something to justify the markup.

4. If the product is heavily marketed as “limited” or “special”, the actual availability reflects that, especially if the company relies heavily on “FOMO” (Fear of Missing Out) to promote the release.

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So How Does Kanilea’s Fifth Anniversary Pen Get It Right?

For starters, it’s a fifth anniversary pen, and it’s more than appropriate to issue a special release to commemorate something like the fifth anniversary of your company! The Kanilea Pen Company officially launched in August 2016 at the Washington, D.C. Pen Show. While I was in attendance, I didn’t have the opportunity to actually buy a pen because they sold out so fast. Since then, Kanilea has grown its lineup deliberately, typically releasing one or two new pens per year, all in keeping with their original company “theme” - places and locations in Hawaii. The Honokalani Maile Lei is no exception, named after the black sand beach on the island of Maui, with the custom-blended, proprietary acrylic designed to reflect the blue water swirling over the black sand.

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Between the custom acrylic and the handcrafted design, no two Kanilea pens are identical. Each pen will have a different pattern of swirls and colors, and for that reason I often enjoy purchasing my Kanilea pens in person at pen shows. Hopefully we’ll get the chance to do that again soon!

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Per Kanilea, Honokalani translates to “Harbor of the Chief,” and “Maile” refers to a sacred Hawaiian plant with fragrant, dark green leaves. The workmanship on the silver “Maile Lei” band is gorgeous.

Yes, the “Maile Lei” pen is a bit more expensive than a standard Kanilea, reflecting a markup of approximately $160. But you’re not just paying for a “special” or “limited” moniker - the Maile Lei features an Argentium Silver cap band with a three dimensional design depicting a lei of maile leaves. According to the materials provided by Kanilea with my pen, “[a] maile lei expresses many meanings and is used to celebrate important life events or even given as a sign of friendship. Traditionally, a maile lei is worn draped around the neck, open ended, but closed maile leis are also made.” The Konokalani Maile Lei fountain pen is only available in a single design profile, the Classic, which, in my opinion, perfectly showcases both the acrylic and the custom silver band.

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Finally, while the Honokalani Maile Lei is an “Anniversary edition” pen, and presumably won’t be available forever (though I could be wrong about that), you don’t see any desperate “buy-it-now-or-you’ll-miss-it” style marketing that’s become so characteristic of modern pen releases. Each Kanilea launch is accompanied by carefully assembled marketing materials explaining the story behind the pen, how the design choices relate to the theme, and how the pen fits into the overall Kanilea narrative.

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Your Kanilea pen arrives packaged in a black walnut keepsake box. I have several of these boxes, and each has found new life as a dresser valet, pencil box, or catch-all for office supplies.

Granted, I do want to point out that Kanilea isn’t exactly an apples-to-apples comparison with other brands, because Kanilea isn’t a typical pen company. Their standard lineup of pens isn’t mass-produced. Each model is carefully tied to the company’s core theme, with each aspect of every pen, from shape to material, carefully selected to reflect its namesake. The pens themselves are designed and handcrafted by the small family team behind Kanilea. But I do think the comparison is still instructive, as one could even argue that what Kanilea does with their “regular line” is what more mainstream companies should be considering for their special and limited releases (at least if their goal is to foster the sort of loyal customer base that has allowed companies like Kanilea to flourish).

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Kanilea fountain pens feature an extremely comfortable grip section and reliable No. 6 JoWo nibs, each tuned and smoothed prior to shipment to ensure a good writing experience.

Why I Enjoy Kanilea Pens

Apart from the aesthetics, Kanilea pens are extraordinarily well-designed, ergonomic, and comfortable. The section, in my opinion, is one of the best out there, the pens are perfectly balanced, and Hugh’s skill at nib tuning continues to impress me. While a Kanilea fountain pen makes for an expensive purchase, the entire experience - down to the packaging - delivers a level of value that’s hard to find from any other maker.

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Where to Buy the Kanilea Honokalani Maile Lei

If you’re interested in learning more about Kanilea’s Fifth Anniversary Release, visit the Kanilea Pen Company website. As I noted above, the Honokalani Maile Lei retails at a higher price point than a typical Kanilea fountain pen ($555 for a steel nib, and $695 for 18k gold), though there is also a Honokalani model (no Maile Lei band) at the standard $395 pricing. Other Kanilea models currently available for purchase include the Mauna Kea, Aolani, and Nui Nalu, which I’ve previously written about as well as the newer Kona Snow and Kona Cherry designs.

Disclaimer: Kanilea Pen Company was kind enough to provide me with the pen featured in this review on a tryout basis. It’s not going to make it’s way back to them. While I did not receive the pen for free, I did receive a discount on the purchase of a gold nib version. Many thanks to Hugh, Karol, and the rest of the team at Kanilea for making this review possible!

Has The Market for "Limited Editions" Finally Jumped the Shark?

It’s a question I’ve been thinking about for a while, but a combination of things finally prompted me to write this post:

1. A question posed a few days ago on Reddit r/fountainpens about whether limited edition fountain pens appreciate in value, and looking for recommendations on which pens can be viewed as an “investment”;

2. The announcement of Lamy’s “Anniversary Edition” Lamy 2000 in Brown Makrolon, made available for pre-order at Canadian retailer Wonder Pens yesterday at a price point nearly 3x the standard version; and

3. The realization that I am experiencing extreme buyers fatigue, to the point where I can count the number of pens I’ve acquired this year on one hand.

It used to be that companies released “limited” or “special” editions once or twice a year, with “limited” denoting a small, fixed number of pens that are put on sale and then discontinued. “Special edition,” on the other hand, typically refers to a special release made in non-finite quantities for a fixed period of time or until sales drop off. These days, there’s not much that’s either “limited” or “special” about it. Seemingly every major pen company has embraced what amounts to a limited and special edition business model, releasing as many as a dozen of these pens every year supported by aggressive cycles of social media marketing. The point of this post isn’t to blame them for doing so: As long as people are buying the pens, it makes sense for them to do it, since presumably reissuing existing pens in different finishes and materials generates a higher margin that having to invest in entirely new product designs. My question is whether it’s sustainable, and drawing on my own personal experience, how long before the larger customer base starts to lose interest?

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I’m not against limited and special releases, but can we do it with a bit more intentionality? To me, there’s a distinct difference between a well thought-out Anniversary release like the Kanilea Honokalani Mali Lei (top left) or a good homage pen such as the Virginia Woolf Writer’s Edition (bottom left), and most of what we are seeing today. While I could get behind the “Bauhaus Blue” Lamy 2000 as a one-off, I have issues with making this an annual thing, in which instead of expanding the standard range to include additional colors, Lamy will be releasing “limited edition” Lamy 2000s annually or near-annually, in effect selling a $200 fountain pen for $700 plus.

Personally, I’m Over It.

You may have noticed that I’m doing fewer reviews of special and limited edition stationery items on the blog. The main reason for this is that I can’t keep up, and I don’t have the personal bandwidth to follow all the different releases that are announced every week. Another reason, however, is a growing lack of excitement on my part. It used to be that the announcement of a new Montblanc Ink or Sailor Pro Gear was considered an event. Now, for example, five months into 2021, we’ve already seen at least three Sailor releases (that I know of) in the North American market alone, and the announcement of so many new inks that I can only throw up my hands. Years ago, you could be a collector of “limited editions” from a specific brand. Nowadays, most companies have released so many that unless you’re extremely well-heeled, that may be impossible.

Don’t worry - I’m not going anywhere and I’m not giving up the blog, but I’d be lying if I didn’t acknowledge that the past year gave rise to an existential crisis of sorts. When I first got into pens, and fountain pens in particular, the search for a superior writing experience is what drove my experimentation and exploration. Somewhere along the way, I found myself caught up in this FOMO-driven “catch-’em-all” mentality, and perhaps even contributing to it by spotlighting every special and limited edition release on The Gentleman Stationer. Maybe it was the experience of being forced to spend my days working from home amid piles of hoarded stationery that will never get used, but about halfway through 2020, I realized that both I and T.G.S. needed a hard reset.

Going forward, I won’t be reviewing “all the things” but rather only those things that legitimately interest me or that I feel might be of significant interest to members of the community. That’s also why you are seeing a new revenue model featuring less retailer and affiliate advertising in favor of direct reader support via Patreon and my own Curated Shop. Yes, there may be some overlap between what I write about and what I sell myself, but it will be intentional. If I choose to carry something, it’s because I think it’s a quality product that is (1) a worth purchasing for actual, practical use, and/or (2) something interesting that the hype train has left at the station and that I think warrants further attention. So far, I’ve found this new approach far more fulfilling, and I’ve had more fun with T.G.S. in 2021 than I’ve had in years, mainly because I finally feel that I’m charting my own direction as opposed to constantly having to worry about responding to the FOMO and other market pressures.

Limited Edition Pens Have Always Been a Bad Investment. Now They’re Even Worse.

Look, I’m not going to quit buying (or even selling) special and limited editions altogether. Some of them are legitimately interesting, well-thought-out, and fun - especially collaborations with artists, brands from other industries, and community members. There will always be a place for that sort of product. But when the industry itself seems to be headed in the direction of one giant special edition subscription model, something feels off, and certainly a departure from what drew me to this community in the first place. I want to try something different, and if people follow me, great. If not, at least I’ll be having fun again!

And to get back to what originally prompted this post: If I could convey one piece of “wisdom” from my decade-plus in the pen community, please do not buy any fountain pen (or other stationery item, or consumer items in general, for that matter) as an investment. Yes, at one point you could flip that Montblanc Writer’s edition (Hemingway or Agatha Christie perhaps?) for a nice return, but these days there are so many of these pens, and the starting retail price for limited and special editions is so high, that there’s little room for any appreciation in value. Moreover, I’ve begun to see retailers having difficulty moving stock. You can often find these pens on deep discount months, or even years, after they were officially discontinued. Honestly, you’re probably better off buying Dogecoin (and no, that’s not an endorsement).

Editor’s Note: For those who are interested, here is some background on the English-language idiom “Jumping the Shark”.

A Tale of Two Limited Anniversary Editions: The Lamy 2000 Black Amber

Last year, at the time of the Lamy 2000 100th Anniversary Bauhaus edition, I looked at Lamy’s struggles with managing its limited edition portfolio. While most criticism of the “Blue Bauhaus” fountain pen focused on Lamy’s decision to release fewer than 2000 pens - not coming close to satisfying demand - it’s easy to see how the company ended up in that place: three years later, they still haven’t sold out of their previous anniversary edition, the Lamy 2000 Black Amber, released to commemorate the 50th anniversary of Lamy’s flagship writing instrument.

Others (namely Dr. Deans at Pen Economics) have written in depth on the nature of the problems with this release from a business perspective. In short, Lamy grossly overestimated how many limited edition Black Amber Lamy 2000s they could sell at the 500 Euro / $600 USD price point. While most U.S. retailers no longer have the pen in stock, that’s likely the result of the heavy discounting and promotional offers they used to unload inventory. Some European retailers still have pens available for purchase, so at this point I wanted to take advantage of a couple years’ worth of perspective and re-evaluate the Black Amber with some distance, focusing more on this limited edition release as a pen rather than a marketing case study.

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Beyond black makrolon: From left, Lamy 2000 Black Amber 50th Anniversary Edition; Stainless Steel Lamy 2000M, and the Bauhaus 100th Anniversary Blue Makrolon pen.

The Black Amber Is Still a Lamy 2000 - And An Exceptional Pen

Disclaimer up front: I don’t necessarily come to this review from a rational standpoint. The Lamy 2000 is easily my favorite fountain pen of all time, and as with the Bauhaus 100th Anniversary Pen, I was eventually going to track down a Black Amber and add one to my core collection. And, it’s going to be no surprise to you all that I love this pen. I disagree with those who criticized this release on the grounds that it was “too similar” to the standard stainless steel Lamy 2000M. The electroplated finish on the Black Amber gives the pen a much different feel in the hand, and it’s noticeably lighter. When I weighed these two pens on my digital scale, the standard stainless steel pen came back at 2.0 oz, and the Black Amber 1.9 oz (and the Black Amber was fully inked at the time). The difference is enough to change the balance of the pen when posted, at least for me. Curiously, much of the extra weight on the stainless model is in the cap, which weighs .8 oz as opposed to .6 oz on the Black Amber.

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How does one describe the color? Let me say this: after seeing the Lamy 2000 Black Amber in person, I finally understood the name. The finish alternately appears dark grey, brownish, or even a champagne gold, depending on the lighting. It’s beautiful. Sure, the Black Amber will never appease those clamoring for a yellow or orange or translucent green demonstrator, but I’ve never felt that wild color schemes would be consistent with the Lamy 2000’s design heritage. At the end of the day, I think I’m fine with the decision to explore more subtle variations in color and texture.

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I have pen No. 3497/5000. The size of the releases have significance (5000 pens for the 50th Anniversary, and 1919 pens for the 100th Anniversary of the Bauhaus, founded in 1919.)

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The engraving on the cap is very subtle, requiring me to enhance the picture so that it’s even visible.

Overall Writing Experience

I’ve previously reviewed both the standard Lamy 2000 and the Stainless Steel Lamy 2000M at length, and to be honest the experience of putting nib to paper with the Black Amber doesn’t differ all that much from Lamy’s standard lineup. The medium nib on my Black Amber writes a smooth, wet line, consistent with the platinum-coated 14k nibs on the other Lamy 2000 fountain pens I currently have in rotation. At one point, the Lamy 2000 developed a reputation for finicky nibs, but I have to say that I’ve not experienced any issues with the pens I’ve owned, and I’ve purchased five or so within the last several years, through regular retail channels.

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Takeaways and Where to Buy

I remain convinced that the primary obstacle to the Black Amber selling well was the price, widely perceived as too high for “what the pen was.” While I’m not sure this is fair - other companies have implemented much more egregious price hikes on their limited editions (including instances where the editions weren’t really limited at all), the discomfort I have with high price points on the Lamy 2000 is that it seems somewhat inconsistent with the Bauhaus ethos: well designed, functional items meant to be used, not necessarily collected. But lots of factors go into companies’ pricing decisions that are beyond the scope of this article, including costs of material, manufacture, and distribution, all of which affect how a company can price the pen without losing money. And, don’t forget that the entire run of Bauhaus 100th Anniversary pens sold out immediately, despite similar pricing to the Black Amber, so what do I know? It could simply be an issue of Lamy feeling out the size of the market for a limited edition Lamy 2000, which sits somewhere between 1919 and 5000 pens.

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The texture on the Lamy 2000 Black Amber makes for a perfect pairing with my Raven Venture.

Like any limited edition pen priced at a premium, whether the purchase is “worth it” to you remains a highly personal decision. Anytime you move past the $300 mark, you’re buying the pen because it moves you in some way, or, like me, you’re concerned that if you let this pen sell out without acquiring one your status as a Lamy 2000 super-user will be revoked. But in all seriousness, my overall take on the pen is this: I love it, especially the finish, and the pen itself doesn’t deserve the degree of negative attention it’s received. If you appreciate Lamy’s understated designs, especially the subtle variations in finish and texture they’ve chosen for their limited editions on the 2000, and can handle the weight of the stainless steel body, you probably won’t regret the Black Amber. Ignore the hype/haters and trust your own preferences.

I purchased my Lamy 2000 Black Amber from site sponsor Appelboom last year, around the same time that I ordered my blue Bauhaus 100th Anniversary fountain pen. Although I recognize that the Black Amber is not for everyone, I’m somewhat amazed that this pen remains available for purchase, even at the discounted (but still-expensive) 400 Euro price point.

Further Reading on the Black Amber and the Lamy 2000

One reason I wanted to review the Lamy 2000 Black Amber is because so few reviews of this pen exist. Dries over at The Pencilcase Blog is the only one I can find who reviewed the Black Amber, back in 2016 at the time of its release, and had much the same reaction as I did. I’m glad that I can add my own voice to what little is out there, and make sure this gem doesn’t fall into obscurity.

Disclaimer: I purchased the pen featured in this review with my own funds, for my own use. This post contains affiliate links.