Funny story - I was initially drawn to this particular pen at the Arkansas Pen Show, having been “forced” to sit next to the Vanness Pens table and eye these two Tibaldi Bononia vintage fountain pens all day on Saturday and most of the day on Sunday. Specifically, I kept eyeing the “Pomegranate” version, with its wine-colored crushed ice/stone acrylic, but I couldn’t get past a perceived problem with the nib. At least three different vendors looked at the tipping, and all of us concluded that while it wrote “OK,” the tipping on the nib was lopsided. Deflated, I walked back to the table and put the pen back in the box, at which point I noticed the large “OM” (Oblique Medium) on the price tag. (It also appeared on the nib, but none of us noticed that either.) I dipped the pen, angled the nib as intended with an oblique, and the pen wrote perfectly.

The two materials shown here are “Pomegranate” (left) and “Honeycomb” (right).

Self-deprecating humor about us “pen experts” notwithstanding, this story is also revealing simply because it never occurred to me that a modern company, much less Tibaldi, would release a pen with an oblique medium nib. Once fairly common stock nib options, but increasingly rare, oblique nibs are useful for those who angle their pens as they write. This particular nib is a “right-footed” oblique, with the nib tipping angled on the right side (like a right foot) to accommodate someone who rolls the pen to the right as they scribble away.

The Tibaldi Bononia Vintage is available in stock oblique medium nibs (shown at left) and a factory stub, which I believe is 1.1mm (shown at right). You can see how the tipping material on the oblique is slightly angled.

It’s a fun lead-in to a review of an excellent pen with well-executed vintage styling. Italian penmaker Tibaldi has a long history, and in recent years has mounted something of a comeback, reissuing modern versions of pens from its archive such as the “Bononia” model. (“Bononia” is the Latin form for “Bologna”, though Tibaldi is not headquartered there, was founded in Florence, and is now headquartered in Bassano del Grappa near Montegrappa, with which the company shares common ownership.)

I love the low threads on the section, which make it easier to grip the pen comfortably. These threads are also short, and allow you to cap/uncap the pen quickly.

Of all the pens in the Tibaldi lineup, the Bononia holds the most visual appeal for me personally, but with relatively sparse distribution in the U.S., I’ve never had the opportunity to see one in person. I ended up borrowing two of the limited edition “Bononia Vintage” models from Vanness for review, mainly because there’s an open spot in my own collection for a streamlined/torpedo-shaped pen that hasn’t yet been filled, and I like the size of this particular pen more than something like an Oldwin, which while gorgeous, is probably too big for me to use regularly.

What I love about this design:

The short barrel threads are located at the end of the grip section, down near the nib. Not only is the pen quick to cap/uncap (1-1.5 turns!?), but there’s little to no contact with your fingers as you write, unless you grip the pen VERY close to the nib.
The piston-filling system feels high quality and holds an adequate amount of ink. I’ve been writing regularly with this pen for the last week or so, and it still writes a wet line with no sign of slowing down. I’d estimate it holds 1-1.5ml of ink in the barrel.
The Bononia posts deeply and sits well in the hand posted or unposted. The acrylic is gorgeous, with a lot of depth. Despite some added heft from the piston system, which feels like brass, the pen is well-balanced even when posted.

Back to the nib: One complaint I’ve heard about modern Tibaldi is that the nibs tend to dry out, and write on the drier side in general. This was my experience with the steel nib N.60 I reviewed a couple of years ago. I had no such issues with the oblique nib on the Bononia Vintage, which is 18k gold and is paired with a plastic feed that delivers steady ink flow. I’ve written with this particular nib on multiple papers using Caran d’Ache ink, and had no problems - the nib lays down a wet line, generally smooth with just a touch of tactile feedback. (Note: I also wrote with the stock stub, and found it a less appealing drier writing experience, though stock stubs can be temperamental with my handwriting, especially if I’m trying to write fast.)

I love the line this nib writes. The writing sample shown here is done in Caran d’Ache Klein Blue (limited edition) Ultramarine, which is no longer available. I’ll be writing more on Caran d’Ache bottled inks soon, as we intend to add them to the shop. The paper is a Midori MD Cotton notebook, which has become my preferred paper for ink testing, if not for writing in general.

Takeaways and Where to Buy

The Tibaldi Bononia Vintage is currently still available from select retailers, including our friends at Vanness Pens. Priced at $695 MSRP / ~ $495 retail, this isn’t an inexpensive pen by any means, but at the same time the price isn’t outrageous for a piston filler with an 18k nib. Personally, I’m torn on whether to go ahead and purchase this pen. It’s a gorgeous piece, and I’ve long wanted a medium oblique nib in my collection, but at the same time I’ve bought a TON of pens lately, and I’m somewhat drowning under the weight of my current collection, bothered by the fact that exceptionally good pens simply aren’t getting used. That doesn’t change the fact that I love what Tibaldi has created with the Bononia Vintage, and look forward to seeing more higher-end pens from this manufacturer that draw on their rich archive of classic designs.

The Tibaldi Bononia Vintage (left) compared against a Pilot Custom 74 (center) and a Lamy 2000 (right), two commonly available fountain pens for size reference. Also, you may notice that I’m writing with a Midori MD Cotton Notebook inside a MD A4 Paper Cover. The F3 size fits the A4 cover - at least the paper one.

This pen was loaned to me by my friends at Vanness Pens for review purposes, at no charge. I have not otherwise been compensated for this review. The Gentleman Stationer is currently supported entirely by purchases from The T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. If you enjoy our content and wish to support us, please help us stay ad and affiliate free by shopping with us or becoming a member.

Italian brand Tibaldi has a long and storied history in the pen industry dating back to 1916, when it was founded in Florence. Over the years, Tibaldi pens have alternated between prominence and obscurity, most recently achieving a degree of fame/infamy for their absolutely gorgeous - and now scarce and absurdly expensive - “impero” celluloid. After several changes in ownership and management over the years, I understand that Tibaldi is now owned by the Aquila family, which per the Tibaldi website also has an ownership stake in Montegrappa. Given that Tibaldi has been headquartered in Bassano del Grappa (home of Montegrappa) since 2004 (as well as the line of pens released at some point dubbed “Tibaldi by Montegrappa), it’s clear to me that there is common ownership and that Tibaldi is a Montegrappa “sub-brand,” though I can’t find anything online where the companies expressly confirm that relationship.

Until I started researching this review, I was actually unaware of the relationship between these two Italian pen companies, but now that I think about it the business strategy kind of makes sense. I enjoy Montegrappa fountain pens, especially the materials they use, but they do get knocked for their high (some would even say astronomic) price points, even on their introductory or “lower-end” offerings. Since Tibaldi pens seem to top out at less than $250 (and even under $200 depending on where you buy), I would surmise that the strategy is to protect the “premium” image of the Montegrappa brand by releasing a more accessible line of pens under the Tibaldi moniker. It’s not a bad strategy, though I do think Tibaldi might have an easier time catching on if more people readily understood the connection to Montegrappa, an established modern brand.

Design and Build Quality

Any time a pen company releases a fountain pen featuring blue-flecked tortoiseshell material, either celluloid or acrylic, I’m going to buy it. (Don’t ask me - it’s one of those things.) This material reminds me of the blue tortoise celluloid used in my Faggionato Petrarque, though of course this Tibaldi uses acrylic and not celluloid. Regardless, the material is beautiful. The pen itself features a classic vintage-inspired design, reminiscent of various vintage fountain pens from Tibaldi and other brands. The triple cap band is a nod to some of my favorite vintage pens (though this Tibaldi is of course much larger - more on that below). The Tibaldi N.60 shows very little in the way of branding, with only a subtle “Tibaldi” engraved right above the cap band.

Build quality seems solid. The metal clip feels secure and tight, and the cap threads are smooth, opening with less than two turns. Inside the barrel, the acrylic is thick, with just enough room for the converter to fit without rattling.

Tibaldi N.60 Posted

Tibaldi N.60 Unposted

Nib and Overall Writing Experience

The N. 60 is, to me, a larger pen, though in terms of modern sizing it’s best characterized as a mid-size pen. It posts securely, though feels a touch top-heavy when you do post. Most people will probably write with this one unposted. The section is on the shorter side, causing me to tend to grip the threads when writing, though because the threads aren’t sharp I never experienced any serious discomfort.

The nib is where Tibaldi has attempted to distinguish itself from other brands targeting the $150-200 price bracket. While there is nothing necessarily special about the stainless steel nib itself, Tibaldi has paired it with an ebonite feed, typically the hallmark of much more expensive Montegrappa pens. The presumptive benefit of more consistent ink flow, however, doesn’t really appear here. While my N.60 isn’t a dry writer, I’m not sure I can discern that much of a difference between this nib and any other stock Bock or JoWo nib paired with a standard plastic feed. I did experience a couple of hard starts when the pen was new, but those have largely disappeared following a short break-in period of me writing with the pen consistently.

Writing sample with a stainless steel medium nib, Sailor Ink Studio 140, on Write Notepads Dot Grid Paper.

Takeaways and Where to Buy

If I had to point to one thing that would make the Tibaldi N.60 worth buying, it’s the materials Tibaldi has chosen, particularly the “Samarkand Blue” and the “Amber Yellow”, as well as certain design touches such as the triple cap band which give the N.60 a higher-end feel than its price point would suggest. Otherwise, I feel like the N.60 struggles to distinguish itself from its competitors in terms of writing experience, and I guess I expected a bit more ink flow from my ebonite feed. Don’t get me wrong - this isn’t a bad pen, and if you love the look of it, you will get a nice writer that feels built to last. If I had to pick a pen for a close comparison, I would say that the N.60 strikes me as a more upscale Levenger True Writer, which many people love, and which shares some of the same design language.

Similar materials: I like the Samarkand Blue acrylic almost as much as the “Honey Noire” on my Conway Stewart Model 100.

I purchased the pen featured in this review from Appelboom, which carries the full line of Tibaldi pens. The Tibaldi No. 60 is currently priced at around $175, depending on the exchange rate, and in addition to the “Samarkand Blue” model shown here, comes in black and three other marbled colors: Ruby Red, Emerald Green, Amber Yellow, and Emerald Green.

Disclaimer: This post does not contain affiliate links. The Gentleman Stationer is supported via pledges from the T.G.S. Patreon Program and sales through the T.G.S. Curated Shop.