Paper Review: Midori MD Fountain Pen Friendly Sticky Notes and Notepads

I went shopping in my own store yesterday - I know, typically a bad business decision - but since I’ve moved TGS out of my home office to its own commercial space I’ve had to rebuild my home office a bit to make it more suitable for it’s original purpose: reading, home-based projects, and personal writing. Yesterday morning I sat down to plan out my personal finances and errands for the week and realized that I didn’t have any decent sticky notes or even a tear-off notepad at my desk. This presented the perfect opportunity to test out two very popular items from our shop: the Midori MD Memo Block Notepad and the MD A7 Sticky Notepad, which I’d not used extensively myself.

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The 500-sheet block notepad contains excellent paper. The thick 4"x4" pad is large enough to rest your hand on while writing on the top half of the sticky note, but most people will likely tear off the sheet to comfortably use the entire page.

Of these two products, the MD Memo Block Notepad is my favorite. I enjoy having a ready supply of tear-off paper that’s not too expensive, and I basically use these as scratch sheets. This large notepad contains 500 sheets of Midori MD Paper (the same as in the standard MD Notebooks), which measure 4” x 4” square and handle fountain pen ink extremely well. I’ve noticed no difference in performance between this notepad and any standard Midori MD paper product. The pad itself is glue-bound along the top edge and does not feature any “sticky” backing on the sheets themselves - these aren’t sticky notes, and if you want to attach the notes to anything, you’ll have to use glue, tape, staples, or a clip. You can also do as I sometimes do, and punch three holes in smaller sheets of paper and stick them in an A5 or Bible-sized Plotter.

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One ink (TGS x Hinze Summer Sangria) feathered a little on the sticky note but not on the memo pad. It was worse at the top of the sticky note (where the adhesive likely mixed with the paper).

The Midori MD A7 Sticky Notepad is also a good product, especially when you consider that fountain pen friendly sticky notes are extremely difficult to find. While these are labeled “MD Paper”, this particular product feels slightly different than the Midori MD pads and notebooks. The paper is thinner, and doesn’t handle ink quite as well as the Memo Block, though it still performs nicely for a sticky note. Sticky notes are difficult to use with fountain pens for a couple of reasons. First of all, the paper can’t be too heavy, or else the adhesive won’t be able to support the weight of the note. Second, sticky note adhesive has a tendency to affect how ink behaves on the paper. If you’ve ever written on the top part of a sticky note and had it feather like crazy, only to have the bottom half behave differently, you know exactly what I’m talking about. While I’ve experienced a bit of feathering on these sticky notes with certain inks, they’re generally quite good (certainly better than other alternatives I’ve tried) and on par with the apparently discontinued Traveler’s Company sticky notes.

The adhesive on these notes performs well. I had no trouble sticking it to a whiteboard, and these adhere just fine to notebooks and other sheets of paper - which is how I generally use stickies.

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The Midori MD Sticky Notes (left) and MD Memo Block Paper. The sticky notes had a touch of pinpoint bleedthrough, but then again, who writes on the back of a sticky note?

Takeaways and Where to Buy

As always, Midori comes through with a high quality and generally fountain pen friendly product. While the paper in the MD Memo Block notepad performed better than the paper in the sticky notes, I suspect that’s due mostly to the adhesive on the back of the sticky note paper reacting to a very wet fountain pen ink. In any event, I don’t really demand top-notch performance from sticky notes, and these certainly fall into the “good enough and better than nearly everything else I’ve tried” category. The sticky notes will go into one of my Sinclair pen cases so that I have them available wherever I happen to be working, and the MD Memo Block will stay on my desk at home.

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We’ve carried these in the shop for a long time - I’ve just never gotten around to using them seriously until this week. The MD Memo Block comes in three formats (grid, blank, and lined) and is priced at $12 for a 500-sheet pad. The A7 Sticky Note Memo pads run $11.50 each and come in five different formats (lined, blank, grid, dot, and framed). You can check out these and other Midori products by visiting the paper section of our store. Also, if you’re aware of any other fountain pen friendly sticky notes out there, let me know as this is a product category I’m interested in!

The Gentleman Stationer is supported by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program.

Notebook Review: ProFolio Oasis Notebook

ProFolio Oasis notebooks landed on my radar at the first San Francisco Pen Show that I attended, where I had a chance to browse the Sailor/Itoya table. As a huge fan of multi-lined rulings such as Clairefontaine French/Seyes ruling and the Nakabayashi “Logical” lined rulings, I immediately jumped at the ProFolio layout, which distributor/manufacturer Itoya describes as a combination of “dots, graph, and lines.”

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The ProFolio Oasis multi-lined layout.

Itoya highlights versatility as the main selling point of this notebook:

“The Profolio Oasis Notebook was designed to make the hard choice of “which journal” much easier. While many people have a hard time choosing between dot grid, graph, or lined, the Oasis Journal combines the best of all three with its new proprietary paper pattern. The combination of dots, grids, and lines as well as their light application makes this notebook ideal for handwriting, bullet journaling, and even drawing straight lines without the necessity of a ruler.”

— Itoya Marketing Copy

I promise current and former co-workers who may be reading this that the meeting reflected in these notes is entirely fictional.

Personally, I use rulings such as this one to alternate the size of my script, which allows me to take different types of notes and make annotations all over the page. If I need to emphasize a certain note, I’ll use larger letters, and if I want to add annotations I’ll not only write smaller but will use the interior dotted lines instead of the wider, bold ruling. Each page of the notebook features a header section, so that you can date and label as necessary. Some of you may find the header section useful for summarizing meetings or key takeaways from a page of notes.

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The paper is excellent. The current version of the ProFolio notebook features lightweight 75gsm Japanese paper that handles fountain pen ink quite well. If you enjoy the look of Clairefontaine French-ruled paper, yet find Clairefontaine too slick, the ProFolio paper has a softer texture more akin to Nakabayashi. (It might even be the same paper used in the Logical line, though that is pure speculation and there are slight differences in layout, particularly the header.) I picked an A5 version in “Brick Red” to test, and so far this paper has performed quite well with every fountain pen ink I’ve tried. Other available sizes include A6 and B5.

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Takeaways and Where to Buy

The Itoya ProFolio Oasis series gets the T.G.S. stamp of approval. In addition to featuring quality paper with a versatile ruling/layout, ProFolio earns bonus points for multiple convenient sizes and a lie-flat binding. These Oasis notebooks are now available in our own shop and priced from $9.99 to $15.99, depending on size. As noted above, these come in A6, A5, and the coveted B5, which sits between A5 and A4. There are also five different colors. I didn’t realize the extent to which people appreciated this B5 size until I started carrying Nakabayashi and ProFolio, and I’ll try to find more in the future.

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In recent years there has been a proliferation of notebooks marketed as “fountain pen friendly”, and not all of them live up to their billing. Given the current demand for good paper, I make it a point to test as many notebooks as I can because I know that eventually I’ll get questions on brands that are receiving a lot of attention on social media. If you’d like to read more on what I consider to be fountain pen friendly paper and specific brands you might want to try, I recently updated the “Hierarchies of Fountain Pen Friendly Paper” site resource.

This post does not contain third-party advertising or affiliate links. The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program.

The Best Paper for Everyday Writing, Part VI: Legal Pads

While I had originally envisioned “The Best Paper for Everyday Writing” as a five-part series, based on reader questions, I thought it made sense to expand it to include a stand-alone article on “Legal Pads”. I’ve placed the term in quotation marks because it’s regularly used to describe several very different types of stationery, ranging from the traditional 8.5” by 14” U.S. “legal-sized” pad of paper to any writing pad that is glue-bound on top and features detachable perforated sheets. I use the broader definition, since in my experience as an attorney fewer and fewer people are using actual legal-sized paper each year, and most of the legal pads I see in everyday practice now feature either letter (8.5” x 11”) or A4 (8.3” x 11.7”) sizing.

The main question I get from readers is very straightforward: What is the best fountain pen friendly legal pad available today? The answer, however, is NOT so obvious, because people prioritize different things. For example, many office workers will churn through a lot of legal pads (think three or four per week), so they look for the least expensive option with acceptable fountain pen performance. I don’t go through as many pads as I used to, so I no longer take this approach myself. Therefore, I’m not up to date on which Amazon or eBay brand of inexpensive legal pad is currently using decent paper - batch performance tends to change from year to year or even month to month. I tend to stick with slightly more expensive paper that delivers consistent performance with fountain pens, rollerballs, and fineliners, and that is how I’ll approach this post.

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In my mind, a classic “legal pad” has to allow you to easily fold sheets over the top, and feature a backing board sturdy enough to permit notetaking while standing up. In order to write on both sides of the page, you will have to tear the page out (hence, perforations).

My Favorite Fountain Pen Friendly Legal Pads

1. Clairefontaine “Pupitre” Writing Tablets. My long-time favorite for a legal-style writing pad remains the classic Clairefontaine “Pupitre” series. Available in A4 and A5 sizes, this durable writing pad is both glue and staple-bound across the top, and features a wrap-around cover in addition to a thick chipboard back for maximum durability and ease of use while standing. The combination of paper quality and high-end construction has kept this pad at the top of my list for many years, and I can’t recall a time when I didn’t have at least three of these in my office desk.

2. Rhodia A4 Dot Pads. The reliable Rhodia Pad can be found pretty much anywhere these days, including in big-box art supply and craft stores, so they get extra points for availability when you may not have a brick-and-mortar pen store nearby and need quality paper quickly. Also, when I’m looking for dot grid paper, which can easily be turned sideways to use in a “landscape” orientation, Rhodia is my go-to. Of course, Rhodia pads are available in other rulings and a wide range of sizes. I place them at No. 2 on this list, essentially tied with Maruman Mnemosyne, for the same reasons discussed below.

3. Maruman Mnemosyne A4 Pads. Basically, Maruman Mnemosyne pads tie with Rhodia after Clairefontaine in my book, with Clairefontaine given the edge due to the slightly sturdier build. Rhodia edges out Mnemosyne based on availability. That said, Mnemosyne paper is excellent quality, and if you enjoy having a dedicated space for a header at the top of the page, their layout makes it very easy to organize your notes. Maruman also makes a range of portfolios/padholders across a range of price points, including both PVC and vegan leather options.

4. Write Notepads Memo Pads. Featuring excellent paper and versatile layouts that include a “Meeting” format, these memo pads are sold in packs of two and therefore also offer good value. While the Write Memo Pads have a backing board, they don’t have a cover like the first three pads on this list, so they’re not quite as durable for portable use, but I’ve absolutely used them in a portfolio. Note that these are letter-sized (8.5” x 11”) and not A4.

5. Plotter A4 Pads. DesignPhil’s proprietary paper is exceptionally fountain pen friendly, but the A4 writing pad itself is (1) tailored toward users of the Plotter system, and (2) suffers from durability issues that will keep most people from using this as an everyday legal pad. You can use the Plotter A4 pads in either traditional “portrait” or “landscape” mode (i.e., horizontally or vertically), and the paper comes hole-punched for an A5 Plotter binder along the top edge. Because A5 is exactly half the size of A4, you can simply fold the sheet in half (or do a tri-fold) to carry with you in your binder. As a fairly heavy Plotter user, I’ve been experimenting with one of these pads in my A4 Roterfaden, and the primary drawback is that the pad doesn’t have a sturdy backing board or binding and falls apart fairly easily. This product appears to be designed primarily with desk use in mind, where you tear the sheets out one by one as you use them.

Honorable Mention: Midori MD and MD Cotton Writing Pads

Intended more as a desk pad than a traditional legal pad, the Midori MD and MD Cotton pads are glue bound on two sides (crosswise and lengthwise), which ensures the paper lies flat and prevents “curling” of pages as you get to the end of a pad. I include these as honorable mention because, while you can’t use them easily in a portfolio or padholder without breaking the binding, they are excellent pads of paper and can absolutely be used to take legal pad-style notes as necessary.

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Thick backing boards on the Clairefontaine Pupitre (top), the Write Notepads Memo Pad (middle), and Maruman Mnemosyne (bottom).

Further Reading

To catch up on the rest of the “Best Paper for Everyday Writing” series, check out our “Best Paper” Resource Page. I may need to do yet another post in the series in response to several reader requests for recommendations on pads for letter writing and written correspondence, which is an entirely different category (though again there may be some overlap). Stay tuned!

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. This post does not contain third-party advertising or affiliate links.

From the Archives: Tomoe River 68gsm Remains One of My Favorite Papers

On this past weekend’s Patreon meetup, we discussed the topic of Tomoe River 68gsm paper, which has always been the slightly less-favored version of Tomoe River, the classic lightweight fountain pen friendly Japanese paper. The formula and rights to “Tomoe River” paper has changed hands several times over the past few years, with the current version of the 52gsm paper (the lightest weight version) now made by Sanzen. The Sanzen TRP will soon be the exclusive version of that particular paper on the market. It’s unclear what’s happening with the heavier 68gsm version, including whether it is still being made or whether the current stock of 68gsm paper and notebooks represents “back stock” that will disappear once the paper is all used up. The latter is the most likely scenario.

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While much depends on the ink you’re using, I’ve generally found that Tomoe River 68gsm dries quicker than the thinner 52gsm.

68gsm Tomoe River Paper feels quite different from the 52gsm version - especially the “original” 52gsm - which is the paper with the “crinkly” feeling that so many people know and love. Personally, I find the 52gsm version too lightweight for my taste, especially in a work notebook or bound pad that tends to be subject to rough treatment. The 68gsm is equally ink-friendly (though it does show colors differently), is more durable, and in my opinion has a better feel when writing since it the tactile feedback that I like in a thicker paper. I also appreciate that it’s frequently available in dot grid.

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Because it’s thicker, the 68gsm paper exhibits less show-through on the back of a page, making it in my opinion a better choice for a notebook paper than the thinner 52gsm Tomoe River.

During the meetup this weekend, I pulled out an Odyssey Notebook that I received directly from Odyssey at the D.C. Pen show a couple of years ago and wrote in it for a bit, really enjoying the feel of the 68gsm Tomoe River and hoping that it won’t go away anytime soon. Alas, I suspect its days are numbered.

Takeaways and Where to Buy

Unlike the original 52gsm Tomoe River Paper, which has been much lamented, other discontinued or soon-to-be-discontinued papers such as Tomoe River 68gsm and Cosmo Air Light haven’t been receiving as much fanfare. It’s probably because the weight and feel of these papers aren’t quite as unique and irreplaceable as the super-lightweight Tomoe River, and the good news is that fans won’t have as much of an issue finding a suitable replacement. Have you found a substitute? Let me know because I’m interested.

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I have a healthy personal stock of 68gsm Tomoe River Paper, and for now there are several different ways you can still get a hold of it. We carry it in our own shop in the form of the Lochby A5 Notebooks and Pocket Notebooks, which are sold as refills for the Lochby Field Journal and Pocket Journal, respectively, but which are standard sizes and can be used as stand-alone notebooks or as refills in similarly sized covers. Other brands that still use 68gsm Tomoe River paper include Odyssey Notebooks (shown in this post), which makes a line of hardbound notebooks in A5 and B5 sizing, as well as the Endless Recorder line, which is in the process of switching over to “Regalia” paper, presumably in the expectation that the Tomoe River 68gsm will be gone someday. I don’t generally encourage stockpiling, but I will certainly use what I have while I can!

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. This post does not contain paid sponsorships or third-party affiliate links.

Personal Workflow: It's More Than Novelty - Different Paper Rulings for Different Purposes

Between my dual careers as an attorney and a writer/shopkeeper/administrator, I go through a lot of paper. (Seriously - people don’t believe me when I tell them that I’ve been known to write through 1-2 full converters of ink in a single day. That requires a LOT of paper.) But what paper do I use? That depends on the nature of the writing itself. Dot grid has long been my standard “everyday” paper simply because it’s so versatile, but lately I’ve rediscovered the beauty of a plain blank page. I’ve also enjoyed using the “quadrant graph” layout from Plotter/Midori Designphil. I thought it would be fun to talk specifics about each of these papers, how I use them, and in what formats.

My Most Used Paper Rulings and How/WhY I choose Each one

1. Dot Grid. A light, subtle dot ruling offers just enough structure for actual writing, but it can also “disappear” if you want to draw, take random notes vertically, annotate, etc. To me, dot grid paper represents the perfect compromise between structure and flexibility, and best of all, it’s readily available in pretty much any pad or notebook format you can think of (including colored paper). The three formats I use the most are the Rhodia Dot Pad, a stationery workhorse which has been in my rotation for more than a decade, the letter-sized Write Notepads Memo Pad, and anything with dot grid Tomoe River paper, preferably the 68gsm version because I think it holds up to daily use better. (Get it while you still can.) Dot grid is my default paper.

2. Reticle/Cross Grid. After dot grid, the next best thing for me is a reticle grid, featuring small crosses instead of dots. (Hence this ruling also being called “cross grid.”) Offering a bit more structure than a dot grid without the fully connected lines to disrupt your writing, I will opt for a reticle grid over standard graph any day. This particular paper first went mainstream back in 2014 with the release of the Field Notes “Night Sky” edition. These days, reticle grid paper can still be somewhat difficult to find - certainly harder than dot grid - but it’s becoming more common. Atelier Musubi offers it as an option in their recently released “Rasa 83” notebooks, as well as their new Spica Bond 75 pocket notebooks. Nanami Paper also continues to sell the Seven Seas “Crossfield” Tomoe River Journal.

3. Blank. Back at the beginning of the year, I resolved to allow myself to just enjoy using really good paper that didn’t have a set “purpose.” I wanted to play around more with pens, ink, and even paint, and blank paper makes the perfect canvas for experimentation. Moreover, because many specialty Japanese papers only come in a blank format, allowing yourself to enjoy the blank page dramatically expands your range of options. Specific papers I’ve used often include Midori MD Cotton (which sadly no longer comes in anything other than blank), Passepied, Spica Bond, and even the G. Lalo laid paper. I’ve actually come to enjoy taking notes randomly on a blank page, without any “guidelines,” especially when brainstorming.

4. Multi-Lined. Somewhat sadly, I find myself using lined paper less these days, though that’s more incidental than intentional. I rarely use a standard lined ruling, and when I do I will nearly always opt for Clairefontaine’s French/Seyes-ruled paper and, more recently, the Nakabayashi lined versions that were recommended to me by Ana over at the Well-Appointed Desk. That said, I expect my usage of this multi-lined paper to dramatically increase over the next year. While I’ve been hinting at this on the site (and definitely in the Patreon discussions) for a while, I feel comfortable disclosing that I’m in the middle of a career change that (1) will allow me to devote more time to T.G.S.; and (2) move to a position at my day job that is much more writing-intensive, which is the part of the work that I truly enjoy. Hopefully I’ll shift back to where I was several years ago, using Clairefontaine French-Ruled paper to draft legal briefs by hand, much to the befuddlement of my coworkers! ;)

5. Quadrant Graph. I’ve been using this new arrival to the lineup almost nonstop since Plotter released their special edition “Japan Blue” notebooks last month. While I don’t typically use graph paper, if I do it’s going to be micro-graph (2mm). After some initial skepticism, I’ve really come to enjoy this layout. I write small, so the micro-graph doesn’t bother me even if a standard graph ruling isn’t my favorite. What’s surprised me is the utility of having a page divided into four quadrants. I make a lot of lists, some of which are related to one another and include “sub-lists” under specific tasks, so this layout has been quite useful for project management and thinking through SWOT-style analyses. It’s also helpful to be able to separate notes on different topics into four sections on a single page. For those who find the blue Plotter paper too dark (or the micro-graph too small), Midori sells a standard A5 journal in what they call a “Grid-Block” layout.

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A dot grid ruling (top - Midori Soft Color) compared against reticle grid (bottom - Musubi Pocket Notebook)

Further Reading on My Favorite Papers

Out of the three major categories of stationery (pens, inks, paper), I feel the most comfortable recommending paper, since I have extensive experience using it everyday for 30+ years in a variety of personal and professional contexts. (I can also talk about it for hours - you’ve been warned.) Paper preferences, however, are subjective, with ruling preferences differing from person to person depending not only on need but also handwriting and notetaking style. So my ruling preferences, discussed above, may not equate to yours, and that’s ok! Finding what works for you is part of the fun of this passion/hobby.

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If you’d like to read further on the topic of paper and recommendations, I’ll typically direct readers to this post on Fountain Pen Friendly Paper, which has an extensive comments section that contains additional discussion among readers. At some point I will need to update the post based on certain suggestions, but there are so many brands mentioned that there’s probably no way I will get to them all!

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The Plotter Quadrant Graph Paper.

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. This post does not contain third-party affiliate links or paid advertising.