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The Gentleman Stationer

Vintage Living in the Modern World.
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Notebook Review: Maruman Spiral Note Basic Notebook

May 17, 2025

Lower-cost paper for higher-cost times? You can’t dispute that recent events have been frustrating and confusing for U.S.-based stationery enthusiasts (and lovers of analog products in general) as a significant portion of them are made outside of the country and now subject to higher tariffs. With the cost of most products sourced outside the U.S. already having increased 10% or more, many of us find ourselves searching for lower-cost options. Fortunately there are many options out there that can probably absorb future price increases without destroying value.

The main review ink I used for this review is Taccia Aomurasaki, in a medium JoWo Nib (Hinze Taschenstift). We reviewed this pen and ink combination earlier this week!

The notebook I’m reviewing today, the Maruman “Spiral Note” Basic Notebook, is one such product. Considered a more economical counterpart to their flagship “Mnemosyne” notebooks, the Spiral Note features 70gsm paper (as opposed to 80gsm Mnemosyne), a simple kraft cover, and a single-wire spiral binding (compared to the Mnemosyne’s double). Maruman offers a multitude of different rulings, including .5mm grid or dot, 6.5mm lined, 8.0mm lined, and blank. There are 80 sheet and 40 sheet options, and pages are perforated, allowing you to easily tear out/archive individual pages. Perforations are a huge plus for me, as a perforated page allows me to take meeting notes in an A5 spiral notebook and then hole-punch any sheet I might want to move to one of my notebook systems.

While this isn’t what I’d consider a heavy-sheening paper, you can see a hit of sheen on the blue ink here.

Despite the slight decrease in paper weight, performance remains impressive. To me, the paper feels slightly slicker than Mnemosyne, and somewhat similar to Tomoe River 68gsm, though maybe not quite as tactile? I’ve had no issues with feathering or bleedthrough, except for some pinpointing where I really bore down hard with the writing pressure, or did an especially wet swatch. Because the paper is relatively lightweight, darker inks may have some slight show-through on the other side, but you can easily use both sides of a page. I would say that the paper shows off sheen and shading moderately well.

An especially wet writing sample, using a Schon DSGN Monoc Nib that I recently had Matthew Chen grind to a Kodachi. You can read more about it here.

So Who Is the Maruman Spiral Note Basic Notebook For?

While I think this is a great everyday notebook for anyone, I’d consider it perfect for a few different categories of users:

  • People who use a LOT of notebooks, especially writers who draft longhand, or those in other note-intensive jobs. These are also perfect for those who want a more visually low-key option, since the simple kraft cover is unobtrusive and blends in alongside all of the generic office-supply-closet notebooks.

  • Those who need to be able to scan or file individual pages and need a “looseleaf” option. Perforations are a too-often overlooked feature, in my opinion, especially for professionals who want or need to take notes on paper but have confidentiality obligations that require them to periodically shred paper. It’s nice to be able to do that without having to destroy the entire notebook.

  • Students. If I had known about these notebooks in college they would have been the only thing I’d have used. I’d have used different rulings for different purposes, and then have the notebooks match.

Takeaways and Where to Buy

If you’re looking for a low-cost, functional spiral notebook that features perforated pages and works well with most inks, I consider the Maruman Spiral Note Basic Notebook to be an excellent option, especially given that it currently costs $5.50 to $8, depending on size and page count. If I had to draw an immediate comparison, it would be to the now-discontinued Write Notepads spiral notebook. While the Write Notepads notebook definitely felt like a higher-end product, with a thicker cover and a more substantial spiral, it also cost $20. You simply couldn’t churn through these notebooks at the pace that I did, and I ended up having to find lower-cost everyday options, especially when I started doing different kinds of work that required me to regularly shred notebooks.

Come check out our full range of Maruman in person!

These notebooks fit a market niche that I felt was lacking in our shop, so as of now we carry them in the B5 and A5 sizes, in both 80 and 40 sheet options. I believe some A4 formats are also available, which we may consider adding in the future. As I mentioned above, prices start at $5.50 and run up to $8, depending on format and page count. For those looking for something more upscale (with a sturdier plastic cover), we also stock many other Maruman products, including the excellent Maruman Mnemosyne notebooks and the Maruman x Kleid collaboration with the 2mm grid ruling.

Everything shown here is also available in our brick and mortar shop, which will be open regular hours this week (Thursday-Friday 1-6pm, and Saturday 10am-6pm). Come take a tour of our new look shop, which we’ve recently been updating. You can also read more about different fountain pen friendly papers in this archived post, and don’t miss the comments section!

In Notebook Review Tags Maruman Paper, Maruman Spiral Note, Maruman, Paper Review, Notebooks
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Discovering Unusual Paper: "Paper Tasting" Sets from Yamamoto Paper

May 10, 2025

It’s easy sometimes to get stuck in a rut with hobbies and interests, and many times over the years I’ve found myself bored with my stationery routine, using the same pens, pencils, and especially paper without much variation. The good thing about paper is that if you write enough you will use it up and need more, which offers you endless opportunities for experimentation (as long as you keep writing). Japanese distributor Yamamoto Paper offers a seemingly endless array of unique and uncommon Japanese papers, and sells them in convenient sample packs of pads and loose sheets.

Each Yamamoto Paper Tasting Sampler includes a cover sheet with a short description on the manufacture, history, and usage of each of the three papers. It will also indicate Yamamoto’s opinion on how each paper reacts to different types of ink.These sorts of opinions are incredibly subjective, and as I’ll discuss more below, your own opinion may differ wildly (which is part of why these sorts of samplers are so much fun). Photos of additional information included with each Paper Tasting Sampler are included in the gallery below.

I’ve purchased many different paper sampling or “Paper Tasting” products from Yamamoto Paper over the years, starting back in 2022 at the San Francisco Pen Show where they had a setup at their table that allowed you to assemble a small box of samples of different papers in square sheets. I bought two full boxes, and I’m now well into my last one which I’m working through sparingly. I use them for small notes, and have found that they fit well inside a six-ring plotter binder if I punch them with three holes. What I plan to write about today, though, is Yamamoto’s “Paper Tasting” series. These relatively inexpensive sets of three bound notepads are organized by paper texture, color, and/or other properties such as translucency, and are released in different “volumes” as Yamamoto acquires new papers, and other papers are discontinued.

Among the most recent set of releases is this new set of “Gray” papers (Volume 4). I’m a fan of unusual paper colors such as gray and blue, as these tones add some visual depth to written correspondence and often showcase different undertones in fountain pen ink than standard white or ivory. The current Yamamoto “Gray” paper sampler comes with three different paper options: First Vintage Ash (B7 pad), Half Tone Color Abyss (A6 pad), and Kona Wrap Sky (B6). The latter two papers are blue-grey, so directly fall within my own personal preferences.

When I test papers, I often choose fountain pens that will “challenge” the paper. Shown here is a Pilot Custom 823 ground to an architect nib, a very wet Parker 61 with a medium 14k nib, and a relatively wet Aurora 88 Sigaro Blu with an ebonite feed that delivers a lot of ink to the page.

My two favorites from this sampler pack are the Half-tone Color Abyss (Top) and Kona Wrap Sky. I would probably flip Yamamoto’s descriptions in terms of fountain pen friendliness. All of these papers are indicated as working well with fountain pens, but I wouldn’t consider the First Vintage Ash (below) to be the best of the bunch. Again, there’s no substitute for your own experimentation.

First Vintage Ash didn’t bleed through, but there was some feathering with the architect nib on this fibrous paper. I assume that Yamamoto values dry time over the lack of feathering, thus explaining why this particular paper received the highest marks of the three for fountain pens? This strikes me as a better pencil paper than anything, given the texture.

The largest pad in this assortment (Kona Wrap Sky, in B6) will probably get the most use, as I will use it to write letters and for general notetaking. This paper showed zero feathering or bleedthrough, and it has a wonderful cool blue-gray tone.

So are these papers purely “samples”, or are they usable? It depends on how you use your paper. I’ve personally always found great practical usage for my Yamamoto Paper, and these particular papers are bound into pads so they are incredibly useful for things like short notes and even written correspondence, if you like the A6 and B6 sizing. I’ve also turned the smaller pads sideways and hole-punched them to add notes to my binder systems.

View fullsize Additional Yamamoto Paper Descriptions
View fullsize Information on Japanese Paper Sizing (1)
View fullsize Information on Japanese Paper Sizing (2)

Takeaways and Where to Buy

For me, trying out different papers, even one-offs or papers so rare that I likely won’t be able to find them again, is one of the most enjoyable parts of the stationery hobby. These Yamamoto Paper samplers are an easy way to do that. I appreciate that these aren’t just loose sheets of paper, and the fact that they’re bound into small pads makes them much more usable as notepads, writing tablets for letters, or even small sheets that you can hole-punch and add to your binder system.

As I noted above, we currently have seven different Yamamoto “Paper Tasting” Samplers available in the shop, alongside the packs of larger A4 looseleaf papers (which of course can be cut down to different sizes using a paper cutter). Patreon members should check this week’s Patreon feed or the “Announcements” section of the Discord for a special Yamamoto Paper Sampler offer.

If you’re ever in the Nashville, Tennessee area, please stop in and see us! We’d love to welcome you in store and answer any questions you may have. The Gentleman Stationer is open this week Thursday (1-4) and Friday (1-6) and Saturday from 10-4. Our site is entirely self-supported through the shop and the T.G.S. Patreon Program.

In Paper Products, TGS Curated Shop Tags Yamamoto Paper, Yamamoto Paper Paper Tastings, Paper Sampler, Paper Review, Japanese Paper
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Levenger Freeleaf Paper: A Brand That Started It All for Me

February 26, 2025

Back in the early 2000s, Levenger was one of the more readily available sources of quality, yet reasonably priced, stationery and desk/reading accessories, and I fondly recall spending hours browsing their original factory store when my parents lived near Delray Beach, Florida. (I would also visit the old Tysons Corner, Virginia location when I attended the D.C. Pen Show at the old Sheraton location.) The Levenger Circa disc binder system still plays a role in my personal carry, and I love that I can hole-punch any letter or A4-sized looseleaf paper and organize notes by sheet, much the same way as I have used William Hannah.

Levenger paper is more absorbent, so it doesn’t show off sheen or shading as much as coated paper. It does, however, dry fairly quickly. I love these pads for notetaking in meetings, using the ruled areas to take actual notes and the shaded “annotation” section to summarize talking points and follow-up questions.

While Levenger has long advertised their paper as “ballpoint, rollerball, and fountain pen friendly”, I’ve found it to be somewhat inconsistent over the years. I suspect they’ve changed the sourcing more than a few times. In the early 2010s, I acquired a large batch of Circa notebook refills, Oasis desk pads, and annotation legal style pads which I would describe as “relatively” fountain pen friendly. The paper was certainly usable (especially for the price point), but it still suffered from some feathering and pinpoint bleedthrough with especially wet pens and nibs broader than a fine, and sometimes a medium. The current generation of Levenger paper, I’m happy to report, performs much better.

The grey-shaded annotation pads feature a monthly/weekly date function that allows you to date your notes by circling a specific day or a range. The color shaded annotation pads do not feature the calendar.

I’m still working through that original giant bulk order, sp I’ve not had much of a chance to sample any of Levenger’s latest releases until recently, when I acquired a large batch of their “Freeleaf” notepads from an estate sale. I’ve been using them for about six months or so, and have been so pleased with the quality that I not only bought more but decided to bring them into the shop. To me, what makes Levenger products fun to use are their diverse array of layouts, ranging from their classic “annotation ruled” paper (a version of Cornell-style formatting) to this new “Vintage Library” pad that looks like a giant library card. The annotation pads are definitely the most fountain pen friendly of the bunch, and I’ve had no issues with this paper bleeding or feathering even with very wet nibs and grinds like architects and kodachi/blade grinds that can dig into the paper a bit. I hope Levenger keeps this source and begins to use this paper across their entire product line, because in addition to performing well with ink it has a pleasant texture and tactile feel when writing.

Ever wanted to write on a giant library card? Well, now you can live that dream.

Takeaways and Where to Buy

As a shop owner, I’m constantly paying attention not only the best-performing paper, but paper that performs well at a price point that’s accessible to those of us who use it every day and, as a result, burn through a lot of it. While all the specialty Japanese papers out there can be interesting to use and often perform superbly with fountain pens, they tend to be too pricey for me to use on more mundane office tasks where the paper often has to end up in the shredder. The Levenger “Freeleaf” legal pads handle fountain pen ink quite well, and can cost as little as $8 on a per-pad basis, making them a great office resource. I love that the pages are formatted on both sides to maximize usability and minimize waste.

We currently sell the Freeleaf pads individually and in a pack of five, in three different layouts. We also carry a curated selection of Levenger accessories, including some newly arrived leather pen cases and canvas stationery pouches. I’ve enjoyed everything I’ve tried so far, and definitely plan on adding as much as Levenger will make available to independent retailers.

Thank you for reading! The Gentleman Stationer is supported by the T.G.S. Curated Shop and the T.G.S. Patreon Program. If you’d like to visit our in-person location, you can view directions and up-to-date hours here.

In Paper Products Tags Levenger, Paper Review, Writing Pad

Paper Review: The Field Notes Steno Pad

January 29, 2025

I know, it’s hard to believe that I’ve never used this product before now, but Field Notes’ contemporary take on a classic piece of stationery - the lined chipboard steno pad - has somehow stayed off my radar until I received a couple of them in a retail display assortment that arrived a few weeks ago. You know what? These are surprisingly good, even with fountain pens, and definitely should be on your radar as a durable everyday writing pad that’s made in the USA (something many may be paying more attention to these days as there’s increased uncertainty surrounding potential increases in the cost of imports).

The Field Notes Steno Pad features a classic Gregg ruling with brown ink on bright white paper. Note the elegant rounded corners.

Specifications and writing experience

The Field Notes Steno Pad isn’t fancy, and that’s by design. It’s a 6”x9”, 80-page, Gregg-ruled classic steno book with a brown chipboard cover and a black double-O wired binding. The paper is white Finch 70# stock, which exhibits some show-through with fountain pens but honestly is pretty good. I’ve had no issues using both sides of the paper, especially given that I generally use steno pads such as this one as a general catch-all below or to the side of my computer keyboard at work. Nearly everything I jot down on it gets incorporated into something that I’m immediately working on, such as a brief, letter, or e-mail. It’s effectively scratch paper.

This 70# paper shows no very little to no feathering with fine and medium nibs, and even one architect.

The reverse of the page photographed above. I would call this more “show-through” than bleed-through and perfectly fine for how I use this pad.

A lot of the Field Notes appeal is in the design, and there are slightly less expensive options, but from a practical perspective, I do enjoy how sturdy this steno pad is. The chipboard cover is quite stiff, and the pad itself is large enough to cover a folded letter-size piece of paper. I’ve found myself tucking notes inside the cover and then slipping the entire pad into my bag as a makeshift mini portfolio. (You can even wrap a larger rubber band around it and the chipboard will hold up without bending.) As I wrote long ago in this early post on the original Kraft paper Field Notes pocket notebook, Field Notes excels at balancing classic design with usability, and their take on the classic steno pad is no exception.

Just to give an indication of size.

Takeaways and Where to Buy

You can always rely on Field Notes for a fresh take on the basics, and if you’re looking for a classic, vintage-style Steno pad with good paper that will stand-up to heavy use in a bag, give this one a try. A huge benefit to these is that they are relatively easy to find, both online and in local stores, as Field Notes has broad distribution. We’ve started carrying the Field Notes Steno Pads in our own shop, both online and brick-and-mortar, alongside the rest of the Field Notes line. These notepads/notebooks retail for $12.95 and are sold individually.

Come visit us in person! Public hours are Thursday and Friday from 1-6pm, Saturday from 10-2pm (closing early on 2/1), and otherwise by appointment. We look forward to seeing you this week! We’ve just received a large restock of paper from brands such as Rhodia, Clairefontaine, Field Notes, and more, so be sure to check it out.

You even get a free short course in Gregg shorthand.

In Notebook Review Tags Field Notes, Steno Pads, Field Notes Steno Pad, Paper Review
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Personal Workflow: It's More Than Novelty - Different Paper Rulings for Different Purposes

September 20, 2023

Between my dual careers as an attorney and a writer/shopkeeper/administrator, I go through a lot of paper. (Seriously - people don’t believe me when I tell them that I’ve been known to write through 1-2 full converters of ink in a single day. That requires a LOT of paper.) But what paper do I use? That depends on the nature of the writing itself. Dot grid has long been my standard “everyday” paper simply because it’s so versatile, but lately I’ve rediscovered the beauty of a plain blank page. I’ve also enjoyed using the “quadrant graph” layout from Plotter/Midori Designphil. I thought it would be fun to talk specifics about each of these papers, how I use them, and in what formats.

My Most Used Paper Rulings and How/WhY I choose Each one

  1. Dot Grid. A light, subtle dot ruling offers just enough structure for actual writing, but it can also “disappear” if you want to draw, take random notes vertically, annotate, etc. To me, dot grid paper represents the perfect compromise between structure and flexibility, and best of all, it’s readily available in pretty much any pad or notebook format you can think of (including colored paper). The three formats I use the most are the Rhodia Dot Pad, a stationery workhorse which has been in my rotation for more than a decade, the letter-sized Write Notepads Memo Pad, and anything with dot grid Tomoe River paper, preferably the 68gsm version because I think it holds up to daily use better. (Get it while you still can.) Dot grid is my default paper.

  2. Reticle/Cross Grid. After dot grid, the next best thing for me is a reticle grid, featuring small crosses instead of dots. (Hence this ruling also being called “cross grid.”) Offering a bit more structure than a dot grid without the fully connected lines to disrupt your writing, I will opt for a reticle grid over standard graph any day. This particular paper first went mainstream back in 2014 with the release of the Field Notes “Night Sky” edition. These days, reticle grid paper can still be somewhat difficult to find - certainly harder than dot grid - but it’s becoming more common. Atelier Musubi offers it as an option in their recently released “Rasa 83” notebooks, as well as their new Spica Bond 75 pocket notebooks. Nanami Paper also continues to sell the Seven Seas “Crossfield” Tomoe River Journal.

  3. Blank. Back at the beginning of the year, I resolved to allow myself to just enjoy using really good paper that didn’t have a set “purpose.” I wanted to play around more with pens, ink, and even paint, and blank paper makes the perfect canvas for experimentation. Moreover, because many specialty Japanese papers only come in a blank format, allowing yourself to enjoy the blank page dramatically expands your range of options. Specific papers I’ve used often include Midori MD Cotton (which sadly no longer comes in anything other than blank), Passepied, Spica Bond, and even the G. Lalo laid paper. I’ve actually come to enjoy taking notes randomly on a blank page, without any “guidelines,” especially when brainstorming.

  4. Multi-Lined. Somewhat sadly, I find myself using lined paper less these days, though that’s more incidental than intentional. I rarely use a standard lined ruling, and when I do I will nearly always opt for Clairefontaine’s French/Seyes-ruled paper and, more recently, the Nakabayashi lined versions that were recommended to me by Ana over at the Well-Appointed Desk. That said, I expect my usage of this multi-lined paper to dramatically increase over the next year. While I’ve been hinting at this on the site (and definitely in the Patreon discussions) for a while, I feel comfortable disclosing that I’m in the middle of a career change that (1) will allow me to devote more time to T.G.S.; and (2) move to a position at my day job that is much more writing-intensive, which is the part of the work that I truly enjoy. Hopefully I’ll shift back to where I was several years ago, using Clairefontaine French-Ruled paper to draft legal briefs by hand, much to the befuddlement of my coworkers! ;)

  5. Quadrant Graph. I’ve been using this new arrival to the lineup almost nonstop since Plotter released their special edition “Japan Blue” notebooks last month. While I don’t typically use graph paper, if I do it’s going to be micro-graph (2mm). After some initial skepticism, I’ve really come to enjoy this layout. I write small, so the micro-graph doesn’t bother me even if a standard graph ruling isn’t my favorite. What’s surprised me is the utility of having a page divided into four quadrants. I make a lot of lists, some of which are related to one another and include “sub-lists” under specific tasks, so this layout has been quite useful for project management and thinking through SWOT-style analyses. It’s also helpful to be able to separate notes on different topics into four sections on a single page. For those who find the blue Plotter paper too dark (or the micro-graph too small), Midori sells a standard A5 journal in what they call a “Grid-Block” layout.

A dot grid ruling (top - Midori Soft Color) compared against reticle grid (bottom - Musubi Pocket Notebook)

Further Reading on My Favorite Papers

Out of the three major categories of stationery (pens, inks, paper), I feel the most comfortable recommending paper, since I have extensive experience using it everyday for 30+ years in a variety of personal and professional contexts. (I can also talk about it for hours - you’ve been warned.) Paper preferences, however, are subjective, with ruling preferences differing from person to person depending not only on need but also handwriting and notetaking style. So my ruling preferences, discussed above, may not equate to yours, and that’s ok! Finding what works for you is part of the fun of this passion/hobby.

If you’d like to read further on the topic of paper and recommendations, I’ll typically direct readers to this post on Fountain Pen Friendly Paper, which has an extensive comments section that contains additional discussion among readers. At some point I will need to update the post based on certain suggestions, but there are so many brands mentioned that there’s probably no way I will get to them all!

The Plotter Quadrant Graph Paper.

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. This post does not contain third-party affiliate links or paid advertising.

In Paper Products, Editorial Tags Editorial, Paper Review
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