Hierarchies of Fountain Pen Friendly Paper: Updated Resource!

I’ve spent the last two days updating the site resource “Hierarchies of Fountain Pen Friendly Paper,” which was originally a blog post first published in 2021. It’s garnered such a good response - 50+ comments at last count - that I’ve left it in blog format just to maintain the active comment section. I periodically update the main article to account for changes in paper performance, new brands, and customer/reader feedback. Because I can’t test everything, I leave the comments open for suggestions.

What Were the Major Developments in 2025?

I added a handful of brands to the resource, and removed one or two others mainly due to availability issues. Here are the major changes:

• Write Notepads Drops Off the List. Write Notepads left the direct-to-consumer market, at least for now, to focus on B2B sales. While I understand that may change in the future, for now their products are not as widely available so I’m leaving them out of this resource which focuses primarily on retail products.

• Stàlogy and Blackwing Move Into Tier I. While I’ve considered these two brands “Tier II” fountain pen friendly paper in the past, I’ve noticed an increase in consistency so I’ve moved both of them into Tier I. With Blackwing, note that this refers only to their standard paper. Some of their special edition notebooks may use different paper which may or may not perform similarly.

• Notsu and Shorthand Make an Appearance. These two brands make new appearances in Tiers I and II, respectively. Notsu is one of my favorite new stationery brands out there, and their ink friendly index cards have become a staple of my personal rotation. Los Angeles-based Shorthand makes a wide range of notebooks, notepads, and correspondence stationery, and while I would limit fountain pens to extra-fine or fine nibs, I love the feel of their vintage-y off-white paper and sturdy covers and spiral bindings.

Note that this is not intended to be a “ranking,” and the order in which these papers appear in each tier are not intended to suggest that any one is objectively “better” than another. Also, even non-fountain pen friendly paper can be quality stationery. Certain high-end cotton papers are tactile and highly absorbent - quite pleasant to write on with pencil, ballpoint, and rollerballs - but they can’t handle the water-based ink found in most fountain pens. Enjoy, and as always, drop a comment if you have suggestions on paper I may not have tried.

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. If you’d like to see any of the papers mentioned here in person, or even try some of them, come by our brick-and-mortar shop located in Nashville!

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Notebook Review: Maruman Spiral Note Basic Notebook

Lower-cost paper for higher-cost times? You can’t dispute that recent events have been frustrating and confusing for U.S.-based stationery enthusiasts (and lovers of analog products in general) as a significant portion of them are made outside of the country and now subject to higher tariffs. With the cost of most products sourced outside the U.S. already having increased 10% or more, many of us find ourselves searching for lower-cost options. Fortunately there are many options out there that can probably absorb future price increases without destroying value.

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The main review ink I used for this review is Taccia Aomurasaki, in a medium JoWo Nib (Hinze Taschenstift). We reviewed this pen and ink combination earlier this week!

The notebook I’m reviewing today, the Maruman “Spiral Note” Basic Notebook, is one such product. Considered a more economical counterpart to their flagship “Mnemosyne” notebooks, the Spiral Note features 70gsm paper (as opposed to 80gsm Mnemosyne), a simple kraft cover, and a single-wire spiral binding (compared to the Mnemosyne’s double). Maruman offers a multitude of different rulings, including .5mm grid or dot, 6.5mm lined, 8.0mm lined, and blank. There are 80 sheet and 40 sheet options, and pages are perforated, allowing you to easily tear out/archive individual pages. Perforations are a huge plus for me, as a perforated page allows me to take meeting notes in an A5 spiral notebook and then hole-punch any sheet I might want to move to one of my notebook systems.

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While this isn’t what I’d consider a heavy-sheening paper, you can see a hit of sheen on the blue ink here.

Despite the slight decrease in paper weight, performance remains impressive. To me, the paper feels slightly slicker than Mnemosyne, and somewhat similar to Tomoe River 68gsm, though maybe not quite as tactile? I’ve had no issues with feathering or bleedthrough, except for some pinpointing where I really bore down hard with the writing pressure, or did an especially wet swatch. Because the paper is relatively lightweight, darker inks may have some slight show-through on the other side, but you can easily use both sides of a page. I would say that the paper shows off sheen and shading moderately well.

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An especially wet writing sample, using a Schon DSGN Monoc Nib that I recently had Matthew Chen grind to a Kodachi. You can read more about it here.

So Who Is the Maruman Spiral Note Basic Notebook For?

While I think this is a great everyday notebook for anyone, I’d consider it perfect for a few different categories of users:

• People who use a LOT of notebooks, especially writers who draft longhand, or those in other note-intensive jobs. These are also perfect for those who want a more visually low-key option, since the simple kraft cover is unobtrusive and blends in alongside all of the generic office-supply-closet notebooks.

• Those who need to be able to scan or file individual pages and need a “looseleaf” option. Perforations are a too-often overlooked feature, in my opinion, especially for professionals who want or need to take notes on paper but have confidentiality obligations that require them to periodically shred paper. It’s nice to be able to do that without having to destroy the entire notebook.

• Students. If I had known about these notebooks in college they would have been the only thing I’d have used. I’d have used different rulings for different purposes, and then have the notebooks match.

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Takeaways and Where to Buy

If you’re looking for a low-cost, functional spiral notebook that features perforated pages and works well with most inks, I consider the Maruman Spiral Note Basic Notebook to be an excellent option, especially given that it currently costs $5.50 to $8, depending on size and page count. If I had to draw an immediate comparison, it would be to the now-discontinued Write Notepads spiral notebook. While the Write Notepads notebook definitely felt like a higher-end product, with a thicker cover and a more substantial spiral, it also cost $20. You simply couldn’t churn through these notebooks at the pace that I did, and I ended up having to find lower-cost everyday options, especially when I started doing different kinds of work that required me to regularly shred notebooks.

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Come check out our full range of Maruman in person!

These notebooks fit a market niche that I felt was lacking in our shop, so as of now we carry them in the B5 and A5 sizes, in both 80 and 40 sheet options. I believe some A4 formats are also available, which we may consider adding in the future. As I mentioned above, prices start at $5.50 and run up to $8, depending on format and page count. For those looking for something more upscale (with a sturdier plastic cover), we also stock many other Maruman products, including the excellent Maruman Mnemosyne notebooks and the Maruman x Kleid collaboration with the 2mm grid ruling.

Everything shown here is also available in our brick and mortar shop, which will be open regular hours this week (Thursday-Friday 1-6pm, and Saturday 10am-6pm). Come take a tour of our new look shop, which we’ve recently been updating. You can also read more about different fountain pen friendly papers in this archived post, and don’t miss the comments section!

Discovering Unusual Paper: "Paper Tasting" Sets from Yamamoto Paper

It’s easy sometimes to get stuck in a rut with hobbies and interests, and many times over the years I’ve found myself bored with my stationery routine, using the same pens, pencils, and especially paper without much variation. The good thing about paper is that if you write enough you will use it up and need more, which offers you endless opportunities for experimentation (as long as you keep writing). Japanese distributor Yamamoto Paper offers a seemingly endless array of unique and uncommon Japanese papers, and sells them in convenient sample packs of pads and loose sheets.

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Each Yamamoto Paper Tasting Sampler includes a cover sheet with a short description on the manufacture, history, and usage of each of the three papers. It will also indicate Yamamoto’s opinion on how each paper reacts to different types of ink.These sorts of opinions are incredibly subjective, and as I’ll discuss more below, your own opinion may differ wildly (which is part of why these sorts of samplers are so much fun). Photos of additional information included with each Paper Tasting Sampler are included in the gallery below.

I’ve purchased many different paper sampling or “Paper Tasting” products from Yamamoto Paper over the years, starting back in 2022 at the San Francisco Pen Show where they had a setup at their table that allowed you to assemble a small box of samples of different papers in square sheets. I bought two full boxes, and I’m now well into my last one which I’m working through sparingly. I use them for small notes, and have found that they fit well inside a six-ring plotter binder if I punch them with three holes. What I plan to write about today, though, is Yamamoto’s “Paper Tasting” series. These relatively inexpensive sets of three bound notepads are organized by paper texture, color, and/or other properties such as translucency, and are released in different “volumes” as Yamamoto acquires new papers, and other papers are discontinued.

Among the most recent set of releases is this new set of “Gray” papers (Volume 4). I’m a fan of unusual paper colors such as gray and blue, as these tones add some visual depth to written correspondence and often showcase different undertones in fountain pen ink than standard white or ivory. The current Yamamoto “Gray” paper sampler comes with three different paper options: First Vintage Ash (B7 pad), Half Tone Color Abyss (A6 pad), and Kona Wrap Sky (B6). The latter two papers are blue-grey, so directly fall within my own personal preferences.

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When I test papers, I often choose fountain pens that will “challenge” the paper. Shown here is a Pilot Custom 823 ground to an architect nib, a very wet Parker 61 with a medium 14k nib, and a relatively wet Aurora 88 Sigaro Blu with an ebonite feed that delivers a lot of ink to the page.

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My two favorites from this sampler pack are the Half-tone Color Abyss (Top) and Kona Wrap Sky. I would probably flip Yamamoto’s descriptions in terms of fountain pen friendliness. All of these papers are indicated as working well with fountain pens, but I wouldn’t consider the First Vintage Ash (below) to be the best of the bunch. Again, there’s no substitute for your own experimentation.

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First Vintage Ash didn’t bleed through, but there was some feathering with the architect nib on this fibrous paper. I assume that Yamamoto values dry time over the lack of feathering, thus explaining why this particular paper received the highest marks of the three for fountain pens? This strikes me as a better pencil paper than anything, given the texture.

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The largest pad in this assortment (Kona Wrap Sky, in B6) will probably get the most use, as I will use it to write letters and for general notetaking. This paper showed zero feathering or bleedthrough, and it has a wonderful cool blue-gray tone.

So are these papers purely “samples”, or are they usable? It depends on how you use your paper. I’ve personally always found great practical usage for my Yamamoto Paper, and these particular papers are bound into pads so they are incredibly useful for things like short notes and even written correspondence, if you like the A6 and B6 sizing. I’ve also turned the smaller pads sideways and hole-punched them to add notes to my binder systems.

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Takeaways and Where to Buy

For me, trying out different papers, even one-offs or papers so rare that I likely won’t be able to find them again, is one of the most enjoyable parts of the stationery hobby. These Yamamoto Paper samplers are an easy way to do that. I appreciate that these aren’t just loose sheets of paper, and the fact that they’re bound into small pads makes them much more usable as notepads, writing tablets for letters, or even small sheets that you can hole-punch and add to your binder system.

As I noted above, we currently have seven different Yamamoto “Paper Tasting” Samplers available in the shop, alongside the packs of larger A4 looseleaf papers (which of course can be cut down to different sizes using a paper cutter). Patreon members should check this week’s Patreon feed or the “Announcements” section of the Discord for a special Yamamoto Paper Sampler offer.

If you’re ever in the Nashville, Tennessee area, please stop in and see us! We’d love to welcome you in store and answer any questions you may have. The Gentleman Stationer is open this week Thursday (1-4) and Friday (1-6) and Saturday from 10-4. Our site is entirely self-supported through the shop and the T.G.S. Patreon Program.

Levenger Freeleaf Paper: A Brand That Started It All for Me

Back in the early 2000s, Levenger was one of the more readily available sources of quality, yet reasonably priced, stationery and desk/reading accessories, and I fondly recall spending hours browsing their original factory store when my parents lived near Delray Beach, Florida. (I would also visit the old Tysons Corner, Virginia location when I attended the D.C. Pen Show at the old Sheraton location.) The Levenger Circa disc binder system still plays a role in my personal carry, and I love that I can hole-punch any letter or A4-sized looseleaf paper and organize notes by sheet, much the same way as I have used William Hannah.

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Levenger paper is more absorbent, so it doesn’t show off sheen or shading as much as coated paper. It does, however, dry fairly quickly. I love these pads for notetaking in meetings, using the ruled areas to take actual notes and the shaded “annotation” section to summarize talking points and follow-up questions.

While Levenger has long advertised their paper as “ballpoint, rollerball, and fountain pen friendly”, I’ve found it to be somewhat inconsistent over the years. I suspect they’ve changed the sourcing more than a few times. In the early 2010s, I acquired a large batch of Circa notebook refills, Oasis desk pads, and annotation legal style pads which I would describe as “relatively” fountain pen friendly. The paper was certainly usable (especially for the price point), but it still suffered from some feathering and pinpoint bleedthrough with especially wet pens and nibs broader than a fine, and sometimes a medium. The current generation of Levenger paper, I’m happy to report, performs much better.

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The grey-shaded annotation pads feature a monthly/weekly date function that allows you to date your notes by circling a specific day or a range. The color shaded annotation pads do not feature the calendar.

I’m still working through that original giant bulk order, sp I’ve not had much of a chance to sample any of Levenger’s latest releases until recently, when I acquired a large batch of their “Freeleaf” notepads from an estate sale. I’ve been using them for about six months or so, and have been so pleased with the quality that I not only bought more but decided to bring them into the shop. To me, what makes Levenger products fun to use are their diverse array of layouts, ranging from their classic “annotation ruled” paper (a version of Cornell-style formatting) to this new “Vintage Library” pad that looks like a giant library card. The annotation pads are definitely the most fountain pen friendly of the bunch, and I’ve had no issues with this paper bleeding or feathering even with very wet nibs and grinds like architects and kodachi/blade grinds that can dig into the paper a bit. I hope Levenger keeps this source and begins to use this paper across their entire product line, because in addition to performing well with ink it has a pleasant texture and tactile feel when writing.

Ever wanted to write on a giant library card? Well, now you can live that dream.

Takeaways and Where to Buy

As a shop owner, I’m constantly paying attention not only the best-performing paper, but paper that performs well at a price point that’s accessible to those of us who use it every day and, as a result, burn through a lot of it. While all the specialty Japanese papers out there can be interesting to use and often perform superbly with fountain pens, they tend to be too pricey for me to use on more mundane office tasks where the paper often has to end up in the shredder. The Levenger “Freeleaf” legal pads handle fountain pen ink quite well, and can cost as little as $8 on a per-pad basis, making them a great office resource. I love that the pages are formatted on both sides to maximize usability and minimize waste.

We currently sell the Freeleaf pads individually and in a pack of five, in three different layouts. We also carry a curated selection of Levenger accessories, including some newly arrived leather pen cases and canvas stationery pouches. I’ve enjoyed everything I’ve tried so far, and definitely plan on adding as much as Levenger will make available to independent retailers.

Thank you for reading! The Gentleman Stationer is supported by the T.G.S. Curated Shop and the T.G.S. Patreon Program. If you’d like to visit our in-person location, you can view directions and up-to-date hours here.

Paper Review: The Field Notes Steno Pad

I know, it’s hard to believe that I’ve never used this product before now, but Field Notes’ contemporary take on a classic piece of stationery - the lined chipboard steno pad - has somehow stayed off my radar until I received a couple of them in a retail display assortment that arrived a few weeks ago. You know what? These are surprisingly good, even with fountain pens, and definitely should be on your radar as a durable everyday writing pad that’s made in the USA (something many may be paying more attention to these days as there’s increased uncertainty surrounding potential increases in the cost of imports).

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The Field Notes Steno Pad features a classic Gregg ruling with brown ink on bright white paper. Note the elegant rounded corners.

Specifications and writing experience

The Field Notes Steno Pad isn’t fancy, and that’s by design. It’s a 6”x9”, 80-page, Gregg-ruled classic steno book with a brown chipboard cover and a black double-O wired binding. The paper is white Finch 70# stock, which exhibits some show-through with fountain pens but honestly is pretty good. I’ve had no issues using both sides of the paper, especially given that I generally use steno pads such as this one as a general catch-all below or to the side of my computer keyboard at work. Nearly everything I jot down on it gets incorporated into something that I’m immediately working on, such as a brief, letter, or e-mail. It’s effectively scratch paper.

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This 70# paper shows no very little to no feathering with fine and medium nibs, and even one architect.

The reverse of the page photographed above. I would call this more “show-through” than bleed-through and perfectly fine for how I use this pad.

A lot of the Field Notes appeal is in the design, and there are slightly less expensive options, but from a practical perspective, I do enjoy how sturdy this steno pad is. The chipboard cover is quite stiff, and the pad itself is large enough to cover a folded letter-size piece of paper. I’ve found myself tucking notes inside the cover and then slipping the entire pad into my bag as a makeshift mini portfolio. (You can even wrap a larger rubber band around it and the chipboard will hold up without bending.) As I wrote long ago in this early post on the original Kraft paper Field Notes pocket notebook, Field Notes excels at balancing classic design with usability, and their take on the classic steno pad is no exception.

Just to give an indication of size.

Takeaways and Where to Buy

You can always rely on Field Notes for a fresh take on the basics, and if you’re looking for a classic, vintage-style Steno pad with good paper that will stand-up to heavy use in a bag, give this one a try. A huge benefit to these is that they are relatively easy to find, both online and in local stores, as Field Notes has broad distribution. We’ve started carrying the Field Notes Steno Pads in our own shop, both online and brick-and-mortar, alongside the rest of the Field Notes line. These notepads/notebooks retail for $12.95 and are sold individually.

Come visit us in person! Public hours are Thursday and Friday from 1-6pm, Saturday from 10-2pm (closing early on 2/1), and otherwise by appointment. We look forward to seeing you this week! We’ve just received a large restock of paper from brands such as Rhodia, Clairefontaine, Field Notes, and more, so be sure to check it out.

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You even get a free short course in Gregg shorthand.