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The Gentleman Stationer

Vintage Living in the Modern World.
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There used to be three of those blue-patterned pens on the bottom left….

Scenes from the 2020 Philadelphia Pen Show

January 18, 2020

I’ll have more of a write-up later this week, but I wanted to post some pictures from Friday at the 2020 Philadelphia Pen Show. Highlights included getting to hit up both the Matthew Martin Custom Pens and Schon DSGN tables first thing, and getting to visit the Schon DSGN shop later in the evening. I didn’t exactly survive Friday without purchasing anything new, but I did manage to unload a few pens to Patreon members I had the opportunity to meet in person. I’m still “in the negative” and moving towards my overall goal of fewer pens overall!

I’ll be at the Philly Show for Saturday but not Sunday, and plan to attend the “Pen Mixer” tonight. Stop by and say hello if you’re there!

A MCM Pen may or may not have come home with me…

Matthew Martin gives a demonstration.

The Montegrappa Elmo Fantasy Blooms!

The Montegrappa Tulip for Team Fox.

The new Esterbrook Camden, which turns out to be an extremely comfortable pen to hold.

New tester pens from Franklin-Christoph!

Ian Schon of Schon DSGN gives a presentation at the open house at his design studio.

And, of course, some “Pen Show Food” pics!

View fullsize Tommy DiNics in Reading Terminal Market
View fullsize The famous DiNic's Roast Pork Sandwich (Smoked Provolone, Bitter Greens)
View fullsize Beilers donuts!
View fullsize Dessert Bacon.
View fullsize Ramen. An absolute must when you've been walking around in 20 Degree weather.

Disclaimer: This post contains links to paid sponsors and affiliates.

In Pen Shows Tags Philadelphia Pen Show, Schon DSGN Classic
1 Comment

My pens for January 2020: Leonardo Momento Zero Grande Arlecchino (in case); Lamy 2000 Bauhaus 100th Anniversary (in case); Kanilea Mauna Kea (top right); Nakaya Decapod in Kuro Tamenuri Finish (second from top); Lamy 2000 standard (second from bottom); Platinum 3776 Oshino Demonstrator.

Pen Show Prep 2020 and My One-Pen Challenge

January 15, 2020

Pen Show Season is here, and I’m about to kick things off by heading to Philadelphia late Thursday night for the 2020 Philly Pen Show! Philadelphia is the first show of the year, and I’ve never been able to attend despite hearing great things. What am I looking forward to the most? Just hanging out and walking the show. I’m not working for anyone this time, and while I plan to make time to meet up with readers and Patreon supporters, I don’t have any set obligations, much less a list of anything specific that I’m looking for. The lack of a plan, of course, can be a recipe for disaster at a pen show, but this year feels different.

My One-Pen Challenge(s) and the Year of Reducing My Stationery Hoard

Why? As I previously mentioned, I spent some time around the New Year sorting through my pen collection/accumulation and cutting things hard. I have all sorts of pens, inks, and paper queued up to list for sale throughout the year, and I don’t regret any of it. One of my main themes for 2020 is to acquire and hold onto less stuff, which in my case necessarily involves taking a deep dive into the dozens of pens that remain in my collection and figure out what I want to keep before I cut even more. It bothers me to have pens I like sitting unused for over a year, simply because there’s no feasible way for me to rotate through them. Committing to a quarterly sale, and having a hard backstop like Patreon supporters who have paid to participate in these sales in a timely manner, will keep me honest with myself. My goal is to eventually get to 12-24 pens in my personal collection.

So how do I decide to thin the herd? The only way, in my opinion, is to spend extended periods of time with a pen, compared against a pen that I know I love and will always have in my collection. Here’s what I plan to do:

  • Limit the Number of Pens Inked. I have to do this, otherwise, it gets stressful because I feel that I have to write each pen dry and I flit back and forth between a dozen different pens and don’t focus on anything. Having no more than 5-6 pens inked at any given time, and carrying no more than 3 with me on a daily basis, will allow me to focus better, not just on evaluating my own pens but on providing more in-depth review content here.

  • The “One Pen” Challenge. Have one pen that’s with me all the time, all year long, and use this pen as the baseline against which I evaluate others. For me, that pen is going to be a Lamy 2000 with an EF nib, probably my Blue Bauhaus 100th Anniversary edition since it has the best-writing nib in my small collection of Lamy 2000s.

  • The “Monthly Pen” Challenge. Choose one pen that will stay with me for the month and not get swapped out of the six-pen rotation, even if the pen runs out of ink. For the month of January, that pen is the Leonardo Momento Zero Grande Arlecchino.

  • Monthly Change-Up. At the end of the month, clean and ink 5 new pens, including a “monthly pen.” Take note of what pens I’m using, what pens I’m not using, and why. If a pen doesn’t work for me anymore, it goes on the block in the next quarterly sale.

Pen Show Goals for 2020

So what am I going to be up to at pen shows this year? Hanging out with people. Taking pictures and checking out new review items for the blog. To the extent I acquire anything, I love the idea of picking a single model of vintage pen that I can use to create a “mini-collection” within my personal collection, as Jacklyn discusses in her recent blog post. I may take a class or two with Salman and Azizah of the Toronto Pen Company, which is something I’ve never done before at a show. As with most pen shows, you’ll find me in the hotel bar most nights, and I’m signed up for the Pen Mixer at 6pm on Saturday. I’m still pulling together pens I’m taking to Philly for Pen Show Show-n-Tell, so feel free to send me a message if there’s something in particular you want me to bring.

My pen show travel over the rest of the year is also starting to take shape. In addition to Philly, I plan to attend the Baltimore Pen Show (Feb. 28-March 1); Arkansas Pen Show (March 13-15); Atlanta Pen Show (April 3-5); D.C. Pen Show (July 30-Aug. 2), and since D.C. is early this year, possibly the San Francisco Pen Show (August 28-30).

So What Am I Going To Do With All The Pens I’m Selling?

The TGS “Gently Used” Sale will go live to the general readership on February 1, 2020. Currently, the sale is open to Patreon supporters as one of the benefits they receive through that program, along with progressive discounting depending on the level of support. Pens listed for sale include some special edition Pilot Vanishing Points, a matte black Leonardo Momento Zero, an Esterbrook Estie, and nearly three dozen bottles of ink, most of which have had 1-2 fills taken, max. I’ve priced all of these items aggressively, with the goal of giving my readers and supporters as good a deal as I can while still accomplishing my goal of shoring up blog finances for the year ahead.

I hope to see you all in Philly, and if you’re headed to the show, safe travels!

Disclaimer: This post contains links to paid sponsors and affiliates.

In Pen Shows, Editorial Tags Pen Shows, Philadelphia Pen Show, One Pen Challenge, Editorial
1 Comment

Recapping the 2019 D.C. Pen Show: It's Still The Big Show!

August 7, 2019

Let’s face it … the D.C. Pen Show is always a bit of a hot mess. It’s a 3-day event with hundreds of vendors and thousands of attendees crammed into two hotel ballrooms and a few hallways. Pen shows don’t have the budget of Comic-Con or even major trade shows, so hotels are usually a bit too small and lack amenities that attendees would otherwise be used to, such as ready access to food and beverages.

Yet you still go. Other shows are catching up - San Francisco and Chicago in particular - but D.C. remains the big annual event, and I suspect it will remain so for the immediate future. It’s the only place where you are likely to see brands of all sizes and price points, ranging from Montblanc to Franklin-Christoph to small startups such as Narwhal Pens. Though this year saw a number of notable absences, D.C. is also the show where you can expect to find most of the large pen retailers, high-end vintage dealers, and fountain pen repairmen and nib grinders. Because of this diverse presence, lots of people still attend, regardless of the logistical challenges and bad locations, and the D.C. Pen Show presents one of the best opportunities out there to meet everyone and to catch up with friends. So what were the notable things I saw this year?

  • Galen Leather. The feel-good story of the weekend was Galen Leather, who attended with a seriously impressive stockpile of inventory, including their leather pen cases, notebook covers, and brass accessories. More on what I purchased below. I’m also happy to announce that Vanness Pens is now the exclusive U.S. retailer for Galen Leather, so you will be able to purchase Galen Leather products from a U.S.-based source, reducing shipping cost and time for those of us in the States!

  • Matthew Martin Custom Pens. After debuting his pens to much fanfare in Atlanta, veteran knifemaker Matt Martin came to D.C. with a serious stockpile of “The Original,” his machined fountain pen that comes in various designs and materials including titanium, brass, copper, and zirconium. Matt uses a special technique to reduce the weight of the pen, which makes them much more comfortable to use than many heavier machined pens made from brass and copper.

  • Faber-Castell and Graf von Faber-Castell. For the first time I can remember, representatives of Faber-Castell, USA attended the D.C. Pen Show, and they were a lot of fun to get to know! These two brands, with some of the best nibs on the market, unfortunately tend to go unnoticed at shows, but this year a LOT of people were purchasing Faber-Castell pens, and I picked up my first Graf von Faber-Castell, a now-discontinued Guilloche model.

  • Kanilea Pen Company Aolani. Apparently a large stock of Aolani pens came to D.C., but only a very few were left by Sunday, making the pen wildly successful. Check out my first impressions here!

  • Atelier Musubi. Daryl traveled all the way from Singapore toting his gorgeous fabric journals, including some unique prototypes. More on Musubi as a brand here.

  • Straits Pens. Everyone who came looking for unique sizes of Tomoe River paper was directed to Sunny at Straits Pens, who was attending his first D.C. Pen Show. For future reference, Sunny also does nib grinds, and will be attending the San Francisco Pen Show.

  • Vinta Inks. Some of the biggest draws at the Vanness Pens table this year were inks from Vinta, a new brand out of the Philippines that has both standard and shimmer options. I’m looking forward to testing these out soon. Blue Blood and Sikatuna Sandugo both caught my eye.

Galen Leather was set up in the front Ballroom, and Zeynep from Write to Me Often was working the table all weekend!

It’s amazing how much self-control you can exercise when you’re behind the table all weekend, and the show is so busy that you don’t have time to browse and find anything to buy until Sunday. My one Friday purchase was something I have coveted for a long time: a Writing Box from Galen Leather, and they had at least 20 of them there to choose from. (Seriously, the logistics of moving the volume of product they had at the show was impressive!) On Sunday, I managed to snag two really sweet deals: a Graf von Faber-Castell Guilloche fountain pen from the Faber-Castell distributor that was on clearance, and a Franklin-Christoph Model 20 “Marietta” prototype in a dark green-flecked acrylic. I also took home a bottle of the special show ink, “Supershow Teal” from Monteverde that will be available at retail at some point. It’s a nice color!

By the end of the day on Saturday, there wasn’t much Colorverse or Akkerman Dutch Masters left, and our stock of both was depleted even further on Sunday.

Takeaways from this Year’s D.C. Pen Show

The D.C. Pen Show is undergoing some “transition” pains as it recovers from the loss of its long-standing location at the Sheraton Tysons Corner, and new people become more involved in running the show. After a bit of a slow start on Friday, however, Saturday and Sunday were extremely busy and it was back to business as usual for most vendors. The most frustrating thing about this show, to me, doesn’t have to do with the show itself, but rather the location and lack of food and entertainment options within walking distance. This not only hurts the vendors - most of whom don’t want to drive to dinner after having been on their feet for nearly 12 hours - but also the attendees, who lose out on show time, parking spaces, and just an overall better experience. As I’ve mentioned before, taking time out of pen shows - even 20 minutes - to eat, rest, and recover is important, and you don’t have many easy options unless you want to visit the mediocre hotel restaurant and bar.

The two on the left are my 2019 D.C. Pen Purchases, shown here in a Galen Leather A5 Zippered Notebook Folio in Crazy Horse Brown distressed leather. Check out my review of the Galen Leather A5 “zipfolio” here.

That said, I will be attending the D.C. Pen Show as long as my friends are, since I go more to socialize and meet readers rather than shop. People have been talking about the “decline of the D.C. Pen Show” for nearly 10 years now, and nothing significant has changed other than moving locations. As I mentioned above, for the time being D.C. is still the biggest event of the year in terms of sheer numbers of vendors, makers, and attendees, and it’s difficult to recapture the spirit of this show elsewhere.

D.C. was the last pen show that I have planned for this year, though I may try to attend San Francisco (unlikely since it’s so close), Dallas, or Ohio as a last-minute trip. If not, I’m looking forward to the Philadelphia and Baltimore Shows in 2020!

Just a teaser of my new Galen Leather Writing Box - more pics coming soon!

Disclaimer: This post contains links to paid sponsors and affiliates. All of the products purchased at the D.C. Pen Show were paid for by me with my own funds, though I did get a slight discount on the Faber-Castell Pen since I was working at the Vanness Pens table.

In Pen Shows Tags DC Pen Show, DC Pen Show 2019, Pen Travel
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Scenes from Friday and Saturday at the 2019 DC Pen Show

August 4, 2019

Friday at the D.C. Pen Show was a bit slow…. Much slower than in previous years. Vendor and attendee traffic seemed a bit down, though it picked up towards the end of the afternoon to the point where we even had a bit of a rush just before closing. Several Saturday attendees told us at the table that the show mailer confused the dates, and did not make clear that Friday was open to the public if they paid the early “Trader” admission. Oh well. It was still the D.C. Pen Show, so there was still a ton of stuff to see and I took advantage of the lulls in traffic to look around the ballrooms. Saturday more than made up for a slow Friday, as the line started forming at 8:00 a.m. and did not let up until an hour after the technical “close.” I actually don’t have many pictures from Saturday since it was so busy, but the pictures from Friday are better anyway because vendors still had most of their stock. Some tables were pretty bare by mid-afternoon on Saturday, which is the sign of a great show!

There’s still one full day left! I’m behind the Vanness Pens table to the right of the show entrance, so be sure to stop by and say hello! We have plenty of pens to sell, along with our remaining stock of Akkerman and Colorverse ink. Hope to see you later! A full show recap will follow this week.

Kanilea Pen Company brought all of their various models of pens, including the new Aolani (shown below)!

I can’t wait to swing by the Kanilea table on Sunday and see how many of these are actually left after the Saturday rush. Check out my initial thoughts on the Kanilea Aolani that I published last week.

Dan Smith at The Nibsmith brought the entire spectrum of Leonardo pens, as well as Sailor, Visconti, and other brands.

As you know, I’m behind the Vanness Pens table all weekend, and while our stock of ink and paper is somewhat depleted, Sunday is a great day to get a good deal on a pen, like this discontinued Montegrappa Passione that has been sitting in front of me calling my name for two days straight. Someone come buy this pen before I do! You may remember that I reviewed this exact model/color combination a while back.

Yoshi Nakama was here, though I still haven’t quite found the pen that speaks to me yet!

Yoshi Nakama was here, though I still haven’t quite found the pen that speaks to me yet!

The Sailor 1911 Large in the “Ringless Epinard” Design. This pen gets a lot of attention, and looks good, but come of the design choices leave me scratching my head. For one thing, the pen has ruthenium trim but a rhodium nib, and I’m not sure how I feel about the cap edge.

Ian Schon of Schon DSGN brought his new pocket fountain pen! I didn’t get a chance to come back and see him on Saturday, but

If you haven’t already, you will her much about Matt Martin Custom Pens. Hands down the best machined fountain pens I have ever seen. He even makes his own screws for the clip!

Zirconium pens from Matt Martin!

On Saturday, the line began to form early.

And by Saturday afternoon, the main ballroom was plenty busy. (This was taken after the main rush, probably around 3:30 or so).

In terms of Akkerman and Colorverse, what’s out is what we have left at the Vanness Pens table! If you want it, act quick and come get it!

In Pen Shows Tags DC Pen Show 2019, Pen Show, DC Pen Show, Vanness
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Special Edition Ink Alert: Two Papier Plume Inks for the Chicago Pen Show

April 23, 2019

Every year, Papier Plume releases one or two special edition inks for the Chicago Pen Show. Building on last year’s Bootlegger’s Sacrament (a wine red) and “Da Blue,” (a Chicago Bears-inspired blue-black) this year’s inks include “Lake Michigan Winter,” (a turquoise/teal) and “Bad Bad Leroy Brown” (you guessed it).

For those of you attending the Chicago Pen Show from May 2-May 5, you’ll be able to purchase these inks at Papier Plume’s table, and from their website after the show. Most of the Chicago Pen Show inks have always sold out quickly, however, and Papier Plume typically only makes a single batch, so if you want to get your hands on either of these you’ll need to find someone attending the show to hook you up or quickly place an order afterwards.

View fullsize Bad, Bad Leroy Brown
View fullsize Lake Michigan Winter

Generally speaking, Papier Plume inks are unsaturated, so they play nice in most pens and offer good ink flow and shading. I’d compare them to Callifolio, Waterman, or standard (non-shimmer) Herbin, though the colors tend to have more pop than the Herbin inks. Papier Plume inks also offer good value, with the larger 30ml bottles costing $8 for the standard lineup of colors and $10 for special editions. You can also purchase smaller 15ml bottles of the standard colors for $5. Count me a fan!

Papier Plume also specializes in wax seals, an example of which you will find on the caps of their special edition inks.

Disclaimer: Papier Plume provided me with these two bottles of ink at no charge for review purposes. Many thanks!

In Ink Reviews, Pen Shows Tags Chicago Pen Show, Limited Edition, Papier Plume
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