2024 D.C. Pen Show: Friday Report! (Plus Directions to Our Table)

Greetings from the 2024 Washington D.C. Fountain Pen Supershow! I wasn’t quite sure what to expect from this year’s show, mainly because I’ve been tied up with the move to our new shop and all that entails, but also because the past few post-Pandemic D.C. Pen Shows have felt “off” in terms of traffic. Fridays have been somewhat slow, with fewer weekend pass-holders making a full weekend of the experience and the main rush deferred until Saturday. Yesterday, however, was easily the busiest I have seen the D.C. Pen Show since 2019. The hotel is completely booked with a packed restaurant and bar, so apparently many out-of-towners decided to fly or drive in to attend the show.

It’s 4:00pm, so that means a raffle drawing at the Pilot Pens table. This is a scene I haven’t seen in years.

The 2024 show spans three hotel ballrooms, building on last year’s expansion in terms of the number of vendors and amount of sheer space the show is occupying in the hotel. Because there are three major pen shows taking place in the U.S. this August (the D.C. Pen Show, Stationery Fest in New York City, and the San Francisco Pen Show), many international vendors have decided to make a full month of it and are staying over to hit all three. If you can make it to any of these shows, there’s a deep roster of Japanese and European vendors present, including Opus 88 from Taiwan, who I don’t believe I’ve ever seen at a show before! There are also 8 different nib grinders.

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Don’t miss out on the fun in the Vanness Pens Lounge, where there’s a rotating cast of characters holding classes on everything from ink swatching to folded nibs to my own presentation on notebook systems! Yesterday I hung out for a while at the tail end of the show

If I’ve heard one complaint from attendees, it’s that the show has become more difficult to navigate as it’s grown. This year, the organizers posted a QR Code with a link to an interactive map, though even that hasn’t seemed to help much. Part of the fun of a pen show is wandering for three days and discovering new things, but if you’re an attendee with limited time, you do need to an easier way to find specific tables. One thing I’ll be contemplating in my post-show recap is whether the D.C. Pen Show has, in fact, grown too big. At a minimum, it seems to have outgrown it’s current location.

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Come Visit Our Table: Where We’re Located!

We are sharing table space with our friends at Vanness Pens this year, so you can find us next to Matthew’s Nib Works (Matthew Chen) in the front hallway. Whenever I attend a pen show, I try to bring brands that won’t also be found at a dozen different tables at the show. This year, I chose to bring Lochby cases (which are always a favorite at pen shows - lots of attendees end up needing additional storage to take pens home!), and Roterfaden, which I’ve never brought to a show before and has received a lot of interest. Taschenbegleiter systems are a bit of an investment, and it’s often helpful to be able to view and handle them in person before making a final decision on whether it will work for you. We also have Anterique Brass Ballpoints and Multi Pens from Uni and Pilot, which lots of attendees have been surprised to discover since it’s not something you typically see at any U.S. pen show. While Friday was busy, we brought plenty of stock so track us down!

If you can’t visit us at the show, you can still join in the pen show fun by using the coupon code “PENSHOW10” at checkout for 10% off most shop orders, good through Sunday evening!

The Gentleman Stationer is supported by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program.

Pen Show Adventures: 2024 Chicago Pen Show Friday Recap!

As one of the older pen shows on the circuit, the Chicago Pen Show has a rich history. Over the years it’s been considered one of the “big” shows at times, but for now I would place Chicago in the category of mid-size shows that draw an extremely diverse group of vendors. And as a show that’s very easy for me to attend logistically, it’s not uncommon for me to jump on a cheap flight and go last-minute, which is what happened this weekend!

The Chicago Pen Show is actually located in Hoffman Estates, a suburb. The hotel is fairly large and part of the show takes place in this well-lit atrium.

The trend at pen shows has been to make Friday a hybrid weekend trader/public day, meaning that weekend pass purchasers get a few hours in the morning to shop the show exclusively before it opens to the public on Friday at around noon. This is the best of both worlds, in my opinion: The weekend pass is still worth the money for attendees because they get early access, but vendors also get the benefit of additional public foot traffic in the afternoon (especially around 2-3pm when people skip out of work early to hit the show). I made sure to pick up most of the pens I was looking for in the morning, before the show got crowded.

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Clockwise from the top: Waterman Exception Night and Day, Skogsy Low-Volume Eyedropper, Good Made Better Ebonite Pocket Pen, Edison Jameson Scheherazade, Newton Prospector in Arkansas Abalone, and Edison Collier in Dragon’s Night.

This particular pen show trip ended up being a mix of business and personal, meaning that I didn’t take a table and set up as a vendor, but I did meet with a couple of different makers and manufacturers on T.G.S.-related projects. Once those were taken care of, I was free to roam a bit, visit with friends, and pick up six pretty significant pens, including two customs I had been looking to add to my collection, two new releases to evaluate, and two pens (one semi-vintage) that I’ve long coveted but had never found “the right opportunity.” Sometimes those opportunities hit you all at once. :) Here we go:

• Custom Pen No. 1: Newton Prospector in “Arkansas Abalone”, which I couldn’t pass up. I’ve been looking to add a second Newton Prospector (Shawn Newton’s triangular pen) in a fun material, and this turned out to be the one. Featuring shades of iridescent pink, silver, mother of pearl, and some dark green, it’s a stunner. The resin is by D Squared, also from Arkansas. I believe Shawn has a few more pens in this material.

• Custom Pen No. 2: Skogsy Low Volume Eyedropper in Beige Sand Acrylic. Designed to moderate the ink flow by limiting both the amount of ink in the barrel and the volume that can travel through the ebonite feed at any given time, Skogsy’s “Low Volume” eyedropper aims to avoid flooding the feed with ink, which leads to ink leaking into the cap and sometimes onto the page as you write. Did I mention this one has a No. 8 Magna Carta nib and ebonite feed? Expect to see more of this pen.

• New Release No. 1: Good Made Better Ebonite Pocket Pen. Dan had been teasing these pens all week on Instagram, and I already had planned to take one of these home with me. I chose this mottled black, beige, pink, and orange ebonite pen with a matte finish. As always, Good Made Better’s workmanship is excellent. I understand that these pens are show-only for the time being, so if you’d like to pick one up, get one at the Chicago Show or else you’ll need to wait for the official launch.

• New Release No. 2: Edison Jameson 2024 Chicago Pen Show Limited Edition. My pen is No. 7 of a (very) limited run of 15, made from older Bexley Scheherazade resin, which is a black translucent acrylic resin featuring streaks of silver foil. And, yes, it has a No. 8 nib. (You’re noticing a trend here.)

• Personal Acquisition No. 1: Edison Collier in Brooks “Dragon’s Night” Resin. Does anyone else remember when the Edison Collier was first released and everyone thought the pen was oversized? I never added one to my collection, which I’ve come to regret, and I couldn’t leave this one on the table. Translucent black acrylic with dark blue/teal shimmer. I considered the Collier Grande but found it slightly too oversized, despite the No. 8 nib which was tempting.

• Personal Acquisition No. 2: Waterman Exception “Night and Day”. I’ve been looking to add one of the oversized Waterman Exceptions to my collection, preferably in the black with silver trim and matte pinstripes on the side. Guess what? I ran into someone looking to unload one in excellent condition! Instant buy, and I’m thrilled to come closer to completing my “vintage” Waterman collection of most models spanning the late 1980s through early 2000s.

For Saturday, while I may pick up some smaller items and shop samples, and get a couple of nibs looked at, major shopping is over for this weekend. I expect the show to be much more crowded today. See below for some bonus pics of the new Good Made Better pens, as well as some vintage after-hours finds. (Yes, those are miniature keychain whiskey bottles that turn into fountain pens!)

If you enjoy our content, you can support us directly by visiting our own T.G.S. Curated Shop, as well as the T.G.S. Patreon Program. Many thanks to all of our readers and supporters!

A close-up of the Good Made Better Pocket Pen I picked up.

In addition to a pocket ebonite fountain pen, Good Made Better also has these full-sized models.

2024 Arkansas Pen Show Recap: Or, 5 Reasons to Attend a Smaller Pen Show

Well, that was a weekend! I always enjoy my trips to Little Rock for the Arkansas Pen Show, and this year was no exception. Run by the Arkansas Pen Club, the Arkansas Pen Show is a smaller, regional pen show that draws excellent vendors - both vintage and modern - and pulls in a good crowd of friendly attendees. While I don’t have official numbers, this year appeared even more well-attended than last year, following the move to a new location with a bigger ballroom. Kudos to Shawn Newton and the rest of the Arkansas Pen Club leadership for organizing a great show. I thought it might be fun to orient this show recap around a more general discussion of why it’s fun to attend local shows in general, even if they’re not as big as the pen shows that get the most hype and attention online.

1. Smaller pen shows are more relaxed and easier to navigate. While bigger “events” like the D.C. Pen Show and San Francisco Pen Show feature international vendors unique to those shows (mainly due to the logistics of attendance), the sheer size of these shows can be overwhelming even to seasoned pen show veterans. There’s no way you can see everything, and the fear of “missing something good” creates a level of anxiety and frenetic energy that sort of lingers through the weekend. At a smaller show, particularly one that’s confined to a single ballroom, you really are able to visit every table, and when the foot traffic slows down, vendors are more than happy to have extended conversations about the pens they sell and stationery in general. You also never know what people will bring by to show you - just check out that Traveler’s Notebook pictured below!

2. Smaller shows offer more time to consider purchases. Larger shows draw larger crowds, and vendors can only bring so much product with them, especially if they are flying. Some tables come close to selling out of certain in-demand products by the end of the first day. At a show like the Arkansas Pen Show, however, there’s no such rush, and unless you have your eye on a very specific pen from a custom maker, you almost certainly have time to think about and consider your purchase without worrying that something will be gone ten minutes later. You can also have nibs tuned or ground on a walk-up basis - Matthew Chen (Matthew’s Nibworks) attended the Arkansas Pen Show, and while he kept busy all weekend, there was never a long line or even a wait list, to my knowledge.

3. Smaller pen shows have a friendlier atmosphere. While the pen community in general is pretty friendly and welcoming, the smaller, regional shows are often run by tight-knit local pen clubs. As a result, the shows themselves have more of a “party” atmosphere, as opposed to the trade show/convention/flea market hybrid you see elsewhere.

4. Smaller pen shows are typically less expensive to attend. If you’re within a few hours of a pen show, always take the opportunity to drive rather than fly! In addition to saving on airfare, smaller regional shows often have cheaper hotel rates (Arkansas was around $100 per night for the show rate at a fairly decent hotel), and the price of admission was $10 for the entire weekend.

5. Smaller pens shows support smaller sellers and independent makers. The Arkansas Pen Show features several vendors who don’t attend the major market pen shows, including many excellent, reputable vintage sellers. For example, I purchased both of the vintage pens discussed below from Danny Fudge of The Write Pen, and I’ve never had anything but good experiences buying from him in the past. Other unique vendors included Chad from Eel and Anchor, who was my table neighbor and came with dozens of custom pen blanks. Let’s just say I have some commissions and potential exclusive releases in the prototyping stage? You can check out the full list of show Exhibitors here.

Talking to customers can be a master class in how to truly USE stationery: This is a Traveler’s Company Passport-sized notebook!

So What Did I Sell and What Did I Buy?

On both they buying and selling front, my recent strategy has been sort of similar: bring stuff that nobody else is going to have and buy stuff that I probably can’t find elsewhere. At my table, I brought Roterfaden, Lochby, and Traveler’s Company notebook systems, a selection of fountain pens, as well as a pretty varied selection of mechanical pencils and leadholders. Pencils tend to be underrepresented at pen shows, even though I always have nearly a dozen people approach me at any given show asking where to find them. Uni Kuru Togas and the Penco Prime Timber 2.0 lead holder drew the most attention, as did the Anterique Brass Ballpoints, Craighill Caro keychain pens, and other less common offerings. Over the years, I’ve discovered that as a smaller vendor (both online and in person), the key to having a successful show is to add to the “treasure hunt” experience by ensuring that you’re not just selling the same stuff as your table neighbor, or items that are easy for attendees to find online.

For the same reason, I’ve become more selective about what I purchase at shows. At this particular pen show, I added two more vintage pens to my collection: a Parker 51 Flighter (with the “wedding band” trim), and a Sterling Silver Parker 75. Both of these pens are fairly clean examples - though still “user grade” - and I’ve had the Parker 51 inked up since the night I bought it. The Parker 51 has a smooth extra-fine nib and the Parker 75 sports a broad, both of which are somewhat unusual. I also visited the Esterbrook table and picked up two pens that I suspect might be discontinued soon in these colors: the “Big J” in Lotus Green ebonite, and the “JR” in Pumpkin Latte. (Of course the two latter pens now have nib grinds from Matthew Chen!)

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From left, the “Big J” and “JR” pens from Esterbrook, a Parker 75 pen and pencil set, and a Parker 51 Flighter.

Overall, I enjoy my trips to Little Rock, which always includes an opportunity to shop at Vanness Pens in person! The current plan is to return next year, and I hope to see the show grow even more in the future. Thanks so much to the Arkansas Pen Club and all the attendees for showing us out-of-towners such a good time!

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. If you enjoyed this content, please consider supporting us directly!

California Pen Show Workshop Recap: Paper for Everyday Writing

Many thanks to everyone who came out to see me at the 2024 California Pen Show! We had a great turnout at the “Stationery for Everyday Writing” Workshops on Friday and Saturday, and since I’ve had a couple requests for the names of the paper samples we discussed, I thought I would post them. Just a reminder that the promotional code distributed to workshop attendees (and Patreon members) is valid through February 29, 2024 (end of the month). If you attended the seminar and lost the code or need the details of the promotional offer, please contact me and I will send them to you.

Four of My Favorite Papers for Everyday Writing

• Write Notepads Paper. Relatively inexpensive, absorbent, and available in a wide variety of formats and rulings, Write Notepads paper is among my favorite for everyday writing and notetaking.

• Midori MD Paper. Another excellent Japanese paper that’s cost-effective enough to be used everyday. I especially enjoy their writing pads, which can be used vertically and horizontally (“landscape mode”). MD Paper is used in standard Traveler’s Company refills, and if you’re looking for something slightly more absorbent, you should try the MD Cotton version.

• Clairefontaine French-Ruled Looseleaf Paper. The multi-lined paper handed out at the workshop was Clairefontaine French-ruled (or “Seyes-ruled”) looseleaf paper in the A4 format. Clairefontaine is often most people’s first experience with fountain-pen friendly paper, and while it’s slower to dry than the other options listed here, it’s also less expensive and more widely available.

• Tomoe River 68gsm Paper. While the long-term availability of this paper is subject to debate, given recent manufacturing changes, it continues to be available from some sources (including the Lochby refills that we sell). 68gsm Tomoe River Paper is still quite thin, though a bit thicker and slightly more absorbent than the lighter-weight 52gsm version so it dries quicker.

For additional fountain pen friendly paper recommendations, check out our post titled “Hierarchies of Fountain Pen Friendly Paper,” which will walk you through these options and more.

The Gentleman Stationer is an authorized reseller of the brands we sell, and is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program.

It's Live! Check Out Our New Curated Pencils Page in the Shop!

I’m really not sure how I found the time to do this at the California Pen Show, but you can now shop all pencils and pencil accessories on their own dedicated shop page. This will allow us to better organize our pencil offerings (both wood and mechanical) by category, and also gives us the space to expand one of my favorite categories of stationery. We recently added several different variations on the Uni Kuru-Toga mechanical pencil, Uni 4B and 6B Penmanship Pencils, and the excellent Uni KH-20 Long-Point Pencil Sharpener. Stay tuned as there will be more arriving soon.

A Panoramic Shot of the Main Ballroom on Friday (Plus some weird guy on the right who tried to ruin the picture.) :)

As for now, I’m off to Saturday at the the California Pen Show! I’ll be helping out behind the Schon DSGN and Hinze Pens Tables, so be sure to come and say hello!

The Gentleman Stationer is supported by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program.