Pen Review: Tom's Studio "The Studio Pocket" Fountain Pen (and Architect Nib!)

So why did I choose to review this relatively new, niche product during the T.G.S. 10th Anniversary month? Because it provides a great example of just how much the community has changed in the past decade-plus, both from an enthusiast and retail perspective.

In the early 2010s, when I first rediscovered fountain pens and stationery as a serious interest, the range of available products was still limited to your traditional "legacy" brands (Parker, Sheaffer, Waterman, Montblanc, Aurora, Omas, etc.). Sure, there were a lot of great pens available - including many I wish I had purchased at original retail and currently covet a great deal - but the market lacked many of the offbeat, original designs from smaller makers at a lower price point. There certainly weren't many "pocket" fountain pens available, as that product category didn't take off until Kaweco expanded the Sport lineup and began introducing other popular designs such as the Liliput.

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Today, smaller brands from independent makers and/or designers proliferate, such as Tom's Studio, which started out as a very small calligraphy-focused maker but which has gradually expanded into fountain pens, refillable fineliners, fountain pen inks, and even a recently released mechanical pencil. I reviewed the "Lumos" fineliner pens a week or so back, and in the meantime have been looking at two different fountain pens: the "Studio" and "Studio Pocket".

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The most interesting design aspect of the Studio Pocket fountain pen is that there are no threads on the cap or barrel. The cap closes using two o-rings embedded into grooves in the barrel section, and this is also how the pen posts. (While o-rings are made of rubber and won't last forever, this type of generic black o-ring is easily replaceable.) Thus far, I've had no issues with the cap staying on the pen or the pen posting securely. I love that there are no threads to interfere with the grip.

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Second, when you post the Studio Pocket, it extends to a much larger writing instrument that you typically see with pocket fountain pens. Made from machined aluminum, the faceted cap adds length without adding much weight at all. The pen rests comfortably in my hand and feels well-balanced. Sometimes manufacturers go for designs that are visually interesting but don't really end up working in the "real world" - i.e., when you actually want to write with the pen. This isn't such a situation. Per their own website, Tom's Studio pays careful attention to things like balance and ergonomics. It's not just lip service.

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So far my experience writing with the Tom's Studio "Studio Pocket" has been largely positive. In addition to the o-ring posting mechanism, a hallmark of the pen is the long textured section, which is intended to make the Studio Pocket usable regardless of how you hold your pen. The texture comes from machined micro-grooves, which are increasingly common in the machined pen world as a way to minimize the slippage that will inevitably occur with an untextured metal grip.

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But What About That Architect Nib:)

Yes, the Architect nib. In recent months, Tom's Studio has received much attention for their interchangeable nib units, which now includes a "Pro Flex" (Zebra G Calligraphy setup), a "Semi-Flex" (your typical stainless steel nib with a longer slit down the midde), a "Cursive Italic" (which I've found to be more of a traditional italic, but that's a matter of preference), and the Architect. So far, the Pro-flex and Architect Nibs are the best of the bunch. This is an amazingly smooth, broad architect-style nib, which at $19 offers incredible value, especially to those who have never tried an architect nib and have been hesitant to send a prized pen off to a nibgrinder simply to experiment. For those new to fountain pens, an architect nib is ground to a wedge-like shape, with narrower downstrokes and broader cross strokes. (You often hear it described as a "reverse stub.") Please note that Tom’s Studio nibs are only compatible with Tom’s Studio pens. These are specially made to fit the Studio and Studio Pocket, and while you may be able to swap them into different housings, I have not experimented with this and it’s not an advertised feature.

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I've found broader architect nibs to be more forgiving of writing angles, making this a better option for a stock nib than a finer grind as it should work for more people.

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You can read more about why I enjoy architect-style nibs (as well as other nib grinds) in this post. Over the years, the architect has become a favorite custom grind of mine, and it seems crazy that you can now get a stock architect that’s this good at this price point. The narrow downstrokes are compatible with my smaller handwriting, and I love the angular look it lends to my notes. The writing sample shown here is with the stock Tom’s Studio black ink cartridge on Clairefontaine paper.

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The Studio Pocket is a pocket fountain pen, and marketed as cartridge-only. Each pen ships with a converter/syringe device that you can use to refill your spent cartridges with the ink of your choice.

Takeaways and Where to Buy

I've been thoroughly enjoying the Studio Pocket, which I opted for in the dark purple "Iris" color. I immediately swapped out the stock fine nib and have been using the Architect's nib nearly exclusively, and I'm fairly confident it will remain installed in this pen indefinitely. The more I use this pen, the more I appreciate the faceted design. It's both a roll-stop and a satisfying fidget toy to roll around in your hand!

The Studio Pocket comes in seven different colors. From left: Black, Sage, Ivy, Wisteria, Iris, Mulberry, and Blush.

We've recently launched Tom's Studio as a brand in the T.G.S. Curated Shop, and it's been a popular addition. The Lumos fineliners sold out nearly immediately, and we plan to restock them as soon as possible. On the fountain pen side, we have both the original "Studio" fountain pen and the "Studio Pocket" shown here. We currently offer the Studio Pocket in either a fine or medium nib, priced at $108. Specialty nibs are sold separately, though with our next order we may consider stocking the fountain pens with the specialty nibs installed. (That's a bit of an investment, so it totally depends on the overall level of interest.) I do think that $108 +$19 for a pocket fountain pen with two nibs, one of which is a pre-ground architect, represents a decent deal, especially if you're experimenting for the first time with an architect nib and don't want to lay out $50+ for a custom grind.

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program.

Kaweco Sport Piston Filler: Initial Impressions of a Long-Awaited "Upgrade"!

Well, it's here! After years of speculation, and much anticipation, Kaweco has released the piston filler version of the Kaweco Sport. Rather than design a completely new pen, Kaweco adapted the existing AL Sport fountain pen by adding an integrated clip and, of course, the piston filler. What are my initial thoughts? Let's take a closer look.

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The pen ships in this commemorative tin, complete with a vintage-style bottle of ink.

Initial Impressions of the Design

From the moment you open the box, there's no confusing this pen with anything other than a modern Kaweco Sport fountain pen. As mentioned, the body design draws on the existing AL Sport line, though Kaweco has added the integrated clip from the current Art Sport lineup and the now-discontinued “Luxe” model. There's also a gold band at the blind cap, which you remove to access the piston mechanism.

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I’m sold on the integrated clip. It’s a matter of preference, but I was always a fan of the now-discontinued “Sport Luxe” pens that had this same look.

In terms of size, feel, and overall setup, you shouldn't notice much of a difference between the Sport Piston Filler and the existing AL Sport line. My red AL Sport shown below weighs 18g, and my 3/4 full Kaweco Sport Piston Filler weighs 24g. While the piston adds some weight, given the Sport's small size, I don't really notice it.

The pen posts nicely, and the ink window allows you to see how much ink you still have in reserve.

The biggest difference in the body is the vintage-style ink window, which allows you to see the ink level in the pen. The piston filler holds more ink than a cartridge, certainly holds more ink than the small Kaweco Sport “Mini” converter, and while it's not quite at eyedropper level, you don't have to deal with silicone grease, ink burping, and other considerations that pop up when you pour ink directly into the barrel.

Remove the blind cap to access the piston knob and refill the pen.

The piston design on this pen is a bit unique. You access the piston by removing the blind cap to reveal the piston knob. Why would Kaweco do this? I suspect it’s because nearly everyone posts the cap on the back of the Kaweco Sport as they write, and this design minimizes the risk of the piston accidentally engaging and expelling ink while writing.

Nib and Writing Experience

The first thing I noticed after inking up my medium piston Sport for the first time was how much the standard Kaweco nib benefitted from the increased ink flow the piston mechanism offered. Piston fillers often deliver a more consistent flow of ink to the nib and feed than cartridge/converter pens, which in turn makes the pen feel like a smoother writer. I find this effect more pronounced with smaller No. 4 and No. 5 nibs. Again, this is strictly a matter of personal preference, but the medium nib in the pen I chose for myself is excellent. (It's also possible that a higher degree of quality control went into the nibs on the $165 pen than goes into the standard $28 Sport. One would hope so.)

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The Kaweco Sport Piston Filler uses the same nib as the other Kaweco Sports, but the nib unit is different. My understanding is that Kaweco will start selling replacement nib units specific to this pen.

I won't write much more on the writing experience - I've previously reviewed multiple versions of the Kaweco Sport and the feel of this pen in the hand as you write isn't significantly different. You either like these smaller pens or you don't, and nothing about the filling system really changes that.

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"But I Like the Vintage One Better...."

Initial reactions to the Kaweco Sport Piston Filler have been mixed, not necessarily due to the pen itself but rather because nobody knew what to expect, with expectations all over the place. Some, frankly, were wildly unrealistic. (I'm not sure in what world people were expecting an inexpensive piston filling Kaweco fountain pen with a 14k gold nib, or an exact replica of vintage pens featuring materials that can’t be sourced.)

Keep in mind that the modern company we know as "Kaweco" is different from the legacy company that produced vintage “Sport” fountain pens. Much like "the new Esterbrook", the rights to the Kaweco name were acquired by a new manufacturer who began making modern pens inspired by the heritage designs.

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My vintage Kaweco Sport from the early 1970s (right) next to the modern pen. For a more fulsome comparison, check out this YouTube video, which includes writing samples.

I believe this context is important to understand because creating a piston filling Kaweco Sport is not as simple as "turning on the old machines". As with most vintage pens, the machines and tooling used to make the pens likely don't exist anymore - much less in workable condition - and the gold nibs and other materials used in the vintage manufacturing are either much more expensive or entirely unavailable to modern manufacturers. A piston-filling Kaweco Sport in a vintage-style body different from Kaweco's current lineup, featuring a 14k gold nib, would easily top $200, and I would probably pitch it closer to $300+.

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On the "Value Proposition" and Appreciating Trade-Offs

Now for some “market discussion”: There has been a lot of talk about the price point of the Kaweco Sport Piston Filler ($165), which many believe is too high. While the pen is certainly not inexpensive, I don’t see how a German-manufactured piston fountain pen from a mainline brand could cost less than $130 given the realities of the market. (At some point in the future, we might see some minor price drop on this pen as we did with the Art Sport, thus I’m calling $130 as the ultimate floor here even thought the price currently sits at $165 for the pen / $175 for the pen+ink set. A cheaper pen would almost certainly be a resin model.)

Will we see more colors of the Kaweco Sport Piston? Probably eventually, but not right away.

Does it represent "good value"? Frankly, I’m not sure how a piston-filling pocket fountain pen, styled in very specific manner, can even be viewed from a “value” perspective. I see this as a niche product that will likely appeal to a smaller number of people than something like a TWSBI demonstrator. The price reflects that. If what you're looking for is a durable pocket fountain pen with a decent nib that easy to refill and costs as little as $28, that already exists in the form of the standard Kaweco Sport. You can also purchase the AL Sport for $90, which is virtually identical to the piston filler (albeit with different trim and minus the integrated clip). Honestly, the price point here surprised me in a very different way from most people, as I was expecting $200+, especially after the $300+ Ebonite Sport release.

And, yes, if you really want a gold nib, and you prefer the vintage styling, those are very much available on the secondary market (an entirely different set of considerations unique to vintage pens and their maintenance).

Takeaways and Where to Buy

I'm enjoying the new Kaweco Sport. Like most Kaweco releases, the build quality feels high, and Kaweco has done a nice job translating the piston filling system to the existing AL Sport format. Because smaller nibs can sometimes be stingy with ink flow, the piston mechanism seems to vastly improves the writing experience for those who enjoy a wetter nib, and for this reason alone the Sport Piston Filler will likely become my default Kaweco for when I want to do a lot of actual writing, as opposed to quicker notetaking on the go.

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You can purchase the new Kaweco Sport Piston Filler at most Kaweco retailers, including directly from us via the T.G.S. Curated Shop. We currently stock the pen in a gift set that ships in a commemorative tin with a bottle of Kaweco Royal Blue ink for $175. The pen on its own sells for $165, and after this initial shipment Kaweco will begin stocking retailers with stand-alone pens. It will be interesting to see whether this takes off, with more colors available, or whether it remains a one-off in the overall lineup!

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. We greatly appreciate your direct support!

Exploring New Formats: Lamy AL-Star Rollerball and Mechanical Pencil

Over the years when evaluating the latest releases from Lamy (and most other brands), my default has been to review the fountain pen and, occasionally, the ballpoint. But what about the rollerball? As I was writing last week's review on the Tom's Studio Lumos fineliner, I was struck by the simplicity of writing with basic black ink, and the focus it allowed in terms of not being distracted by all the various elements that go into writing with a fountain pen. When I decided to do my initial review of the new Lamy AL-Star pens that arrived last week, I pulled one of the Fiery AL-Star Rollerballs and the Aquatic .5mm mechanical pencil - two formats that don't receive a lot of attention.

The Lamy AL-Star Rollerball: Taking a Second Look

We sell a fair number of Lamy AL-Star and Safari rollerball pens, but it's not a format I've personally used very much. It's only fair that I take one for a test drive, right? So far, the experience has been mostly positive, and largely consistent with the writing experience offered by other rollerball pens using a standard medium refill. The pen itself looks nearly identical to the AL-Star fountain pen, with the exception that there is no "cutout" in the barrel to allow you to view the ink level in the cartridge or converter. (This feature would serve no purpose in a rollerball pen, as you can't view the ink level in a metal refill, and it would look pretty ugly to see the silver peeking out, IMHO.) The grip is the same, as is the overall feel and balance of the pen.

Balance in the hand is very similar to the AL-Star fountain pen, posted or unposted.

With respect to the writing experience, it all comes down to whether you enjoy writing with a rollerball pen, which typically write a wetter line than a ballpoint or gel pen. The refills contain very dark pigmented liquid ink, and in a wider tip size, have a tendency to bleed through paper - even good paper such as the Lamy notebook in the photos below, or Tomoe River (!?!). That said, if you want a pen that writes a smooth, bold black/blue line, breaking out a rollerball can be quite satisfying. Yesterday I spent most of the afternoon outlining the main ideas for a legal brief on a legal pad, and while I had some show-through and feathering from the rollerball cartridge on the thinner paper, I would compare the experience to working with a marker on a whiteboard. There was no need for me to write small, as my primary goal was to get the "big ideas" on paper so that I could later organize them into a coherent rough draft. For this, the rollerball was perfect, especially since I didn’t plan to preserve this writing for posterity.

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Pro Tip: I hardly ever purchase rollerball cartridges in bulk. Over the years, I've noticed that they don't age well (across brands), and can become skippy and dry out quickly. For that reason I typically purchase rollerball refills in smaller batches, if not one at a time, as I need them.

Lamy AL-Star Mechanical Pencil: Rotate to Your Heart’s Content

One of the curious decisions Lamy made during this recent product cycle was to release the AL-Star .5mm mechanical pencil in the new "Aquatic" finish. Why do one color but not the other? Regardless, I'm enjoying this new pencil and somewhat disagree with critics of the design, particularly those who dislike the molded grip on the AL-Star and Safari mechanical pencils.

AL-Star and Safari Grip Sections are triangular, meaning that you can rotate them as needed (at least in the non-fountain pen versions).

The major gripe that I hear is that the molded grip supposedly prevents users from rotating the mechanical pencil as you write. Some - but not all - users rotate their pencil in order to prevent flat edges from forming on the lead and to maintain a sharp point. (Uni's Kuru-Toga pencils do this automatically, which is their key selling point.)

The AL-Star Grip Section, viewed sideways.

I don't consider that critique entirely on-point for a couple of reasons. First, the molded grip on both the Safari and AL-Star is symmetrical and triangular, so rotating the pencil shouldn't affect your grip too much as long as you are someone who can actually use the AL-Star or Safari. (The molded section just doesn’t work for some people given issues of comfort and how they hold the pen/pencil.) If you rotate the pencil, there will be three different angles at which the grip remains the same. I don't personally use the molded grip to guide finger placement, as Lamy intends, and have no issue resting my fingers on top of the triangular edges, so this has never been a problem for me as someone who does rotate their mechanical pencils as I write.

For my own purposes, I wanted to find out whether the weight of the pen would affect lead breakage in the .5mm size. The AL-Star and Safari mechanical pencils are bigger pencils with a thicker diameter, and the AL-Star is metal. My concerns turned out to be unfounded. The pencil writes nicely, even with the thicker aluminum barrel. Those who sometimes find standard mechanical pencils too thin should definitely check this one out.

The fountain pen barrels in Aquatic and Fiery, for comparison purposes.

Takeaways and Where to Buy

A couple of years ago I reviewed the Lamy Safari ballpoint for the first time and (virtually) kicked myself for not testing one out sooner. The same goes for the rollerball and mechanical pencil versions of the AL-Star. I'm liking both of these and may even take a pass on the fountain pen versions of the new releases as I seek to diversify my personal collection.

The AL-Star ballpoint in Fiery and Aquatic, also for comparison purposes. I like the colored sections that complement the overall tone of the pen.

We currently stock the entire range of the Lamy AL-Star "Fiery" and "Aquatic" pens (and pencil), as well as remaining stock of other special and limited edition AL-Star finishes from recent years. Priced at $28 for the rollerball and $16 for the mechanical pencil, The Lamy AL-Star represents good value and should serve you well over the long-term, despite sitting at what many consider an entry-level price point. We also have all the refills you may need, should you wish to change ink color and tip size from the stock black medium rollerball refill, or swap out the stock HB mechanical pencil lead.

The Gentleman Stationer is an authorized retailer of Lamy. T.G.S. is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program.

First Impressions: Is the Tom's Studio "Lumos" Series the Refillable Fineliner I've Been Waiting For?

So far, the answer is a resounding "Yes". Though most of my everyday non-fountain pen writing is done with a ballpoint or a pencil, fineliners are a long-time favorite, especially in terms of how they feel putting ink on the page. Fineliners and other fibre-tipped pens require less pressure and allow you to get line variation that’s typically only achievable with a fountain pen. The downside? Generally speaking, fibre tips don't last very long (especially if you write with a heavier hand), are not replaceable, and you can't change the ink color. Enter the Tom's Studio "Lumos" Series, which I first saw in person at the Arkansas Pen Show when one of my friends had them on hand....

Note: For purposes of this post, I use the term "fineliner" loosely. There are differences between true "fineliners" intended primarily for writing (such as the Pilot Razor Point, Razor Point II, and Schmidt and Montblanc fineliner refills) and others intended more for the art market that feature softer tips (such as the Sakura Pigma Micron and felt-tipped art pens). I tend to use "fineliner" as a catch-all term for any pens that feature a fibre or porous plastic tip. Tom's Studio describes the Lumos as a "Multi-Tip Pen", and distinguishes between Micron-style, writing, and brush-like tips when describing the different types of tips available for purchase.

The tip set that’s included with the Lumos Pro Duo.

Put simply, the Lumos is a refillable pen capable of using a variety of fineliner-style tips, which range from .1mm Micron-style to firmer .3mm and .5mm traditional “writing” fineliners to marker-style brushes and chisels. The pen fills using a wick-like ink reservoir and capillary action - essentially the same as your standard disposable fineliner pen, only here you have easy access to the components so that you can refill the pen with the ink of your choice and replace the tip. Here's how it works:

Refilling the Pen

Refilling the pen is pretty straightforward: Unscrew the tip cover (which protects the fibre tipping), then unscrew the entire "nib" portion of the pen to remove the wick/reservoir. Designed to take liquid ink (either pigmented/permanent or standard water-based fountain pen ink), you fill all Lumos pens by dipping the end of the reservoir into the the ink bottle and watching the ink saturate the wicking material all the way up to the nib. (I posted a YouTube Short showing how this works.)

The Lumos “Write” completely disassembled. The wick/reservoir and tip are both replaceable. One reason I think the Lumos works so well is because Tom’s Studio attempted to duplicate how a traditional disposable fineliner supplies ink to the tip, using a similar “filling” mechanism. Other attempts at a refillable fineliner have tried to transpose a fountain pen-style cartridge converter system, which in my opinion doesn’t work as well.

The wicks come in two different styles: a shorter version designed to fit the Lumos "Duo" and pocket sizes, and a longer high-capacity reservoir designed to fit the Lumos "Write" (shown above). The wicks/reservoirs friction-fit into the "section” of the pen. Tom's Studio recommends that you insert them all the way, then pull them out slightly (1-2mm) to allow for better ink flow. I'm still working my way through my first fill on these pens, so I don't know exactly how long the ink lasts, but I imagine it's going to be a while before I have to refill them. Tom's Studio says that the reservoirs are easily rinsable and reusable if you want to change colors, but given how inexpensive the refills are, I would probably recommend sticking to a single color of ink per refill. It's easier to flush out and clean the fibre tips, so you can always keep multiple inked reservoirs and change them out as necessary. Per Tom's Studio, they can be stored in an airtight container (such as a plastic bag or ink sample vial) while inked.

The shorter wick on the Lumos Pro Duo (because you need to be able to fit two of them in the barrel). To fill you dip the end in the ink. The cotton core material is encased in plastic/vinyl, with only the end exposed, to minimize any mess inside the pen and on your hands.

Changing Fibre Tips

The second feature of the Lumos series is the interchangeable fibre tips. While swapping multiple tips "on the go" probably won't be practical, a pen like the Lumos "Pro Duo" allows you to have two different tip sizes and/or styles installed in a single pen which you can alternate easily. The first tip is covered by the cap (sealed with an o-ring), while the second tip is stored inside the barrel (also sealed with an o-ring). To write with the first tip, simply uncap the pen. To use the second tip, unscrew the back half of the barrel and invert it, as shown in the pictures below. It's quite a nifty design!

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Here I have .3mm and .8mm Micron-style tips installed in my Pro Duo (shown here in the Sage finish). The “Pro Duo” is actually two mini pens that fit together.

When you do want to install a different tip in your Lumos pen, the process is again straightforward: simply unscrew the tip cover, gently pull the tip from the holder with your fingers, and replace with the tip of your choice. Each unit has a fibre "feed" that will extend into the cotton wicking material inside the reservoir and pull ink up through the tip.

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Takeaways and How to Buy

So far, the two pens that I have in rotation work exactly as advertised and I'm thoroughly enjoying both the Lumos "Write" in matte black and the Lumos "Pro Duo" in Sage. (For what it's worth, all of the various anodized colors look great in person.) Who would I say this pen is for? If you only occasionally use fineliners, or you have a single style/tip size of Sakura Pigma Micron that you prefer, the Lumos pen might be overkill. BUT, if you're like me, and would prefer to have a fineliner be your secondary writing instrument of choice but have been frustrated by having to throw out half-full disposable pens and/or replace very expensive dried out proprietary refills after only a couple of weeks, then the Lumos series should be on your radar. To be clear, this is a pen for tinkerers and those who enjoy playing around with fun stationery. Changing fibre tips and cotton wick-style reservoirs will probably get your fingers inky! That said, setting up and using these pens is both easy and intuitive, and Tom’s Studio supplies a tutorial and other information on their website.

I’ve filled my pens with fountain pen ink so far. I look forward to experimenting with pigmented and permanent inks, which is what many people like about fineliners.

We currently have a small shipment of the Tom's Studio Lumos "Write" and Lumos "Pro Duo" pens available for purchase in the shop. The single-tip "Write" pens ($69.50) ship with a .3mm firm “writing” tip and a small bottle of black ink, while the "Pro Duo" pens ($120) include the double-tipped pen, a set of eleven different tips, and the ink bottle. You can separately purchase a set of extra tips. We should have additional Tom's Studio products available in the future, including the fountain pens and nibs as well as more Lumos pens and replacement components.

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program.

Fountain Pen Review: The Curious Case of the Lamy Vista

In less than 10 days, The Gentleman Stationer will be 10 years old! That’s a milestone that sort of snuck up on me, and while I’ve certainly thought about it over the past few months, the significance really hit me this past week. I have some fun ideas for the month of April, including a bit of a retrospective and a few giveaways. But the main project I’ll be continuing is catching up on my review backlog. After 10 years, there remains a long list of pens that I've (inexcusably) never reviewed, including today's subject: The Lamy Vista.

Is The Vista Just a Safari by Another Name? Kinda. But It’s Still Cool.

Yes, the Vista is “just” a demonstrator Safari, but it's a well-executed example of a demonstrator that costs no more than the standard pen. (As enthusiasts know, sometimes adding “demonstrator” to the product also adds to the price.) For those new to fountain pens, a "demonstrator" is the term used to refer to a transparent pen that allows you to see the pen's internal mechanisms. Traditionally, these pens were used by salespeople to showcase a pen's filling system and other internal components to potential customers. Collectors covet rare vintage demonstrators, and most modern manufacturers have introduced at least one "demo" into their standard lineup because clear acrylics tend to look good and sell very well, especially once you get into colored transparent materials. (More on that later.)

You can add a pop of color to the Vista by using a bright ink (here, Laban Hera Green).

There's nothing fancy about the Lamy Vista - except for the transparent plastic, the Vista shares the same shape as the Safari, feels exactly the same in the hand as the Lamy Safari, and uses the same interchangeable stainless steel nib. I've long considered the Safari a core "Workhorse Pen" due to its combination of quality and value, and I view the Vista the same way. As with the Safari, some people will have issues with the pen's triangular grip. Fortunately for me, it fits with how I hold a pen, but you're either a "Safari person" or you're not. It's one of those pens that either works for you or one you have to pass on it and there's not too much you can do given that the molded grip is a key part of the Safari (and AL-Star) identity.

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WHERE ARE THE OTHER COLORS!?!

Most notable about the Lamy Vista is the conversation surrounding the pen. Lamy has kept the Vista as part of the standard lineup for years, without giving it any sort of special treatment in the form of a special edition, a new color, or even updated trim (wouldn't a black clip and nib look great!?). Don't get me wrong, it's fine to have a standard clear demonstrator in your lineup, and the Vista continues to sell relatively well, but Lamy (and it's retailers) would literally print money if Lamy started releasing the Vista in blue, green, red, yellow, smoke black... you get the point.

I’m quite excited about his year’s AL-Star releases. Wouldn’t those sections look great in a full-sized Vista demo?

We know that Lamy is capable of making transparent acrylics. For example, the promotional photos of the new Lamy AL-Stars in "Fiery" and "Aquatic" (metallic red and blue) show transparent blue and red sections on those pens. I should have them in-hand early next week and will post live photos, but how great would those colors look on a full demonstrator? Similarly, the Lamy Balloon rollerball adopts a similar format to the Vista, in full-color transparent acrylics. Why not expand this to the fountain pen formula?

IMHO, there’s no reason why Lamy couldn’t go full TWSBI ECO or 580 with the Vista lineup. The Vista (center) is shown here with the TWSBI ECO in Creme and Rose Gold (left) and the TWSBI Diamond 580 ALR Matte Black.

Takeaways and Where to Buy

I love demonstrators, and keep a bunch in my personal collection. The Lamy Vista is an excellent, often overlooked pen that I just wish Lamy would expand on a bit more. The company could really take the demonstrator concept and run with it, and it strikes me as a bit of a no-brainer from a business perspective. That said, I have no visibility into Lamy's manufacturing situation so there may very well be logistical issues that to date have prevented them from expanding the Vista line. (The demand would be insane, for one thing, and probably difficult to predict and manage.)

The other way to add a pop of color to the Vista: Use the converter with the red piston knob!

If you enjoy the look of the Vista, you can get one directly from us! The T.G.S. Curated Shop is an authorized retailer of Lamy pens, and while we don't stock the full Safari range (yet?), we do offer the Vista in all of its various formats. With the Safari, if you like a color you can typically assemble as set that includes the fountain pen, rollerball, ballpoint, and mechanical pencil in matching colors. You can do the same with the Lamy Vista. Pricing is identical to the Safari, with the fountain pen at just under $30, the rollerball at $20, and the ballpoint and pencil both at $16. Also, the latest Lamy AL-Star pens are now available for pre-order, and should start shipping Monday along with a full restock of the new Safaris.

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. Your loyal readership and support is what has kept us going for the past 10 years, and we greatly appreciate it!