First Impressions: Spoke Pen with Uni Signo UM-151 (DX) Refill

March 13, 2019

One of my pickups from this month’s Baltimore Pen Show was a Spoke Pen prototype that Brad was kind enough to give me for review. I opted for red (of course), and all of the prototypes Brad brought to the show had titanium grips, which was just fine with me because it makes this pen a perfect match for my red/titanium Spoke Pencil Model 4. While my personal interests focus on fountain pens, I regularly use a handful of others, including two Montblanc rollerballs, my Lamy 2000 multi pen, a Ti Arto Universal Refill Pen, and a few Baux Pens loaded with Bic Cristal refills. The Spoke Pen is a unique addition because it’s the first machined pen designed specifically for the Uni UM-151 (DX) refill, an excellent fine-tip gel pen that until now has been restricted to my Ti Arto. Since this pen is a prototype, and since I’ve only had it in my hands for a couple weeks, this post will take the form of a shorter “first impressions” piece.

On the left, the Spoke Pen. On the right, the Spoke Pencil Model 4.

By far my favorite feature of any Spoke Design product is the grip section.

Things I Like

Design. I’ve owned a Spoke Pencil Model 4 for the past year or so, and also backed the Baux Pen 2 (which comes from the same “family”), so I’m a fan of Spoke Design. The Spoke Pen definitely shares the same DNA in terms of durable feel, great balance, and a modern, industrial look that appeals to me. I like the look of what I refer to as the “mixed metal” pens, combining an aluminum barrel with a titanium grip section. It makes for a durable, yet lightweight writing instrument.
Magnetic Closure. Brian also runs the “Strong Like Bull” magnet company, so of course the Spoke Pen was going to feature a magnetic cap closure. The cap closes firmly with very little play. Due to its strength, the magnet will attract little metal items on your desk like paper clips, etc., just be warned!
Grip. Though it’s part of the overall design of the pen, the grip on the Spoke Pen warrants separate mention. In my opinion, Spoke Design has perfected the grip of a machined metal pen. Rather than traditional knurling, the Spoke Pen, Spoke Pencil, and Baux Pen all use tightly spaced rings around the section. This sort of grip is quite comfortable to use over long periods of time, and doesn’t leave pressure marks on your fingers. The Ti Arto features a similar grip, but Spoke spaces the rings closer together, which I prefer.
Refill. The Signo UM-151 (“DX”) refill is one of the more popular fine-tip gel refills on the market, mainly because of the wide range of available colors and tip sizes. While my prototype came loaded with a black .5mm refill, I swapped that out for a .38mm red-black refill that I picked up at Kinokuniya in New York. I can’t say that the Signo DX is my all-time favorite gel refill, but it’s up there and does an excellent job. As I mentioned, the selection of colors is unparalleled.

The magnetic cap snaps shut firmly, and the clip is tight. Apart from the finish, which will wear on any metal pen, the Spoke Pen should be a highly durable writing instrument that will give you years of long-term use.

Potential Issues

I only spotted a couple of issues with the Spoke Pen, and it’s too early to say whether these are points that actually will end up bothering me over the long run, since this particular pen (1) is a prototype and (2) has only been in my hands for less than two weeks.

Posting. The Spoke Pen doesn’t post. Two years ago this would have been a deal-breaker for me, and I wouldn’t have backed the project, but I’ve recently expanded my horizons into some larger, non-posting fountain pens so it may end up not being an issue. Since this is a gel pen, I’ve been able to leave the pen uncapped on my desk while I’m using it without experiencing any skipping or drying out.
Anodized Finish. I’m withholding final comment on the finish, since this is a prototype, but I’ll note that there are a few spots of wear on the black clip, and places on the edges of the cap and around the “jewels” where the anodizing is already starting to wear away. With respect to the cap edges, that’s entirely predictable because you have a metal cap sliding onto a knurled metal section and there’s no real way to prevent it. Plus, it’s not noticeable when the cap is closed. Wear to the finish will eventually give the pen a “stonewashed” look, which you may or may not like depending on your personal preferences.

From left, the Ti Arto Universal Refill pen, which is the only other pen in my arsenal to accept the Signo DX; the Spoke Pen, and the Spoke Pencil 4.

Takeaways and Where to Buy

Like all Spoke Design products, the Spoke Pen is well designed and well made. If you’re looking for a machined pen specifically designed to house your Signo DX refill, you may not have many choices out there, but you’ll be hard-pressed to do better than this one. I’ve personally gravitated to Spoke products over the past couple of years (Spoke Pencil/Baux Pens) due to the grip, which I find much more comfortable than other options on the market. I ended up backing the Kickstarter project for the “two pens” reward level, and will likely end up using these similar to how I use my Baux Pens: to house various colors and tip sizes of specific refills that I like to use for certain purposes.

Unfortunately, the Spoke Pen Kickstarter has now closed, so if you didn’t back you’ll have to wait until Brad and Brian finish project fulfillment and officially launch the project before getting your hands on one of these. In the meantime, if the design appeals to you and you’re a fan of mechanical pencils, you can purchase an excellent Spoke Pencil, which now comes available in Model 4 and Model 5.

Disclaimer: Spoke Design and Brad Dowdy provided me with this prototype pen for review purposes, free of charge. I was not otherwise compensated for this review, and have separately backed the Kickstarter project.

Pilot-Lamy-Overlooked-Underloved-Fountain-Pens

Overlooked and Underloved: Three Fountain Pens That Don't Get the Attention They Deserve

March 9, 2019

The current fountain pen market can be driven to a large degree by hype, with new or “limited edition” pens selling quickly, only to have sales peter out as the novelty wears off and users figure out that maybe those “next big thing” pens aren’t the best for actual daily use. I’ve been as guilty of this as anyone, as some of what I consider to be the best fountain pens in my collection have unfortunately fallen by the wayside. Today I’ll take a look at three pens that have been around for a while, but don’t necessarily get a lot of attention on pen blogs and websites and social media. That’s unfortunate because all three are exceptional, well-balanced writing instruments that are generally reliable “out of the box” and available at most pen retailers. I’m talking about the Pilot Custom 74, the Pilot Custom Heritage 92, and, yes, the Lamy 2000.

You can read my full write-up on the Pilot Custom 74 here.

Pilot Custom 74. At the top of my list of pens that deserve more attention is the Pilot Custom 74. We did end up selling a handful of these pens in Baltimore, and these colorful demonstrators are what I consider to be one of the better bargains on the market. For $176, which is rapidly becoming the price point for many steel-nib pens, you get a sweet 14k Pilot rhodium-plated nib, paired with Pilot’s high-capacity pump converter, the CON-70. You can also use Pilot’s cartridges if you prefer the convenience, and they hold a ton of ink and last forever. The rhodium trim on this pen nicely complements the jewel-like acrylics. I own the blue version, and Violet, Orange, Smoke, and Clear versions are also available, along with two limited editions arriving in the coming months. Stay tuned!

I’ve previously written a full review of the Custom Heritage, but the orange acrylic version has become somewhat more difficult to find, even online.

Pilot Custom Heritage 92. Sitting at a slightly higher price point than the Custom 74 is the Custom Heritage 92, which runs $220 and pairs the same 14k nib from the Custom 74 with an integrated piston filler. One of the main reasons that I love Pilot pens is the mix of quality and price - with the exception of the Lamy 2000 (discussed below), it’s rare that you will find a quality piston-filling fountain pen with a gold nib for under $300. The main drawback to the Custom Heritage is the fact that it’s only available in a single color. At one point Pilot made this pen for the Japanese market in orange, blue, and smoke as well, with the different colors being readily available online, but those appear to be phased out and are not as readily available as they once were. I recently saw someone trying to sell the orange version for close to $1,000, which is silly.

Most people won’t notice that the Lamy 2000 fountain pen isn’t a ballpoint or a rollerball.

Lamy 2000. And finally, we get to an old standby that rarely sits uninked and out of my rotation for long. Talk about a pen that’s not “sexy” in the traditional sense: the minimalist, somewhat brutal, fiberglass design of this pen hasn’t changed at all since the 1960s, and it certainly isn’t going to win you any “likes” (or generate much blog traffic, for that matter), but if I were to open a pen store, you can bet that I’d stock these in all available nib sizes and try to push them on everyone who walked through the door looking for a durable, bottle-filling daily writer. Especially for an office professional, the Lamy 2000 gives you an understated, reliable pen with a large ink capacity that can get you through long meetings, hearings, depositions, or whatever your need may be. It’s first on my list of “workhorse pens.”

So what prompted this post? At last week’s Baltimore Pen Show, a handful of people came by the Vanness Pens table and described to me what they were looking for. In a few instances, the Pilots would have made a perfect match but didn’t get any consideration at all. I sensed a real hesitation to give these pens a chance, whether because they were slightly more expensive than steel-nib options that customers ended up purchasing, or simply because some people hadn’t heard of these pens before or hadn’t seen them online. Don’t get me wrong - if a pen doesn’t speak to you, then don’t spend your money on it. But one of my resolutions for this year was to shift the focus of the blog from merely following market trends back to highlighting those products that I love and believe will serve readers well over the long term. Sometimes the best option isn’t the newer, shinier release - it’s the old standard that’s been around for many years, for good reason, and you owe it to yourself as a user and enthusiast to give these pens a chance.

Six “Workhorse Pens”, from left: Pilot Custom 74, Pilot Custom Heritage 92, Lamy 2000, Montblanc 146 Ultra Black, Lamy Safari, and Faber-Castell e-Motion Pure Black.

Disclaimer: As of 2020, T.G.S. is supported by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program.

What Makes a Pen Show "Great"? Takeaways from the 2019 Baltimore Pen Show

March 6, 2019

You often hear people saying: “It was good, but it could have been great” when discussing a recent pen show (or any other large public event, for that matter). What’s less common is attending a pen show that should have been “good,” or maybe even “meh,” but turned out to be fabulous. This year’s Baltimore Pen Show was one such event.

On paper, everything pointed to Baltimore being just an ”ok” show. The weekend started with snow and the Sunday forecasts were even nastier, which ordinarily translates into low turnout. The show was also set in a single ballroom, which typically signals a smaller show with fewer vendors. Finally, the Baltimore Pen Show is the second (and smaller) of two shows in the greater Baltimore-Washington area, with the other show being the “Supershow” held in August, which is a hard act to follow.

The Baltimore Pen Show ballroom from the back looking forward, early on Sunday morning. Note to other pen show organizers: wide aisles + good light + air conditioning = happy everybody.

None of this mattered. Organizer Bert Oser and his team, led by Corinne, did an exceptional job coordinating the weekend, and the entire show went off without a hitch. (And if there were any “hitches,” they weren’t visible to attendees or vendors.) So what made Baltimore such a good pen show?

Hotel and Location. Sure, it’s hard to get excited about an airport Marriott, but it’s also nice to have a shuttle running to/from the Airport, reducing transit time and expense for people coming in from out of town, which is especially important if you have dicey weather. Better yet, this hotel was well-ventilated with good air conditioning, so the ballroom wasn’t 1000 degrees, and the bar setup was pretty good with tables and a secondary sports bar attached to the hotel that stayed open later after the lobby bar closed. I’d definitely attend a show at this hotel again.
Ballroom Setup. Despite my initial hesitation, the single ballroom turned out to be one of the best things about this show. Baltimore isn’t the largest show in terms of number of vendors or attendees, but the mix and quality of the vendors was exceptional. More on that below. The ballroom was bright and easy to navigate, with wide aisles and plenty of room behind and between tables.
Events. Show organizer/promoter/hype-master Corinne described this show as “Pen Camp,” and it definitely had that vibe. All three days featured classes and workshops, with events at night. On Friday night, Brad Dowdy of The Pen Addict featured a “Meet the Makers” panel; Saturday night featured the obligatory “Pen Shows after Dark” meet and greet/show and tell in a commandeered conference room that we almost - but not quite - got tossed out of; and Sunday was your typical laid-back final day where vendors got a chance to breath and walk the show for themselves.
Friendly Attitude Among Vendors and Attendees. Baltimore had none of the near-hostility that can develop at larger, more crowded, and less well-managed shows like the D.C. Supershow and the L.A. Pen Show, which I wrote separately about last week. From what I could tell, everyone had a great time, and I had better conversations at this show than I’ve had in a long time, not to mention getting to try a ton of pens. Just check out the video from the “Pen Shows After Dark” meetup and spy all those pens on the table, just waiting to be shared!

Jonathon Brooks was next to Hugh Scher of the Kanilea Pen Company all weekend. You could lose a lot of money in that corner!

So What Did I See?

As I noted above, the Baltimore Show usually features a good mix of different vendors, both vintage and modern, as well as both custom and production-line writing instruments. This year’s list of exhibitors was OUTSTANDING, and included:

For custom and “small-batch” makers, Kanilea Pen Company, Carolina Pen Company (Jonathon Brooks), Desiderata Pens, Woodshed Pen Company, Herbert Pen Company, Additive Pens, Franklin-Christoph, and Ryan Krusac Studios.
For Nib Workers and Pen Restorers, Richard Binder, Ron Zorn, Martin Ferguson, Nibs on Point (JC Ament), and JJ Lax Pen Co. (who also had Yoshi Nakama pens in stock, and no, I still haven’t picked one up).
For general retailers, you had Vanness Pens (where I was working), Federalist Pens, Total Office Products, and Nock Co.
For vintage retailers, in addition to the typical traders, you had Paul Erano, Jessica Coles of The Vintage Pen Shop, and Nik Pang (who also set up for calligraphy).
For distributors and manufacturers, you had Coles of London (Visconti), Kenro Industries (Montegrappa, Esterbrook, and Aurora), and Private Reserve Ink.

FInally, the Baltimore show featured a number of local specialty shops, including Write Notepads, The Queen’s Ink, Drama Mama Bookshop, and Jinji Chocolate. It added a great local flair to what was already a top-notch show. I’m sure I’ve missed a ton of people, but I didn’t have much time to walk the entire show (plus I’m forgetful), so apologies in advance!

And I did forget someone! Story Supply Co. was there with all of their standard and special edition notebooks!

As always, Franklin-Christoph brought trays of prototypes, which went quickly each morning.

Jerry from Additive Pens brought a bunch of new models to test, including these “ribbon” and “inverted ribbon” models.

So What Did I Bring Home?

Baltimore wasn’t a huge show shopping-wise, but I did bring back a couple of interesting pens that you all will see up on the blog in the near future. In terms of pens, I purchased one of the “Double Helix” eyedroppers from Additive Pens, which I’m excited about reviewing. I also picked up a Parker 51 “Fantasy” by Nik Pang, which incorporates a classic Parker 51 nib and aerometric filling mechanism into a new body and cap. Finally, I took home a Spoke Pen Prototype and few bottles of ink from Vanness that I’ve been meaning to try.

From left: Additive Pens “Double-Helix” eyedropper, Spoke Pen Prototype, and my Parker 51 “Fantasy” from Nik Pang.

From Left: 3 Oysters Black Moss, Taccia Ebi, Taccia Uguisu, and Private Reserve Burgundy Mist, a former favorite of mine that’s recently been reformulated.

I can’t tell you how much time I killed at work playing with this Additive Pens eyedropper yesterday.

Takeaways and Final Thoughts on the Baltimore Pen Show

I definitely plan to come back to the Baltimore Pen Show next year. It might actually have become my favorite overall show on the circuit, though I’ve heard that the Philadelphia Pen Show has a similar vibe and I’m going to make a point of attending. Next stop for me is the Arkansas Pen Show in Little Rock next weekend, followed by Atlanta at the beginning of April. Then I’ll need a break…. until D.C.!

Disclaimer: This post contains links to paid sponsors and affiliates. Many thanks to Mike and Lisa Vanness for letting me tag along and work the Vanness table this weekend!

2019 Baltimore Pen Show: Friday Pictures!

March 2, 2019

The Baltimore Washington International Pen Show has grown into one of my favorite shows on “the circuit.” It’s a well-run, medium-sized pen show that may not be the largest out there but attracts a great group of vendors and attendees. I’m back behind the Vanness Pens table this weekend, winding towards the end of my insane February-March travel schedule, so come visit and get your hands on all the pens, ink, and paper we brought with us before it’s gone! The Vanness-Shawn Newton collaboration, the Pinnacle, is nearly sold out with only one or two pens remaining, and we very quickly sold out of certain colors of Akkerman ink. As is usual on pen show weekends, I’ll have a full recap with my thoughts on this show up on the blog next week.

The Vanness Table. We’re to the left against the wall as you enter the ballroom.

Vanness brought all sorts of Aurora pens to the show, including the last of the Minerali demonstrators, Optima Flex Pens, and some new limited editions!

What are you lookin’ at? Cary mans the Kenro table across the aisle from us.

The Joey Feldman/Rickshaw bags collaboration intended for the L.A. Pen Show is finally available for Baltimore! Come see these, they’re great!

And finally, we have the full range of Pilot Custom 74 demonstrators. These are excellent pens that don’t get the love they deserve, for some reason. The nibs are outstanding and the price point is excellent. Stop by and try one out!

Disclaimer: This post contains links to paid sponsors and affiliates.

2019 Pen Show Prep! Where I'll Be This Year and Tips for Surviving Pen Shows

February 27, 2019

You may have noticed that posts have been somewhat irregular around here over the past few weeks. As it turns out, I’ve been traveling, including my first pen show of the year, the Los Angeles International Pen Show. The travel is not going to end soon. Quite a few people have asked me which other shows I’ll be attending. So far, they are:

Baltimore Washington International Pen Show (March 1-3, 2019). I will once again be behind the Vanness Pens Table this coming weekend! If you’re at the Baltimore Show, stop by and see me.
Arkansas Pen Show (March 15-17). I’ve never attended this show before, have been meaning to go for the past few years, and I’m not going to miss it again! Especially not the open house at Vanness Pens and the $10 weekend pass.
Atlanta Pen Show (April 5-7). After a little bit of a break, I’ll drive to Atlanta for what’s basically my “home show” since it’s only about four hours away. It’s also the site of the annual Pen Addict Live show. The Kickstarter is running now, with some great rewards and extras if you back.
Washington, D.C. Fountain Pen Supershow (August 1-4, 2019). In all likelihood there will be no planned pen show trips between Atlanta and D.C. That’s a busy time for me in terms of family vacation and work, but I’ve attended D.C. every year for the past several years and for all its “challenges,” it’s still the Big Show.
San Francisco Pen Show (August 23-25, 2019). This one is a stretch, and will depend on how busy my August is at the Day Job, but I’ve heard so many good things about the SF Pen Show (aka “The Fun Pen Show”) that I’m going to make every effort to be there.

I’ll be behind the table at Vanness Pens for at least part of this year’s Baltimore Pen Show.

Other shows that I consider attending every year include the Chicago Pen Show from May 2-May 5, the Triangle Pen Show from May 30-June 2 (Raleigh-Durham, North Carolina), the Dallas Pen Show from September 27-28, and the Ohio Pen Show (Columbus, Ohio). Most of these are last minute trips, and I currently don’t have concrete plans to go, but hey, you never know….

I’ll definitely be hanging out a lot at the Kanilea Pen Co table in Baltimore! (Pic here is from 2017, since the “Bomb Cyclone” - remember that? - caused me to miss last year’s show.)

Whenever I publish pen show recaps, I end up getting a lot of questions about how to prepare for and best enjoy a pen show. Here’s a quick summary of the advice I always give people:

Pick the right show. My first pen show was the Ohio Pen Show in Columbus, which was just the right size. It’s a mid-sized show, but definitely bigger than anything I imagined could exist at that time. I attended a couple of other smaller shows before I tried a larger show like D.C., which can be overwhelming and take you three days to fully explore. Bigger shows also attract large crowds, especially on the weekends, and I actually enjoy the smaller and mid-size shows because it’s MUCH easier to talk to people.
Don’t try too hard and take your time. It’s supposed to be fun. You don’t need to see everything at a show, and even that’s probably an impossible goal for your first excursion. Pick out 3-4 pens you want to see/look for and make those your focus.
Don’t spend too much money. Set a budget. In addition to getting overwhelmed, it’s easy to get carried away and purchase stuff that you don’t really want or need “just because it’s there.” Know yourself. If you’re prone to overspending, leave the credit cards at home.
Eat. Somewhat self-explanatory, but it’s also easy to get caught up in everything, miss lunch, and the next thing you know you’re crashing mid-afternoon.
Socialize. I waited far too long to take advantage of the opportunity pen shows present to hang out and meet people who you may only know via the internet. Don’t miss the chance to put faces with names, it’s one of the best parts - if not THE best part - of the pen show experience. If you’re staying at the show hotel (something I recommend), after-hours at the bar is a great opportunity to try out different pens and ink that people bring with them.
Take Advantage of the Opportunity to Get Work Done on Pens. Maybe you have a nib that doesn’t write well, or you’d like to try a custom grind? Pen shows are a great way to get pens worked on by a “nib doctor” in person, which is much more efficient than sending pens back and forth through the mail. Plus they can see how you write with the pen and adjust the nib accordingly, which makes a huge difference.
Bring a Pen Case with Room and Plastic Bags for Ink. For shows, I travel with one of my Aston Leather 10 Pen cases, as well as a bunch of Ziploc sandwich bags (heavy duty or double seal) to wrap ink in for the trip home. Most ink bottles are less than three fluid ounces, which can go in your carry-on bag, but some TSA checkpoints enforce the “all-liquid-in-a-plastic-bag” rule so be prepared!

Don’t forget to plan: How am I going to bring all of this home?

This post just scratches the surface. Over the years, I’ve written several detailed pieces about attending shows, and don’t really have too much to add to them. Check out Pen Show Primer, Volume 1: Why Visit a Pen Show; Volume 2: Getting Ready for a Pen Show; and Volume 3: Tips for Surviving the Pen Show.

Give me a shout if you want to meet up in Baltimore or at another future show!

Disclaimer: This post contains links to paid sponsors and affiliates.