Shelterwood

Due to the large number of Field Notes Shelterwood reviews that have been out there recently, I was hesitant to add yet another, but I found myself using my first book for a project this weekend and was inspired.  I also realize that this is my first Field Notes post since my review of the original Kraft Paper version, which was not my intention.

Field Notes Shelterwood, the Spring 2014 Colors Edition. 

Most of the attention given to this edition has to do with the cover:  It's cherry wood veneer grafted onto Field Notes standard Kraft Paper stock and left unfinished.  What you have is a notebook cover that looks like it is solid wood.  When I received the single pack I ordered in the mail (I'm not a subscriber and probably won't be until I run through at least some of the huge backlog of pocket notebooks I have lying around here), all I could do was marvel at the feat of arts and sciences (!!!!!!) that it must have taken to put this thing together.  While the notebook looks like it's solid wood, I was struck by how supple the cover still feels.  Many people comment about how they feel they can't use this as a typical pocket notebook, reserved primarily for more formal, desktop writing,  but at first glance I'm not sure I agree.  I'm going to give it a try using it as I would typically use another Field Notes.  [Caveat:  my impressions may change as I use this notebook.  If the cover starts to splinter, fray or wear in a way that would prevent this notebook from living out its intended 3 week to one-month lifespan of daily pocket use, I could see myself shifting it to less "extreme" applications.  However, I'm not the typical back-pocket user--I have to wear a suit or jacket most days so I carry mine either in my jacket, shirt or side pocket, which limits the wear they suffer.] 

The wood grain on this particular notebook is gorgeous.  The printing on the cover (in "ghost white") ink, looks like whitewash you would see on a wooden fence. 

The paper in this notebook almost warrants its own review.  I'm typically not one to geek out on specs such as paper weight, etc. so I won't do that here.  My primary concern is whether or not I can use it for the vast majority of intended purposes.  Since this is a lined notebook, the question becomes, can i use it to write longhand with a fountain pen, as opposed to jotting quick notes with a gel pen or pencil?  The answer, here, is yes. 

The first page of a fresh Shelterwood (outlining Friday's blog post), written in Iroshizuku Tsuki-Yo with a wet Waterman Perspective sporting a fine nib.

Take a look at the page on the left, which is the flip side of the notebook's first page.  No bleed-through at all.  There is some minimal show-through, but not near enough to bother me, and this pen is a fairly wet writer.  

As most fountain pen users have said, I'd love to see this paper used in more Field Notes editions.  I have a single pack of the America The Beautiful edition as well, and I'll be cracking those open soon.  The one critique I have of this notebook (and it's a small one) is the ruling.  As you can see, I write fairly small.  I do wish that the ruling on the lined paper was narrower so that I could take better advantage of this paper and not use it up as quickly. 

Announcement!  This blog is now taking up enough of my time that it warrants its own pocket notebook for projects/ideas, so the Shelterwood has been given the task.  I'll update this review or revisit the project as the notebook gets more use and some more wear.  I'm also on the cusp of finishing the third notebook of a Doane Paper Utility Journal 3-pack, and after that I've got the third book of a Field Notes Drink Local Ales 3-pack, so there should be some more pocket notebook reviews coming your way.  In short, I really like both the Doane and the Drink Locals, but I'm leaning towards sticking with Field Notes just because they have more character, IMHO.  I can get my Doane fix with the larger Idea Journals and the writing pads. 

Washington D.C. Fountain Pen Supershow 2014

Yesterday I booked my hotel room and plane tickets for the 2014 Washington D.C. Fountain Pen Supershow, held August 7-10 at the Sheraton Premiere in Tyson's Corner.  The D.C. Show's traditional website can be found here, but lately most of the updates have been on the facebook page

So why should you take the plunge and go?  Because this year it looks as if an All-Star cast of pendom will be in attendance, including:

  • Brian and Lisa Anderson of Anderson Pens
  • Richard Binder
  • Bryant Greer of Chatterley Luxuries and Pentime
  • Brian Gray of Edison Pens
  • Vanness Pens with their bottles of Akkerman Ink, and they will be accompanied this year by penmaker and nibmeister Shawn Newton
  • Fountain Pen Hospital from NYC, which typically holds a huge vintage pen and parts blowout sale on Friday
  • Total Fine Writing from Atlanta
  • Pendemonium
  • Nibs.com (although John Mottishaw will not be in attendance--apparently they will be taking orders and Mr. Mottishaw will be adjusting nibs remotely and mailing pens home)
  • Write Notepads
  • Sarj Minhas, the One-Man Pen Show
  • Stipula

And many, many more that I've not included here, simply because I don't have space.  This will be the third DC Pen Show I've attended.  The first year I was there (2012), I was privileged to witness Eric Schneider (formerly of FPGeeks) and SBRE Brown storm the ballroom in full-on tuxedos.  I also picked up a Montblanc 146 and a Stipula Etruria at ridiculously steep discounts.  2013 was a good show, but I don't recall it being as well attended as 2012.  I bought mainly ink and some parts to restore some vintage pens I was working on. 

So why should you attend? Well, the full-on pen geek immersion factor is something you really can't get anywhere else, except for maybe the L.A. show, which I have not attended (yet).  The DC show is the largest, with two huge ballrooms and a third lobby area full of pens.  You can meet all sorts of interesting people who are eager to tell you about anything pen related.  Second, the opportunity to shop for pens, ink, and paper in person is unavailable anywhere else.  The option to "try before you buy" and to save on shipping is great, especially if you live within driving distance.  Finally, it offers you a chance to prioritize:  with the opportunity to try so many different pens/ink/paper, you can comparison shop and determine what you love and can't live without, as opposed to things you merely "like," end up not using and regret purchasing later.  Assuming you have (1) a budget, and (2) self-control (there are many people there with neither), you can make more informed purchases instead of internet impulse buys.  

And, finally, no trip is complete without a late-night run to Ben's Chili Bowl, which may even top the Pen Show.  See you in August!  Please get in touch if you will be there and want to meet up.   

Ink Review: Pilot Blue-Black

Pilot-Namiki Blue-Black is a good workhorse ink:  it's not flashy, but it's reliable in the sense that it works on most types of paper and has a nice, classic blue-black tone that's appropriate for school, business and most other daily uses.  I have this ink in cartridge form (I picked up a package of 10 carts at Kinokuniya during my last visit to New York City), and it finds itself in regular rotation through my Vanishing Point and my Custom 74.  For a blue-black ink, the Pilot ink leans more to the "blue" end of the spectrum, especially when wet, although I would still consider this a "classic" blue-black.  Highly recommended.

As you might notice, the cartridges are proprietary, so you will only be able to use them in Pilot Pens.

Sample Paper is Exacompta Index Card.

Pen Review: Kaweco Elite

The second of two Kaweco pens loaned to me for review purposes is this Kaweco Elite, with a broad nib.  This review will be brief because I can be short and to-the-point on this one:  there's nothing wrong with this pen, but it's not for me, and certainly not at the $150+ price point where Kaweco has it listed. 

This is a nice-looking pen, albeit a bit clunky when posted.  It's a multifaceted resin body, with a metal/chrome cap.

The broad nib is much larger than the nib on the more common "sport" line of pens.  In fact, it looks nearly identical to the nib on the TWSBI 580, and writes very similarly as well.  I believe the TWSBI nibs are made by Bock or Jowo, two of the major German nib manufacturers, so it very well could be the same nib.   

A nice, high quality, stainless steel German broad nib.

This pen is very heavy due to the metal cap, and as a result was difficult for me to use posted.  I found no major flaws on either the body or the cap--it's a very nicely made pen.  I don't understand, however, where Kaweco thinks this pen fits in today's market.  This is a cartridge-converter steel-nibbed plastic/metal pen priced at $150, while TWSBI is currently selling a piston-filler that uses the same (or similar) nib for $55.  No matter how good a writer this pen is, that's a considerable delta on the price, and I'm not sure what the consumer is getting for that additional $95. 

In fairness to Kaweco, I only used this pen for the morning before I had to return it, so it's possible it would have grown on me.  I suspect, though, that the Elite is simply not a pen for me, and I'll continue to hold out until I get to try my Dia2 or an Allrounder with a larger nib.

Handwritten review of Kaweco Elite fountain pen.  You may recognize the mini-review of the Kaweco Blue-Black Ink at the bottom.

Ink Review: Kaweco Blue-Black

My apologies in advance for not having a photograph of the bottle, but this ink was given to me in single-cartridge form by a friend kind enough to loan me a couple pens for review.  Kaweco's expanded line of inks are fairly new (at least in their current bottle form), so there's not many reviews out there of the various colors.  In the brief time I spent with this ink, I really enjoyed it.  It's a blue-black ink that leans more towards the "steel blue" or "blue-grey" end of the spectrum, at least in a drier nib.  As you can see from my photographs, the more ink you lay on the paper, the more pure "blue" color you get in the writing sample. The ink shades nicely and is well- behaved.  The next time I'm in the market for a blue-black ink in this specific shade, Kaweco presents a very valid option!    

I tried this in two pens:  a Kaweco Elite with a broad nib, and a Jinhao x450 with a 1.1mm Goulet Stub.  The ink flowed well in both pens, although it tended to run a little dry in the stub after an extended period.  There was never any skipping or railroading, however.

Here you can see a close up of the shading, and compare the Kaweco ink with the Pilot Blue Black ink Cartridge and the Pilot Hi-Tec-C in Blue-Black, two of my favorite daily writers.

Here's the stub writing sample in close-up, using the previously reviewed Jinhao X-450.