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The Gentleman Stationer

Vintage Living in the Modern World.
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Pen Review: Cleo Skribent Classic and Colour

May 4, 2017

After years of pen blogging, It’s becoming increasingly difficult to find brands that I haven’t tried. Sure, new brands come out occasionally, but it’s rare that I come across an established pen manufacturer with which I have little to no familiarity. When I visited New Orleans last month, I made sure to stop in at Papier Plume in the French Quarter, one of the few retailers of Cleo Skribent writing instruments in the United States. I ended up purchasing two pens: the Classic Palladium (piston filler version) and the Cleo Skribent Colour edition in burgundy.    

Both the Classic Palladium (right) and the Colour (left) have the Cleo Skribent logo set into the cap finial.

About the Brand

Cleo Skribent is based in Bad Wilsnack, Germany, in the Prignitz region. Because the brand developed and emerged in East Germany prior to German reunification, Cleo writing instruments are less well-known in the United States and Western Europe, but have a storied reputation for quality in Eastern and Central Europe.

The Cleo Skribent branding on the Classic Palladium is tasteful and understated.

The Company now, of course, sells worldwide, and bills itself as “one of only a few companies to truly produce completely in Germany.” While they operate their own factory, it is unclear whether or not the Company manufactures all of its parts in house, or source components such as nibs from other German manufacturers like Bock and JoWo. 

Build

The Cleo Skribent Classic model has a nice ink window, and holds a good amount of ink. 

These pens are both solidly built. Let’s start with the Cleo Skribent Classic with Palladium trim. I chose this pen in white, with the piston filler and large clear ink window. The piston mechanism is accessed via a vintage-style removable blind cap. Cleo Skribent also makes a cartridge/converter model of the Classic, without the ink window and blind cap. One of the more remarkable things about this pen is the weight: even with a piston, the pen is feather-light. Hand fatigue will not be an issue, even if you're someone who needs your fountain pen to churn out pages of notes or schoolwork on a daily basis. The Classic could be your workhorse.

You don't see this much anymore in modern pens: a piston-knob concealed by a blind cap. 

Made from brushed aluminum, the Cleo Skribent Colour is heftier than the Classic, though still light enough to be comfortable for long periods of writing. The clip and the section are both accented in burgundy, are very "grippy" for a metal pen, and the hand-enameled nib lends the pen a unique look. The friction-fit cap closes securely and, important for me, posts deeply - this pen is a better length posted than the Classic, though the Classic’s light weight more than offsets any awkwardness. The Colour uses a cartridge-converter filling system.    

View fullsize Cleo Skribent Colour Unposted
View fullsize Cleo Skribent Colour Posted
View fullsize Cleo Skribent Classic Unposted
View fullsize Cleo Skribent Classic Posted

Nibs/Writing Experience

I was going to purchase just a Classic, but the hand-enameling sold me on picking up a Colour edition as well. 

I’ve written in the past about how good steel nibs can be, and some of the German brands such as Cleo Skribent, Otto Hutt, Diplomat, Pelikan and Faber-Castell excel at both smoothness and reliability, even where the pen companies don’t manufacture the nibs themselves. The nibs on both of these pens are exceptionally smooth writers, with no scratchiness or flow issues that you sometimes see with stainless steel. I opted for a medium nib on the Classic and a Broad nib on the Colour, and while I'm happy with both, I found, somewhat to my surprise, that the two nibs wrote on the narrow side of their designations: the medium writes more like a western fine, and the broad writes more like a traditional medium. 

The writing sample for the medium nib was done with Papier Plume Midnight Blue Ink, and the broad nib shows off Papier Plume's limited edition "Streetcar Green".  (All of their limited editions are New Orleans-themed.)

While I found the nibs on these Cleo Skribent pens exceptional, my personal preference would be to have slightly less length and a bit more girth on the barrels. In other words, these pens are long and thin, and don't give those with larger hands much to grip. Again, that’s entirely a personal preference, and I must note that I could still use both pens comfortably for long periods of time. 

Takeaways and Where to Buy

As I mentioned, I purchased both of these pens at Papier Plume in New Orleans, Louisiana. Papier Plume carries a wide variety of Cleo Skribent pens at various price points. Both pens sell for $110 as featured in this review. The Classic is available in a variety of other color and trim options, and the cartridge-converter model comes in slightly less expensive at $99. The Colour Series fountain pen is also available with aqua blue accents, in addition to the burgundy model. 

At $110, I think these pens are a solid value. As others have done, I'd compare Cleo Skribent pens favorably to the Pelikan M200/M205 series, and Cleo Skribent sells at a lower price point. Whether or not you prefer Cleo or Pelikan nibs would be up to you. I would peg these pens as, overall, definitely better writers than something like a TWSBI. Overall, I'm impressed, and I'm excited to try one of Cleo Skribent's higher-end offerings at some point in the future. 

Disclaimer: I purchased these pens with my own funds, for my own collection, and was not compensated for writing this review. This post does contain affiliate links.  

In Pens Tags Cleo Skribent, Pen Review
1 Comment

Baron Fig Launches New Bag Line: The Tote, The Backpack, and The Messenger

May 2, 2017

It's hard to believe that it's been exactly four years since Baron Fig launched the Confidant notebook via Kickstarter, and the company has grown quickly since. Baron Fig's product lineup now includes not only the Confidant, but the Vanguard notebooks, the Squire pen, and the Archer pencil, all of which are also available as a part of a limited edition subscription service. But Baron Fig isn't done! The Company is expanding yet again, launching their third Kickstarter campaign and announcing a new line of three bags: the Tote, the Backpack, and the Messenger.

All three bags will be available in two colors: Charcoal or "Fig Wine," and feature a privacy pocket, cotton weave straps, tool pockets, and more. 

“Our six-person team produced over 50 iterations of these bags over the past year, so we’re excited to debut the results to the world.”
— Adam Kornfield, Co-Founder

I'm not really a backpack guy, but I will probably be all-in on either the Messenger or the Tote. The pricing looks good, with the Tote priced at $45 for an Early Bird / $50 for Campaign / $55 Retail; the Backpack at $85 Early Bird / $90 Campaign / $95 Retail; and the Messenger at $75 Early Bird / $80 Campaign / $85 Retail. There is also an "all the bags" option and some bundles that include special editions of other Baron Fig products. You can find more details here, on the Kickstarter page. 

Disclaimer: I was not compensated for this post, though Baron Fig provided me with early access to information about the project. All photos in this post were provided by, and are property of, Baron Fig. 

In Crowdfunding Projects Tags Baron Fig, New Products, Kickstarter, Bags
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Pen Review: The Lamy Pico Pocket Ballpoint

April 29, 2017

A good ballpoint pen has been my pocket carry pen of choice for a while now, including various versions of the Fisher Space Pen, the Steel and Flint Pen, the Pokka Pen, and, of course, my Lamy 2000 ballpoint and multifunction 5-Color Ballpoint. I recently added yet another to my arsenal, the Lamy Pico.

In my opinion, Lamy makes some of the best ballpoint pens on the market. I used to think their refills were too light and "skippy," but in the past couple years they must have changed the formula because the last two refills that I've purchased have been excellent. I also enjoy Lamy's pens because their designs are nothing short of iconic, and you can pretty much guarantee that the pen you buy isn't going to look much like anything else on the market. The Pico is no exception. 

Per Lamy's website, the Pico was designed to be approximately the size of a tube of lipstick or a cigarette lighter, and slip easily into your pocket or bag.

The Pico's key attribute is its ability to expand from a fairly tiny "capsule" that you can conceal in the palm of your hand into a full-size ballpoint. When you depress the "nock" at the back, it not only extends the tip, but the barrel as well. Since the Pico expands to 12cm / 4.7in, it basically becomes a full-size pen that's extremely comfortable to write with, even for longer sessions. As a point of reference, it's just ever-so-slightly shorter than the Steel and Flint Pen and the Fisher Space Shuttle Pen.

The silver Lamy logo is slightly raised, functioning as a roll-stop. Since the Pico is otherwise perfectly round, it would roll off the desk without some assistance.

I picked up the Pico on a whim, and had my doubts that this pen would be good for anything more than writing few lines here and there due to the size. This pen has surprised me with how practical it is. Lamy's promotional materials mention that it's designed with the traveler in mind, the goal being to create a pen that, when closed, was no larger than a tube of lipstick or a cigarette lighter, but that expands to a full size pen when you need it, such as when you're working on a train or airplane.  

A shot of the Lamy Pico extended into "writing mode." The pen is light and very comfortable.

And while the title of "best ballpoint refill" will probably always go to the Schmidt Easyflow 9000, the Lamy M22 compact refill isn't bad at all. Here's a comparison writing sample of the Lamy Pico against a few other comparable pocket ballpoints. 

A ballpoint pen writing sample comparison. The Schmidt wins on overall darkness and smoothness, but Lamy's refill works just fine.

A ballpoint pen writing sample comparison. The Schmidt wins on overall darkness and smoothness, but Lamy's refill works just fine.

Takeaway and Where to Buy

You can find the Lamy Pico at most Lamy retailers, which as of April 2023 includes the T.G.S. Curated Shop! The pen comes in a wide array of colors, from the somewhat staid (dark blue and matte black) to the crazy (bright orange and eye-searing hot pink). Today’s standard pricing on the Pico is around $40.

Warning: Because of how compact this pen is, it's extremely easy to forget that it's in your pocket, and my Pico has already taken its first trip through the washing machine. While the pen contained any ink seepage and no clothes were ruined, it was a bit of a mess to clean and I had to replace the refill. The Lamy M22 refills can be somewhat pricey, though they do last a long time assuming they don't take a bath. 

In Pens Tags Lamy, Lamy Pico, Pocket Pens, Ballpoint
2 Comments

2017 Atlanta Pen Show Recap: ELEVEN Pen Shows, Really?!?

April 26, 2017

At some point over the past few days, while I was collecting my thoughts and recollections of this past weekend's Atlanta Pen Show, I realized that I have now attended eleven pen shows. That's insane for me to think about, especially given how nervous I was attending for the first time, when I jumped in the car and drove up to Columbus on a whim in November 2012 for the Ohio Show. Since then, I've made dozens of very close friends, developed a deep appreciation for the companies we all know and love, and spent an ungodly amount of money. Wouldn't have it any other way! 

This year's Atlanta Pen Show was a quick trip for me, due to a work commitment, but after doing the math on travel and traffic logistics I figured that I could make it down well in advance of the live Pen Addict podcast recording and the after-party. Traffic was light and I actually ended up making it down by 3:45, which gave me a little over an hour at the show to pick up some inks that I was worried might sell out. I also picked up a Col-O-Ring Ink Testing Book from Vanness Pens and Ana Reinert! 

It wouldn't be the Atlanta Pen Show without Nock Co. show specials. Check out the show special Sinclair, featuring black waxed canvas exterior with red interior. I grabbed that right away! 

This year's show definitely had more of a modern theme than any other pen show I've attended, with vendors of modern pens and inks attracting the majority of the attention. Nock Co., Franklin-Christoph, Vanness, and Anderson Pens were busy all weekend. Other vendors included show sponsor Total Office Products/The Pen Show, Kanilea Pen Company, Ryan Krusac, The Carolina Pen Company (Jonathon Brooks), Fisher of Pens (Carl Fisher), Story Supply Co., Karas Kustoms, Susan Wirth, and Federalist Pens, among others. I apologize in advance for leaving anybody out, but this was a quick trip for me, and I didn't spend as much time as I usually do circling through the rooms and taking roll. Show attendees had multiple opportunities for nib work and pen repair, with Mike Masuyama, Mark Bacas, Indy-Pen-Dance, and Martin's Pens all there grinding away.

The Franklin-Christoph prototype acrylics that were left on Sunday. A couple of these tempted me, but I ultimately went with one of their Fantasy Sheaffer Legacies (more below). 

I did note a smaller vintage presence at this show. Many of the "vintage" pens that were on sale are what I refer to as "new vintage" or "near modern" pens - discontinued models of Pelikan, Waterman, Omas, Montblanc, etc. from the 1990s and early 2000s, which are starting to attract attention from collectors. Actually, if you're interested in dabbling in the world of older pens, this isn't a bad place to start. The price point can be high, but these pens are often very easy to maintain since the components are often similar, if not identical, to what these companies still use. If the pen requires repair, most of these companies will still have parts and expertise necessary to fix it, provided the company is still in business.

Saturday Night Festivities

As I mentioned, I arrived shortly before the live recording of Episode 253 of the Pen Addict Podcast, which featured 2 guests: Vito Grippi from Story Supply Co. and Jonathon Brooks from the Carolina Pen Company. If you haven't listened yet, don't miss this one! The podcast was well-attended, with standing room only along the back wall. 

View fullsize Vito Grippi of Story Supply Co.
View fullsize Jonathon Brooks of Carolina Pen Co.

Following the show, Kenro Industries (the distributor for brands such as Montegrappa and Aurora) hosted a launch party for Montegrappa's new "Game of Thrones" line of pens, complete with pizza and prizes. Nearly everyone there went home with something! Afterwards, I crashed. It had been a long day, and after dinner with friends and a couple beers in the bar I was spent. Besides, I knew I had a limited window in the morning to shop. 

Sunday Show and Overall Observations

I purchased a discounted trader pass that allowed me to get into the show early, before it opened to the public. Shockingly, Mike Masuyama only had four people on his list Sunday morning, and I was number two. I had two pens adjusted to increase ink flow (my Parker Sonnet Great Expectations and Sailor Pro Gear Realo Soleil), which took Mike less than 10 minutes. 

My two 2017 Atlanta Pen Show Takeaways: A Sheaffer Legacy Heritage (left) and a Waterman Patrician in Lapis Blue (Right). 

Given how much pen shopping I've done over the past two months - and especially at last month's Baltimore Pen Show - I took it easy. I purchased two pens, both newer vintage, that I'd been looking to add to my collection for a while. The first was the Lapis Blue Waterman Man 100 Patrician, which completes my set. The second was a Sheaffer Legacy Heritage purchased from Jim Rouse of Franklin-Christoph, which sports a custom barrel made from "Tiger Red" acrylic. Both have nice medium nibs, that write more on the finer side.    

The Nock Co. Lanier briefcase in black. Check out the new "blackout" Nock logo! 

AND, I got to pick up my Nock Co. Lanier briefcase before heading out the door! I'm still putting it through its paces, and haven't had too much of a chance to use it yet, but look for a review up on the blog in the future.

View fullsize All the Nock Co. Cases!
View fullsize Nock Co.'s Price List
View fullsize Gigante and Petite Dot Dash Notecards
View fullsize The Franklin-Christoph Display
View fullsize Black/Aqua Lanier Colorway
View fullsize Atlanta Pen Show Special Sinclair

The Atlanta Pen Show is a great smaller pen show, and since it's not overwhelming compared to a massive show like D.C., I'd consider it the perfect "first show" for those looking to break into the pen show scene. Of course, there's also plenty for veteran pen addicts to do as well, though if you're looking for a heavy vintage presence you might be better served focusing on Chicago or Columbus. So what's next for me? Probably the D.C. Pen Show in August, unless something changes at the day job and I'm able to break free for Chicago the first weekend in May. No dates for the D.C. Pen Show have been announced yet, creating a lot of consternation among vendors who typically have made travel arrangements by now. Apparently there's been a location change, and the organizers are trying to lock down the new venue. Stay tuned! I'll let you know as soon as I hear something.  

Disclaimer: This post contains affiliate/sponsor links. 

In Pen Shows Tags Atlanta Pen Show, Pen Show
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Digital-Divide-Strategic-Paper-Replacement-II

Digital Divide Volume 13: Strategic Paper Replacement, Revisited

April 22, 2017

Just over a year ago, I published a piece titled "Strategic Paper Replacement," in which I talked about using the iPad Pro and the Apple Pencil as a way to remove "junk paper" from my life. Curiously, this remains one of the most popular posts on the blog, and one that receives a lot of comments and e-mail. More than one person has reached out to me recently to ask how things are going with "the big iPad," so I thought I'd post an update. In short, the iPad Pro has become a tool that I use situationally, for very specific things. Most of my day-to-day computer work continues to be done on a laptop or a desktop, and for most of my notetaking I've continued to revert to pen (or pencil) and paper. While the iPad Pro something that I'm glad I have, it's probably NOT a piece of technology that I'll update on a regular basis.   

Originally, the purpose behind this purchase was to get a device that I could use to help me digitize notes and easily organize and circulate annotated documents to other members of my team, which makes up a huge part of my day job. To a certain extent, it's worked as expected. I use the iPad Pro a fair bit to do quick mark-ups of short letters, forms, and other things that don't require a lot of deep thought or analysis. The Apple Pencil writes small and legibly enough so that others can read my handwriting. In an industry (law) that often still requires a physical signature, it's also incredibly convenient to be able to sign documents directly on the iPad when I'm on the road and instantly attach them to an e-mail, rather than have to find some place to print, sign, and scan. The iPad Pro also keeps me from having to carry a separate briefcase (or suitcase) to lug around multiple three-inch binders of documents when I'm headed to an out of town hearing or deposition.  

But as an overall organizational or serious productivity tool, the Pro is a fail. Some of this is due to the nature of my job - I work with a lot of sensitive data and protected information, so security is an issue and we can't rely on commercial cloud storage providers (i.e., iCloud or Dropbox). In light of these restrictions, I can't simply take all of my notes in Goodnotes (current favorite) or the native Apple Notes app and sync them across all of my devices. I'm always going to have a large volume of material that either needs to be stored in my company's proprietary file system (which operates only on an older version of Windows and is about as Apple-incompatible as you can get) or in hard copy, if I want to store it at all. For this type of stuff, I almost always take hand-written notes and then either destroy them, lock them up in a file room, or scan them to secure electronic storage. 

But there's also a larger issue at play here. As I touched on in my earlier post: 

“The guilt at wasting paper has always been outweighed by my inability to “think on a screen.” ... Many ideas and revisions to thought-intensive pieces such as longer briefs or articles only come to me when I’m curled up in a chair with a pen or pencil and a printed draft (and, depending on the time of day, a cup of coffee or a whiskey).”
— Strategic Paper Replacement, Part I

I thought this might change with the iPad Pro, given the more tactile nature of writing with the Apple Pencil. It hasn't. Writing with a stylus on screen simply doesn't engage my brain in the same way as writing on paper, and an iPad (or any phone or tablet) is an endless invitation to distraction. The New York Times recently published an Op-ed titled, "You're Too Busy, You Need a Shultz Hour", which talked about former U.S. Secretary of State George Shultz's practice of carving out an hour each week to sit alone in his office with a pad of paper and a pen and seal himself off from any distraction - which, in his day, fortunately involved only avoiding phone calls and "pop-ins" from office visitors, not e-mail/IMs/Slack/Twitter/Facebook, etc. This "hour of solitude was the only way he could find time to think about the strategic aspects of his job. Otherwise, he would be constantly pulled into moment-to-moment tactical issues, never able to focus on larger questions.... And the only way to do great work, in any field, is to find time to consider the larger questions."

I enjoyed the article, and it goes to the heart of why I will never (voluntarily) give up pen and paper. It's too central to my workflow and the analytical process that allows me to do my job well. If that means I have to sacrifice having the perfect organizational system for my notes and handwritten brainstorming sessions, or that I occasionally accumulate an unruly pile of paper, so be it. I'd much rather focus on the end result than the process. 

What's Up With Digital Divide? 

If you subscribe to my mailing list, you may have wondered what happened to the monthly "Digital Divide" e-mail newsletter, in which I discuss topics of interest to those of us deeply invested in the analog world. Well, after a lot of consideration, I decided to kill the newsletter because publishing in two different formats was causing me a lot of unnecessary stress. Digital Divide will continue, but as a series of posts on The Gentleman Stationer, ideally on a monthly basis but I'm not going to force it if I don't have anything interesting to write about. Also, as of now all previous editions of Digital Divide are now archived on the site. Some of them don't look as pretty as they did in newsletter format, but hey, it's about the content, right? 

I also have a couple guest posts that people have submitted that will eventually work their way into Digital Divide.  If you have an idea, or if you'd like to submit something for publication, just drop me an e-mail to joe (at) gentlemanstationer.com. 

Thanks for your patience as I worked through the future of Digital Divide. I enjoyed writing the newsletter and believe this will give me a way to keep it alive without losing my sanity. 

In Editorial Tags Digital Divide
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