We returned this week from the 2025 San Francisco Pen Show, and what an awesome weekend! After having to cancel at the last minute last year due to a family emergency, it was great to be back and to have the opportunity to visit with so many of our readers and customers. Due to the number of international vendors who attend the show, San Francisco is truly an “international” pen show with both vendors and attendees from Japan, Taiwan, Singapore, Turkey, and more.
I snuck in to get a shot of the ballroom as it was being set up on Wednesday night.
While the show is smaller than D.C. in terms of both physical footprint and number of vendors, there are things at this show that you simply won’t find anywhere else. This year’s international attendees included Nagasawa Stationery, Toyooka Craft, Drillog, Atelier Musubi, Stylo Art Karuizawa, Kyuseido, and seY pens, as well as a number of glass pen makers that included Glassophy, Hanabi Glass Studio, Glass Studio Aun, Glass Studio TooS, and more. It’s impossible for me to list and link to everyone here, as there are simply too many, but you can view the entire exhibitor list on the SF Pen Show website.
Representatives from Nagasawa Stationery (Nagasawa Bungu Center) presented at the San Francisco Pen Show on the history of their Kobe Inks.
What Makes the San Francisco Pen Show Great: People and Content
Ever since attending my first San Francisco Pen Show in 2021, I’ve enjoyed returning mainly for two things: the people and the content (mainly classes and seminars). This year’s show continued the trend, with excellent workshops and classes. I attended two. The first was a Thursday night panel that included Naoyuki Takeuchi, the head of Ink Planning and Development at Nagasawa Stationery in Kobe Japan; Daryl Lim of Atelier Musubi; Satoru of seY Pen; and renowned nib artisan Yukio Nagahara, who attended the show with his company The Nib Shaper. The wide-ranging discussion (moderated by my friend Lisa Vanness) included some generalized background about all the different companies represented, but also spanned topics as diverse as the role of stationery in different countries, paper preferences across regions, and personal pen, paper, and ink preferences.
The second seminar was held on Saturday afternoon, and was hosted by Takeuchi-san of Nagasawa and his excellent translator Anastasia, who walked through the history of Nagasawa’s Kobe Ink series and provided in-depth background regarding the development process and stories behind certain colors. I plan to do a separate recap discussing some of the topics from this and other seminars in the coming days, so stay tuned.
Everyone who’s visited T.G.S. at the larger pen shows know that we’re somewhat selective in what we bring to shows, given the already diverse selection available across more than a hundred tables. As with the D.C. Pen Show, this year we only brought Roterfaden, the German clip-based binder system, and as you can see, we went from 16 to 4 Taschenbegleiters by midday Saturday!
Business Recap: So Long to All Those Roterfadens!
Everyone always asks me “how was your show?”, so let me say this: it was fabulous. Not only did we do well business-wise (taking some of the stress out of an otherwise expensive trip) but I love meeting readers and customers in person and hearing about how much they’re enjoying their stationery, especially when they stop by to tell me how they’re actually using it out there in the real world. While I only had five TGS_25 Roterfadens available at the show, at least twice that number of people came by to tell me how much they were enjoying theirs that they had bought online. (Some even wanted pictures, which was a new experience for me, as all my friends know I’m camera-shy :).)
The Galen Leather “Dentist” Nib, which is a fine architect that’s super-smooth.
We had teamed up with Vanness Pens at their table in the Oak Room (at the back of the entrance hallway), and were joined by Ana Reinert of the Well-Appointed Desk and Galen Leather, who brought not just their latest “Havana Brown” release, but also their exclusive fountain pens and custom nibs ground by Meltem (“Amphorastale” on Instagram). I had a few minutes on Saturday - or maybe it was Sunday, it’s all a blur - to test out their custom nib grinds and found them excellent. The next time you order one of the Galen Leonardos or another JoWo-compatible pen, consider adding a specialty nib. My favorite was the fine italic.
My San Francisco Pen Show Haul, Plus things I did not buy because infinite money is not really a thing
As I mentioned above, those looking for high-end glass and dip pens did not come away from San Francisco disappointed. Unless you waited too long, that is. The San Francisco Pen Show is notorious for product selling out on Friday morning, since weekend pass-holders queue-up early to get access to the most in-demand products. This time around it was mainly glass pens, and I heard that people arrived at 5 a.m. to get in line. Despite not being able to be part of the initial rush since I was behind the table, I still managed to pick up a couple of fun pieces on Saturday: a glass pen from Glass Studio Aun with a broad nib, and a Drillog 2.0 with a .5mm tip size. You can read my original (somewhat critical) review of the Kickstarter Drillog here, but I have to say that this new version delivers on the original vision and more. It’s super smooth, and since there are additional channels cut into the nib, it delivers sustained ink flow. Drillog also switched to titanium, which has improved performance. I plan to post a full follow-up on this one.
My glass pen from Studio Aun (left) alongside my Drillog. I chose the short nib.
Schon DSGN has released a new pen: the Monoc EVO, which is a piston-filler fountain pen with an integrated nib.
This year’s special release from Pilot will arrive in October. This Custom 74 will be available in four special nib sizes, including Soft Fine, Soft Fine-Medium, Soft Medium, and Double Broad.
The Drillog setup at the San Francisco Pen Show. Customize to your heart’s content.
Marty brought all the Retro 51s!
A tiny Pelikan fountain pen (M300?) alongside a Kaweco Liliput Kolibri.
That’s a Wrap for 2025 Pen Shows: On to Pelikan Hub, Fountain Pen Day, and In-Store Events!
My goal was to bring T.G.S. to three or four pen shows in 2025, and I did four, so check that annual performance goal off the list! In addition to San Francisco and D.C., we attended Arkansas and Atlanta back in the Spring, and already are planning adventures for 2026 and beyond. We’re now entering the fall season, which will include the annual Pelikan Hub, Fountain Pen Day, and even a few special events we are planning to host in our own space. Stay tuned and I hope to see you soon in Nashville!
We are back to a normal in-store schedule, so come see us from 1-6pm Thursday and Friday and 10am-6pm on Saturdays. Please check this page here for information on our store location and up-to-date information on hours, etc.
They may be sold out by the time you read this, but as of publication we still have a couple remaining TGS_25 Roterfadens!