• Blog
  • Shop
  • Resources
  • FAQ (Ask TGS)
  • About
  • Archive
  • Contact
  • Sign In My Account
Menu

The Gentleman Stationer

Vintage Living in the Modern World.
  • Blog
  • Shop
  • Resources
  • FAQ (Ask TGS)
  • About
  • Archive
  • Contact
  • Sign In My Account

Pen Review: Montegrappa Elmo "Fantasy Blooms" Fountain Pen in Iris Yellow

June 24, 2020

Few pen manufacturers have expanded their lineup more than Montegrappa has over the past several years, and what the brand has accomplished is impressive. From landing celebrity collaborations and major licensing deals to releasing more approachable "everyday-writer" type pens, the Italian company has done its part to fill the void left by the collapse of Delta and OMAS.

Inspired by a pen of the same name from the 1920s and 1930s, which was named for one of the original designers and co-founders Heinrich "Elmo" Heim, the Montegrappa Elmo represents an effort to expand further into what I view as the "upper mid-range" segment - pens that retail for $150-200. Pens in this category include those many would consider for a possible everyday writer, and I tried to evaluate the Montegrappa Elmo from this perspective. This particular pen comes from the Elmo "Fantasy Blooms" series, which is identical to the standard Elmo except for the pearlized resin, available in three colors named for flowers: Black Star Calla Lily (a green base with black swirls), Blue Cross Gentian (a blue base with purple swirls), and Iris Yellow (a yellow base with dark purple/reddish swirls).

It's taken me a while to review the Elmo because I admittedly harbored serious doubts about this pen. Based on looks alone, I found the standard pen boring and overpriced. While I still have reservations about whether the current price point is sustainable (discussed further below), the unique materials that Montegrappa developed for the "Fantasy Blooms" series caught my eye and finally prompted me to pick one up. After a couple of weeks with the Elmo, my initial impressions were at least partially unfair.

The “Iris Yellow” acrylic is difficult to describe, but it’s certainly the major selling point for this pen. The pearlized resin features swirls of purple, dark blue, and some black(?). No two pens are alike.

The Montegrappa Elmo features very good build quality, centered around a well-tuned JoWo stainless steel nib. Honestly, the nib on this pen is one of the better extra-fine steel nibs I've used in some time. It writes a moderately wet line with steady ink flow and without any dryness or scratchiness. As one would expect at the price point, the filling system is cartridge/converter. The pen caps/uncaps smoothly in two turns, and while you can post the pen, I suspect that Montegrappa intended for the Elmo to be used unposted, as it's better balanced that way. Importantly, the pen feels solid, like it will hold up to heavy use over time.

Writing sample done with Sailor Manyo “Kuzu” ink, which is a deep burgundy color.

My primary criticism of this pen from a usability perspective concerns the metal threads on the barrel. They're not necessarily sharp, but I definitely feel the edge of the "step-down" from the barrel to the grip section, which would prevent me from using this pen for very long writing sessions. How much this aspect of the pen's design impacts you, however, will depend on how you grip the pen. If you don’t have an issue with pens like the Pilot Metropolitan (which has a similar step), you’ll probably be ok, though this feels a bit sharper.

Montegrappa Elmo Unposted in Hand
Montegrappa Elmo Posted

Takeaways and Where to Buy

The Montegrappa Elmo "Fantasy Blooms" fountain pen ticks a lot of boxes for a mid-range fountain pen that should appeal to a wide audience. The biggest issue? Pricing, in my opinion. MSRP on the "Fantasy Blooms" pens is $250, with most retailers (such as site sponsor Pen Chalet, where I acquired this pen) selling them for $200. The price point doesn't surprise me - Montegrappa has a reputation for pricing aggressively on the high end, and plenty of companies sell acrylic pens with steel nibs in the same range.

What makes me increasingly uncomfortable is that $150-$200 seems to be emerging as the new "default" price point for pens with pretty basic specs, with many companies (like Montegrappa) testing the upper limits of that bracket. On the consumer side, buyers are being asked to pay more for pens that used to cost $120-$150. While the Elmo sports upgraded components such as a better nib, a nicer converter, and more unique materials, is this pen sufficiently different from a $25 Pilot Metropolitan to justify more than a $220 difference in MSRP? If the price were $130, or even $150, I’d have far fewer qualms about recommending it.

Three Montegrappas in my collection, from left: Elmo “Fantasy Blooms”, “Monte-Grappa”, and the Extra 1930 in Turtle Brown celluloid.

We're moving into uncertain times, and right now I have more questions than answers. Not just about this particular pen but about this segment as a whole. Fountain pen enthusiasts have shown that they will pay a premium for unique designs and materials, but will this hold amid economic uncertainty? Are pens like the Elmo unique enough to get customers to drop $200? If not, will companies like Montegrappa respond by reducing their price point to meet new economic realities, or by reducing or discontinuing their entry-level and mid-range lines to focus on the luxury segment? I’ll be thinking hard on these questions as 2020 slogs on.

Disclaimer: I purchased the pen featured in this review from site sponsor Pen Chalet using store credit generated through the Pen Chalet affiliate program, which is one way I support the blog. This post contains affiliate links.

In Pens Tags Montegrappa, Montegrappa Elmo, Fountain Pen
5 Comments

Pen Review: Montegrappa Extra 1930

October 19, 2019

Montegrappa has changed its lineup over the years fairly frequently, but the Extra 1930 - which one could comfortably describe as the brand’s “flagship” offering - has remained a constant. The current Extra 1930 is “inspired by a model born over 80 years ago,” and “designed for people who love classic design, original colors and decorations” in line with Montegrappa’s traditional “aesthetic approach.” If you’re a fan of vintage-inspired pen design, like me, then you’ve probably had your eye on one, even if the price point gives you some initial pause.      

The Montegrappa Extra 1930 is one of those pens that I always thought would be forever out of my grasp. (Then again, when I first got into fountain pens I also thought a $300 Sailor would remain well out of my comfort zone, but we all know how that story ends up.)

The sterling silver medallion on top of the cap will develop a patina as it ages. You could polish it, and I might eventually, but I like the “antiqued” look.

The Extra 1930 traditionally comes in three different materials, all celluloid: Turtle Brown (shown here); Bamboo Black, and Black & White. Montegrappa also recently added Red and Mediterranean Blue to the lineup, though it’s unclear whether these are temporary or permanent additions. Of the available options, the traditional three are my favorites. Montegrappa accents the celluloid with sterling silver, engraved with what they describe as a “Greek Fret” design on the cap band. A similar pattern adorns the large (No. 8) 18k gold nib, which is paired with an ebonite feed that provides plenty of ink flow. (Note: if you write small, opt for an EF nib, and even then you may have to grind it down. It’s a wet writer.)

That 18k No. 8 nib is gorgeous to look at and a pleasure to write with. It’s not springy, like some larger nibs, and actually quite stiff, but at the same time extremely smooth and an excellent daily writer. The sterling silver section is NOT slippery, and the threads are soft, not sharp. I can write for hours with this pen.

In my opinion, the Montegrappa Extra 1930 offers one of the best high-end writing experiences on the market. What do I mean by that? Sometimes, super-expensive pens are more “art” than “writing instrument.” I don’t purchase pens that I don’t use, so a key point for me in evaluating a specific pen is how comfortable and functional it is to use every day. I go back and forth on whether the Montegrappa Extra 1930 or the Montblanc 146 is my favorite “luxury” fountain pen sold today - they’re both pleasant to write with and superb daily writers. On the Extra 1930, the sterling silver section front-weights the pen and counteracts the weight of the piston, balancing the pen nicely for longer sessions. It’s one of the few pens that I don’t post.   

I have no regrets about splurging on the Extra 1930. My own personal “collection” focuses heavily on vintage-inspired modern pens, with a particular emphasis on Italian celluloid. Celluloid pens cannot be acquired inexpensively, since making celluloid is a difficult and time-intensive process, and the material itself has become scarce. Since pen companies OMAS and Delta folded a few years ago, the number of new celluloid pens on the market has dwindled, and even those being released by companies such as Leonardo Officina Italiana and ASC Pens (the “successor” company to OMAS) are using residual celluloid rod stock, which eventually will be gone. Montegrappa appears to be one of the only companies still releasing celluloid pens in proprietary patterns that they developed themselves.     

Takeaways and Where to Buy

I love my Extra 1930 - it’s beautiful, and sure it’s expensive, but it’s a writer’s pen with exceptional balance. My one quibble is with the ink capacity. A pen of this size should hold more than .8mm or so of ink, especially one with an ebonite feed. If you opt for a wider nib, you’ll be refilling often. 

Despite what I consider to be the generally high quality of their pens, Montegrappa has become known more than anything for their high prices. Unfortunately, the Extra 1930 is no exception, clocking in at a whopping $1,495 MSRP, with the pens actually selling for around $1,100. Is it worth spending this much on a pen? It depends on what you value. In addition to the design, much of the cost here lies in the premium materials used (celluloid, all that sterling silver, and that massive 18kt nib). Looking at comparable pens on the market (ASC Pens Bologna Extra, a Sailor Bespoke King of Pen, Aurora Internazionale), it’s hard to say that Montegrappa’s ask here is out of line with what other companies are charging, but it’s still at or near the top of the market. Because Montegrappa sells a ton of pens at this price point, I don’t expect prices to come down anytime soon.     

I purchased my Montegrappa Extra 1930 from Dan Smith at The Nibsmith. One of the great things about purchasing pens from Dan is that, in addition to carrying the full range of Montegrappa pens, he offers nib work on any pens he sells, and on a pen at this price point, any tuning or grind is complimentary. That’s right - you will be paying a LOT for an Extra 1930, but if you purchase from Dan that includes any planned nibwork. Note that Dan is currently running a special on the Black & White Extra 1930, at a price you won’t see very often! .  

Disclaimer: I purchased the pen featured in this review with my own funds, at full retail, for my own use. The Nibsmith is a paid sponsor of this blog.

In Pens Tags Montegrappa Extra 1930, Montegrappa, Fountain Pen, Pen Review
Comment

Pen Review: Montegrappa Monte-Grappa

March 30, 2019

It’s coming up on a year since I received the Montegrappa Monte-Grappa, so after much use, a review is long overdue. This particular pen was released last year around the time of the Atlanta Pen Show, which was the first time I was able to handle one, and upon seeing the “Coral” pen I knew that this was a pen I would eventually add to my collection. I’m a sucker for vintage-inspired pen design, and was a pretty easy mark for Cary at the Kenro table.

The vintage-style stamping on the barrel is what does it for me with this pen.

Coral, which I would describe as a pinkish-reddish-orange, seems like an odd color to add to the lineup of a modern pen brand, but it has a long history with fountain pens. Many vintage pens, such as the Parker Duofold “Big Red” from the 1920s and, more recently, the Waterman Man 100 Patrician, came in a similar shade. The Monte-Grappa comes in three other standard colors, black, blue, and lavender, but the coral version is by far my favorite.

Montegrappa’s “1912” medallion denotes the history of the brand and the fact that it’s one of the older Italian pen companies (and possibly the oldest - I need to brush up on my history).

The first thing you’ll notice about this pen is that everything screams “vintage,” from the color, to the size and shape, to the barrel imprint. The Monte-Grappa is also one of Montegrappa’s more understated designs (along with the Fortuna series), and I hope it sticks around. A few of my favorite aspects of this pen:

  • Barrel Imprint. The “Monte Grappa” imprint on the barrel looks as though it were lifted directly off a pen from the 1930s. Other than the cap band, this engraving is the only adornment on the pen and it adds charm.

  • Comfortable Shape and Ergonomics. I have always found Montegrappa pens to be very comfortable in the hand. The Monte-Grappa is no exception, with an inverted hourglass shape that tapers towards the nib and the piston knob and allows most of the pen’s weight to sit between your thumb and index finger (assuming you hold the pen in a traditional manner). Balance is important here, because the piston filling system adds heft to the pen. Most people will find the Monte-Grappa most comfortable to use unposted, though I post the pen regularly and don’t have any issues.

  • Montegrappa’s “Ratchet” Piston. A key selling point on this pen was Montegrappa’s decision to incorporate its patented piston-filling mechanism that you typically see only on MUCH more expensive pens (though the Monte-Grappa certainly isn’t inexpensive, as discussed below). Montegrappa makes one of my favorite pistons, because it uses a ratchet mechanism that clicks as you turn it. Once the clicking sound stops, you know not to turn further, preventing damage to the pen.

  • JoWo Nibs! Last but not least, the Monte-Grappa was the first major release to use JoWo nibs, which I find to be a huge upgrade over the previous Montegrappa (Bock?) nibs that tended to cause problems with dryness and skipping in some Fortunas. The new nibs are much more reliable, and I experienced no ink starvation issues. These nibs are still custom-engraved with Montegrappa’s signature “filigree” pattern.

View fullsize Montegrappa Monte-Grappa Unposted
View fullsize Montegrappa Monte-Grappa Posted

Montegrappa’s new JoWo nibs are of exceptional quality and still come engraved with the signature filigree pattern. I opted for a 14k nib here, which writes a true medium line with superb ink flow.

The Monte-Grappa features stainless steel trim, including a metal cap band that has a hammered metal look to it (even though it’s not technically hammered steel).

Takeaways and Where to Buy

I love the look of the Monte-Grappa, and it’s also an excellent functional writing instrument with the potential to be a mainstream “flagship” for the brand. But, as you might expect from Montegrappa, I have concerns that the price point will prevent this pen from getting traction with a broader audience. The MSRP on the Monte-grappa with a steel nib is $395, with pens typically retailing somewhere between $275-315. That’s expensive for an acrylic pen equipped with a JoWo nib, even once you account for the piston-filler. If you want to add a 14k nib, you will pay an additional $250 or so, which is even more expensive. That said, Montegrappa is known for targeting a luxury price point and a well-heeled clientele, and apparently has had much success with their brand strategy, so I don’t expect to see much price movement unless the pen ends up being discontinued.

You can easily find the Monte-Grappa with a steel nib at most retailers who carry Montegrappa. Vanness has the Coral version with a stainless steel JoWo nib currently priced at $275.00. They also have the Blue pen (actually more of a navy and my second favorite), as well as the Lavender version, in stock. The 14kt nib is a bit more difficult to find, but you can order them through Pen Chalet.

Montegrappa has also made a few special/store edition versions of the Monte-Grappa. The first is a limited edition version “La Canzone del Grappa” with a transparent barrel, which comes in two colors, October Green and Black (both of which are more of a flecked tortoise pattern, not solid colors). Another special edition is available from Dromgoole’s in Houston, which is a stunning olive green/tortoise combination.

The Montegrappa Monte-Grappa (center) compared against some other Italian “flagship” pens. From left, the Leonardo Momento Zero in “Pietra Marina” Sea Stone, an Aurora Optima in Emerald, the Aurora 88 Unica Nera, and a Montegrappa Extra 1930 in Turtle Brown.

Disclaimer: I received this pen from Kenro Industries for review purposes, and since I enjoyed it, they kindly agreed to let me keep it.

Tags Pen, Montegrappa, Montegrappa Monte-Grappa
Comment

My 2018 Atlanta Pen Show haul. You'll notice that not everything from my "favorite things" list made it into my bag, which is definitely good (at least for my wallet). 

Five Things I'm Excited About (or, Favorite Things from Atlanta)

April 18, 2018

As I've fallen deeper into this hobby/obsession, and after five years of writing this blog, pen shows have become more about visiting with friends and hearing about the newest releases/industry developments rather than accumulating more pens. Though the latter still happens, these days I usually come home with one or two. I have to get pretty excited about something before I make a purchase. So what new product releases am I most excited about, that will likely end up on a shopping list sometime this year?

New Releases from Aurora and Montegrappa

From left, the Blue Sigaro, the 88 Urano, and the 88 Satin Black. 

The Kenro table was full of all sorts of exciting new things, but three of them caught my eye. The first (of course) is something that's going to be essentially impossible to get: the Aurora 88 Urano in a turquoise celluloid derivative. Apparently only a small number pens have been allocated for the entire United States. The others hopefully will be more widely available: a blue lacquer version of the Aurora Sigaro, the Aurora Talentum Full Black, and Montegrappa's new Monte Grappa vintage-inspired piston filler. The Blue Sigaro is simply gorgeous to look at, and the Monte Grappa features new JoWo steel nibs, which I understand have far fewer issues than the Bock nibs the company previously used. The blacked out Talentum has been repeatedly delayed but I understand it's on the way.   

Montegrappa Monte-Grappa (three pens in the center)

Red Kaweco AL Sport U.S. Exclusive

Next up is my sole Saturday purchase: the red Kaweco AL Sport, which apparently is a U.S. exclusive for this year. Vanness Pens currently has them in stock, so if you're looking for one, I'm not sure how long they will last. Curiously, I didn't see these pens on any other tables at the show. The color looks great and really pops. As you all know, I don't pass up red pens. 

Faggionato Pens

My Faggionato PKS, next to the AL Sport for scale

I've had the pleasure of visiting with Papier Plume twice this year, once at their New Orleans store and once at the Atlanta Pen Show. Both times, I've walked away with a Faggionato pen. Handmade in France by Fred Faggionato, the pens combine a streamlined, highly functional design with some unique materials, including acrylics and cellulose acetates in some nice color combinations. My two pens (pictured here) are a Petrarque in translucent blue tortoise cellulose acetate, and a larger PKS in Conway Stewart's vintage "Dartmoor" material. The Petrarque is a smaller pen that posts, while the larger PKS feels similar to an unfaceted Newton Shinobi (with a clip), and is meant to be used unposted. 

Krishna Inks 

Krishna Inks are the latest in a series of international brands that have arrived in the United States, courtesy of retailers such as Vanness Pens. While I didn't purchase any Krishna Inks this show (or even manage to get any decent pictures), I did spend a fair bit of time looking at swabs of all the various colors. These inks have crazy sheen - just look at Jungle Volcano and Myrtle. The greens are also exceptionally vibrant.  

The Milano from Osprey Pens

Osprey Milanos in ebonite and acrylic

Osprey Milanos in ebonite and acrylic

Osprey Pens launched with several models priced well under $100 (and some sub-$20), though availability has been sporadic at best. Their largest and most expensive pen, the Milano, was originally available only in ebonite, though Osprey recently announced acrylic versions priced at $70. These materials look very nice, and the pens themselves are a good size. I especially like the "Mud Pie" and "Chiaroscuro" pens. Osprey makes a variety of nib units, ranging from standard stainless steel or gold to a Zebra G "flex" nib unit, which allows you to use Zebra G calligraphy nibs in the fountain pen. 

I hope this little Atlanta follow-up has been helpful in providing an idea of what kind of stuff you get to see by attending pen shows. Of all the things I saw, the new Auroras were probably my favorite. I'm hoping to make the Chicago show in a few weeks, but as of right now it seems unlikely and my next pen show trip won't be until DC in August. Until then! 

Disclaimer: This post contains links to paid sponsors and affiliates. 

In Pen Shows Tags Pen Show, Atlanta Pen Show 2018, Atlanta Pen Show, Aurora, Kaweco, Osprey, Krishna, Montegrappa, Faggionato
1 Comment

Pen Review: Montegrappa Fortuna in White, Silver, and "The Mule"

July 8, 2017

Montegrappa is one of those brands that didn't make it onto my radar until relatively recently, when I was offered the opportunity to borrow one of their higher-end Passione pens in a stunning red celluloid. My positive experience with that pen got me interested in learning more about the brand, so I placed an order for a Montegrappa Fortuna in white with ruthenium trim. At the same time, Cary at Kenro Industries (Montegrappa's U.S. distributor) loaned me two additional pens: the recently released Fortuna Silver and one of last year's "it" pens, the Montegrappa Mule, which is essentially a copper and steel Fortuna. (You may recall seeing photographs from "Mule parties" on the pen show circuit.)

First Impressions

Aesthetically, the Fortuna ticks all the right boxes for me. I love the shape of this pen, which is a variant of the classic cigar shape and fits into my hand nicely. I also appreciate the classic, understated design - not always something that I can say about Montegrappa pens, especially on some of their more elaborate creations.

The coating on the brushed stainless steel Fortuna Silver reflects the light in a way that makes the pen appear to have varying shades of light and dark. The effect is very attractive and gives what would otherwise be a relatively plain stainless steel pen a more unique look. 

The build on these pens is quite sturdy - you don't have to worry about the Fortuna (and certainly not the copper and steel versions) holding up to the rigors of everyday use.  All feature very tight "rollerball" clips, and if I had one critique on the build it would be that the clips are too tight - it's often hard to get this pen to clip to a shirt pocket or a pen slot in one of my bags. 

Montegrappa Fortuna engraved cap band and "roller" clip

These pens also feature metal threads, which is likely a good thing for durability, but at least on my white Fortuna causes the threads to "squeak" a little bit when capping/uncapping. The noise is less pronounced on the all-metal pens, so it may have something to do with the black coating on the trim.  One thing I do appreciate is that while the barrel threads are metal, the internal threads (on the inside of the cap) are plastic, even on the Mule and Fortuna Silver. That way, when you post the pen the threads won't scratch the barrel, as pretty much always happens to any other pen with a metal cap. (Montblanc, take a hint here.)  

Writing Experience

All three of the Fortunas were extremely comfortable writers. The acrylic pen is a fairly light pen, and the easiest to write with for an extended period of time.  The metal threads at the front of the pen give it a nice forward balance with good control. Even the (much) heavier Fortuna Silver (made of stainless steel) and the Mule (made of copper) don't feel too heavy, due to the shape of the pen and how the weight is distributed.  I could use any of these three pens posted or unposted, which surprised me a bit because all-metal pens typically tire my hand out after about a page. Montegrappa did an excellent job of designing around an issue which could potentially make the Mule and the Fortuna Silver unusable for a lot of people. 

View fullsize Montegrappa Fortuna Unposted
View fullsize Montegrappa Fortuna Posted

While some have experienced flow issues with the Fortuna nibs, these three pens all wrote well without any hard starting or skipping.  Should you experience problems with your nib, I'd first clean the pen with a bit of soapy water (use diluted dish soap) or pen flush to rinse out any manufacturing residue (oils, debris, etc.), and if the problems continue notify your retailer or Kenro, who will take care of you.  I've not heard much about this recently, so Montegrappa may have resolved any production issues.   

Of these three pens, the white is my favorite, mainly because of the nib.  For some reason that I've not (yet) taken the time to research, black ion or ruthenium-plated nibs tend to be a touch softer than standard gold or steel nibs.  They're not "flexible" by any means, but they do have a bit more bounce to them. The standard steel nib on the Fortuna Silver and the Mule was definitely drier and stiffer than the black plated nib on the white acrylic pen.  I've noticed the same thing on my black ion-plated Sailor Professional Gear Imperial Black and Sailor 1911 Black Luster fountain pens - they're both softer than the standard Sailor gold nibs, which are notorious nails. 

Another note on the plated nibs - they have a tendency to corrode when used with inks containing iron gall.  I made the mistake of using Montblanc Midnight Blue (old formulation) and Montegrappa Blue Black with this nib, which resulted in the plating wearing away around the nib slit and at the base of the nib. Be warned. 

Montegrappa nibs, in my experience, also write narrower than their designation. The Mule and the Fortuna Silver both had broad nibs that to me were really classic mediums. I'm typically not a "broad nib" person because I do a lot of copy editing and margin annotations at work and need to write fairly small, but I could use this Montegrappa broad nib easily. Even so, I still preferred the medium nib on the white/ruthenium pen. It wrote a consistently wet line and even offered some stub-like line variation on the cross strokes.    

Takeaways and Where to Buy

Most Montegrappa retailers such as Vanness Pens and Pen Chalet will carry the Fortuna, especially since Montegrappa seems to be making the Fortuna line its primary - and certainly its most accessible - line of pens. That said, "accessibility" is relative, and these pens still come with a luxury premium on the price. The White/Ruthenium Fortuna retails for $290, and the Mule sells for $375.  The recently released Fortuna Silver is priced at $395.  Montegrappa is fairly insistent on retailers adhering to their standard pricing, and while you can sometimes find a slight discount off of MSRP, it's rare.

Are these pens worth the money? As always, it depends on what you are looking for. You can certainly find excellent writers with gold nibs for less money, and I'd personally be hard-pressed to choose the Fortuna over a Sailor Pro Gear, which can be less expensive and is possibly my favorite pen of all time. Price notwithstanding, the size and feel of the Fortuna make it an extremely comfortable pen to use, and Montegrappa has released this pen in some unique, beautiful designs and color schemes, which is the real value here. I highly encourage you to check out the Mosaico Marrakech, as well as the upcoming Fortuna "Heartwood" line.

A big thank you to Kenro Industries for making this review possible, and I look forward to seeing what else Montegrappa has in store for the Fortuna line.  

Disclaimer: I received a discount on my purchase of the White Fortuna directly from Kenro, who also loaned me the Montegrappa Mule and Silver Fortuna for review purposes. This post contains links to affiliates and sponsors.       

In Pens Tags Pen Review, Montegrappa, Montegrappa Fortuna
Comment
Older Posts →
Store Location
Visit the T.G.S. Curated SHOP
*New* Updated "Best Pens" Guide (2025)
TGS x Hinze Pens Violet Tendencies Taschenstift Fountain Pen
Hierarchies of Fountain Pen Friendly Paper
Allex Scissors arrayed on a desk showing link to desk accessories

Join Our Patreon!
Subscribe to the TGS E-mail List

Featured Posts

Featured
Pilot-Iroshizuku-Yama-Budo-Writing-Sample.jpeg
May 24, 2025
Joe's Picks: Five Favorite Inks From Pilot's Iroshizuku Lineup
May 24, 2025
May 24, 2025
Yamamoto-Gray-Paper-Sampler-Set.jpeg
May 10, 2025
Discovering Unusual Paper: "Paper Tasting" Sets from Yamamoto Paper
May 10, 2025
May 10, 2025
Four-Micarta-Fountain-Pens.jpeg
Apr 19, 2025
Yes, Micarta for me! I finally got my hands on Some Micarta Pens, Plus My Own Special Edition
Apr 19, 2025
Apr 19, 2025
The Gentleman Stationer RSS

© Digital Divide Media, LLC, 2014-present.

All content is the exclusive property of Digital Divide Media, LLC, d/b/a The Gentleman Stationer, including “The Gentleman Stationer” website and trademark, and should not be reproduced without express written permission.  All rights reserved.

All content containing paid advertising, affiliate links, or sponsored content will be plainly disclosed by a disclaimer when/if featured.

Contact Information

Store Shipping Policy and Return Policy

Privacy Policy

Cookie Policy

Terms and Conditions

Powered by Squarespace