I have more black pens, matte black pens, and pens with black trim than I can count. This isn’t even a “mini-collection,” it’s a full-blown archive. (This also isn’t even half of them.)

The Allure of the Stealth Pen: What Makes the All-Black Pen So Popular?

October 23, 2021

For the first several years I participated seriously in this hobby (through the early-to-mid 2010s, it seemed as though pen companies were racing to introduce a “stealth” version of their various models, typically a black or matte black version of a pen featuring black-plated trim. (I’ve actually been around long enough to recall Pilot’s release of the current matte-black Vanishing Point, as well as a series of other VPs with matte-black trim and accents.) I’ve always wondered what makes these particular pens so popular. Black-on-black pens, and especially matte black pens, show no sign of going away anytime soon, so this week I spent some time noodling on it and felt compelled to put together an “all-black” carry for yesterday’s remote work outing.

From left, the Sailor 1911 “Black Luster” edition, my own T.G.S. x Sunderland mk1 rollerball, and the Montblanc “Midnight Black” Starwalker Rollerball. Case is a special edition Nock Co. Sinclair (since discontinued).

Originally, “stealth pen” marketing borrowed heavily from the “tactical pen” crowd, evoking military imagery, extreme durability, and touting the ability to bring your fountain pen along on those top-secret night missions. For example, I recall Monteverde marketing a pen with Goulet called the “Nighthawk” that featured black trim and a carbon fiber motif. Over the years, however, blacked-out pens and black trim in general became mainstream, not just a sub-category targeted to EDC (“everyday carry”) enthusiasts.

My Blacked-out Everyday Carry — Contrary to popular belief, black pens don’t have to be boring. Not only can you add a splash of color to really set off the finish, but manufacturers can vary the design on things like the grip section to add a lot of character. Check out the knurling on the Montblanc Starwalker!

I’m not sure the popularity of black-on-black pens should come as a surprise. Black accessories of any sort are universally appreciated because they match easily, and while some might be hesitant to claim “black” as their favorite color, I’d venture that it has much wider appeal than the stereotypical “stealth pen” customer would suggest. Here are a few key reasons why I enjoy them myself:

Sleek, Understated Look. In my “real” life as a working attorney, there are contexts in which I need a pen to blend in to the surroundings and not become a distraction. Court hearings, depositions, and crowded meetings are NOT the time to break out the bright red Pilot Custom Urushi, or the Krusac Scrimshaw Navigator. On the other hand, a black makrolon Lamy 2000, Lamy Studio LX All-Black, or Sailor Pro Gear Imperial Black doesn’t obviously turn heads at first glance (and most people won’t notice the Lamy 2000 isn’t a rollerball). In a culture where, unfortunately, many consider using any sort of decent pen or pencil to be a pretentious affectation, black pens can be a good choice where you feel as though you need to fly under the radar.
Better Grip and Texture. My favorite pens are what I call my “workhorses,” or pens that I can write with all day. Matte-finish pens offer a pleasant grip and texture for all-day writing sessions or when you’re in a hot room with sweaty hands. The pen won’t get slick.
Black Pens Age Well. As I’ll further discuss below, most black pens, and especially matte black pens, will eventually show some wear and tear. Personally, I find that it adds to the aesthetic and I will never replace a pen for this reason. Look no further than my Sailor Pro Gear Imperial Black, which not only has worn smooth and shiny on the barrel from years of regular use, but now has a partially chrome (as opposed to black-plated) cap finial. I have experienced zero wear, however, on the black ion plating to the nib, clip, or cap band.

Some flaking on the cap finial is actually the only real wear and tear on my eight-year-old Sailor Imperial Black Fountain pen, which I re-reviewed years after I first purchased the pen.

Eight years and one dropped nib repair later, the nib on my Sailor Imperial Black looks just as good as it did when I first purchased this pen! Thanks Mark!

Of course, there are also some considerations that anyone considering a matte black pen - especially one with black trim - should keep in mind. First, if you’re particular about scratches, chipping, and visible wear on your pens, this finish may not be for you. Most matte texture is created using some form of powder-coating or anodization, and no matter how careful you are with your pens, the finish will eventually wear smooth, and you will likely accumulate some dings and scratches. As I noted above, I love how this looks over time, and merely serves as a reminder that my pens are tools meant to be used, but hey, personal preference. Second, if you are considering a pen with a plated or coated nib, talk to an experienced nib grinder before performing any sort of modification on the pen. Different manufacturers use different techniques to plate their nibs, and depending on the quality of the work and materials used, the coating can start to peel or flake off if the nib is ground. That’s not to say you can’t do it, but I’ve experienced it on a few pens across multiple brands and price points. (You can’t blame the manufacturers for this. When you choose to grind a nib, you are, after all, modifying their pen in a way that they did not originally intend. You are responsible for educating yourself on all the different things that might occur as a result.)

You know that you’ve really gone off the deep end when you find yourself purchasing things like these matte black Allex scissors, not necessarily because you have a burning use case for them, but because C.W. Pencil Enterprise is closing and, well, you just need these for your desk. (Great scissors, btw.)

While there have been murmurs in the pen blogosphere about blacked-out pens being “tired” or “played out,” I expect them to continue to sell well, and for manufacturers to continue to make these pens for as long as demand holds up. Personally, I consider this a classic design, and would love to see black trim in particular become a default option alongside the black/gold and black/rhodium that you see everywhere. I can’t help but think it might even outperform the current “standards.” Consider some other possibilities. I mean, Lamy recently released a brown Lamy 2000 with a brown plated clip. If they released a version of the 2000 with a ruthenium-plated clip, section, and nib, can you imagine how well that would sell?

(Maybe terribly, but I don’t care. I still want it.)

You can’t accuse me of inconsistency. I’ve always loved a matte-black pen with a dark red section. Here, the visibility isn’t the best because the alumilite has darkened over the years, but my Newton Shinobi is black ebonite with a dark, blood red alumilite section.

Ending with a Shameless Plug for the T.G.S. x Sunderland Machine Works MK1

Since I love black pens, it’s not a coincidence that I chose to incorporate a matte black finish into the first exclusive pen collaboration that I’ve done: the T.G.S. x Sunderland Machine Works mk1 matte-black and burgundy release. While you can read more on the specs for this pen in the shop listing, this release pairs the comfortable and functional Sunderland mk1 design with a durable bead-blasted matte-black and burgundy finish, along with a DLC (Diamond-Like-Coating) black stainless steel clip. I need to give Sunderland mad props for the durability of the finish on this pen - as I noted above, most matte pens will show wear over time, especially if you toss it into bags, pen cases, and pockets. After more than seven months of hard use, however, my current demo shows no wear, which can only be a testament to the quality of the processes used. (Note: I’ve intentionally NOT been gentle with this pen, since I wanted to see how it would hold up in the real world.)

T.G.S. x Sunderland mk1 Special Edition — Yes - the section threads are internal, so they don’t interfere with your grip.

I’d love to do more pen collaborations in the future, and given how well this one has sold, you can expect more from me in the coming year. The T.G.S. x Sunderland pen is not a limited edition, but it is a store exclusive, so you can only get it directly from the T.G.S. Curated Shop. Priced at $110, it’s a slight premium over the standard Sunderland mk1, mainly due to the cost of the bead-blasted finish and DLC coating. All proceeds go to support and grow T.G.S., both the blog and the fledgling shop operation!

This post does not contain paid third-party affiliate links. By shopping with us directly, you are supporting original content, pen reviews, pen show events, etc. from The Gentleman Stationer. If you would like to support us even further, please consider checking out the T.G.S. Patreon Program, which offers access to online meetups, exclusive discounts (including a slight price break on the Sunderland) pre-orders, and more!

The Lamy 2000 “Bauhaus” edition (left) is a great example of a limited pen that disappeared immediately online, only to appear on reseller sites at ridiculous markups.

Online Pen Shows: They May Be Easier, But Are They Really The Same?

October 20, 2021

Before we get started, I want to make clear that in this post I’m not criticizing any single brand, company or online pen show, even if they happen to be mentioned by name in this article. Any such discussion is solely for illustrative purposes since I suspect what I talk about here is going to be an emerging industry-wide trend that is here to stay and that everyone is going to have to live with in some way or another.

When literally all of the post-Baltimore pen shows were cancelled in 2020, both sellers and enthusiasts were faced with the prospect of having a primary revenue stream completely shut down, an existential threat for many. As a way to adapt, many retailers and makers turned to “online pen shows” - essentially, windows in which exclusive, limited, or discounted products were made available for purchase online. The way in which an online pen show works varies. For example, Franklin-Christoph announces ahead of time that certain models will be made available in their Stock Room, similar to how C.W. Pencil Enterprise released their Pencil Advent Calendar. Others attempted to duplicate an actual in-person pen show experience. Ian Schon offered time slots for customers to peruse pens via Zoom, and the St. Louis Pen Show went virtual, offering courses and content via YouTube. But while I’m thankful that these options were available to help keep the pen industry and associated community viable throughout the pandemic, I hope they don’t replace traditional shows and opportunities for in-person shopping over the long-haul, as some are suggesting they should. Here are my thoughts on both the advantages and disadvantages of these types of shows.

Benefits of Online Pen Shows

Safety. This one goes without saying. Depending on COVID-19 levels at any given time in any given area, it may not be safe to attend in-person events. Online options are a viable alternative should an event or retailer need to cancel.
Increased Accessibility. Even setting aside the pandemic, one key benefit to these sorts of online events is increased accessibility to those who can’t make it to an in-person pen show due to health, distance, etc. The beauty of the internet (for the most part) stems from its ability to bring otherwise geographically distant people together.
Small-Business Friendly. Extremely small makers, or those just starting out, may not have the resources to travel to shows or to stock any sort of in-person store. The ability to operate online levels the playing field to a certain degree, not only in terms of accessibility but in allowing smaller retailers with higher costs to compete on price.

I likely would never have purchased many of the pens in my current collection (including these Franklin-Christoph Model 20s) without the opportunity to see the material and handle each pen in person.

Drawbacks to the Online-Only Model

Amazonification of the Experience. Part of what I love about visiting pen shows (as well as brick-and-mortar pen stores) is the ability to not only view products in person before I make a purchase, but to interact and engage with the makers and retailers themselves. If you take away this aspect of the experience, to me it becomes much less attractive. Buying a pen online, especially a handmade or secondhand pen, sight unseen, doesn’t hold the same cachet, especially since I often want to experience in-person a pen that I plan to use for writing over the long-haul.
Loss of Community. The friendships I’ve made through pen shows are priceless. Whether it’s gathering around a table discussing a new release or prototype design, having a friend let me write with a pen from their collection so I can decide whether it works for me, or simply meeting like-minded people who you keep in touch with outside of shows, the ability to socialize with others is a key part of what makes in-person pen shows irreplaceable, IMHO.
Consumer Frustration. When dealing with limited run or limited release products, it can be extremely frustrating for fans and enthusiasts to take time out of their workday or schedule to be online at the time of a “drop,” only to have the product sell out in less than 2 minutes (i.e., before most people can add the product to their cart and pay). However unfair it may be to the retailer or maker, who often has no control over the quantities available and/or techniques buyers use to jump to the head of the queue (see third bullet below), it creates resentment at what the shopper perceives as wasted time. Many people, myself included, don’t enjoy a “gamified” experience where part of the thrill is not knowing whether you will “get one” or not, or knowing that I will have to quickly drop $500 (or sometimes more) unless I’m willing to risk never being able to buy one of these products again.
Benefiting Profiteers and Resellers. Adding to customer resentment over their inability to have a fair shot at getting a limited run pen or other special release is the fact that many of these products immediately appear on third-party retailer websites, often marked up 2x or 3x. This isn’t a new trend by any means, as it’s plagued other industries for years, but it may become more prevalent in the pen community if people move to an online-only model. Japan has recently seen a proliferation of companies whose business consists entirely of buying up store exclusives and other limited releases solely for the purpose of reselling, primarily to overseas buyers.

Takeaways and Final Thoughts

Look, there’s no avoiding the fact that the past two years have been a giant unknown filled with uncertainty for pretty much everyone involved in our industry and community (most of all the makers and retailers), and everyone has had to get creative just to keep the lights on. That said, I personally am of the opinion that every effort needs to be made to preserve traditional retail and show options, or else we lose not just the social aspect of this community in general but the accessibility of products to all but the most tech-saavy or those willing to pay reseller mark-ups. While I understand that online shows and product drops are beneficial to retailers from a revenue perspective (i.e., you sell a lot of pens without incurring the costs of traveling to shows, working through distributors, etc.), I can also see how this runs the risk of frustrating/alienating a large portion of the market, and encouraging things like hoarding/FOMO buying/profiteering. There is a segment of the pen community with a strong focus on accumulation and “buying all the things,” regardless of intent to actually use the product, and while people are free to spend their money however they want, certain retail and marketing strategies cater more to this group than others.

This post does not contain affiliate links. I purchased the pens, nibs, and nib units featured in this post with my own funds, for my own collection. The Gentleman Stationer is reader-supported. If you would like to support us, please consider purchasing from the T.G.S. Curated Shop or checking out the T.G.S. Patreon Program, which offers access to online meetups, exclusive discounts and pre-orders, and more!

Swapping Fountain Pen Nibs: From Easy to Expert

October 13, 2021

One thing that most enthusiasts love about fountain pens is the ability to customize your pen for your writing style and aesthetic preferences. Whether it’s having a custom pen turned from a favorite material, in a shape that’s the perfect size for your hand, or a nib ground to showcase your own style of handwriting, the options are essentially limitless. At the same time, the idea of physically pulling the nib and feed out of your fountain pen and putting it back together again intimidates many people, even seasoned users who have written with fountain pens for years. There’s no reason to be afraid. While changing nibs on your own does merit a degree of caution (just like disassembling a pen for cleaning or filling from an ink bottle), it’s something that most fountain pen users can do without risk of seriously damaging their pen. Today I plan to walk through a few different options, ranging from easily swappable pre-assembled nib units to more complex modifications.

When changing nibs (or doing any sort of pen-related maintenance), I typically like to work on a towel or other soft/grippy surface to keep pens and loose parts from rolling off the table.

Getting Started: Create Your Workspace

Necessary precautions are minimal. Basically, you need a well-lit workspace with a towel or other no-roll surface to hold your pens and nibs. The number-one danger when performing any sort of work or maintenance on fountain pens is dropping a pen onto the floor and cracking the pen barrel and/or bending the nib, so make sure your pens are secure. I typically unroll a towel onto a sink or standing desk and use that as my work surface.

Swapping out interchangeable nib units (discussed further below) doesn’t require any special tools. Otherwise, you will likely need a square of rubber to help grip the nib and feed, and possibly a loupe or other magnifier to align nib tines.

Franklin-Christoph fountain pens use JoWo nibs, so it’s easy to amass a large collection of custom-ground F-C nib units that you can swap between all of your JoWo-compatible pens.

Easy: JoWo, Bock, and TWSBI Interchangeable Nib Units

These days, the majority of pen makers no longer manufacture their own nibs in-house, and instead purchase nibs from third-party companies JoWo, Bock, and to a lesser degree, Schmidt (though I find Schmidt nibs excellent and don’t know why they’re not more widely used). While some people complain about monotony and the lack of expressiveness in how these modern nibs write, there is one key advantage to this uniformity: interchangeability. Many, if not most, pens that accept standard JoWo or Bock nibs use a default nib unit (i.e., a nib and feed seated in a threaded housing) that can easily be unscrewed and used in another compatible pen. Once you start custom-grinding these nib units or gather the range of nib sizes, it becomes a very versatile platform that can allow you to thoroughly enjoy your pen collection.

The process for swapping out a JoWo or Bock compatible nib unit is mostly the same between brands. Gently grasp the nib and feed and turn counter-clockwise to unscrew the unit.

The process itself is simple. First, if the pen you are working on is a cartridge-converter model, remove the converter. Then, gently grasp the nib and feed and turn the nib unit counter-clockwise to remove it. Select your new nib unit, insert it into the section, and rotate clockwise until secure. Do not overtighten, as this can misalign the tines of the nib, at best, and cause stress damage to the nib housing, at worst, in which case you will need a replacement.

Opus 88 pens, which are Japanese-style eyedroppers, add one slight wrinkle to the process. There is a small o-ring attached to the bottom of the nib unit housing. If replacing with a non-Opus nib unit, don’t forget to transfer the o-ring as well. It sits on the plastic “stem” and is easily removable.

TWSBI nib units are slightly different, though still simple. On the TWSBI Diamond 580, you simply unscrew the front section of the pen and slide the nib unit out of the plastic cover (shown here in red but clear on most current 580 models). Insert your new nib unit and reassemble. Because TWSBI sells spare nib units for the express purpose of allowing you to easily switch nibs between pens, you don’t have to worry about voiding your manufacturer’s warranty or otherwise causing unintended damage. I own several spare TWSBI nibs, some of which have been custom ground to specialty nibs such as architects.

Editor’s Note: There has been a lot of press recently about a manufacturing defect that has caused cracks in JoWo nib housings. While I’ve been lucky and have not yet found the issue in any of my personal pens, JoWo has released a series of announcements discussing how they plan to fix the problem. If you have been inspecting your JoWo nib units and discover cracks, please reach out to Meister Nibs, the U.S. JoWo distributor.

Intermediate: Pulling and Setting Friction-Fit Nibs

But what about pens that don’t use interchangeable nib units? Well, the nibs on those pens are, for the most part, equally “swappable” and the process is no more mechanically complex than taking a small square of rubber or other grippy material, grasping the nib and feed, and pulling both out of the front end of the pen’s section using a steady motion. You replace a nib the same way, though you need to be pay attention when reinserting the nib and feed as some pens have grooves or “guides” that determine exactly how the nib is supposed to fit.

The nibs on some pens, especially those with proprietary in-house nibs like this Platinum 3776, do not come in a housing, meaning that the nib and feed sit directly inside the custom section.

So why do I have this categorized as requiring an “intermediate” skill level? Honestly, it’s more about confidence than skill. Sometimes, things don’t go 100% as expected. Old ink residue may cause the nib and feed to get stuck in the section, and you may find yourself having to pull fairly hard or jiggle the nib a bit (gently!) to dislodge it from the pen. Any time you apply force, you run some risk of misaligning the nib tines or cracking the feed. Changing friction-fit nibs properly requires some patience, a willingness to engage in a bit of trial-and-error, and an “intermediate” understanding of how fountain pens work. Finally, keep in mind that if your pen breaks and you can’t fix it on your own, the manufacturer might consider removing or swapping the nib on a pen without an interchangeable nib unit to be a “modification” that voids your warranty. That’s not to say that you won’t be able to find someone who can fix the pen, but you will likely have to pay for it.

From the top: Platinum 3776 UEF in Schon Black Ultem, via Flexible Nib Factory JoWo housing; Pilot PO Nib in Newton Shinobi, via same housing; Platinum 3776 in an Opus 88 Jazz, via same housing.

Expert: Custom Nib Housings for Maximum Pen Hacking

The last topic I plan to discuss combines the two techniques discussed above in a manner that allows you to create your own custom nib units. Flexible Nib Factory sells custom nib housings designed to pair proprietary nibs and feeds (i.e. Platinum, Pilot, Pelikan, Sailor, etc.) with JoWo and Bock-compatible pens. For example, I pulled a friction-fit medium 14k Platinum nib from a standard Platinum 3776 fountain pen, and inserted both the nib and feed into a JoWo-compatible Flexible Nib Factory housing, which I then seated in an Opus 88 Jazz. The one drawback is that these custom housings won’t accept a converter, so you will need to use a piston filler, eyedropper, or bulkfiller-style (i.e. Conid) pen. Opus 88 pens work great for these types of modifications, though with certain brands like Platinum you may have to trim the plastic end on the back of the feed in order to allow the Japanese-style eyedropper system to close.

A nib unit disassembled. Using Flexible Nib Factory housings, you can pull, for example, a nib and feed from a Platinum 3776 and insert it into the custom housing designed to fit a JoWo or Bock pen. It’s less complex than it looks.

A word of caution: customizing fountain pens in this way is addictive. Since building my FrankenJazz, I’ve also moved another Platinum 14k UEF (Ultra Extra-Fine) nib and a Pilot PO (Posting) nib into JoWo housings, which are now in a Schon Black Ultem and Shawn Newton Shinobi. I’m eyeing several other nibs in my collection that don’t get much use in their current setup…

Introducing the New and Improved T.G.S. Review Archive

September 25, 2021

One thing that has frustrated me beyond compare is the inability of readers (and myself) to easily search the eight years’ worth of T.G.S. review content. I finally couldn’t take it anymore, and for the past month I’ve been working on building an organized archive of past T.G.S. pen reviews. I’m happy to let you know that the new archive is now available to search, and I plan to do the same with non-fountain pens, inks, and paper in the future.

I have organized this review archive by brand, albeit with most small-batch and artisan makers grouped into their own section, which sits at the top of the page. My recommendation is that you go there first, as that’s where the most exciting stuff is happening these days. Enjoy!

You may notice that some brands are missing from this list. That is either because I have not yet reviewed pens made by the brand in question, or I haven’t yet located the past content. The archive is, and will forever remain, a work in progress as I don’t aim to stop reviewing anytime soon!

Today’s review pens: a Scriptorium Balladeer and Schon DSGN Ultem Fountain Pen.

Spotlight On: The Nib Tailor, Featuring Architect + Inverted Architect Nib Grinds

September 18, 2021

I’ve known J.C. Ament for years, from way back when he was attending shows as an enthusiast, to when he started dabbling in nib work under his previous brand, Nibs on Point. I wanted to take a moment today to let everyone know about his latest endeavor, in which he’s embarked on nib work full time as “The Nib Tailor.” Before he took a break from pen shows, J.C. sent me two examples of his work for review: a broad “standard” Architect nib that has since lived in my Scriptorium Balladeer, and what J.C. calls an “Inverted Architect,” a nib that I’ve swapped between a bunch of different pens but which now lives in my Schon DSGN Ultem.

Before we get started looking at nib grinds, check out this eyedroppered Schon DSGN Ultem fountain pen, which is shown here holding a full 4ml ink sample!

Standard Architect Nib vs. Inverted Architect Nib

For newer readers, or those unfamiliar with specialty nib terminology, an Architect nib (also sometimes referred to as a “Hebrew Italic”) is the reverse of your classic stub or italic-style nib in that an Architect has broad cross-strokes and narrow downstrokes. If the grinder is skilled, you can usually use the reverse side as a needlepoint, or ultra-extra fine, nib.

Architect’s Nib Grind, with the signature blade-like shape. Turn the nib over and write with the tip for an extra-fine line.

An “Inverted Architect” is, well, the inverse: it’s basically a needlepoint/extra-fine nib with an Architect grind on the top, which you can use if you invert the pen. For my particular writing style and use case, the Inverted Architect serves a unique purpose: annotation and highlighting. I can use the extra-fine tip to take notes in the margins of documents, and the Architect side for highlighting/underlining, provided I select an appropriate ink color such as a bright orange or green.

“Inverted Architect” Nib Grind, with the needlepoint tip and “flat top.”

Writing samples for both a standard Architect nib (top, in Ferris Wheel Press Moss Park Green), and an Inverted Architect (bottom, in Ferris Wheel Press Main St. Marmalade), both inks courtesy of Vanness Pens.

A Word of Caution: If you’re new to fountain pens, or have never used an Architect nib, I would strongly advise you to consider borrowing one from a pen friend or visit a pen show prior to ordering this particular grind. Architect grinds can be a bit temperamental, in the sense that they can go from smooth to scratchy very quickly depending on the angle at which you hold your pen (and they’re not “butter smooth” writers to begin with, since you’re essentially making cross-strokes with a blade). It’s extremely important that the nib grinder understands your writing angle, so if you cannot visit in person, I would send multiple photos of how you hold the pen and the angle at which the nib hits the paper. That said, if you do decide that an Architect nib is for you, this grind gives your writing truly unique character. For those interested in reading further, I’ve previously written posts about various options for nib customization.

The Nib Tailor - Available Grinds and Pricing

The two nibs shown here are just a small selection of what The Nib Tailor has to offer. You can choose from pretty much any custom nib grind, and J.C. has a detailed form for you to complete alongside your inquiry. In addition to custom work (i.e., where you send in your pen), you can purchase pre-ground nibs in various styles depending on availability. Visit the Nib Tailor website for additional details. Pricing is standard, running from $25 for a simple tuning to $55-60 for more complex grinds. In addition to mail-in work and pen shows, J.C. occasionally grinds nibs in-store at Bertram’s Inkwell, and I believe he will be there this weekend. Check out his Instagram for details.

Disclaimer: This is NOT a paid advertisement. That said, I can’t recall whether J.C. gave me these nibs for free, or whether I paid for them. Either way, he’s a friend of mine but I still think he does good work. Given the increased demand for nib work, especially at pen shows, it’s great to see new faces entering the market. It keeps nib work accessible, and ensures that future generations will have the same opportunity to enjoy customized writing experiences!