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Four No. 8 fountain pen nibs, from left: Jinhao x159; Conid Bulkfiller Kingsize; Montegrappa Extra 1930; Montblanc 149.

"Serious Nibbage": Do No. 8 Nibs Live Up to the Hype?

January 28, 2023

Every year, there are a couple of products that see their popularity soar unexpectedly, despite the fact that the’ve been around for a while. In 2022 - and continuing into 2023 - one of those product categories is the No. 8 fountain pen nib. For those unfamiliar with fountain pen nib sizing schemes, the size of the nib itself (as opposed to the tipping) is denoted by number. Different regions (or even brands) will use their own numbering so there is little overall consistency, but for purposes of this article, the generally accepted “standard” nib size is a No. 6 (i.e., your typical JoWo or Bock nib), with the larger No. 8 rapidly growing in both popularity and availability.

If what you’re looking for is a bouncy, wet writer, a Bock No. 8 titanium nib, like the one on the Kingsize Bulkfiller, will serve you well. You also don’t need to pay Conid prices to get one. They are available separately from many different sources and can be fitted to pens like the Schon Ultem, provided you have the appropriate section. More on that below.

Why Do People Like No. 8 Nibs So Much?

A No. 8 nib just looks different. Part of the appeal is the uniqueness factor. The experience of writing with a nibbed pen adds much of the charm to using a fountain pen in general, and the larger No. 8 nib is especially eye-catching. The first time you see a pen like the Montblanc 149 or the Pelikan M1000, what you notice is that giant gold nib. Other companies, like Conid, offer gold but increasingly the standard No. 8 nib for small-batch and custom makers seems to be the less expensive No. 8 Bock titanium nib, with a matte finish that pops in its own way.

A smoother writing experience. Many people who first recommended No. 8 nibs to me commented on how much smoother they feel, and to a certain extent they’re correct. I suspect that the “smoother” feel comes from the larger feed, which if tuned properly will deliver more ink, which in turn makes the nib write “wetter,” and a wet nib typically feels smoother than a dry one because it masks any rough spots on the tipping or tine misalignment. If you like wet nibs with a bouncier feel, you will probably enjoy Bock No. 8 titanium nibs, which deliver a lot of ink and provide some line variation.

More stability and control. Personally, I appreciate No. 8 nibs for the same reason that larger pens are growing on me: a greater degree of stability and control over my writing. The larger nib feels more precise in your hand, especially with a finer nib like the one on the Jinhao X159 discussed below.

The pen on the left costs $1100. The pen on the right costs $12.50. As you can see, you don’t need to break the bank for the No. 8 writing experience.

Less Expensive No. 8 Nib Options Are Becoming More Widely Available

Currently, I have four No. 8 nibs in my collection: A Montblanc 149 with a broad nib (that writes more like a stub); a Montegrappa Extra 1930 with a medium nib; a Conid Kingsize Bulkfiller with a medium titanium nib (review forthcoming); and a Jinhao X159 that just arrived the other day. Of these four, the one that surprised me the most was the Jinhao. I love it when I discover extremely inexpensive pens that are fabulous writers, and while this stiff nail of a steel nib won’t give you the same wet writing experience or bouncy feel as the others discussed, for $12 I’m not sure you’re going to care. Because these larger Jinhao nib units are threaded and unscrew from the pen, I’ve heard that penmakers are starting to experiment with Jinhao-compatible sections, which will allow you to use these nibs in custom pens. Another less expensive option are the Magna Carta stainless steel nibs, which I’ve heard are compatible with the No. 8 sections made for the Schon DSGN Ultem pens. (UPDATE: See comments below, as people have had mixed success with Magna Carta. What I’ve heard is that the recent batch works with the Ultem pens, but YMMV.)

Jinhao-X159-Writing-Sample

The Jinhao X159 writes a smooth, dark line. The writing experience offered by this pen punches FAR above its price point. The body of the pen does feel pretty inexpensive - even cheap (which it is), but the nib is superb.

Stay tuned for more No. 8 nib-specific content, specifically how these options all compare to one another. I’m planning on picking up some No. 8 sections for my Schon pens during this year’s pen show adventures, and I’m also looking forward to trying out the JoWo No. 8 nib, featured on the Edison Collier Grande.

Enjoy reading The Gentleman Stationer? We are supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon program. This post does not include paid advertising or third-party affiliate links.

In Editorial Tags Nibs, No. 8 Nib, Fountain Pens, Serious Nibbage
6 Comments

* This is not a scientific poll, and is intended for entertainment purposes only. Statisticians please don’t come at me.

What's the Most Popular Nib Size? By a Wide Margin, It's Fine or Medium.

January 25, 2023

Sorry broad-nib lovers, but the numbers don’t lie.* You may have noticed that I’ve been doing some surveys lately, both via Patreon and via Instagram, and it’s for several reasons. First of all, I’m always curious about people’s preferences and what they use for their everyday writing. Second, I’ve noticed that as many as 65% of the pens I sell are fines and mediums. If that holds as true, my buying strategy of stocking up on equal numbers of all nib sizes probably isn’t the best idea, especially as I bring in more pen lines and invest in more expensive inventory. So I posed the question: If you’re purchasing a pen to use unmodified, in one of the “default” nib sizes of extra-fine, fine, medium, broad, or stub, what size do you prefer?

Here are the results (which as of the time of writing are still preliminary on Instagram, but overall consistent with data I’ve seen elsewhere so I have no problems going ahead and posting my conclusions):

  • On T.G.S. Patreon, 75% of respondents chose fine or medium. The other 25% chose broad, stub, or wider (if available). Surprisingly, nobody chose extra-fine.

  • On Instagram, as of the time of writing, 63% chose fine or medium. 16% chose broad or wider, and 21% chose extra-fine. The Instagram results are probably more reflective of the community at large, as it’s a bigger sample size.

More mediums and more fines. Based on a survey of my own collection and what nibs I currently have in most of my pens, I seem to be pretty “average” in terms of what I use on an everyday basis.

As I noted above, anyone with rudimentary training in statistics could find multiple ways to criticize this poll, and it’s neither intended to be scientific nor taken completely seriously. When I posed the question, I also framed it around “stock” nibs that are generally universal across brands, as there’s a lot of variation between different companies’ in-house nibs. But let me say this: the results of this poll are 100% consistent with what I see going out the door in my shop, so at a minimum the responses are a pretty accurate reflection of the nib preferences of The Gentleman Stationer readership. One of the fun parts of being a retailer is having a bit of insight into what people actually buy, as opposed to what gets the attention on blogs, social media, and podcasts. If you follow pen-related social media at all, you might be forgiven for thinking that most true fountain pen enthusiasts write only with broad nibs or stubs - nibs that lay as much ink as possible on the page - or microscopically small needlepoints. While many people certainly enjoy having a few unusual nibs in their collection, those of us who are forced to go out into the word and write on what passes for “office paper” these days recognize that’s not a sustainable approach to modern life.

For me, it’s medium nibs all around, and I have never had any issues having a medium nib ground into a cursive italic or stub (like the Franklin-Christoph medium S.I.G. nib on the left).

Personally, I default to purchasing pens with medium nibs. A medium is broad enough to show off ink without soaking a page of copy paper, and usually still has enough tipping to support a nib grind. That said, I have so many medium nibs in my collection - including handfuls of loose JoWo and Bock nib units - that I’ve recently taken to purchasing broad or double-broad nibs solely for the purpose of accumulating a ready stock of nibs for modification. Nahvalur nibs in particular have a LOT of tipping, so if you’re purchasing a pen with the specific intention of getting a specialty nib grind, keep that in mind. In San Francisco, I had C.Y. of Tokyo Station Pens modify my Double-Broad Nahvalur Nautilus into a Naginata-style grind, with an excellent result.

I’m still interested in hearing directly from readers: What factors do you consider when selecting a nib? Why do you prefer one nib size over another? Please feel free to leave a comment or send me an e-mail!

Disclaimer: The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. This post does not contain paid advertisements or third-party affiliate links.

In Editorial Tags Editorial, Poll, Survey, Nibs
2 Comments

Workhorse Pens: Considerations and Pitfalls of High-Capacity Pocket Fountain Pens

January 14, 2023

The Gentleman Stationer, both the blog and the shop, focuses heavily on practical pen carry, meaning pens that are not just fun to use, but can assist you in getting your work done out there in the real world. I write an ongoing series on what I call “Workhorse Pens,” and I’ve long wanted to do a separate piece on high-capacity pocket pens, which I affectionately refer to as “pocket ink tanks.” While you don’t have to carry these pens in your actual pocket, and many will prefer to carry them in a pen case, bag, or clipped to a planner, the focus is the same: compact, sturdy pens with a large ink capacity that are meant to be used on the go and which will stand up to relatively rough handling.

I’d love to see more pocket pen special releases. Opus 88 does a great job with that. TWSBI used to release semi-regular special editions of the Diamond Mini, but that’s slowed in recent years.

The term “ink tank” is pen-speak referring to a pen with a very large ink capacity, usually with a vacuum or eyedropper filling system. While I enjoy these fountain pens, and they certainly have their advantages, high-ink-capacity pens present their own set of considerations and challenges that you should be aware of before investing in one. That said, I love the ability to ink up a single pen to take on a trip or a long, all-day out-of-office writing session and not have to worry about refilling. I also know that I’m not the only one who becomes easily distracted if I have too many options with me - if I want to focus on getting real work done, I typically like to take 1-2 pens with me and use those exclusively. Ink capacity then becomes a legitimate issue, since I can easily write through 1-2 full converters of ink in a busy work day depending on what I’m doing.

From left: TWSBI Vac Mini; TWSBI Diamond Mini; and Opus 88 Pocket Mini. All three are about the same size.

Considerations When Pocket Carrying: You’ve Been Warned

  • Relative Fragility and the “Mess” Factor. Put simply, you’re carrying around a plastic tube filled with up to 4ml of liquid that stains (read: “completely destroys”) if the tube breaks. While I’ve never had a pocket fountain pen crack or leak in my pocket, it can happen, and for that reason I wouldn’t recommend carrying these pens in the same pocket or compartment with metal objects such as keys, heavy knives, etc. that could crack or damage the barrel.

  • You Can’t Avoid the Laws of Physics. If you carry a pen on your person, and especially in your pocket, body heat will raise the temperature of the ink and cause it to expand. Combine this with motion, external temperature changes, etc., and you will inevitably get some ink burping onto the nib and possibly into the cap of the fountain pen. This will be worse in pens you have “eyedroppered” yourself using o-rings or silicon grease, since there is no shutoff valve to keep ink from flowing from the main reservoir (the barrel of the pen) into the cap. Which leads me to….

  • Consider a Pen with a Shutoff Valve. Personally, the only non-cartridge converter fountain pens that I truly “pocket carry” (i.e., in my actual pants pocket) are vacuum-fillers or japanese-style eyedroppers. Each of these filling systems incorporates a shutoff valve that seals the ink reservoir off from the nib unit, reducing the risk of “inkcident”. If you want to write for an extended period of time, you simply open the shutoff valve slightly to allow the ink to flow continuously. For typical on-the-go pocket pen use, however, such as short lists or notes, you rarely have to do this, as the feed holds enough ink for 1-2 pages of writing at a time.

My Favorite Pocket “Ink Tank” Options

Given the considerations discussed above, what reasonable options exist for a high-ink-capacity, pocketable fountain pen that’s relatively low-maintenance? I alternate a few through my semi-regular rotation.

  • TWSBI Vac Mini (Top Choice). Because it uses TWSBI’s vacuum-filler system, complete with a shutoff valve, the Vac Mini is my favorite high-capacity pocket fountain pen. It’s relatively easy to fill, holds a lot of ink, and features TWSBI’s reliable stainless steel nibs. The Vac Mini is compact capped, yet it also posts by allowing you to thread the cap onto the barrel. You can read my full review of the Vac Mini here.

  • Opus 88 Pocket Mini. Those who find the design of the TWSBI Vac Mini or Diamond Mini too understated for their taste might want to check out the Opus 88 Pocket Mini fountain pen, which Opus 88 releases in several different patterns including annual holiday editions. Like most other Opus 88 fountain pens, the Pocket Mini features the Japanese-style eyedropper filling system, so it’s a bit trickier/messier to fill than either of the TWSBIs, but it does feature a safety valve. The main drawback with this pen is that it can be difficult to post - an important factor if you find these pens too short to use unposted. To post the pen with the valve open (as you would need to do to write more than a page), you have to unscrew the blind-cap ever-so-slightly. If you open it too far, there’s no place for the cap to grip the barrel and it will fall off. I will try to have a full stand-alone review of this pen at some point in the future.

  • TWSBI Diamond Mini. The TWSBI Diamond Mini is similar to the Vac Mini in that it’s a smaller version of one of TWSBI’s standard pens - in this case the TWSBI 580. Like the Vac Mini, the Diamond Mini also posts via a threaded cap/barrel connection. The difference between the two pens is filling system: the Diamond Mini features the Diamond 580’s piston-filler, and while it doesn’t have a shutoff valve, a piston typically works better for pocket carry than a standard eyedropper. (I’m not sure of the technical reasons behind this; I’m speaking solely from personal experience.) I do wish that TWSBI would start releasing both the Vac Mini and Diamond Mini in more special edition colors. You can read my full review of the TWSBI Diamond Mini here.

Three pocket pens, three different nib units, though they all write well, and for the most part, write relatively similar to one another.

Takeaways and Final Thoughts

Personally, given the logistics of carrying around a full 2-4ml vial of ink in my pocket, I’m cautious about what fountain pens I choose to pocket carry. I generally limit myself to sturdier pens such as the three featured here, and opt for pens with shut-off valves like the TWSBI Vac Mini and the Opus 88 Pocket Mini if it’s warm outside or I’m going to be especially active. The TWSBI Diamond Mini is a perfectly functional choice as well. With any of these, you get “all day” (or “all week”) writing capability if you’re looking to work outside your house or office, and all three can be purchase for well under $100, representing good value. As a bonus, all three feature interchangeable nib units specific to these pens, so you can purchase different nib sizes or swap in specialty ground nibs to change up your writing experience. You can’t really go wrong with any of the three options, it comes down to personal preference.

The T.G.S. Curated Shop is an authorized retailer of TWSBI products, including the two pens featured here. While we also sell select Opus 88 pens, we do not currently stock the Pocket Mini, and instead would refer you to our friends at Vanness Pens. This post does not contain paid affiliate links or paid advertising.

In Workhorse Pens Series, Editorial Tags Editorial, Workhorse Pens
2 Comments

I’m looking forward to supporting more local independent makers near me, such as Pens by Pasquale (Nicholas Pasquale) and Happy Cactus Studios.

Best Wishes for 2023: Reflections on 2022 and Where the Community Goes From Here

January 11, 2023

Last year around this time I wrote a piece that, looking back 12 months later, sounded more frustrated than I probably intended. That said, after a difficult 2021, in which everyone - companies and community members alike - were trying to navigate the world post pandemic and just keep their businesses afloat, I felt like we needed a reset. Did 2022 accomplish that? What should we expect from 2023? Let’s check in and take a look.

Goal One: I’m Enjoying Pen-Based Social Media Again

Setting aside Twitter (which I’ve never used as a primary T.G.S. social media channel other than to announce blog posts) pen-related social media seemed to be a more positive experience in 2022. I spend most of my T.G.S. social media time on Instagram, and over the past year my feed has seemed much more focused on promoting independent makers, smaller retail outlets, and creators. Part of this is intentional, in terms of the accounts I’ve decided to follow and how I’ve narrowed what I view on my feed, but another major factor is the overall community emphasis on smaller businesses and independent creators (more on that below).

Goal TWO: A Proliferation of Independent Retailers and Makers

If I had to remark on one trend that seemed to absolutely explode in 2022, it was the emergence of dozens of new independent makers and small retailers. A big part of this was likely the decision by many to go full-time (or at least go public) with their stay-at-home projects from the pandemic years, resulting in a wealth of new penmakers, ink brands, and curated retail shops offering a range of choice that previously has not been available. Reading through the year-end blog recaps summarizing favorite acquisitions, I’ve realized that there are so many independent makers that I haven’t yet experienced. I’ve also been fortunate enough to make the acquaintance of multiple penmakers in my own town, many of whom have been turning for years at a very high level of quality and are only now discovering the online pen community and bringing their creations to a wider audience.

Goal Three: Less Hoarding

Personally, I acquired much less in 2022, and what I did purchase for my personal collection/use was done in more intentional way, after first considering how I would use it and the role it would play in my collection/everyday rotation. My ink accumulation is WAY down after a series of sales, and I’m in the process of reducing my pen accumulation by half. In general, I’ve noticed less online discussion about ink and special edition hoarding, though there are still frustrating accounts of people snapping up pens such as the coveted Bungubox Fujiyama Blue Pilot 823 and immediately trying to flip it on eBay for 3x the price. Don’t be that person. Please.

I’m looking forward to adding many new independent brands to the Curated Shop in 2023.

I’m Not Changing My Wishes for 2023 at All

I delayed writing this follow-up for a week (we are almost halfway through January), because I couldn’t think of anything new to add to my list. I finally decided to go ahead and post this because that may very well be the point: I’m content with the direction in which things are moving and would like to see this trend continue. While I’m always excited for pen show season, I absolutely cannot wait for the upcoming year. So many people are doing shows, and at the moment I plan to be at the 2023 Baltimore Pen Show as well as the Arkansas Pen Show, with more dates to be determined in the near future. Stay tuned!

I’m hoping that the overwhelming majority of the pens added to my collection in 2023 are like these!

Further Reading

Thus ends this year’s T.G.S. 2022 Year-End Review/New Year’s Resolutions Series! If you haven’t already been following along, you can check out my previous posts:

  • Five Up, Five Down in the Personal Collection. I take a look at five items in my personal collection that I used more than expected, and five items that I used less. This project was pretty fun, especially in revealing that I wasn’t using certain pens I very much enjoy and need to get back in rotation.

  • Part II: Favorite Products Reviewed in 2022. An annual tradition in which I look back at my five favorite products that I reviewed over the course of the past year.

  • Part III: Top Sellers from the T.G.S. Curated Shop. Another tradition from the past couple of years (since I started the shop), I look at ten best selling products by volume. Any orders placed over the weekend will ship promptly after Christmas.

  • Part IV: Series and Editorials. A resolution of mine from last year was to write more “editorial” style content, and I think I succeeded! This includes more posts in response to reader questions, as well as a series on Notebook Systems, Specialty Nib Grinds, and “System Techo”.

My “New Years Resolutions” posts include My Personal Reflections and Goals for 2023, My Personal Notebook and Planner Setup to Enter the New Year, and Journaling Goals for 2023.

Years ago I cut the cord on affiliate programs and paid advertising with the goal of T.G.S. becoming self-sustaining. To that end, I launched the T.G.S. Patreon Program, which allows readers to support and engage with T.G.S. and other readers in a more direct way, as well as the T.G.S. Curated Shop, which lets me directly promote a select group of products that I believe dovetails with my core mission statement. Any support you can give us is greatly appreciated!

In Editorial Tags Editorial, Year-End Review, New Years Resolutions
1 Comment

Journaling in 2023: Use It or Lose It

January 4, 2023

There’s one final New Year’s goal that I haven’t yet started on: Picking a personal daily journal and making time for at least 30 minutes of personal writing every day. This should be easy, right? It’s not as though I suffer from a lack of options around here, with dozens of different notebooks awaiting review, not to mention a retail store where I can “shop” pretty much any time. Regardless, I still struggle with putting pen to paper and actually getting words on the page, and I’ve found myself in a journaling rut for several months now.

How I Plan to Kickstart a Journaling Habit in 2023

When I look to add a good habit (or break a bad one), my main technique is to set an arbitrary goal for myself and start stringing as many successful days together as possible. For example, while I was planning out this post last night, I looked around and grabbed the first five half-finished or just-started notebooks and journals that I could find sitting on or near my desk.

The five notebooks off my shelves, from bottom: Write Notepads Classic Hardcover Notebook, Paper Mind Passepied Notebook (which I’m extremely excited to use since I love this paper), a Letts of London hardcover I was sent for review, a Write Notepads Paper Notebook/Journal, and my Theme System Journal. The last two are half-full and what I plan to finish first.

“At least 30 minutes a day until these five notebooks are full.” Until then, no new notebook purchases for me. It sounds trite, but these sort of mental games keep me on track. What I’ve found more difficult is actually snagging 30 minutes a day to write. I still have a full-time day-job, which for the time being has to take priority over anything else and occupies the overwhelming majority of my time. T.G.S. is my “morning project,” which I work on during the quiet hours before anyone else is awake in the house. When I get home at night, I spend time with my family, eat dinner, and read, often too tired to do much of anything else other than possibly pack a few orders before going to bed. It’s not particularly difficult to find time to jot a few lines in my Midori 5-Year Journal, but I enjoy writing, and I’d like to do more.

Midori 5-Year Journal 2023

Savor the small victories: So far I’ve only screwed up the date on two of my three 2023 5-year journal entries!

So how do I work in a bit of journaling? The obvious answer is to do my daily personal writing during my lunch break - and to actually take a lunch break - as opposed to continuing to work, surf the internet, browse social media, or whatever other bad habits I’ve fallen into. Taking a brief 15-30 minutes to write a few “morning” pages, process what I’ve been reading in my commonplace book, or simply reflect on whatever’s going on in my life is certainly a healthier way to decompress, if only briefly, and break up the work day.

Journaling technique is a topic that I plan to explore further in 2023, both personally and here on the blog. Do you have any favorite journaling techniques that you’d like to share, or tips and tricks for making time to write? If so I’d love to hear about them. Feel free to share them via the “Contact” link above or in the comments.

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. Check out yesterday’s post for more details about what Patreon membership entails! This post does not contain third-party advertising or affiliate links.

In Editorial Tags Journaling, Commonplace Book, Editorial
5 Comments
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