Pen Show Adventures: Dipping Back into Vintage, or Pursuing Vintage-Style Modern Pens?

March 25, 2023

Up front, I will admit that I’m neither a vintage collector nor even a vintage pen enthusiast, and my knowledge of most brands and specific models pale in comparison to others in this community. So take whatever I say regarding vintage pens and the vintage market with a (very) large grain of salt. That said, I attended both the Baltimore and Arkansas pen shows - and particularly Arkansas - looking to pick up a few vintage pens for my collection, mainly to replace certain models I wish I hadn’t let go during “catch and release” phases over the years.

Smaller shows like the Arkansas Pen Show make excellent opportunities to shop for vintage pens. Larger shows like D.C. can feel overwhelming, and because the shows are both crowded and geared towards higher-end collectors and sales between dealers, they can be difficult for the newbie or the casual buyer to navigate. Pens also tend to be more expensive because they are either more pristine collectors pieces, or outright overpriced. (I also advise people to adopt a “buyer beware” attitude at these larger shows. In my early days of collecting, I had more than one experience at D.C. where I purchased a vintage pen that later turned out to be “not as advertised,” to put it politely. More on this later, as I plan to update my vintage pen resources.)

My two vintage Parker 51 fountain pens, one of which includes a stub nib.

Vintage Pens Parker 51 Aurora 88 — I enjoy interesting vintage pens that I can still use on a daily basis, including both the Parker 51 and the Aurora 88.

Smaller shows - particularly shows run by a local pen club - are friendlier, with many of the “dealers” being club participants and collectors selling for “show money”, to rotate pens out of their own collection, and/or to help grow the hobby. Many are happy to talk with new enthusiasts, and will give you honest appraisals of pens, flaws and all. If you have to deal with the same show attendees and club members year after year, reputation matters. At the Arkansas Pen Show, I purchased two Parker 51s from Danny Fudge (aka “The Write Pen”), both of which are excellent “user grade” pens, expertly restored, with character. One had a broader nib that I had Matthew Chen shape to a semi-Naginata, and the other sports a hammered gold fill finish (“possibly by Ariel Kulloch”) with an excellent stub nib. The first pen cost me $100, and the second $175, which I consider to be very fair pricing for functional vintage pens restored by a reputable dealer.

The Tibaldi Bononia Vintage in Pomegranate (top) and Honeycomb (bottom). These are piston fillers with 18k gold nibs. The top is an oblique medium and the bottom a 1.1mm stub. Not sure if these two are going back to Vanness….

If You Don’t Want to Fiddle with Actual Vintage pens, the Current Market Has a TON of Vintage-Style Options

While vintage pens like the Parker 51 are fairly durable, easy to repair, and timeless, other models don’t translate as well to the experience sought by many modern users. For example, I’ve always admired the oversized Sheaffer Balance fountain pens, and have even owned a few over the years, but found the material prone to cracking and I’m not a huge fan of lever-fillers. Fortunately, these days you have a wide range of modern options in a similar “vintage” style, and I spent many hours next to the Vanness Pens table eyeing (1) the Tibaldi Bononia Limited Editions; (2) the modern Conway Stewart lineup in their classic materials; and (3) both the modern Onoto Magna and Scholar fountain pens, which have garnered rave reviews and which I’m in the process of reviewing. If you appreciate vintage design, but perhaps not the “adventurous” nature of writing with an actual vintage pen, you have plenty of options!

From left, the Tibaldi Bononia in Pomegranate, the Onoto Scholar in Mandarin, and the Tibaldi Bononia in Honeycomb

Lately, this trend has even started to extend beyond fountain pens. I wrote the entire first draft of this review on a series of airplane flights and in the back row at a work conference using an Anterique “Mach Ball” click pen. I love the aesthetics of vintage Bic Clic-style ballpoints, but generally can’t stand the refill. Anterique uses a .5mm low-viscosity hybrid gel-ballpoint ink refill that even fits some actual vintage ballpoints.

Stay tuned, because Anterique is doing some really fun stuff, and I just received a big box in the mail….

If you’re not a purist, you can sometimes find the best of both worlds: vintage-style design without the unpredictability of finicky filling systems or refills. As a user of fountain pens and other writing instruments, as opposed to a collector, I’m equally drawn to both vintage writing instruments and quality modern alternatives. It certainly offers a wider range of options to enjoy everyday writing!

This post does not contain paid third-party affiliate links or advertising. Vanness Pens did loan me certain of the pens pictured in this review. I am not being compensated for content, and The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program.

Triangular Grip Pens: Love 'em or Leave 'em?

February 25, 2023

In the world of pens, there are a handful of highly polarizing products, and I’d place “molded grip” or “triangular grip” pens in the top five. The most well-known, of course, is the iconic Lamy Safari, with the Lamy AL-Star, TWSBI ECO-T, Kaweco Perkeo and others falling into this category. So why do pen companies opt for this type of design? How big of a “real world” issue is it? And how has it affected my own ability to use these pens?

The Lamy Safari’s grip gives rise to strong opinions.

Triangular Grip Pens: Origins and Purpose

Before they went hipster mainstream (j/k), pens like the Lamy Safari were intended for students - particularly students learning to write with a fountain pen for the first time. Most molded grip sections are shaped similarly to those slide-on pencil grips that teachers in the 1980s would force on those of us who refused to hold our pencils “correctly,” in order to guide our hands into the “proper” position. These days, Lamy markets the Safari/AL-Star pens to a market beyond students, billing the section as an “[e]rgonomically shaped grip area to enable writing for long periods of time without tiring,” but as with most things ergonomic, these pens don’t work for everyone. While I’ve not done any sort of survey, anecdotally, lefties tend to have more issues with the grip, since they’re designed with the right-handed majority in mind. And even those righties with nontraditional finger placement can have a difficult time with a shaped section.

The Lamy AL-Star grip section, left, vs. the TWSBI ECO-T. The AL-Star features a grip similar to the Safari, but due to the difference in materials doesn’t feel quite as sharp, at least to me. The TWSBI ECO-T has a subtly triangular shape that I don’t really notice much at all, though it is there.

My Own Personal Handwriting Struggles and Preferences

I have a history of handwriting struggles. Until I entered college, I used what could charitably be described as an “unusual” pencil grip. Nobody could understand how it worked, how I learned it, and why I continued to write that way. Despite the fact that I was generally a good student, with visually excellent script, I regularly received a “C” or “D” in “handwriting” on my report card, solely due to how I held my pencil. I had one elementary school teacher dub my grip “The Claw”, and made it their personal mission in life to change it. They failed.

I had another teacher in high school “jokingly” offer to break my right hand so that I could relearn how to write as a lefty. (I went to an all-boys high school. It was a different time.) Honestly, I’m really not sure how I ever wrote like this, much less for hours at a time. I certainly would never have been able to use a fountain pen like this.

At some point The Claw became a matter of personal pride, not to mention practicality. If you grip your pen or pencil a certain way for years, you reach a point in high school where you can’t change it because to do so would sacrifice speed. (To add some context, I graduated from high school in 1998, which dates me but it’s necessary here. I was probably one of the last classes where e-mail and internet access was available to us, but not required, and all of our examinations and most of our homework, including research papers, had to be handwritten as opposed to typed. Handwriting speed was therefore a factor. I understand that this changed at my school a couple of years after I graduated.) It wasn’t until late college/early law school, when I started transcribing most of my lecture notes on a laptop, that I was able to change my grip because I had the luxury of slowing down.

So why did I change? RSI issues in my hand and wrist, as well as a semi-deformed right ring finger that had a huge, painful callous that only completely disappeared three or four years ago - nearly 20 years after I changed my handwriting style. While my current grip isn’t “textbook,” it’s closer to what’s contemplated by most molded-grip pens, and if I’m honest, probably could have saved me a lot of trouble over the long-term if I hadn’t been so stubborn.

My new grip works fairly well with the Safari and most other molded-grip pens.

How to Use a Triangular or Molded-Grip Pen

Unfortunately, the truth is that unless you’re willing to change your grip, these pens either work for you or they don’t. Some pens, like the TWSBI ECO-T and the Kaweco Perkeo, feature a “softer” triangular grip that’s much more forgiving. The sharper edges of the Safari and AL-Star tend to cause more problems for people. While the Lamy pens aren’t a perfect fit, and for this reason have never become “favorite” everyday writers, they’re not incompatible with my current grip because I can rest my index finger on the top ridge, similar to how I’m able to rest my finger atop the clip of a Pilot Vanishing Point and Decimo. The good thing is that these pens are relatively inexpensive to test out, coming in at $35 or less. If you’re considering a more expensive pen like one of the retractable nib Pilot pens, I’ve found that how one’s hand holds the Safari approximates how you would have to grip a Vanishing Point or Decimo, so if you can’t get to a pen show and try one of these in person, picking up a less expensive pen with a triangular grip might save you from a more costly mistake.

A shot of the TWSBI ECO-T (right) vs. the standard TWSBI ECO (left). You can barely make out a ridge (more like a ripple) on the ECO-T, which shows you how subtle the shape is. Honestly, I might prefer the ECO-T to the ECO, but again that’s personal preference.

I’m interested in hearing: How many of you can’t use these types of pens at all? Also, I rarely hear from anyone who purchases a pen with a shaped grip specifically for that section, but does anyone particularly enjoy this feature? Personally, I’ve really been enjoying the the ECO-T, which has a much more subtle grip shape, and I have plans to get my hands on another Kaweco Perkeo soon.

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop, and pledges via the T.G.S. Patreon Program. While this post does not contain third-party affiliate links or paid advertising, the Gentleman Stationer is an authorized retailer of certain brands discussed in this article. Please view the shop for the full range of brands sold, which is subject to change.

From left, the Uniball Jetstream, Traveler’s Company Brass Ballpoint, Mark’s “Tous Les Jours,” Penco Perfection, Penco Perfection Light, and Mark’s x Anterique “Days” Click Pen.

Workhorse Pens: Low-Viscosity Ballpoint Pens

February 18, 2023

Let’s face it: When it comes to actually getting work done, a fountain pen is never the most practical option. For me, it’s not so much the messiness, but more the added mental load and distraction. In addition to the work itself, you have to consider the nib, ink, paper, and how all three of these factors interact with one another. If any single thing goes wrong, it will break your focus, and while I’ve been in this long enough to have a pretty good instinct about what combinations do well enough to allow me to “just work”, lately half of my everyday writing has been with a ballpoint. But not just any ballpoint….

“Low-Viscosity” Ballpoints: An Excellent All-Around Workhorse Option

By now, you’ve likely heard the term “low-viscosity” ballpoint and wondered what the heck that means. I won’t get too deep into the science here, but it seems to be the new marketing term for what I’ve always referred to as “hybrid gel” ballpoint pens such as the Uniball Jetstream and the Pilot Acroball. Pen companies have modified their traditional oil-based ballpoint ink formulations to make them less “sticky,” which allows the pen to write darker, crisper lines, and results in quicker dry times with less smearing. As a result, today it’s actually fairly easy to find ballpoint pens in the .5mm (and even .38mm) tip sizes, which is difficult to pull off in a more traditional ballpoint ink formulations without clogging and skipping.

Lately I’ve been using a lot of needle-tip ballpoints. Low-viscosity ink allows you to have a very fine ballpoint line without running into problems with skipping. From left, the Mark’style Tous Les Jours ballpoint, the Traveler’s Company Brass Ballpoint, and my ever-reliable Lamy 2000 multipen with a Penco Needle-tip refill.

Five Excellent Low-Viscosity Ballpoint Pens

Unsurprisingly, Japanese companies dominate this product category. The Uniball Jetstream and Pilot Acroball tend to be the “gold standard” pens/refills, though there are boutique options available that, in my opinion, offer even crisper and finer ballpoint lines, including in needle-tip formats. Here are five to consider:

Uniball Jetstream and Pilot Acroball. Though they’re not necessarily exciting, these remain exceptionally good pens and excellent low-cost options. If I were stocking a workplace or office supply closet, this is where I would start. Uniball actually makes a Parker-style cartridge called the Jetstream SXR-600, which I have used to convert many of my rollerball pens like my Grey Caran d’Ache 849.
Traveler’s Company Ballpoint Pen and Needle-Tip Refill. A favorite for years, I own three of these pens. One is permanently clipped to my Plotter Mini-5, and the other two live in the breast pockets of my two winter coats, so they’re always available. I’ve found the needle-tips reliable, and despite the small size, the refills last for a very long time and are cheap to replace.
Mark’style “Tous Les Jours” Ballpoint with Ohto Needle-Tip Refill. If you don’t enjoy the format of the Traveler’s Company Ballpoint, and want something longer for better balance, these hexagonal wooden click pens from Mark’s Inc. contain an Ohto needle-tip ballpoint refill and feel like you’re writing with a woodcase pencil. The “Tous Les Jours” series from Mark’s is insanely popular, with what might be the finest needle tip on a ballpoint I have ever seen.
Penco “Perfection” Pocket Ballpoints and Pocket Drafting Ballpoint. I suspect that Penco uses a .7mm version of the Jetstream D1 refill (or something very similar) for it’s “Perfection” line of pocket ballpoints, and the pocket-sized “Drafting” Ballpoint uses a D1 needle-tip ballpoint refill that is an excellent option for other D1-compatible pens like the Lamy 2000 Multipen. I feel like both refills write a finer line than their respective .7mm and .5mm designation.
Mark’style x Anterique “Mach” Ballpoint. A new addition to the Curated Shop - one which I plan to continue to stock in additional formats - I discovered the “Mach” ballpoint refill by Japanese stationer Anterique during my trade show travels earlier this month. The .5mm, super-sharp ballpoint refill leaves a clean line, and as discussed below, is sold separately from the pen body and can be used to jazz up your collection of vintage Bic Clics.

Pen Hacks: Saving the Classic Mid-Century “Click” Pen

I don’t write about “refill hacks” very often, but when I discovered the Mark’s/Anterique pens earlier this month, and learned that the refill was sold separately, it got me wondering. I have a rather large personal collection of vintage and vintage-inspired “clic” ballpoints, which is ironic in the sense that while I love the format of this pen, I’ve grown to despise the standard refill. In my experience, these pens write much more inconsistently than the Bic Cristal, and I find the refills almost always skippy and too light. It begs the question: Can you use the Anterique “Mach” refill to upgrade your classic click pens? Maybe.

The fit isn’t perfect. The standard Bic Clic has thinner plastic around the opening. As a result, even with the upgraded refill you will have tip wiggle and rattling. Then again, it’s <$2. I still love it.

One odd thing I’ve noticed is that while the external design of the “Bic Clic”-style ballpoint hasn’t changed much over the years, these pens are far from identical on the inside. Some (frustratingly) use refills that are slightly longer and/or thicker than others, and there’s no real way to know which pens contain which parts other than to disassemble them. For pens designed to take the longer refills, there is an easy hack/fix that you can use to get the Anterique refill to fit. My notes below:

Field Notes Clic Pens and Pen Addict “Loaner” Pens are based on a version of the Bic Clic ballpoint that should take the Anterique refill without modification. (I say “should” because all that I can be certain of is that the Anterique refills fit the specific pens in my possession. It’s possible there isn’t refill or manufacturing consistency across product lines with these sorts of ballpoints, so YMMV.)
“Higher-end” Clic-style pens may need modification. I have a handful of “demonstrator” Bic Clics and some “fancy” Clic-style Kikkerland pens that required mild hacking to get them to work. Specifically, the Anterique refill was too short, but I was mostly able to fix the problem by wrapping a small piece of washi tape around the end of the refill to lengthen it. I was never able to get the Kikkerland pens to work 100% consistently, so if you don’t already own these I wouldn’t buy them for the purpose of modification.

You can adjust the length of the refill by wrapping a piece of tape around the end. Alternatively, if a refill is too long, you can trim the plastic a bit.

Of course, if you want to save yourself the trouble of refill hacking, or you don’t already have a large collection of vintage ballpoints, the Mark’s/Anterique pen bodies are a nice upgrade. The plastic is thicker, especially around the tip/opening, and as a result there is zero wiggle or annoying rattling when you write with them. (While Anterique pens are designed to mimic the vintage “disposable” pens in design, they’re actually intended to serve as nicer refillable pens. Stay tuned for a bunch of different colors and body styles that I have on the way, in addition to the Mark’s versions currently in stock.)

Writing Samples - various low-viscosity / needle-tip ballpoint inks on Write Notepads paper.

Pen Review: Schon DSGN Full-Sized Fountain Pen and Monoc Nib First Impressions

February 11, 2023

For a fountain pen that’s been available for a couple of years now, the Schon DSGN Full-Sized Fountain Pen has gone a conspicuously long time without a T.G.S. review. There’s a couple of reasons for that. First, the fountain pen itself, from a purely functional perspective, is fairly similar to the Ultem and Peek “Engineered Plastics” fountain pens, which I’ve already reviewed. Second, I’ve known for several months now that Schon DSGN’s in-house Monoc nib was on the cusp of release, and given that the Full-Sized Fountain Pen serves as the main platform for both Schon DSGN’s wild anodizations and the new nib, I wanted to hold the review until I had samples of each to show you. Here goes!

Each Full-Sized Fountain Pen comes with an emoji. If you visit the Schon DSGN table at a pen show, you might have several to choose from!

The Full-Sized Fountain Pen Is a Perfect Platform to Showcase Different designs

There are certain pen brands that people consider highly collectible. Franklin-Christoph comes to mind, with a lineup of classic shapes made available in different “prototype” finishes at pen shows and limited online events. Schon DSGN has taken a similar approach with the Full-Sized Fountain Pen, using a standard shape and machined aluminum body as a platform for showing off a wide range of anodized finishes that cycle in and out of stock in the same way the Pocket 6 fountain pens do. The Schon DSGN table is a popular stop at pen shows, and I always encourage show attendees to visit the table in person if they can before making a selection online, because many finishes look completely different in person - nearly always for the better - as opposed to viewing them online. Plus you can select your emoji!

While I typically love a matte finish on a metal fountain pen, my latest addition - ‘80s spraypaint-style “Rainbow Sprinkles’ - is growing on me and might just become my favorite!

Currently, I have three Full-Sized Fountain Pens in my collection. If you’ve read my reviews of the Ultem and “Peek-a-Boo” models, you’ll know that I’m a fan of the shape, and especially the hourglass-style section which is insanely comfortable for long writing sessions. These metal pens, however, really show off the skill of Ian Schon and his team. Despite being heavier than the ultra-light Ultem and Peek, you don’t lose any of the comfort or balance in moving to the aluminum body. Some might actually find the heavier body more comfortable to use, even when posted, because the weight adds balance. (Since there’s an o-ring inside the cap, I haven’t noticed any wear from metal-on-metal contact while posting, but post at your own risk.)

Full-Sized Fountain Pen Unposted

Full-Sized Fountain Pen Posted

First Impressions: The Schon DSGN Monoc Nib

Next up: the recently released “Monoc” nib! I’ve had my Monoc for a few weeks now, and have written through a couple of fills, so I feel comfortable offering first impressions. On the whole, this is a tremendous accomplishment by Ian and his team. What they have done is design and manufacture not just a nib, but a complete nib unit - nib + feed + housing - completely in-house, using materials and techniques not commonly used in nib manufacture.

The Monoc is machined from a single piece of Grade 5 titanium, meaning that the nib, collar, housing, and tip are all integrated into a single piece of metal, hence the name “Monoc.” From the Schon DSGN blog:

“The name Monoc being short for Monocoque - mänəˌkōk- French for ‘single shell’, often used in aerospace and racing applications where the structural body and external shell of a vehicle are made from one solid piece.”

— Schon DSGN

There have been several attempts at similar nibs, most famously the Parker T1, Pilot Myu, and Pilot Murex, which remain coveted items among rare pen enthusiasts. Though not exactly the same (the Monoc is a nib unit that technically isn’t integrated into the pen body itself, and can be swapped into any JoWo-compatible pen), these nibs all offer the same extremely tactile, direct feel that is hard to describe and, at least with the Monoc, is derived from the fact that you are writing on the nib itself and not separate tipping material welded to the nib. Made from Grade 5 titanium, the Monoc is not a “springy” titanium nib like the Bock nibs that are so widely available; I find it quite stiff and you won’t get line variation via additional pressure. So why choose this material? Again, let’s look at what Schon DSGN said in their announcement post:

“With our unique approach of machining the nib from solid stock, we opted to utilize the properties of the Grade 5 titanium to create an integrated nib tip rather than welding additional tipping material onto the nib. This integrated nib tip allows for closer control of the geometry of the tip and writing surface, while the titanium offers a soft graphite-like quality that is a great writing experience. To achieve this specific writing quality, each nib is hand finished, assembled, ground, and tested to ensure it is ready for use. Due to the additional nib tip thickness of our design, the Monoc Nib is very friendly to customization as well. While some traditional fountain pen users may be uncomfortable with the idea of an integrated titanium tip, we feel the Grade 5 Titanium we use offers plenty of durability which negates the need for harder tipping material.”

— Schon DSGN

There’s a lot to unpack here. First, obviously a LOT of work has gone into the design and manufacture of this nib, from the shape of the nib unit itself to the “geometry” of the tipping. If you look closely at the tip of your Monoc, you’ll notice that it’s been carefully shaped into a slightly upturned writing surface that to the naked eye appears almost architect-like. You can’t do this via machining - each nib has to be hand finished via a process that involves grinding, tuning, and polishing, which of course increases both manufacturing time and the overall cost. Recognizing that the pen enthusiast willing to shell out $400+ on a nib like this one might also prefer to have the nib ground, Schon DSGN apparently took this into account when engineering the thickness of the tip.

A close up of the Monoc’s tip. You can see how well-polished it is, and the work that went into shaping the Grade 5 titanium.

The second point relates to durability. Titanium is softer than other metals (like iridium) typically used to tip fountain pens. That means eventually it will wear down, but the rate at which Grade 5 titanium - more durable than most - will actually wear remains to be seen. Someone who purchases the Monoc as their only fountain pen and writes with it for hours every day over a period of years might find this something to consider. That said, I find it hard to believe that this pen’s target audience - hard core fountain pen fans who likely have multiple pens they are using at any given time - will use this nib enough to have to worry about the titanium tip degrading. But again, we will have to see. The Monoc is an experimental design that likely will go through many iterations in the next year or two, based on real world user feedback.

A writing sample, showing a medium to fine-medium line with Laban Poseidon Blue on Midori MD Cotton paper.

Personally, I’ve enjoyed writing with my Monoc nib. The purchase was a no-brainer for me, ever since I first had the chance to write with this pen at the 2022 D.C. Pen Show. Currently, only one nib size is available, and I would call mine a fine-medium, understanding that the exact tip size and line width will vary slightly given that these nibs are hand-tuned. Schon DSGN made the decision to use an ultem feed as opposed to plastic or ebonite, an interesting choice from both an engineering and a design perspective. Of course I opted for amber ultem, since I’m a fan of transparent feeds. So far, the nib and feed have functioned well with the inks I’ve tried, writing what I would consider a medium-wet line. I’ve heard other reports of Monoc nibs writing wider and wetter than mine, but I’ve also been using somewhat drier turquoise inks so I’ll need to report back, which I plan to do anyway after a longer period with this nib in rotation.

Schon DSGN Monoc Nib Rainbow Lettering — Rainbow Sprinkles + Schon DSGN Monoc Titanium Nib with rainbow lettering.

Takeaways and Where to Buy

I consider Schon DSGN to be one of the more innovative penmakers working today, pushing the envelope in terms of what can be done in literally every aspect of pen making, whether it’s the design of the pen body, the design of the nib, or materials and anodized finishes. While their pens aren’t inexpensive, I personally consider them an insanely good value given the quality and the work that goes into them.

The Monoc (center) shown with two different Steel No. 6 JoWo nibs. The Monoc’s slimmer, tubular design transforms the look of the Full-Sized Fountain Pen.

A Schon DSGN Full-Sized Fountain Pen with a standard JoWo nib (not the Monoc) will run you $195, well within the current range of reasonableness for products from a smaller, independent manufacturer. On the Monoc, cost will present an issue for many people. For the initial launch, Schon DSGN has priced the Monoc at $400 USD, which includes not just the nib but a matte black Full-Sized Fountain Pen. (You can change the pen color to a finish of your choice for an extra $100.) That’s a lot of money, sure, but for what it is, I don’t consider this product “expensive.” There are plenty of companies out there trying to push the $400-500 envelope with less innovative pens (including some with generic JoWo or Bock nibs), so this price point for a completely in-house titanium nib actually strikes me as fairly reasonable, especially when you factor in the work involved on each individual piece and the fact that the nibs are currently made to order. The Monoc represents the kind of innovation that I’m happy to support.

Note: I purchased the Monoc nib and Schon DSGN pens featured in this review with my own funds. Pens can be purchased directly through the Schon DSGN website. Please be aware that the Monoc nib is a “made-to-order” product. These nibs are assembled and hand-tuned in small batches, by a small team, so if you place an order you are committing to purchase one, with a 15% cancellation fee if you change your mind. This is plainly disclosed on the order page.

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. This post does not contain paid affiliate links or advertising.

Pen Review: Graf von Faber-Castell Classic Macassar Fountain Pen

February 1, 2023

If there’s one thing that I’ve learned during my near decade in the pen world, it’s that sometimes you enjoy things that you shouldn’t enjoy. What do I mean by that? Well, as a general rule, I tend not to like slimmer pens that don’t post. While there are exceptions, I typically find slim, non-posting pens unbalanced (posting the cap can give an otherwise too-skinny pen a necessary bit of heft), and in any event it can be a hassle to keep track of the loose cap while writing. Did I mention there are exceptions…?

I’ve previously reviewed the Graf von Faber-Castell Classic fountain pen, and enjoyed that pen when I had it on loan, but ended up returning the review sample due to concerns about the dimensions and how well those would work for me as an everyday writer. Since posting that review (back in 2018), I’ve acquired two Graf von Faber-Castell fountain pens, and after a longer test period, held on to both of them in my permanent collection. Of the two (a Guilloche and the pen featured here, the Classic Macassar), the larger Classic Macassar is my favorite.

Graf von Faber-Castell makes fountain pens in a range of sizes. The Classic series, which features most of their wood barrels, is larger than the Guilloche series, shown on the right.

I have a fair number of black-trimmed pens in my collection, ranging from Sailor’s Pro Gear Imperial Black and Black Luster to the Montblanc 149 Ultra Black release from a few years ago, so if I was every going to invest in one of Graf von Faber-Castell’s flagship pens, it would be this one. Featuring an 18k ruthenium-plated nib and PVD-coated titanium trim, the Classic Macassar is stunning to look at. The darker trim perfectly complements the darker Macassar Ebony wood, and like pretty much every other pen I’ve ever tried from Graf von Faber-Castell, the nib writes perfectly. The Company states that each of these nibs is “run-in by hand,” which I take to mean that it’s hand-tested and tuned before it leaves the factory.

The PVD coating on the metal section gives it a nice grip, and the elongated concave shape is exceptionally comfortable.

As I mentioned, design-wise, I shouldn’t love this pen as much as I do. The cap is extremely impractical, but I love the oversized, top-heavy look, and the spring-loaded clip works wonderfully. That said, this pen absolutely does not post. While the Graf von Faber-Castell website shows a photograph of the Classic Macassar posting relatively deeply, my pen barely posts at all, to the point where I don’t even want to post the pen for photography purposes because I don’t want to risk damaging the threads or internal cap. If posting is an absolute necessity for how you use pens, I’d consider the Graf von Faber-Castell Guilloche series, a slightly smaller, slimmer fountain pen that posts more securely.

Graf von Faber-Castell Guilloche Posted — For comparison purposes, I’ll show a photograph of my Graf von Faber-Castell Guilloche fountain pen, which is a slimmer pen that posts, even if the end result is a touch long for my taste.

Personally, I find that the Classic Macassar is just heavy enough for me to comfortably use unposted, and while the inability to post the cap will likely leave this particular fountain pen outside the “daily Workhorse” category, I’ve had a hard time putting it away. Even though I’ve told myself I should sell it, because it’s not an everyday user for me, I can’t. Do you have pens in your collection that you have some sort of inexplicable draw to, that you enjoy using even though it’s a pen that your experience tells you that you absolutely shouldn’t like, but you do anyway? Well, this is one of those for me.

Graf von Faber-Castell Classic Macassar Posted — The Graf von Faber-Castell Classic Macassar in-hand.

Takeaways and Where to Buy

Though an exceptional fountain pen with a unique look, like most GvFC products, the Classic Macassar retails at an extremely high price point. As of the time of writing, MSRP on this pen is $685 as shown on the Graf von Faber Castell US website, with most retailers having it priced around $550. That’s expensive, but then again, on par for a ruthenium-plated nib pen with blacked out titanium parts. (Compare with the Sailor Pro Gear Imperial Black, which now lists for $472, or the Montblanc 146 Ultra Black, which apparently has a secondary market value north of $1200?) Whether the pen is "worth it” to you goes far beyond practicality - for me, the combination of black trim and dark wood, as well as the wonderful writing experience offered by the Graf von Faber-Castell Classic pens in general, keeps this one in my collection.

For this review, I chose to ink this Graf pen with Ferris Wheel Press Roaring Patina Black, and the review paper is the excellent Life Noble Note.

I acquired this pen years ago, and can’t remember exactly where (though it was probably either Appelboom or the now-closed La Couronne du Compte). This post does not contain third-party affiliate links or advertising. The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop, and pledges via the T.G.S. Patreon Program.

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