Pilot Myu Fountain Pens Stainless Steel and Black Stripe

The Pilot Myu Fountain Pen: What Does It Take for Me to Seek Out a Rare, Somewhat Overhyped Vintage Pen?

June 29, 2024

I tend to not chase scarcity. My personal collection mainly consists of pens that I’ve purchased with the intent of using them for everyday writing. To the extent something remains in the collection, but doesn’t get used, it’s likely because the pen has become too fragile through age or overuse to withstand the normal wear of my workday. I seldom purchase something simply to say that I own an example, so if it’s in my pen case, I plan to write with it.

Pilot Myu Black Stripe Fountain Pen in-hand posted — The Pilot Myu Black Stripe, which adds a bit more texture to the pen in the form of the engraved vertical stripes.

I also rarely review so-called “unobtanium” (i.e. pens that get a lot of attention but you can’t actually find in the wild at a reasonable price). My goal for The Gentleman Stationer has always been to create a practical resource to help people learn about stationery and fine writing instruments. There’s not much practical value to writing about those vintage pens that are increasingly difficult to find, and when you do, they cost upwards of 10x the original price.

Pilot Myu Squeeze Converter — The vintage Myu typically comes with some version of the Pilot CON-20 squeeze converter, making it relatable to most modern Pilot users. The pens also accept modern Pilot cartridges (including the new Iroshizuku cartridges).

You might already have guessed that I’m going to make something of an exception today and talk about one of my favorite vintage pens, the Pilot Myu, which I love to write with but if I’m honest, may like them a bit too much to carry around everyday since I’m not sure I’d be able to replace these pens if something happened. I own two, which date to the early to mid 1970s, and are known for their integrated nibs. By “integrated nib,” I mean that the nib is not a separate unit: the entire pen - body, section, and nib - are machined from a single piece of metal (stainless steel). I can best describe the end result as something of a futuristic cross between a Pilot Vanishing Point and a Parker 51. The lack of any seams between the nib and the rest of the pen body give this pen gorgeous lines. Despite the stainless steel construction, the Myu is fabulously well-balanced, and the cap posts and closes securely.

What Makes the Pilot Myu Special, and Why Write About It?

First, there’s really nothing quite like the Myu currently on the market, and it’s so unique that I don’t begrudge anyone for shelling out the somewhat inflated secondary market prices for these pens. Integrated nib pens were a trend that emerged in the early 1970s, but due to manufacturing difficulties and the declining fountain pen market at the time, never completely took off. Despite the scarcity, I still feel that it’s fair to call the current price point “inflated” because even though they are somewhat rare, Pilot originally intended for them to serve as everyday workhorses at a lower-to-mid tier price point. Several years ago, the Myu received a lot of podcast/blogosphere hype as the “best pocket pen ever made” or something to that effect, and the prices seemingly shot up overnight into the $300-$500 range. I did a recent survey of eBay pricing and saw a few in the $250 range, which feels more realistic but still expensive.

Pilot Myu and Pentel Sharp Kerry Unposted — The Myu (right) next to the Pentel Sharp Kerry mechanical pencil.

Second, the Myu is an interesting piece of stationery history because you can still see certain similar design elements in other products that remain available. This week I wrote about the Pentel Sharp Kerry (which is visually similar but may actually predate the Myu), and you can also see bits of the Myu legacy in the monobody Schon Monoc nib, as well as the current Pilot Elite/E95S fountain pen. If you’re a fan of this style of stationery (as I am), it can be quite cool to own the original.

Finally, building a bit off of No. 1 above, the Myu offers a very distinct writing experience that’s much more tactile and “direct” than a typical fountain pen - it almost feels as though you are writing with a metal stylus or etching tool. The nib has zero give (very stiff), though at the same time the medium-fine shown here is a wet writer. Those who love a bit of tooth and a tactile feel to their nib often appreciate the Myu.

Pilot Myu Writing Sample Medium Fine Hypnotic Turquoise — Pilot Myu Medium-Fine Nib, Caran d’Ache Hypnotic Turquoise ink; Write Notepads Paper.

Takeaways and Should You Buy One?

The Myu remains one of the more unique fountain pens in my collection, and possibly one of the top five most iconic pieces of stationery, vintage or modern, that I own. While I have two of them, I bought them a year or two before the surge in popularity, and the current price point might be more than what many people find reasonable for a vintage pen that can be difficult to repair. Case in point: certain Myus (including the silver one shown here) have a tendency to leak around the clutch mechanism (“teeth”) at the bottom of the section. This issue can be fixed, but not many know how to do it. Years ago I was referred to someone via Fountain Pen Network who fixed my pen, and it writes well now, but if this problem were to arise again I’d likely have to hunt down a new repair person. Though an element of risk exists with any vintage pen purchase, less common pens like this one can feel riskier unless you know someone who can work on them.

Pilot Myu Kaweco Sport modern and vintage comparisons — Though longer and slimmer than a Kaweco Sport, I would still call the Myu a pocket pen, though given the age and relative value of this pen I have never used either of my Myu’s for actual pocket carry.

So should you buy one? It’s a hard question for me to answer, and I don’t feel comfortable “recommending” the Myu because it’s not as easily accessible in terms of both pricing and repair as something like a Parker 51 or even a vintage Kaweco Sport. But, if you’re a die-hard pocket pen fan and want to own an example of what many consider to be the best-ever iteration of the format, you will be very happy with this pen. Personally, I won’t be selling my two specimens anytime soon. :)

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. If you enjoy our content and articles such as this one, please consider supporting us directly.

Recent Vintage Pen Finds: Pens Lying in a tray — The five pens on the left in the Toyooka tray were acquired in a single inexpensive eBay lot! All are salvageable, and 4/5 have 14k nibs.

My Personal Approach to Vintage Fountain Pens

October 21, 2023

My acquisitions at this year’s pen shows have leaned decidedly more vintage-heavy. There are a few factors playing into this. First, for the most part I’ve been uninspired by many of the modern releases from mainstream pen companies - not necessarily because the pens are bad, but simply because we’ve reached a point where innovation has plateaued. Thus, in addition to focusing on those smaller makers who continue to experiment, I’ve started looking backwards to an aspect of the hobby that I’ve dabbled in yet haven’t fully embraced: the vintage world.

Vintage Fountain Pen Nibs: Sheaffer Inlaid 14k Gold — All five pens from this lot are salvageable, and 4/5 have 14k nibs. The Kaweco is a new pen to which I added a vintage Mabie Todd 14k nib that I had in my parts bin .

Second, given the amount of time that I now devote to writing about and retailing stationery, I need to carve out some aspect of this hobby that’s pure fun for me. I plan to attend the Ohio Pen Show in a couple weeks, which is one of the premier vintage shows in the country, and is actually the first pen show I attended way back in 2012. In advance of this trip I thought it might be fun to not only show off some of my newer vintage acquisitions, but also provide some insight into how I approach vintage pens in general.

Kaweco Collection Olive Sport with Vintage Mabie-Todd nib — A close-up of the Olive Kaweco Sport with a vintage Mabie-Todd nib. Read more on what I’m doing here below.

My Recommendations For Enjoying Vintage Pens

Don’t Worry About Locating “Mint” Pens or Valuable Collectibles. Nearly all of the vintage pens I own would be deemed “user grade” by a serious collector. I’m totally fine with that. A 75+ year-old pen that’s served as a functional writing instrument for nearly a century should have some dings, scratches, and signs of use. Not only do they make me less reluctant to use a pen for fear of damaging it, these marks add character. In certain vintage watch circles, it’s considered a faux pas to overly restore and polish a vintage watch to where it looks like new, and I take the same approach to my pens. (User-grade specimens of common vintage pens like Sheaffer Snorkels and Parker 51s are also much easier on the wallet than new-old-stock or “mint” condition versions, and you can get them at extremely low prices if you purchase unrestored examples.)
Learn How to Restore Pens Yourself. To get seriously into vintage pens - and arguably, to have the most fun with them - it helps to learn a bit of basic pen repair. Most vintage pens use some variation of a sac-based filling system, which may need to be serviced periodically. Learning how to restore your own pens not only saves you money (and the inconvenience of having to ship off pens to get fixed), but in the course of doing your own work, you also learn how pens are made, the intricacies of vintage filling systems, and how they differ from the modern filling systems we use today. Repairs can range from simple and straightforward (lever filling pens like Esterbrooks) to time consuming and more complex (such as a Sheaffer Snorkel, some of which you can see in the stories on my Instagram profile). Many vintage pens are incredibly durable, including the Parker 51, 51 Special, and Super 21, and often require no restoration beyond a flush with water or bath in an ultrasonic cleaner to remove dried ink.
Swap Vintage Nibs into Modern Pens. While I would strongly advise against purchasing your first vintage pens on eBay or Etsy (unless you absolutely know the seller is reputable), it’s sometimes fun to buy a big lot of unrestored vintage fountain pens sold “as-is” or “for parts”. Usually you can get one or two salvageable fountain pens out of these lots, and the rest you can scavenge for spare parts for other restorations or - my favorite - for nibs and Frankenpens! Many vintage pens, even inexpensive ones, featured 14k gold nibs, some of which are compatible with the feeds and sections used today. You will need to experiment, and it will most certainly void your warranty, but this is a great way to add a luxurious gold-nib writing experience to a less expensive modern pen like a Kaweco Sport. As shown in the picture below, I swapped a Mabie-Todd No. 2 gold nib directly into a modern Kaweco Sport nib unit, so now my Olive Kaweco Collection pen has a 14k gold nib.
Don’t Baby Your Pens - Write with Them! As you can probably tell, I am not a traditional vintage pen collector. I purchase pens both to use them and to help me learn more about the history of writing instruments in general. Because I acquire user-grade pens and have a basic knowledge of restoration and repair, I’m much less hesitant to use my vintage writing instruments and carry them with me semi-regularly. (Most don’t handle airplane travel well, however. Fly with them un-inked.)
Learn About Your Pens. My interest in history, antiques, and “old” technology is what led me to the pen hobby in the first place, so it’s a bit ironic (and inexcusable) that I’ve let this part of the hobby slide. One thing I’ve started doing recently is keeping a “pen journal” about pens I’ve acquired - vintage and modern. For the vintage pens, I note the make, model, and approximate date of manufacture, as well was where I acquired it and how it was restored. I’ll also make notes about why I acquired each pen, what I know about its history, and why I found it interesting enough to add to my “collection.” I’m also considering adding photographs, keeping both a digital archive and a printed copy using my Fuji Instax or similar printer.

Vintage Sheaffer Snorkel Dissassembled for Restoration — The Sheaffer Snorkel from the eBay lot shown above, disassembled and ready for restoration. While a Snorkel is a sac-filling pen, it has a more complex - yet fun - filling system that also requires the replacement of a gasket and an o-ring.

Pen Show Adventures: Dipping Back into Vintage, or Pursuing Vintage-Style Modern Pens?

March 25, 2023

Up front, I will admit that I’m neither a vintage collector nor even a vintage pen enthusiast, and my knowledge of most brands and specific models pale in comparison to others in this community. So take whatever I say regarding vintage pens and the vintage market with a (very) large grain of salt. That said, I attended both the Baltimore and Arkansas pen shows - and particularly Arkansas - looking to pick up a few vintage pens for my collection, mainly to replace certain models I wish I hadn’t let go during “catch and release” phases over the years.

Smaller shows like the Arkansas Pen Show make excellent opportunities to shop for vintage pens. Larger shows like D.C. can feel overwhelming, and because the shows are both crowded and geared towards higher-end collectors and sales between dealers, they can be difficult for the newbie or the casual buyer to navigate. Pens also tend to be more expensive because they are either more pristine collectors pieces, or outright overpriced. (I also advise people to adopt a “buyer beware” attitude at these larger shows. In my early days of collecting, I had more than one experience at D.C. where I purchased a vintage pen that later turned out to be “not as advertised,” to put it politely. More on this later, as I plan to update my vintage pen resources.)

My two vintage Parker 51 fountain pens, one of which includes a stub nib.

Vintage Pens Parker 51 Aurora 88 — I enjoy interesting vintage pens that I can still use on a daily basis, including both the Parker 51 and the Aurora 88.

Smaller shows - particularly shows run by a local pen club - are friendlier, with many of the “dealers” being club participants and collectors selling for “show money”, to rotate pens out of their own collection, and/or to help grow the hobby. Many are happy to talk with new enthusiasts, and will give you honest appraisals of pens, flaws and all. If you have to deal with the same show attendees and club members year after year, reputation matters. At the Arkansas Pen Show, I purchased two Parker 51s from Danny Fudge (aka “The Write Pen”), both of which are excellent “user grade” pens, expertly restored, with character. One had a broader nib that I had Matthew Chen shape to a semi-Naginata, and the other sports a hammered gold fill finish (“possibly by Ariel Kulloch”) with an excellent stub nib. The first pen cost me $100, and the second $175, which I consider to be very fair pricing for functional vintage pens restored by a reputable dealer.

The Tibaldi Bononia Vintage in Pomegranate (top) and Honeycomb (bottom). These are piston fillers with 18k gold nibs. The top is an oblique medium and the bottom a 1.1mm stub. Not sure if these two are going back to Vanness….

If You Don’t Want to Fiddle with Actual Vintage pens, the Current Market Has a TON of Vintage-Style Options

While vintage pens like the Parker 51 are fairly durable, easy to repair, and timeless, other models don’t translate as well to the experience sought by many modern users. For example, I’ve always admired the oversized Sheaffer Balance fountain pens, and have even owned a few over the years, but found the material prone to cracking and I’m not a huge fan of lever-fillers. Fortunately, these days you have a wide range of modern options in a similar “vintage” style, and I spent many hours next to the Vanness Pens table eyeing (1) the Tibaldi Bononia Limited Editions; (2) the modern Conway Stewart lineup in their classic materials; and (3) both the modern Onoto Magna and Scholar fountain pens, which have garnered rave reviews and which I’m in the process of reviewing. If you appreciate vintage design, but perhaps not the “adventurous” nature of writing with an actual vintage pen, you have plenty of options!

From left, the Tibaldi Bononia in Pomegranate, the Onoto Scholar in Mandarin, and the Tibaldi Bononia in Honeycomb

Lately, this trend has even started to extend beyond fountain pens. I wrote the entire first draft of this review on a series of airplane flights and in the back row at a work conference using an Anterique “Mach Ball” click pen. I love the aesthetics of vintage Bic Clic-style ballpoints, but generally can’t stand the refill. Anterique uses a .5mm low-viscosity hybrid gel-ballpoint ink refill that even fits some actual vintage ballpoints.

Stay tuned, because Anterique is doing some really fun stuff, and I just received a big box in the mail….

If you’re not a purist, you can sometimes find the best of both worlds: vintage-style design without the unpredictability of finicky filling systems or refills. As a user of fountain pens and other writing instruments, as opposed to a collector, I’m equally drawn to both vintage writing instruments and quality modern alternatives. It certainly offers a wider range of options to enjoy everyday writing!

This post does not contain paid third-party affiliate links or advertising. Vanness Pens did loan me certain of the pens pictured in this review. I am not being compensated for content, and The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program.

Vintage Pen Primer, Part V: What About Just Opting for a Vintage Nib?

September 8, 2021

Many pen enthusiasts love the styling of vintage pens, enjoy tinkering with their unique (and sometimes temperamental) filling systems, and look forward to the routine maintenance and occasional repair as part of a vintage pen’s charm. Others focus on the nibs, preferring the performance and feel of vintage 14k and 18k nibs that often write (much) better than their modern equivalents, sometimes at a lower price point. If, like me, you fall into the latter group, there’s an option that doesn’t get as much attention as it should: using vintage nibs in a modern pen body, which allows you to avoid certain inconveniences of vintage while enjoying the unique writing experience.

There are a couple of different ways you can go about using vintage fountain pen nibs in a modern pen. A few years back, my friend Leigh Reyes, who regularly scouts pen shows for loose vintage nibs, wrote an excellent article on fitting vintage nibs into modern pens such as Kaweco Sports and Franklin-Christoph Model 45s. This approach takes some leg work, as you have to pay close attention to things like stress and wear on the nib over time if the modern housing, feed, and/or section aren’t a perfect fit for the nib. (Please read the article and do as much research as you can before you try this - as Leigh points out, it’s possible to damage both your pen and your nib if you’re not careful.)

Peyton Street Pens Custom

PSP Custom with 18k Cartier Nib

The other option is having a brand new pen or section custom made to fit a specific vintage nib (or, like my friend Thomas, having one pen made with multiple different sections sized to fit different nibs). While you will have to discuss with your penmaker of choice whether this is even a possibility, Shawn Newton (Newton Pens) has done this sort of work in the past, as has Jonathon Brooks of Carolina Pen Company. Teri Morris of Peyton Street Pens also regularly makes pen bodies to house vintage nibs from companies such as Sheaffer, Cartier, and Eversharp.

Peyton Street Pens Custom Ebonite

PSP Custom with 14k Eversharp

When I was in San Francisco, I had the opportunity to visit the Peyton Street Pens table and picked up two new additions to my collection that feature excellent vintage gold nibs: an 18k Cartier nib ground to a smooth cursive italic, and a 14k Eversharp stub that’s slightly springy in a way you only really see in vintage nibs. Both are on original feeds, so I’ve experienced zero issues with ink flow. Peyton Street Pens currently has some similar offerings for sale in the “Peyton Street Exclusives” section of their store.

Many vintage nibs are set to write much wetter than what modern pen users are accustomed to, especially if you’ve been using standard stainless steel nibs from JoWo and Bock. For the best experience, be sure to use fountain pen friendly paper. Writi… — Many vintage nibs are set to write much wetter than what modern pen users are accustomed to, especially if you’ve been using standard stainless steel nibs from JoWo and Bock. For the best experience, be sure to use fountain pen friendly paper. Writing sample shown here is on a Write Notepads Spiral Notebook

As is always the case with vintage anything, your mileage may vary based on the specific pen and/or nib at issue. I highly recommend visiting a pen show, if circumstances allow, so that you can inspect and/or write with the nib you’re considering. Of course, this may be impossible when you’re buying a loose nib that’s not currently installed in a pen, or when you’re asking someone to build a custom pen for you. Often, however, penmakers at shows will have examples of their work at their tables, and will work with you if you have problems with your pen. Sometimes it takes a few tweaks and adjustments to get things writing perfectly.

First Impressions: Hands On with the New Parker 51 Fountain Pen

February 20, 2021

It’s here! After much anticipation (and a few weather delays), yesterday I received one of the new Parker 51 fountain pens, which I first previewed in a (admittedly opinionated) post last year. I plan to review this pen in two parts: a “first impressions” post and a follow-up post after a longer period of use that will evaluate things such as build quality and reliability. While I of course will comment on how the pen compares to a vintage 51, please be advised that I ultimately plan to evaluate this pen on its own merits, as a functional writing instrument - NOT based solely on its faithfulness to the original design or from the perspective of a vintage pen collector looking for a modern replica. That’s never been my expectation for this particular pen, nor do I believe that Parker is targeting the vintage pen enthusiast market segment with this release. If that’s what you’re looking for from this pen, you will be disappointed (and in all likelihood have decided you dislike this pen already, without ever picking one up, so there’s no need to read further).

With that said, here we go!

First Impressions Out of the Box

I received a Burgundy/Chrome Parker 51 with a steel nib, which shipped from Appelboom in Parker’s standard pen box. While the presentation is nothing fancy, it’s quality packaging appropriate to the price point of this pen (approximately $109 USD MSRP / $89 USD street price). Visually, Parker has done a nice job recreating the look of the vintage 51, at least with the cap on.

Once you start to handle the pen, however, you immediately realize the various differences. Keep in mind that I have not had a chance to evaluate the more expensive gold-nib version, so I can’t speak to that particular pen. That said, the less expensive “Next Generation” Parker 51 definitely feels more akin to the “Super 21,” Parker’s lower-priced pen that sold alongside the Parker 51. While I would NOT say it feels cheap, the resin/plastic lacks the warmth of the original 51, which wasn’t unexpected since most pen companies have long since moved on from vintage materials to keep production costs down, especially at this price point. With only a day or so in-hand, there’s no way to evaluate long-term durability and the possibility of any brittleness, cracking, etc., which will require one or more follow-up reviews.

The most divisive aspect of the new design is Parker’s decision to incorporate a threaded cap in lieu of the traditional friction fit/clutch cap. While I think I prefer the vintage cap to the current design, I don’t consider it a deal breaker. (Certain well-regarded Wing Sung clones have also used threaded caps.) One concern I do have involves the combination of metal cap threads and plastic barrel threads, which already feel a bit gritty. Will metal-on-plastic wear the threads down over time? Possibly. Another thing to track.

The second most controversial design choice was Parker’s decision to go with a cartridge-converter filling system rather than a vintage-style aerometric or vacumatic filling system. I still don’t understand this critique, and have never considered it a realistic expectation for this reissue because Parker is a mass-market company that hasn’t made these filling systems in decades. While I enjoy vintage filling systems as much as anyone, cartridge-converter remains the standard for modern pen companies since the ease of use broadens its appeal, and the same mechanism can be employed across all of Parker’s various product lines. I also don’t see this particular point affecting sales of this pen. Vintage pen aficionados are going to buy vintage 51s. This pen is plainly intended for either (1) new customers or (2) those, like myself, who enjoy vintage-inspired design, and even the occasional vintage pen, but perhaps want something less “precious” to carry around with them and use on a daily basis.

Nib and Writing Experience

Finally, we get to the part that I care most about, and which pleasantly surprised me: the nib and the writing experience. One thing I love about the original Parker 51 is the ergonomics of the pen, which was designed with daily use in mind. While I don’t have a vintage 51 currently in my possession to do a direct comparison, Parker appears to have maintained the original proportions, and this pen is a very comfortable, balanced writer even with the metal cap posted on a plastic barrel. The medium stainless steel nib is also quite smooth - better, in fact, than the steel nibs on vintage Super 21s and 51 Specials (the steel-nib vintage 51s) I have had in my collection in the past. The pen wrote immediately out of the box, with no skipping or hard starting after I left it sitting overnight and picked it up again in the morning. While this seems unremarkable, it’s a common problem with many modern pens, including those that sell at much higher price points.

Honestly, I was prepared for this pen to be a scratchy, dry writer that skips and hard starts. It’s none of those things. This stainless steel medium nib writes a reliably wet, traditional medium line, so regardless of how you may feel about the “re… — Honestly, I was prepared for this pen to be a scratchy, dry writer that skips and hard starts. It’s none of those things. This stainless steel medium nib writes a reliably wet, traditional medium line, so regardless of how you may feel about the “reissue” aspect, this pen does what a pen is supposed to do.

Value

I can only offer preliminary thoughts here, since one component of value is quality and durability, and this is a “first impressions” review. Based on my experience so far, though, I don’t have an issue with the $89 street price for this pen, which is comparable to similar offerings by other companies. The inevitable comparisons will be to (1) buying a vintage Parker 51 on the secondary market; and (2) buying a Parker 51 “clone” from companies such as Wing Sung or Hero. So many different factors go into personal purchasing decisions that it’s not fruitful to comment extensively on either argument. I will say, however, that I find these to be apples-to-oranges comparisons. Someone looking to purchase this particular pen is not necessarily looking to buy vintage, nor should they drop $150+ on a vintage pen unless they understand the implications of caring for and maintaining a pen that hasn’t been manufactured in more than half a century. Yes, vintage 51s are remarkably durable, but they do break and wear out, and you’re on your own in terms of manufacturer and/or dealer support. With respect to the “clones,” I’ve had great ones, and I’ve had bad ones. I will say that now that Parker has resumed making modern 51s themselves, I personally would prefer to support the owner of the actual design rather than those who arguably are misappropriating others’ intellectual property.

Overall Takeaways

After years of declining quality control and less-than-exciting designs, Parker has made a sincere effort to turn things around and release better pens with more interesting designs. The last several Parkers I have purchased have actually been nice writers. (I have a few modern Sonnets and a modern Duofold in my collection.) Continuing this trend, the steel-nib version of the “Next Generation” Parker 51 pleasantly surprised me. Frankly, while I tried to be optimistic and was happy to see Parker take a risky move in reissuing this pen, I wasn’t expecting much. At the end of the day, however, they seem to have delivered, especially relative to my expectations, and if Parker continues with the “51” line and introduces new colors, cap designs, etc., they could really have something interesting on their hands. Granted, I’m not as emotionally invested in this as some people apparently are, which allows me to evaluate the pen on its own merits. I do believe there is a market for a modern 51: The reality is that vintage Parker 51s will start to age significantly in the coming years, and while they are quality writing instruments of exceptional durability and longevity, they won’t last forever. They will become more scarce, and more expensive to both purchase and repair. While the vintage pens will always have their fans, and many will settle for nothing less than the original, that doesn’t mean that Parker shouldn’t offer another option. Stay tuned for a follow up!

Editor’s Note: I understand that this pen has generated strong opinions. That said, we need to keep things in perspective and the comments civil. I actively moderate the comments on this site, and reserve the right to reject any comments that contain obscenities, personal attacks on other commenters, and anything which, in my discretion, crosses the line from civil discourse, polite disagreement, and even gently poking fun at me and my opinions, into trolling or general nastiness. That is not the community I want to build here. Thanks for your understanding.