Stationery From Duncan Shotton Design Studios

After a week that was, well, a touch frustrating and stressful, and now that we're heading into the final stretch before the holidays, I thought it might be fun to take a look at some recently arrived stationery products that are just that - fun! You may recall Tokyo-based, British Duncan Shotton from the "Rainbow Pencils" Kickstarter that launched and successfully funded several years back. Not only are the Rainbow Pencils still going strong five years later, but they're now joined by some other great travel/ufo/paranormal-themed stationery, which of course I ordered immediately. 

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These sticky page markers are an excellent alternative to boring 3M plastic flags. (Fellow office drones, you know what I'm talking about here.) 

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The Rainbow Pencils are made from layers of colored recycled paper, so as you sharpen them you get the "Rainbow effect." (See below). 

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A pretty poor showing of what the Rainbow Pencil can do, but the only sharpener I had within reach was cheap (and, apparently, very dull). These rainbow pencils have dark, soft graphite that's a pleasure to write with. 

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Planet Push Pins (and the Moon Push Pin - not to scale) in action, with the stamps that carried my order from Tokyo! 

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Godzilla Stickers anyone? I received these as freebies with my order! 

Takeaways and Where to Buy

I'm 100% on board with what Duncan Shotton is doing here, and I'll be looking to pick up some more of his stationery (and perhaps some other products) after I replenish the budget for 2018. If any of this interests you, you can order in one of two places. I purchased via the Duncan Shotton Etsy store, which has all of the products featured in this post. There's a somewhat larger web store on his main site, with additional items that don't appear on Etsy (like these Nessie-themed push pins).   

Disclaimer: Though I purchased all of the products featured in this post with my own funds, for my own use, I am an Etsy affiliate. All of the links in this post are affiliate links, and I am compensated a small amount for any sales made through these links. 

The Bic Cristal Is (Arguably) The Greatest Pen Ever Made.

Clickbait headline? Especially coming from a dedicated fountain pen user, who at one point would regularly lament how the ballpoint and the gel pen contributed to the downfall of polite civilization by driving the fountain pen to the brink of extinction? But from a sheer numbers and longevity perspective, you can easily make the case. Bic has sold over 100 billion of these pens since they were first launched in 1950. The pen sits in the permanent collection of the Museum of Modern Art. And it’s become the gold standard for how a basic ballpoint pen should look and write.

Though Europe gets the awesome orange barrels, in the States we’re “stuck” with what to me is the "classic" Bic Cristal, featuring a clear plastic hexagonal barrel and a plastic cap that matches the ink color. The design hasn’t changed much in the nearly 70 years this pen has been in existence, and the history of the Bic Cristal makes for fascinating reading.

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For awesome write-anywhere portability (like in the car), I don't think you can beat the Cristal, especially if you tend to lose a lot of pens outside the house. 

People tend to hate cheap ballpoint pens for one of two reasons: they require too much pressure to write, and/or the ink won’t leave a solid line. The oil-based ink in really cheap ballpoints can also blob and smear all over the page (or in your pocket), making a serious mess. Of all the pure ballpoints out there on the market, however, I consider Bic Cristal and the Schmidt Easyflow 9000 to be the best options, because you don’t usually see any of these issues. (As with any mass-produced product at a lower price point, there are exceptions.)

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Two current Bic Cristal models: on the left the .8mm Xtra Precision, which sports a needle tip, and on the right, the most common Bic Cristal available, the 1.0mm "medium". 

Though it certainly doesn’t write the same dark line as a gel or hybrid-gel pen, the Bic Cristal performs pretty well for a ballpoint. Bic’s shade of blue ink is much more vibrant than what you’ll find in a Papermate Write Bros., or the various store-brand generics. The 1.0mm “medium” tip can even show some line variation, depending on the pressure you use. For this reason, many artists use Bic pens to draw insanely detailed portraits. While I find gel pens pretty much unusable in tip sizes above .7mm, I have no trouble writing relatively small with the 1.0mm Bic Cristal, since oil-based ink doesn't feather and bleed.

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Though ballpoint ink is never going to be as dark as gel, liquid rollerball, or most other types of ink, Bic's formulation is among the best. It also dries near-instantaneously on non-coated paper, including cheap office-supply stock. 

Takeaways and Where to Buy

In a world where pen companies and big box stores are starting to charge $15 for a dozen mediocre gel pens, there’s something to be said for taking the opposite approach by picking up a pack of Bic Cristals. Sure, you'll probably lose the pen, give it away, or the plastic barrel may crack long before you use up the ink, but like the most basic woodcase pencils, sometimes you just want to get some work done with a reliable tool that presents the least amount of distraction. Moreover, with the concept of handwriting generally under attack, we should be doing all we can to preserve it by promoting the entire range of writing tools available. The Bic Cristal offers a low-cost, zero-barrier-to-entry option. Anyone can jump online or run down to the corner store, and get started handwriting.  

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As I mentioned, the 1.0mm medium point will probably give you the smoothest writing experience, and is generally my recommended starting point. For editing and annotation (or if you just write really small), the “Xtra Precision” needle-tip pens are fantastic. If you write large, there's even an "Xtra Bold" 1.6mm version, though I've not tried them. 

Finally, if the Bic Cristal interests you from a design or historical perspective, both Philip Hensher's The Missing Ink and James Ward's The Perfection of the Paper Clip discuss the history and development of the Bic ballpoint pen in some detail (as well as diving deep into other aspects of stationery minutiae). I highly recommend both books. 

Disclaimer: I purchased the pens featured in this review with my own funds, for my own use.

New Pen Alert: Lamy Studio in Racing Green

I hardly ever "re-review" pens, and I won't really do that here, but I did want to take the opportunity to talk about Lamy's absolutely gorgeous new special edition Studio, in Racing Green. 

Everything that I wrote about in my previous review of the Lamy Studio remains true: It's a sleek, modern, nicely balanced pen with a metal section that offsets the weight of the cap when the pen is posted. The pen caps and posts securely, using a clutch mechanism that has an audible "click" or "snick" (choose your adjective). Lamy has chosen not to sell the Racing Green Studio with the 14K nib, opting instead to travel at a lower price point using the same stainless nib featured on the Safari, AL-Star, and Studio. 

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The sub-$80 Lamy Studio features the same stainless steel nib as on the Safari, AL-Star, LX, etc. For another $90, you can separately purchase one of Lamy's 14kt nibs, which are outstanding, but the price is pretty steep. 

I previously reviewed another special edition Studio (the Ruby/Royal Red), which I regrettably sold off a couple years back. (Regrettable because I can't find another one.) Lamy seems to make fewer special edition Studio pens than they do special edition Safaris or AL-Stars. You can typically still find the latter in stock at retailers up to a year later, but the Studios tend to sell out relatively quickly. I imagine this is due to the higher price point and the lower profile of the Studio translating into lower demand; Lamy likely has an easier time selling the less-expensive Safaris and AL-Stars than the $70-plus Studio. Thus, it's also more difficult to find special edition Lamy Studios on the secondary market. 

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I touched up this photo a bit to try to bring out some of the iridescence.  It's not noticeable at first, but when the light hits this pen in a certain way....

The Racing Green studio is an incredibly attractive pen, coated in an almost iridescent dark green matte finish. It remains to be seen how the matte finish on this pen will hold up over time. My red Studio looked pretty beat after a while, with the powdered coating wearing off underneath the clip and around the edges of the cap, which ultimately frustrated me and led me to sell the pen despite the excellent nib. I will say that the coating on the Racing Green feels thicker, and I haven't seen any dings or scratches yet despite carrying this pen in a bag for a week. 

Takeaways and Where to Buy

I stand by my previous review of the Lamy Studio as a great option in the sparsely populated "great pens under $100 category" that TWSBI typically dominates. The Studio is also widely available and relatively easy to find, and with a coupon code you can get some colors for as low as $65. To me, that's a no-brainer (provided you can live with the metal section).

As I mentioned, the "Racing Green" Lamy Studio pictured here is a special edition, meaning that they will be made for a short time. Currently available from Pen Chalet at $79 retail (less with a coupon code), these may not last long, given how quickly past special edition Studios have sold out. Pen Chalet currently only has medium nibs in stock, but fines are still available on special order.

Pen Review: The Waterman Carène

Of all the high-end pens on the market that receive far less attention than they should, the Waterman Carène sits near the top of the list. I have a soft spot for modern Watermans (defining “modern” as 1980s forward, when the pens were exclusively made in France), mainly because a Waterman Laureate was the first “nice” fountain pen I ever purchased. To date, I haven't reviewed that many Watermans on the blog, which is something I plan to change in the coming year because these pens deserve better. They're reliable, "long-haul" workhorses that really stand up to daily use.  

Waterman has scaled back its offerings in recent years. The Carène’s mid-tier companion, the Charleston, is currently very hard to find, and the Edson and the Exception - Waterman’s $500-plus luxury offerings - have been or are in the process of being discontinued, leaving the Carène and the Élégance at the head of Waterman’s product line. Due to my love for the brand, I hope this represents a simple consolidation as opposed to financial trouble, though given the company’s general lack of marketing to and connection with the pen enthusiast community, I can see how they might be missing out on the analog writing renaissance that’s occurring right now.   

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Waterman designed the Carène to invoke the hull of a racing yacht. (“Carene” means “hull” in French.)

After the discontinuation of the Edson, the Carène emerged as easily the most distinctive pen in Waterman's lineup. Waterman designed the Carène to invoke the hull of a racing yacht. (“Carène” means “hull” in French.) Personally, when I look at the Carène I see more of an "Orca"-shape, but regardless, Waterman really doubles down on the "yacht" theme in their marketing materials.

“Carène rides the crest of the innovation wave. Taking inspiration from luxury boat design, the result is our most distinguished example of pioneering vision. Crafted in noble materials, with an artist’s attention to detail, its pure fluid curves conjure up the sleekest lines of a leisure cruiser, or the billowing sails of a luxury yacht. Set sail for the adventure of a lifetime.”

— Waterman Website

A bit over the top, but you get the drift. It’s inspired by boats. 

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Despite the lacquered metal construction, I've never found Waterman pens uncomfortably heavy. The company designs them in such a way that they maintain a nice balance. The clip on this pen is well-made and spring-loaded, like the Lamy 2000, so the pen clips easily to a shirt pocket or into the slot of a pen case.  

Like most modern Waterman pens, the Carène features a lacquered metal body and cap, but also sports something relatively uncommon today: an 18kt integrated nib incorporated into the design, tapered like a ship's bow. 

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I love the classic black-and-rhodium combination of the Carène "Black Sea" model. 

The Carène features Waterman’s high quality cartridge/converter system, and will take the high-capacity “long international” cartridges in addition to the standard shorter ones. I consider Waterman converters to be among the best. They’re well-designed in that they generally don’t leak or cause inkflow issues, and also have a relatively large capacity.

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In order to get a full fill, make sure to fully submerge the breather hole on the bottom of the nib section. This can be challenging with certain ink bottles. (Ahem, Sailor.)

Note: I’ve owned a few Carènes in my “career” as a pen enthusiast. The first I ever purchased I ended up selling because of an issue with ink leaking out of the integrated nib onto the section, presumably due to the clutch cap creating suction and pulling ink out of the feed when I uncapped the pen. After asking around, and realizing that this issue was probably an anomaly, I tried again with the pen featured in this review. Several months in, I’ve not experienced any leaks or inky fingers. Looking back, I probably should have returned the pen for repair or replacement rather than sell it. 

Writing Experience

The Carène is one of the more comfortable writers in my collection. Despite the metal construction, the streamlined body sits in your hand quite comfortably, and the length/girth are perfect for me when the pen is posted. Unposted, it’s a touch narrow for my taste but definitely usable.

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The 18kt integrated nibs are smooth, wet writers - not quite a "firehose", but this pen will put some ink on the page. The nib on this pen has a lot of tipping material for a “medium,” and writes on the fat side of it’s designation. If you’re used to writing with Japanese nibs or German stainless steel nibs from Bock or JoWo, you could mistake this for a broad. Waterman does make nib sizes other than fine or medium, including extra fine, broad, and a stock stub, but they typically are available only via special order. Some retailers also sell nib units separately, though the cost represents a substantial portion of the price of a new pen. 

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A writing sample with Sailor Bung Box Dandyism, a very dark green-black. Don't expect any bounce or flex whatsoever out of modern Waterman nibs. They're very firm, and it would be fair to call them "nails." 

Takeaways and Where to Buy

You can’t go wrong with a modern classic like the Waterman Carène. If you appreciate the aesthetics, the Carène makes for a durable, reliable writer that I’m going to have a hard time keeping off my recommendations list for a “first pen over $200.” The Carène also forms a key part of my "work carry" rotation. Like the Lamy 2000, due to the unusual nib the casual observer who knows nothing about pens might assume that this was a nice Waterman rollerball or ballpoint, which are still common in the corporate world. This isn't a distracting or flashy pen and therefore great for a stodgy office environment. 

Since Waterman still maintains a fairly large retail footprint, it’s somewhat easy to find the Carène in brick-and-mortar stores, even at non-specialized retailers that have a small “luxury” pen selection. You therefore shouldn’t have much trouble at all locating one from an online pen retailer. I acquired this pen from Pen Chalet, which as of the time of publication of this review stocks the Carène in four different models: black with gold or chrome trim (the “Black Sea” models, featured here), Blue ST, and a matte Charcoal Grey with chrome trim. While not inexpensive at around $220 retail, the Carène’s price is in-line with (or below) other cartridge-converter pens with gold nibs such as the Sailor 1911 Large and the Sailor Pro Gear.  Many other variations of the Carène exist, including some that are special editions and therefore more expensive.

Disclaimer: I acquired the pen featured in this review from Pen Chalet with my own funds.

Notebook Review: Central Crafts Handmade Leather Journals

I was recently contacted by Central Crafts, a UK-based retailer of notebooks, journals, and photo albums, as well as other quirky handmade goods from around the world (such as these amazing animal-themed ceramic coffee mugs). Central Crafts is a family run business located in Hertfordshire, and "passionate about finding and making handmade, quality, ethically sourced products for our organically grown customers which now reach across the globe."  

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The company carries a wide range of leather notebooks and journals from Italy, India, and Thailand, and I selected a notebook to review from their Italian Artisan Journals line: the "Cortona" handmade leather bound journal in the "large" (A5-ish) size. The cover is a smooth leather that is very soft to the touch, and feels like the leather on a high-end briefcase or purse. There's a reason for this: the Italian journals sold by Central Crafts are handmade in Florence, Italy under the "Leatherkind" mark by a small family run manufacturer with over 50 years of experience. They apparently use the same "Spazzolato" leather that is usually reserved for high-end designer handbags. More information can be found on the Central Crafts website.  

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What drew me to the Cortona journal was the two-tone color scheme. I love the contrast between the black leather cover and the light brown edging and stitching. I opted to have my initials embossed on the cover, for which there is a slight upcharge.  

The Cortona contains lined ivory paper, which appears to be the only option available for this particular notebook, but it looks like there may be a blank paper option available in the other sizes. I know, many people would prefer a graph or dot grid option, but for a personal journal or commonplace book - which is what I think I'll use this notebook for - lined pages will work just fine. The paper itself handled most inks very well, including liquid-ink rollerballs and fountain pens.  

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I had no serious issues with feathering or bleedthrough on the paper. With one of my extremely wet Montblanc medium nibs, I experienced some minor feathering that you would have to stare pretty hard to see, as well as some pinpoint bleedthrough/show-through on the reverse side of the page. Neither rendered the page unusable, and I'd compare the paper to that used in the Leuchtturm 1917 notebook or early versions of the Baron Fig Confidant.  

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Takeaways/Where to Buy

I've been using my Cortona as a "commonplace book" for reading notes, and I've enjoyed having this item on my desk. The only drawback is that a journal this nice is non-refillable, so once you use it up you have to purchase another one. That said, the price is reasonable (£29) for an item of this quality, and refillable journals are also available if you prefer.

Fans of leather notebooks and journals should definitely check out what Central Crafts has to offer. In addition to the more traditional Italian line, they offer what they refer to as Indian Rustic Journals, as well as a line made in Thailand out of sustainably sourced tree bark. They also carry a range of home goods and other handmade products from around the world.

Many thanks to Alma and the team at Central Crafts for making this review possible! 

Disclaimer: The product featured in this review was sent to me free of charge by Central Crafts for review purposes.