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The Gentleman Stationer

Vintage Living in the Modern World.
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Adventures in Pen Travel and Pens for Vacation, 2023 Edition

October 11, 2023

Now that I’ve had a few days to decompress, It seems like a good opportunity to talk a bit more about my travels over the past two months, the ongoing “hard reset” of my work and personal life, and, of course, my marathon pen cleaning session last week.

I recently announced that I’m changing day jobs, which is a big move for me. I held my old position for nearly 10 years, and while I won’t be changing employers, I’m stepping into a role that (1) involves less of an overall time commitment; and (2) has fewer administrative responsibilities. One reason for the shift is the rapid growth of T.G.S. - while it’s not yet a full-time project, it requires more attention each month, and I’m of course more than happy to rearrange my working life to accommodate the expansion. That said, it’s likely going to require a complete reorganization of my workflows and how I go about my daily working life if I want to keep things manageable.

These two pens - shown here with a new ink I tested at the Dallas Pen Show - stayed in rotation!

The biggest change is the lack of formal structure. My new duties are primarily project-based, allowing me to work mostly remotely, on my own schedule. Outside of the posting routine that I’ve fallen into over the years, T.G.S. also doesn’t have a “schedule”, so my greatest concern about the new arrangement involves my ability to structure my time in a way that ensures that (A) I get everything done, and (B) I keep work confined to “regular” hours as much as I can, allowing me to have a greater semblance of a personal life that includes picking back up other hobbies and interests that I’ve necessarily had to let slide. Case-in-point: I’ve not done nearly as much personal writing and journaling as I would have liked over the past year, despite having a half-dozen notebooks “in rotation” and 30+ fountain pens inked up.

The 10 pens I took with me on vacation, identified and discussed below from left.

Current Setup: Fountain Pens

While of course there’s a lot that I’m thinking through and working on that I can’t publicly discuss here, I CAN tell you what I’m doing about my pen problem. The first order of business was to flush 20 or so pens, most of which had been inked for the Washington, D.C., San Francisco, and Dallas Pen Shows. The cleaning process was aided considerably by the Schon DSGN Luer Syringe Cleaning System, which Ian kindly gifted me in San Francisco to test out. The system consists of a series of fittings designed to attach to the section and/or nib unit of your pen, with different attachments made to fit JoWo, Bock, Pilot, and Sailor (with more to come). You can then thread a 1cc syringe into the fitting and easily flush out a pen in much less time than it would take you to clean using a converter, and with less mess than a bulb syringe. I left nine pens inked up, which I’ll identify from the photo above, listed from left:

  • Santini Libra in Blue Swirled Ebonite: This pen is on loan from a friend, and I left it inked because I need to write with it and get it reviewed so I can return it to her! Santini pens have long interested me because they are made entirely in-house, nibs included! Though Santini visited this year’s D.C. Pen Show, I was disappointed that I didn’t have the chance to visit their table.

  • Leonardo Momento Zero in Bohemian Twilight Resin. Jonathan Brooks’ Bohemian Twilight material is one of my favorites, and I couldn’t resist the opportunity to pick one of these up since I didn’t yet have a pen in this material in my personal collection. The ink I chose to pair with this pen? Queen Alexandra’s Birdwing Butterfly Green, from the recently released Anderillium Lepidopteran Series. It’s a slightly brighter dark green than the swirls in the pen, which complements it perfectly.

  • Conid Bulkfiller Kingsize. I’m torn on Conid, and I’m still trying to figure out how I feel about the brand, especially compared with the Kyuseido Kakari (discussed more below). While extremely well-constructed, I’m not loving the Bock Titanium nib, and I hope to soon procure a gold nib option because I need more consistent inkflow and less of a “squeaky” writing experience. This pen is currently inked with Nahvalur “Dark Forest,” an excellent ink that I plan to review in more detail as soon as I’ve had the opportunity to try more from the series.

  • Sailor Pro Gear “Moonlight over the Ocean”. I’ve long loved the form factor of the Sailor Pro Gear, and odd name aside, this edition spoke to me so I picked one up for my personal collection. It’s inked with Anderillium Atlas Moth Brown, also from the Lepidopteran Series. For some reason I thought this pen needed a good brown-black ink?

  • TWSBI Diamond 580 ALR “Sunset Yellow”. I always have a TWSBI inked and in rotation, and the one I haven’t been able to put down is the recently released “Sunset Yellow,” - really more of an orange gold. The matching ink is Monarch Butterfly Orange, from yet again, the Anderillium Lepidopteran Series.

  • Montblanc 149 in Rose Gold with Bokumondoh Urushi Work. This pen will stay inked for the foreseeable future because it’s beautiful, and the result of a year spent on the Studio Bokumondoh wait list. Fittingly, when I reviewed this pen nearly three years ago I was on vacation in the same spot I’m sitting in now typing this list.

  • Kyuseido Kakari Fountain Pen. The Kakari is the first pen release from Kyuseido, the new company recently started with C.Y. of Tokyo Station Pens and the Tokyo Inklings podcast. I chose the black PVD titanium version, with a Sankakusen nib grind. It’s worth reading Kyuseido’s description of the “Pump-Piston” filling mechanism - you’ll see why this pen is of interest to so many people. The pen is currently inked with unobtanium: Diamine “Suman” created especially for this past year’s Manila Pen Show that a friend was kind enough to gift to me.

  • Nagasawa Kobe Affection Kyomachi Legend Blue Sailor 1911L. My friends at Vanness Pens are now the exclusive U.S. retail partner for Kobe Japan-based Nagasawa Stationery, and I couldn’t resist taking home two of their current Sailor collaborations from the Dallas Pen Show. The first is the 1911L version of the “Kyomachi Legend” pen, which features a metal section similar to that on my 1911 Black Luster. Currently I have this pen inked with Sailor Souboku in cartridge form. Perhaps the most surprising aspect of this pen is the broad nib I chose. I’ve never used a Sailor Broad (which frankly writes very much like a JoWo medium), and I’m enjoying it.

  • Nagasawa Kobe Pro Gear Mini “Mouette”. The two-toned grey on this one got me, along with the fact that this edition of the Pro Gear Mini doesn’t have threads on the end of the barrel, allowing for quicker deployment. I inked this one up with Taccia Hiroshige-Ainezu, a beautiful grey that I’m enjoying.

Current Setup: Notebooks

I took four notebooks with me: My Roterfaden A5 kitted out with my Laconic Monthly Calendar and two Plotter pads; my older (and now-discontinued) Traveler’s-sized Roterfaden with a few blank Traveler’s Midori MD refills; my Midori 5-Year Diary, and a Bank Paper journal from Atelier Musubi. As I mentioned above, I haven’t done much personal journaling and want to experiment with different formats. So far I’ve managed to write each day for at least an hour! What didn’t I bring? My Plotter notebooks. I use them more as binders to organize papers by topic, and since I’m not actively working on any projects this week I decided to leave them at home as I can incorporate pages from the Plotter notepads as necessary upon my return.

One goal of mine is to streamline my everyday carry. As I journal more, I want to finish up several notebooks “in progress” and limit what’s active going forward.

I hope you enjoyed this little tour of my current stationery life! As you might imagine, things are a bit chaotic right now, but in a good way, as I’m excited about what’s to come. Stay tuned as I have much more to announce over the coming month!

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. This post does not contain paid advertising or third-party affiliate links.

In Editorial, EDC, Travel Tags Travel, Editorial, Notebooks, Pens
4 Comments

New colors of the Mark’style Tous Les Jours!

In the Shop: Mark'style Tous Les Jours Ballpoint and Traveler's Ballpoint Restock

October 4, 2022

Those of us who are partial to marginalia and annotation tend to have strong preferences regarding the tools that we use, and in my case it’s the needle-tip ballpoint pen. Whenever I travel, the Traveler’s Company needle-tip ballpoint is usually found clipped to the cover of the book I’m reading or notebook that’s accompanying me, and when I’m at home, I either opt for a woodcase pencil or one of the Mark’style Tous Les Jours ballpoints, which use an Ohto Needle-tip refill similar to that found on the Traveler’s Company pen. We’re happy to announce that both pens are now back in stock and available for purchase, with the Mark’style pens available in 14 different finishes!

The T.G.S. Curated Shop is an authorized retailer of all brands sold, including Traveler’s Company and Marks. The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program.

In TGS Curated Shop Tags TGS Curated Shop, Pens
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Clockwise from top: Leonardo Momento Zero in Burkina Celluloid, Decimo in Harvest Gold, Camel 2B Woodcase Pencil; Lamy Studio in Olive Green, Visconti Van Gogh “Vincent’s Chair”, Nakaya Long Piccolo, Platinum Plaisir in Bali Citrus.

More Mini-Collections: The Most Underappreciated Color in Stationery?

December 1, 2021

It’s funny - over the years I’ve managed to pick up many pens, notebooks, and pencils on clearance, only to have these surplus (and often heavily discounted) items turn into coveted “grails” years later. Over the past couple of weeks, as I’ve been pruning back my collection, I realized two things: (1) I have a ton of pens in an “anise green” shade that people always comment on (if not try to purchase off me), especially when they see them in person; and (2) this same shade of yellow-green tends to sell very slowly at retail, and often makes up the last of a lot whenever I stock it, even though it’s arguably the best-looking color in products like the Quo Vadis Habana Notebook or the Clairefontaine 1951 Classic Series. On the pen side, Nakaya discontinued their “Nanohana-Iro” urushi finish, and Pilot stopped selling the “Harvest Yellow” Decimo that I’ve been clinging to for dear life over the past few years, as people have tried to pry it from my hands. It’s even become difficult to find pens in a solid shade of yellow-green ebonite, unless you order the rods yourself and have a custom pen made.

From left, my Wakakusa-Iro Nakaya Long Piccolo, Pilot Decimo in Harvest Gold, and the Platinum Plaisir in Bali Citrus.

So I’ll pose kind of a silly question: Is yellow-green/anise green/pea green the most underappreciated color in stationery? Or to frame it for broader discussion: Why do people only seem to appreciate some things after they start to disappear from the market? I suspect that part of the issue with this particular color is that it’s very difficult to accurately photograph, and even if you get a good picture, vast discrepancies in calibration across computer monitors can make it look much too pale, robbing it of its depth, or on the flip side, too dark, making it look flat and boring. I’ve also heard it’s a hard color for manufacturers to consistently reproduce, so you will get a lot of batch variations across a single product line. That said, this isn’t the only “cult color” that disappears only to become insanely popular on the secondary market.

I guess this is yet one more example of me subconsciously building a “mini-collection” that in this case extends across different product categories. In addition to my Nakaya Long Piccolo in “Wakakusa-Iro” (which was a store exclusive from Aesthetic Bay in Singapore), the Harvest Gold Decimo, and other pens such as my Visconti Van Gogh “Vincent’s Chair” and a green-gold Platinum Plaisir in “Bali Citrus”, I ended up purchasing a gross of the Camel 2B pencils from the CW Pencil Enterprise closeout sale because I couldn’t bear to be without a stash of the green ones.

What colors do you think remain underappreciated in the stationery industry? For a while, it seems as though everyone was moving towards matte-black everything, then the clear demonstrators became popular, and now the trend is towards sparkling acrylic/DiamondCast. When manufacturers focus on outdoing one another on the latest trend, we seem to miss out on these more offbeat colors that don’t get a lot of attention, and might attract more fans if companies were willing to take a bit more risk and give these products a chance to distinguish themselves. That said, as participants in this community we also have a responsibility: If you like a particular product, and find yourself wishing that “more companies made something like that,” then buy it if you can. Manufacturers and retailers can’t pay their bills on admiration alone, and we shouldn’t wait for these “cult hits” to go out of stock before everyone starts scrambling to find them.

If you’d like to read more on the subject of “Mini-Collections,” and how I’ve focused my own pen and ink collecting, check out these posts on the Parker Sonnet (one of my favorite under-appreciated pens), and my obsession with red inks, among other things.

This post does not contain paid third-party affiliate links, and all likes are to the T.G.S. Curated Shop or other third-parties who have not compensated T.G.S. for links. Shopping with T.G.S. directly supports original content, pen reviews, pen show events, etc. from The Gentleman Stationer. If you would like to support us even further, please consider checking out the T.G.S. Patreon Program, which offers access to online meetups, exclusive discounts and pre-orders, and more!

In Editorial Tags Mini-Collections, Green Pens, Yellow Pens, Pens, Editorial
3 Comments

The five fountain pens discussed in this post, from left: Platinum Preppy; Platinum Plaisir; TWSBI Swipe; Caran d’Ache 849; and Midori MD. Through Monday (11/29), don’t forget to use the coupon code “BLACKFRIDAY” to get 10% off all orders in the T.G.S. Curated Shop (excluding TWSBI), as well as the “Gently Used” Sale!

Five Knockaround Fountain Pens for the Office and Beyond

November 27, 2021

While Black Friday weekend continues, and everyone is doing their shopping with all the different promotions available, I had the idea to do a short post containing some ideas beyond those in this year’s T.G.S. Gift Guide. I’ve become mildly obsessed with the idea of finding the perfect “knockaround” fountain pen for the office: a functional fountain pen that you can leave in your bag, on your desk at work, or stuck in the loop in your planner and not worry excessively about whether it’s going to “walk away” or get damaged. This category isn’t the same for everyone, since we all operate at different price points, but for reliable fountain pens this category typically starts around $20 (excluding the Platinum Preppy, which is much less expensive).

  1. Platinum Preppy. I know several people who keep a fistful of these pens inked up at all times, either to give away to the fountain pen curious or eyedropped with inks they’re “experimenting” with. Preppies are also extremely inexpensive everyday writers, starting at around $4.50 for the standard version, with even the limited edition “Preppy Wa” pens priced at just over $7.

  2. Platinum Plaisir. Though they feature the same nib, the Platinum Plaisir is a slight upgrade over the Preppy in terms of both looks and durability, since the pen sports an aluminum barrel that comes in a wide array of colors and will take more of a beating than the Preppy. Honestly, the Plaisir will often be my choice over the Preppy (unless I’m eyedroppering to test inks), since I appreciate the added splash of color. Available starting at $22.

  3. TWSBI Swipe. Honestly, TWSBI’s latest low-cost fountain pen has blown me away with its value proposition. Not only do you get a reliable nib from a reputable brand, but unlike any other pen on this list, it ships with a converter (actually, two converters) to allow you to fill with bottled ink, in addition to using a cartridge. Available priced at $26.99.

  4. Caran d’Ache 849 Fountain Pen. Looking for a fountain pen to match your classic Caran d’Ache 849 ballpoint pen or rollerball? The Caran d’Ache 849 fountain pen features a springy stainless steel nib that’s pleasant to write with, and is also somewhat slimmer, allowing it to fit in planner pen loops that might otherwise be too small to fit bulkier fountain pens. Available at $52.

  5. Midori MD Fountain Pen. Sure, the plastic barrel isn’t much to write home about (even if it is tastefully color-matched to the Midori MD aesthetic), but the nib on this pen is exceptional. Midori has taken the same nib used in the Traveler’s Company brass bullet pens and tweaked it so the nib turns slightly downward, supposedly to better hold up to the harder writing pressure of modern users (and probably those inexperienced with fountain pens). The firm writing experience reminds me of a wider (M) posting nib. Available priced at $38.

Please note that of the fountain pens on this list, the Caran d’Ache 849 and the Midori MD Fountain pen take standard international cartridges, while the Platinum Pens and the TWSBI Swipe accept proprietary cartridges sold by those specific brands. If you’re looking for refills for these particular pens, either for yourself or to include with a gift for someone else, we carry standard international cartridges by Caran d’Ache and Traveler’s Company, as well as both TWSBI Cartridges and bottled ink. Platinum Preppy pens ship with one Platinum ink cartridge included.

As always, you can check out other pen recommendations here, as well as posts discussing my thoughts on fountain pen inks and fountain pen friendly paper. Links here are to the T.G.S. Curated Shop or our friends at Vanness Pens, which are not paid affiliate links but merely friendly recommendations. Many thanks for your support!

In Editorial, Guide Tags Guide, Office Tools, Pens
1 Comment

Picking a "Workhorse": How To Choose A Fountain Pen for an Everyday Writer

September 28, 2019

By far the most common question I receive from readers, as well as other people in my everyday life who know that I love pens, is how to choose a fountain pen to use as an everyday writer. Sometimes, they even specify that this will be the only pen they plan to own/use! I basically write for a living, both here and at my day job, so I don’t take this question lightly and it’s also a difficult question to answer, because so much depends on personal preference, not to mention financial circumstances. The truth is that there are a variety of excellent options if what you are looking to do with the fountain pen is actually write. The best choice for you, however, depends upon your particular preferences and circumstances. This post offers my thoughts on different factors you should consider when selecting a pen you plan to use every day.

First, Budget

Be honest with yourself, and don’t feel pressure to stretch financially, because in today’s fountain pen market there are going to be viable options at any price point, even on the extreme low end of the pricing scale. If you are willing to spend as little as $25 you can purchase a reliable pen and avoid serious quality control issues. In any event, even if you have more flexibility, I would think hard before spending more than $200, since using a pen as a daily writer does bring with it the increased risk of loss, theft, and damage.

PenBBS has absolutely blown me away this year. You don’t need to spend a lot of money to get a reliable writer that holds a ton of ink.

Filling System

From the perspective of a writer, a fountain pen’s filling system is more important than many people make it out to be. If I’m busy at work, I can burn through a cartridge or a converter in an afternoon. If I’m in a place where I can’t refill, or don’t want to carry multiple pens, I need a pen that holds a lot of ink. My personal preference is a piston or vacuum filler, since these hold significantly more ink than a converter. Eyedroppers are another option, but for daily use I would highly recommend a Japanese-style eyedropper that uses a valve to prevent ink spilling or burping into the cap when the pen is not in use, especially if the pen will be carried in a briefcase, backpack, handbag, etc. where it’s going to get jostled around.

For those who don’t write a dozen pages or more a day, a cartridge-converter pen should work perfectly well for daily use, and you may find it more convenient to have the cartridge option if the pen runs out of ink at work. Just be aware that many brands (specifically Pilot, Sailor, Aurora, Lamy, and Platinum) take proprietary cartridges, so you will be limited to cartridges and ink colors made by that specific brand, unless you want to refill the cartridges yourself using a syringe or bottle-fill from the converter.

Piston fillers or cartridge-converters? Again, you have multiple options, and the best choice for a daily writer depends on how often you need to refill, and the most convenient option for refilling on the go. From left, the Pilot Custom 74, Lamy 2000, and Pilot Custom Heritage.

Weight and Balance

Once you’ve narrowed your budget and decided what type of filling system you want, the most important consideration becomes how the pen feels in your hand. Remember, you’re going to write with this thing every day, so while looks are important, comfort is key. Two of the most important things I look for in a pen are weight and balance. The two concepts are related, but distinct. By weight, I’m referring to how heavy the pen is. Certain types of pens (particularly metal pens made of copper, stainless steel, or brass) are better suited, in my opinion, for shorter notes and pocket carry, because their heft can make your hand quite tired after several pages. There are exceptions, but I’m dealing in general rules-of-thumb today.

I’ve tried a lot of pens, and none feel better in my hand than the Lamy 2000, which is made of Makrolon, a type of polycarbonate. It’s quite lightweight.

Balance is a different issue, and relates to where the weight of the pen sits. Do you post your pens, like me? If so, make sure that the cap isn’t too heavy because it will back-weight the pen and make writing awkward, even if the pen isn’t that heavy overall. Front-weighted pens (i.e., those with metal sections), typically don’t pose the same problem, since many people, myself included, prefer a pen in which the weight is shifted to the front, which keeps the nib on the paper and offers an additional degree of control over your handwriting. Because weight and balance are such a key consideration, it’s important to be able to either hold a pen in person prior to purchasing, or purchase from an online retailer that permits returns, especially if you’re shelling out a lot of money for a higher-end pen.

Nib Choice

Is the nib the most important part of the fountain pen? Yes and no. If you have a pen that feels great in your hand, but has a crummy nib, the pen isn’t usable, so the nib IS important. However, a bad nib can usually be improved through tuning and/or smoothing. On certain models of pens (TWSBI, Pelikan, Kaweco, among others) you can even switch out the nib and substitute one that’s a different size or even a specialty grind. For that reason, I tend to prioritize the weight, balance, and overall “feel” of a pen over the nib. Unless the nib is absolutely god-awful, it can be adjusted. The size and heft of the pen can’t.

I’ve had great experiences with the nibs on the Leonardo Momento Zero. They’re nothing fancy, but all of mine have arrived well-tuned and they certainly get the job done.

With respect to nibs, what’s most important is choosing the right type of nib for the work you want to do. If you write very small, and your day job (like mine) involves annotating or marking up documents that are often printed on the cheapest recycled paper available, you will likely want to choose something in the extra-fine to medium range and be particular about which inks you use. Those with larger handwriting, and who don’t need to write on cheap paper, have more flexibility to go with a broader nib or even a stub as their daily driver. Unless your day job involves calligraphy, however, I generally advise people to avoid super “soft” or “flex” nibs for everyday writing, as they tend to write far too wet.

Recommendations

Hopefully this short guide is helpful. Readers of this blog won’t be surprised to know that after considering all of the factors above, my own preferred “workhorse” pen is the Lamy 2000. I have several of them, and in addition to the fountain pen regularly carry the rollerball, ballpoint, and 4 Color Ballpoint (multi pen). From a fountain pen perspective, I love the Lamy 2000 because (1) it’s perfectly balanced for my hand; (2) it holds a lot of ink; and (3) I love both the way the hooded nib writes AND how it “disappears” in a crowded meeting room, where you don’t want to be that guy writing with a distracting fountain pen.

When I find a pen model I like, I go all out. Hence my collections of Lamy 2000s and Leonardo Momento Zeroes (pictured here)!

But what works for me may not - and in fact, probably won’t - work for you! While I maintain an annually updated list of pen recommendations, I’ve never published a “ranked” list of “Workhorse” fountain pens because the criteria are so subjective. I won’t rank pens here either, but I will provide several suggestions within particular price brackets. Everything listed here is a pen that I enjoy using and either regularly carry or would have no issues doing so. Where possible, I’ve linked to my own reviews, and otherwise to a retailer I trust.

  • $20-$50:

    • Platinum Plaisir. I’ve come to believe that the Plaisir might be the best “cheap” pen on the market, especially for one that you plan to use regularly.

    • PenBBS 308 or PenBBS 309. The 308 is a cartridge-converter pen; the 309 is a piston filler. The time has come for PenBBS pens to start appearing on recommendation lists alongside TWSBIs. They’re that good.

    • PenBBS 456. PenBBS’s vaccum-filling model, for around the price of a TWSBI Eco.

    • Faber-Castell Essentio. Faber-Castell makes the best bargain-priced steel nibs on the market.

    • TWSBI Eco. If people ask me for a TWSBI recommendation, I often recommend the Eco over the 580 because (1) it posts; and (2) it’s hard to beat the combination of price, availability, and reliability.

    • Kaweco Sport (Standard). If you don’t mind a shorter “pocket pen,” Kaweco Sports are inexpensive, reliable, and come in a wide array of colors. If you prefer chrome trim, check out the “Skyline” model. You can also swap nibs.

  • $50-$100:

    • Faber-Castell Loom. I prefer the Loom to the Essentio because it posts better. It’s only slightly more expensive and uses the same excellent nib.

    • TWSBI 580. If you want a TWSBI that uses interchangeable nibs, opt for the 580 series. If you want a TWSBI with interchangeable nibs that posts, opt for the TWSBI Diamond Mini.

    • Opus 88 Koloro or Opus 88 Picnic. The only eyedroppers I recommend, because they have the Japanese-style valve system that helps prevent “inkcidents.” Be aware that the Omar and “Demo” pens are very large.

  • $100-$200:

    • Lamy 2000. See above. My personal workhorse.

    • Pelikan M200/M205. Another relatively inexpensive piston filler, which comes in a wide array of different colors and patterns, including special and limited editions. Pelikan pens are reliable and will stand up to years of use.

    • Leonardo Momento Zero. A recently released pen out of Italy, available in some exceptionally pretty materials. Lightweight and reliable writers.

    • Pilot Custom 74. An underrated cartridge-converter pen with an exceptional nib. These pens don’t get nearly as much attention as they should. If you absolutely want a piston filler the Custom Heritage 92 is an option for more money.

    • Platinum 3776 Century. A pen that attracts a lot of attention for the collectibility of the limited editions, but also excels as a daily writer. Platinum offers a wide range of nib options for this pen.

  • OK, I want to blow it out ($200+)

    • Sailor Professional Gear (“Pro Gear”). My pick for a high-end cartridge converter pen. Sailor nibs are exceptional, and the Pro Gear is a well-balanced writing instrument, especially posted.

    • Pilot Custom 823. A vacuum-filler that posts well and makes for an comfortable writer despite the larger size.

    • Montblanc 146. Many people won’t carry a Montblanc because they find the branding pretentious. While I agree these pens have become a bit of a status symbol, they’re still great pens, hold a good amount of ink, and despite what people say, the standard Meisterstuck pens aren’t ostentatious.

    • Pelikan M400, M600, or M800. Personally, I think the Pelikan M400 and M600 make better everyday writers because they are much lighter than the M800.

    • Conid Bulkfiller. If you want the ultimate “ink tank” and cost is no object, get a Conid. Bulkfillers come in a wide array of shapes and sizes to suit any preference.

Again, I hope this is helpful! Please reach out through the comments or “Contact Me” link if you have any additional questions, or would like to share any additional information you take into account when choosing your daily writers.

In Guide, Editorial, How To, Workhorse Pens Series Tags Editorial, Workhorse Pens, How To, Pens
12 Comments
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