Pen Review: The Wancher Dream Pen in Dark Blue Urushi

January 31, 2018

The big news of the past week (at least in the pen community) has been the wild success of Wancher's “Dream Pen,” a Kickstarter project that launched last Thursday. Wancher is a Japanese pen company that has been around for some time, but the Dream Pen is their first high-profile product release. So far, the Kickstarter has been successful by any measure, raising more than $215,000 from 550+ backers in less than a week, with 29 days still to go.

The prototype Dream Pen sent to me is a dark blue urushi. It's a gorgeous color.

The goal of the Dream Pen is to make the Japanese urushi and maki-e artistry available “without the luxury markups.” In other words, Wancher is taking aim at a lower-cost market segment disregarded by the likes of Platinum and Nakaya, whose urushi pens start around $700 and move very quickly into the thousands for the more intricate and complex designs. While the Dream Pen is certainly not inexpensive, Wancher’s pricing ($350 Kickstarter / $450 retail) is more in line with what you would pay for a custom Edison or Newton pen with similar specs.

Since this was a relatively expensive loaner prototype, I was careful in terms of how hard I used this pen and where I took it, but I did have the opportunity to "test drive" the Dream Pen. So far, I’m impressed. I found the pen extremely comfortable, lightweight and well-balanced, though like almost all urushi pens it can only be used unposted.

The nib on this particular prototype is one of the better JoWo nibs I’ve used, and I suspect that it’s due to the ebonite feed. Nibs fitted to ebonite feeds tend to be wet writers, so while I loved this broad nib, I’ll likely opt for a fine or medium nib on my final Kickstarter reward.

The Dream Pen features an ebonite feed, which are increasingly uncommon on modern pens.

So should you back the Wancher Dream Pen? It’s a lot of money, so here are the pros and cons, from my perspective:

Pros:

The price point, especially at the Kickstarter price. Well-executed urushi pens with gold nibs and ebonite fees can easily run $700-plus, so if you’ve been considering a similar pen from Platinum or Nakaya, the Wancher should be on your radar.
The Dream Pen features a JoWo nib and non-proprietary cartridge/converter compatibility. I’ve seen some comments to the effect that a JoWo nib is a drawback, in that it’s “boring” and there isn’t any detailing like on Nakaya's gorgeous nibs. Fair enough. But the drawback to Nakaya nibs is (1) the price, and (2) that you're locked into the proprietary Platinum converter, which I don’t necessarily like, and the proprietary Platinum cartridges.
The construction and the build on the Dream Pen are high-quality. The spring-loaded cap was a surprise, and creates a very secure closure. I could not locate a single flaw in the Urushi finish. The pen feels great in the hand and is very well-balanced.

Cons:

Price. Regardless of how this pen compares to other urushi offerings, $350-450 is a LOT of money to spend on a pen - especially a Kickstarter project where you won't have the reward in your hands until late summer, early fall (assuming no delays in production).
Non-lacquered threads. In an effort to keep costs down - which is completely understandable - the Dream pen features non-lacquered ebonite threads. I personally like the contrast, but some may think that they make the pen look unfinished.
JoWo nib. See above. Some people don’t like how they look or write, but as I've said before, it's unrealistic to expect smaller companies to offer a house-made nib and still keep pricing reasonable.
As of now, the Dream Pen does not give you the option of adding a clip, and, like most urushi pens, the Dream Pen does not post.

I ended up deciding to back this pen, and I really hope that there is a yellow urushi option at some point. I’ve been going back and forth on a Nakaya Portable Writer in Nanohana-Iro (yellow) for the past couple years, but I’ve had trouble justifying the $700+ price tag for the pen that I want. I owned a standard black Portable Writer a few years ago, and while I enjoyed the pen, I ended up selling it mainly because it hadn’t spoken to me in the way it would have needed to in order to justify keeping that much money invested. I’m more comfortable with the Dream Pen as a price/value proposition.

The size of the dream pen is roughly equivalent to a Montblanc 146, though slightly fatter and longer. Both pens shown here in a Wancher leather two-pen case.

The fact that this project, to date, has raised over $200,000 in less than a week leaves me somewhat speechless. It definitely speaks to the number and market power of pen enthusiasts around the world, because prior to this, I would have thought “Japanese urushi fountain pens” to be the definition of a hyper-niche market. Wancher has struck a chord, and hopefully this project turns into a massive success and serves as the debut of an exciting new player in the international fountain pen market.

Disclaimer: Wancher loaned me this pen free of charge for review purposes, to be returned upon completion of the review. The pen case pictured in this review was provided free of charge, for review purposes.

Opus-88-Koloro-Demonstrator-Fountain-Pens

Pen Review: Opus 88 Koloro Demonstrators

January 27, 2018

Since entirely new fountain pen brands are few and far between, those that do hit the market tend to immediately catch my attention, especially when the pens being offered are in any way unique. Enter Opus 88.

Opus 88 is a Taiwanese company that, from what I have gleaned on pen forums and other “unofficial” (and unverified) sources of research, previously has manufactured pens on a contract basis for other, better-known pen companies. This past fall, they started selling their own "Opus 88" branded pens in the United States through Pen Chalet. The pens apparently have sold very well so far, with certain colors and nib sizes periodically going out of stock.

Design and Build

Opus 88 currently offers two models: a smaller "Koloro" demonstrator that is available in four colors: blue/tan, blue, yellow/tan, and red, and a larger transparent demonstrator with black trim. The Koloro pens feature a unique combination of ebonite and acrylic. The majority of the barrel is constructed from acrylic, while most of the cap and the blind cap are ebonite. The only trim is a somewhat plain chrome clip.

Both Opus 88 models feature minimal branding, just "Opus 88" on the cap. On the Koloro pens, the branding is engraved. On the larger demonstrator, shown below, it's screen printed, which doesn't look as nice and likely won't be as durable.

The transparent demonstrator (also labeled the “Koloro” on Pen Chalet’s website, but I think that may be a typo) is much larger, made entirely from transparent polished acrylic, and features matte black-plated trim. Both pens are well-made for their price point, with smooth threading on the caps, sections, and blind caps, and no readily apparent tool marks or other manufacturing artifacts. For unique pens hovering around the $100 mark, the Opus 88 pens represent good value.

Filling System

All of the Opus 88 pens released to date are Japanese-style eyedroppers. It’s a pretty basic system: To fill the pen, you unscrew the section and use the included glass eyedropper or a syringe to fill the barrel with ink. I haven’t officially measured the ink capacity, but these pens hold a lot. Pen Chalet states that the smaller pens hold 2ml, but my guess would be that this estimate is on the low end. The larger pen holds nearly 4ml, as I was able to get almost an entire sample vial into the barrel. The section on each pen comes pre-fitted with an o-ring to prevent leakage, and I opted to add a bit of silicon grease to the section threads just to be on the safe side, since I travel so much and an accident could be disastrous.

In order to increase ink flow to the nib, all you need to do is open the valve, which unscrews like a piston knob at the rear of the barrel.

A note on the “Japanese-style” eyedropper system: While the Opus 88 pens are fitted with blind caps that unscrew, this is not a piston-filling or converter pen, and the blind cap does not force ink into or "prime" the feed. Eyedroppers are entirely gravity driven. The purpose of the blind cap is to control a stopper, which seals off ink flow from the barrel to the nib so that ink doesn’t leak out when you’re not writing - a common occurrence in eyedroppers without this shutoff valve mechanism. Without a way to restrict ink flow, shaking, drops, and especially temperature and altitude fluctuations can cause the ink in an eyedropper to expand and “burp” into the cap, into your bag, or even onto the paper when you’re writing. If you plan on using this pen extensively at work or while travelling, as I have, the shutoff valve is a good feature to have, and previously I had only seen it on extremely high-end Japanese Urushi eyedroppers such as those made by Danitrio.

A shot of the Opus 88 Koloro demonstrator with the blind cap unscrewed and the valve opened. When the blind cap is screwed all the way down, the plunger/stopper seals off the nib and feed, keeping the ink in the barrel.

The flip side is that in order to write for extended periods of time, you will need to open the shutoff valve by slightly unscrewing the blind cap to allow a continuous flow of ink to the feed, much as you would need to do with a TWSBI Vac or Pilot Custom 823. This allows ink to flow from the barrel into the section and saturate the feed. You can close the valve at this point, and with finer nibs should have enough ink to write for a page or two. I tend to leave the valve open all day while I’m at work, and close it up when I get ready to go home. The system works incredibly well. With the valve open, I’ve never had these pens dry out, skip, or hard-start.

Writing Experience

Opus 88 uses reliable stainless steel German nibs made by JoWo. The Koloro demonstrators use JoWo No. 5 nibs, while the larger transparent demonstrator uses a No. 6 nib. All three of my pens arrived well-tuned and did not require any nib adjustments. JoWo nibs are among the best stock stainless steel nibs, though I do find that the smaller No. 5 nibs work best in eyedropper or cartridge pens because they tend to write very dry when attached to a converter. I suspect this has something to do with the construction of the feeds in the No. 5 nib units, but I haven’t done enough experimenting to say for sure.

Nib size comparison: JoWo No. 5 (left) vs. No. 6 (right)

Both Opus 88 models are quite light, and therefore very comfortable to write with for long periods of time. The Koloro posts easily, even with the blind cap partially unscrewed, and I tend to use the smaller pen posted. The big transparent eyedropper doesn’t post, so it mainly sits at my desk at home.

Takeaways and Where to Buy

As far as I’m aware, Pen Chalet is the exclusive distributor of Opus 88 fountain pens in the United States, though that may change as these pens attract more attention and become more widely available. Personally, I hope they do, because Opus 88 should have a hit on their hands with eyedropper fans who need a pen that holds a ton of ink and who don’t want to worry about the perils of temperature fluctuation and messy ink burps. Eyedroppers aren’t for everybody, however. They tend to be messier to fill and to clean, and if you like the look of these pens I’d recommend that you start out with one of the smaller, less expensive Koloro demonstrators, which is a much more practical size that will appeal to most people.

The multicolor ebonite and acrylic “Koloro” demonstrators are currently priced at $93 (minus whatever discount code Ron has running at any given time). The transparent demonstrator is available for $120 (minus applicable discounts).

Disclaimer: Pen Chalet is a paid sponsor of this blog. I purchased these pens from Pen Chalet at a discount for purposes of this review. This post contains affiliate links.

My Workhorse Pens: Montblanc 146

January 24, 2018

I often get asked, at pen shows or by e-mail, what fountain pens I use on an everyday basis. I do change them up a lot, which is how I manage to keep up the pace on pen reviews, but there are several pens that are “constants” in my rotation.

What is a “Workhorse Pen”?

The term “workhorse” gets thrown around a lot in pen reviews, casually used to denote a pen that’s not necessarily fancy, but rather intended to serve as a utilitarian daily writer. I’m as guilty of this as any. The problem with such broad categorizations, of course, is that one person’s “workhorse” might be completely impractical for another. For example, the TWSBI 580 is commonly offered as an example of a reasonably priced pen intended as an everyday writer, but it doesn’t work for me as a personal “workhorse” because I can’t post the cap (more on this below).

So before I get started on this new series of pen reviews, I wanted to take a few moments to define my criteria for considering something a “workhorse” - something I’ll keep inked up nearly 100% of the time.

The pen must post. Just as the watches that I wear need to have a “date” complication, the pens I use every day need to post. I often have a “busy” desk full of documents that I’m working on, or trying to sort out into some order that makes sense. I can’t worry about where I set the cap to write because it will go missing. I’m speaking from experience here. I have pens that don’t post, but they’ve been living in the Penwell.
The pen must be well-balanced. For someone who takes perhaps a dozen pages of handwritten notes per day, my pen can’t cause my hand to cramp. If the pen is lightweight, there’s a broader range of lengths that will work for me, but a pen that’s too long, especially if it’s back-weighted when posted, is a nonstarter.
The design must be understated. I spend a lot of time sitting in courtrooms/depositions/boardrooms taking notes, trying to be inconspicuous. I leave any flashy or “unique” fountain pens at home. Sorry, Visconti.
The nib can’t be too wet to write decently on cheap paper. Most nibs can be tamed with smart ink selection, but some (i.e. most Omas and Visconti nibs) write far too wet with any ink for me to be able to use them at work.
The pen must have a relatively large ink capacity. It pains me to say that I generally can’t use Sailor pens with nibs broader than a “fine”, since the Sailor converter has a ridiculously small capacity. Sure, I can use cartridges or switch pens in the middle of a meeting or deposition, but there’s no good reason why I should have to.

I really had to work to get this 1980s-era Montblanc 146 medium stub nib to write perfectly. Subsequent Montblanc purchases haven't been as finicky.

What I don’t worry about when choosing a pen that I think might make a good workhorse? How the nib writes out of the box, and for the most part, price. Temperamental nibs can almost always be tuned or ground by a nibmeister to something more appropriate, and while I’ve never spent $1000+ on a pen, I don’t worry about dropping a fair bit of money on a pen I know I’ll use all the time because I think of it in terms of the cost of long-term ownership. (i.e., The $400 I spent on a used Montblanc 146 - nibwork included - more than evens out over the six or so years I’ve owned the pen, and it's still going strong.)

Workhorse No. 1: Montblanc 146

It’s been years since I reviewed the Montblanc 146, and I’ve owed this iconic flagship a revisit. When I first published my review, I struggled with an iffy, 1980s-era medium nib that Mike Masuyama finally managed to fix. I now love that original pen, and I over the years I’ve picked up two more: a 146 Ultra Black and a 146 UNICEF limited edition.

From Left: The Montblanc 146 UNICEF Special Edition; the Montblanc 146 Ultra Black, and my standard 146 (1980s era).

Along with the Edison Menlo, Lamy 2000, and Sheaffer Legacy (other great “workhorses” that will get the same treatment here in the coming months), the Montblanc 146 has the perfect shape and functionality for me to use every day. The pen posts, has a well-balanced torpedo/cigar shape, and holds a ton of ink.

Nibs are where Montblanc will get you. Their standard nibs aren’t necessarily bad, but they tend to be over-polished with a bit of a baby’s bottom, meaning that they will hard start occasionally, especially on super slick paper like Rhodia or Clairefontaine. Mike Masuyama has ground most of my Montblancs to a .6mm stub/cursive italic hybrid, which makes for a very smooth writer that still retains a bit of line variation. I generally prefer cursive italic nibs over stubs for everyday use because they aren’t as wet for when you need to write on cheap paper.

The "Snowcap" isn't an uncommon sight in the corporate world, even today.

I’ll go ahead and address this because I know I’ll get the question: Doesn’t using a Montblanc violate Rule No. 3 (“The pen must be understated?”) Not for my purposes. Montblanc pens are fairly common in the corporate world, so unless you’re going to use something like a Skeleton or one of the crazier Writers Editions, you'll attract little, if any, attention.

The ruthenium plated nib on my Montblanc 146 Ultra Black.

The 146 also doesn’t have to be a pen that breaks the bank. If you’re looking for a pen in decent working condition, and don’t mind dealing with a few cosmetic blemishes, you can find them for as low as $250 at pen shows, which is around the same price as a new Sailor Pro Gear or 1911. Sure, the special editions will set you back a bit more, but the prices are generally in line with the rest of the market, provided you shop around and don’t pay MSRP at the Montblanc boutique.

Where to Buy

If you’re interested in acquiring a Montblanc 146, you have many options, ranging from the secondhand eBay market to the Montblanc Boutique. If you're new to pens, I'd advise you to proceed slowly, since there's a thriving market for counterfeit Montblanc pens and it's worth it to do your diligence and make sure that you purchase from a reputable seller. Here are some options to get you started:

Pen Shows. Where I purchased my first Montblanc 146. You can find exceptional pricing at pen shows (often 10-20% below what retailers sell for online), especially if you're willing to look at a secondhand pen, which is where I'd suggest you start. Larger shows like the D.C. Pen Show will have the best selection.
Anderson Pens. Our sponsor Anderson Pens is an authorized Montblanc retailer that sells both new and gently used pens, including the 146. They sometimes have stock that is not listed on their website. Be sure to reach out and let them know exactly what you are looking for.
Appelboom. Appelboom, another sponsor and authorized Montblanc reseller located in the Netherlands, carries the full range of Montblanc Pens, including the UNICEF and Ultra Black 146 pens pictured here. I purchased a UNICEF 144 Classique from Appelboom and was very pleased with the experience.

Disclaimer: I purchased all three pens shown in this review with my own funds, for my own use.

Editor's Note: The "Workhorse Pens" series is something new that I tried. Did you like this series? Did I leave anything about the pen out that you wanted to know? Do you have any additional questions about how I use my pens that you'd like me to address in future installments? Should I drop this entirely? Let me know!

My 2018 Notebook / "Planner" Loadout, Clockwise from Top Left: The Bellroy A5 Work Folio loaded with a Midori MD A5; Roterfaden Taschenbegleiter A5; Baron Fig Confidant with One Star Leather Cover; Nanami Paper Cafe Note B6 with Gfeller Leather Cove… — My 2018 Notebook / "Planner" Loadout, Clockwise from Top Left: The Bellroy A5 Work Folio loaded with a Midori MD A5; Roterfaden Taschenbegleiter A5; Baron Fig Confidant with One Star Leather Cover; Nanami Paper Cafe Note B6 with Gfeller Leather Cover.

My 2018 Notebook Setup, Plus a Planner Giveaway!

January 20, 2018

I forwent a Hobonichi Techo for 2018, after three years on the wagon. Why? Both to give myself the opportunity to try something different, but also to pare things back. I had at least seven different notebooks going at once last year, and it not only became mentally exhausting to keep track of what each of these notebooks was for (not to mention where they were located at any given time), but this "system" was extremely bulk to carry around. Since the Hobonichi was the one that received the least amount of practical use, and to be honest was starting to feel more like a daily chore than anything else, it was one of the items that went on the chopping block.

So what does my setup for 2018 look like? I've narrowed it down to four notebooks that I use on a regular basis. I do use pocket notebooks as well, but primarily for things like quick idea capture, shopping lists, or a scratch pad.

Daily Carry for "Day Job" Projects. To track work projects I use a combination of a digital calendar and a loosely defined "bullet journal" that currently lives in a Midori MD A5 notebook. I'm thinking of trying out the Midori Cotton paper next, or moving this notebook to a Nanami Paper Crossfield. This notebook has been traveling with me every day in a zippered A5 Work Folio by Bellroy.
Daily Carry for "Personal/Side Gig" Projects. A Roterfaden Taschenbegleiter set up as a three-subject notebook using smaller A5 softcover notebooks from Baron Fig and Nock Co. OK, while technically it's not a "single notebook," it's as close as I'm going to get. The Roterfaden gives me a way to keep track of all of my side projects in one place.
Personal Journal. I've been using the Nanami Paper Cafe Note as a substitute for the Hobonichi, and it's both a nice size and a welcome change to be able to write/journal without (in my opinion) the unnecessary pressure of dated pages. I'm sure some people won't agree with me on this, but there are days when (1) nothing happens worth journaling about; or (2) you're just too exhausted or busy. I HATE ending up with blank dated pages, and I'm too OCD to restrain myself from going back and filling them in. The B6 size on the Cafe Note is insanely convenient in its portability, and the Gfeller natural leather covers sold by Nanami Paper are beautiful.
Brainstorming Notebook. My Baron Fig Confidant, inside my One Star Leather Cover. This book typically sits at my desk for morning pages/brainstorming sessions, and any ideas that merit further development will eventually find their way into one of these other notebooks. I could also see the Baron Fig switching places with the Midori as a "Day Job" project planning notebook at some point.

So far, this system has worked nicely for me, and I've stuck with it for two months without a hitch. (I actually started in early December 2017.) However, I also have a couple of paper planners that people have given me, that I won't use in this current system and I can now pass along to you readers in a giveaway! I need to get these out the door before any more time elapses in 2018. The prizes are:

Karst 2018 Stone Paper Planner. This Stone Paper planner from Karst surprised me. Having heard not-so-great things about Stone Paper products in the past, mainly due to their inability to play well with liquid inks, my expectations were low, but this Karst version actually handled the two fountain pen inks I tested (Skrip Red and Robert Oster Maroon 1789) with a Tomoe River-like dry time. Ballpoints, gel pens, and even a liquid ink Pilot V5 also worked. This sturdy hardcover planner is set up in a weekly format with four days to a page. Due to the waterproof and tear-resistant properties of Stone Paper, it may be a good option for those who tend to be very hard on a paper planner. I'm looking forward to trying one of their hardcover notebooks.
Slice Planner. You may recall that I reviewed the Slice Planner last year, which was developed as a hybrid digital-analog planning system that pairs a notebook with an app on your phone. The folks who developed the Slice Planner recently sent me a copy of their updated notebook, with upgraded paper and what feels like a more durable cover. As I mentioned in my previous review, I enjoyed my time with the Slice Planner, and if you can make Chronodex-style planning / time-tracking work for you, it should merit your consideration.

Giveaway Rules / Terms and Conditions

To enter, simply leave a comment on this post. Giveaway closes at 11:59 pm CT on Saturday, January 27, when I will assign a number to all comments and randomly select two winners using a site like random.org. I will post the names of the winners here in next week's Sunday Reading post. Many thanks to both Karst Stone Paper and the team at Slice Planner for providing these two notebooks for review and giveaway. Note that each of these planners may have some small amount of writing on a blank page at the back, which I used to test the paper. Please see the links above for information regarding value, etc. of the respective prizes.

Disclaimer: This post contains links to paid sponsors and affiliates. The Bellroy Work Folio, Karst Stone Paper Planner, Slice Planner, and One Star Leather Notebook Cover all were provided to me free of charge for review purposes. The Roterfaden and Cafe Note were purchased with my own funds for my own use.

Baron Fig Double Release: "Lock & Key" Confidant and Squire

January 17, 2018

Baron Fig has announced their first limited edition of 2018, and this time it's a Confidant/Squire combination! The "Lock" Confidant is a gorgeous dark "forest green" color, with a debossed maze cover and a puzzle insert. The brass Squire - a first for Baron Fig - sports a "key" motif, and the packaging from the pen contains a code that you can use to decipher the puzzle hidden in the Confidant.

The last few limited edition Squire Pens have sold out quickly - as in, within a day or two of release - so jump on this one quickly if you're interested. I've spent the last two days writing exclusively with the brass Squire, and if you like brass pens, this is a good one. The brass will patina quickly: mine has already started to develop after a few hours of use. It's not light by any means, but since the Squire is a shorter pen with excellent balance, you don't necessarily feel the weight of the material. I'd compare the writing experience, in terms of comfort, to that offered by the Kaweco Brass Sport or Supra or the Inventery Machined Pen.

Takeaways and Where to Buy

I won't go on again about how the Baron Fig Confidant and Squire are two tools that I use on a near-daily basis and can readily recommend, because I've written a lot about both. You can purchase the Lock & Key Squire/Confidant set directly from Baron Fig for $77. This gives you a slight discount, as the notebook and pen are priced at $20 and $65, respectively, if you purchase them separately. This particular limited edition Squire costs $10 more than the standard pen, which is more than fair due to the brass construction.

As I mentioned, I expect at least the pen to sell out quickly, and this one is even more unique than past releases, so don't wait if you want one. Great job by Baron Fig on their first limited release of the year, and I can't wait to see what else they have in the queue.

Disclaimer: Baron Fig sent me the pen and notebook featured in this review free of charge, for review purposes.