A Modern Classic? Montblanc Heritage Collection 1912

September 29, 2018

The Montblanc Heritage 1912 falls squarely within the “niche pen” category that certainly won’t appeal to everyone, but offers a glimpse of what storied, experienced brands like Montblanc are capable of when they reach into their back catalog for inspiration. I’ve had mine for a couple years now, and while it was an expensive purchase that required me to liquidate a significant chunk of my pen collection to be able to buy it, I’ve enjoyed every minute of owning and using this pen.

The Heritage 1912 is compact, which makes it a fun pen to carry for work, though you do have to mind where you set the cap because the pen doesn’t post.

This pen’s full name is the “Heritage Collection 1912 Fountain Pen,” which for simplicity’s sake I’ll refer to as the “Heritage 1912.” If you’re familiar with fountain pen history, and especially vintage Montblancs, you’ll notice the resemblance to the Simplo “Safety Filler” from the early 20th century. The key innovations of safety fillers like the Simplo included retractable nib mechanisms and a screw-on cap, both of which made early hard-rubber eyedropper pens less likely to leak. This pen, of course, is resin, not hard rubber, and it’s not a true “safety filler” eyedropper pen but rather a piston-filler that features a retractable nib.

The Heritage 1912 with the nib extended, and…

The filling system on this pen is one of the more unique in my collection - it’s a piston filler where the piston knob has been modified to control both the filling system itself and the retractable nib mechanism. (Pictures and descriptions are included below.) Concerned that you might accidentally cap the pen with the nib extended? Worry not, because Montblanc designed a failsafe in the cap that keeps you from screwing the cap on in a manner that damages the nib. There’s a thin metal rod mounted in the end of the cap that blocks the cap from closing and bending the nib tines.

In its standard position, the piston knob rotates to extend/retract the nib.

Once the nib is extended, you pull out on the piston knob to engage the filling mechanism, which works like a regular piston filler. Once you fill the pen, you push the knob back in.

Don’t get me wrong, I own far more functional fountain pens than the Heritage 1912, which has its drawbacks as an everyday writer. For starters, the pen doesn’t post. Also, a smaller ink capacity limits your ability to use the Heritage 1912 with broader nibs: the pen holds less than 1 ml of ink, which I worked around by having Mike Masuyama grind my fine nib to a .4mm cursive italic. If you can overlook these two issues, however, the Heritage 1912 is a superb writer. The resin body has exceptional balance, with the filling system/mechanism lending this smaller pen some weight. The 14k, rhodium-plated nib has quite a bit of spring/bounce (NOT flex) to it, and I’d consider it one of the best Montblanc nibs I’ve ever used.

The design element that drew me to this pen was how Montblanc treated the Snowcap. Montblanc describes its emblem as “encased in transparent resin and coated in mother-of-pearl lacquer.”

A size comparison shot of the Montblanc Heritage 1912 against my recently acquired - and sharp looking - Retro 51 “The System” pencil from Mike Dudek of the Clicky Post!

Takeaways and Where to Buy

I count myself an unabashed fan of Montblanc, especially when they branch out of their standard comfort zone of pens based on the Classique/146/149 templates and do something unique like the Heritage 1912. There’s nothing else like this pen in my collection, and if I ever had to narrow my pens to a handful, this one would easily make the cut. I would wholeheartedly recommend this pen to any Montblanc enthusiast or those who’d like to experience the feel of a vintage safety filler but want a pen that they can use everyday without worrying about damaging a valuable antique.

The Heritage 1912 can be somewhat challenging to find, but it is part of Montblanc’s standard lineup and not a special or limited edition. Site sponsor Appelboom currently has the pen available for around $850 USD (depending on the exchange rate), which certainly isn’t inexpensive but also doesn’t approach Montblanc’s premium pricing on its Writer’s Editions and other limited offerings. (If you really want to blow it out, you could spring for the much larger Heritage 1914, which retails in the many thousands of dollars/euros. I’ve never seen one in person, and presume they were made in much smaller quantities.) Other Montblanc retailers who stock the Heritage 1912 include La Couronne du Compte and Fountain Pen Hospital.

Disclaimer: I purchased the pen featured in this review with my own funds, for my own collection. This post does contain affiliate links.

Platinum 3776 Revisited: My Thoughts 2+ Years Later

September 26, 2018

Now that this blog is more than four years old, I’ve come to a point where I can start revisiting pens I reviewed in the “early days,” such as the Platinum 3776 “Century”. I previously reviewed the standard models of the Platinum 3776 Century back in 2016, and my overall impressions from that review still hold true. Moreover, Platinum has dropped the U.S. price of the standard 3776 to a more competitive price point that hovers in the $150 range, depending on where you shop and the availability of store-specific discount codes.

The Shungyo limited edition in my favorite color (red!) on the left, and the crystal clear Oshino demonstrator on the right.

Since that review, however, my personal collecting has focused more on the special and limited edition 3776 models, particularly the “Mt. Fuji” series of limited editions. I have two of these pens, pictured here: The “Shungyo” Limited Edition, which is part of the "Fuji Shunkei” (seasonal) series where the pens are inspired by seasonal views of Mt. Fuji; and the “Oshino” Limited Edition, named for the Oshino Hakkai spring under Mount Fuji. (You may have also seen pictures of the recent Kumpoo (“Balmy Breeze”) model, which I passed on because the color just isn’t my thing - not necessarily because of the somewhat cringe-inducing name.

Unlike the standard Mt. Fuji special editions, the Fuji Shunkei editions have added texture on the body. While my Oshino demonstrator is completely smooth, the Shungyo pictured here features lightly etched lines, which I find relatively subtle. The … — Unlike the standard Mt. Fuji special editions, the Fuji Shunkei editions have added texture on the body. While my Oshino demonstrator is completely smooth, the Shungyo pictured here features lightly etched lines, which I find relatively subtle. The texture on the recent Kumpoo limited edition is more pronounced.

So why do I enjoy this pen so much? Like other favorites such as the Parker Sonnet, the Pelikan M400/M600, and the Montblanc Meisterstuck Classique, the 3776 Century is a perfect size for me, especially when posted. It’s a touch larger than the Sonnet, but smaller than the Montblanc 146. And the fact that the Platinum 3776 features a cartridge-converter filling system means that it’s extremely lightweight. These pens are made to write, and perfect for long workdays.

The Platinum 3776 is an ideal size and weight for me posted. I rarely use this pen unposted, but I’ve added a picture below to give a sense of the size.

Note: Though not something I focus on, since I tend to use my pens pretty extensively and it would be nearly impossible for me to let a pen sit this long, all Platinum 3776 “Century” pens feature Platinum’s “Slip and Seal” cap, which supposedly prevents the ink from drying out in the nib for 24 months. (I say “supposedly” only because I’ve never tested it nor do I have any intention of doing so - I have no reason to believe that Platinum’s claim is inaccurate.)

Oddly enough, the only problems I’ve experienced have been with the nibs - supposedly Platinum’s strong point. Both the UEF (“ultra extra fine”) nib on my Chartres Blue demonstrator and the fine nib on my Oshino wrote extremely dry out of the box, and needed to be adjusted. I’ve heard mixed reports from other people. Some nibs apparently write perfectly, others have the same issue that I did. I’m not sure whether it’s a quality control problem, or that my writing style might be incompatible with how Platinum’s standard fine nibs are tuned. On the other hand, the medium nib on my Shungyo wrote flawlessly out of the box.

Takeaways and Where to Buy

Though Platinum still receives less acclaim in the broader pen community than its “sibling brand” Nakaya, Platinum pens feature essentially the same nibs and offer a compelling value proposition on both their standard and “special edition” pens. They’ve also become more widely available in recent years, with most major pen retailers stocking Platinum and receiving an allocation of the latest limited and special editions. I purchased both pens pictured here from site sponsor Pen Chalet.

The Oshino demonstrator is still available, and currently on sale at a very attractive price. The Shungyo Pen, however, has been sold out for quite some time in regular retail channels, but they still come up occasionally on Amazon. They are starting to appear less frequently as several new models have come and gone since the Shungyo’s original release.

Disclaimer: This post contains links to paid sponsors and affiliates. I purchased both pens featured in this review using store credit from Pen Chalet that I earned through their affiliate program.

A selection of Pelikan Hubs Swag sent over from Hanover, including some ink testing cards and a metal plaque that were given away to a lucky winner!

Thanks to Everyone Who Made It To Pelikan Hubs Nashville 2018!

September 22, 2018

Yesterday, at 6:30 p.m. in various locations around the world, Pelikan enthusiasts around the world met for the fifth year in a row to share their love for fountain pens, and the Pelikan brand in particular. The Nashville hub met at the excellent Stout’s Burgers & Beers in Brentwood, where we had the back room reserved and were joined by Lisa Vanness from Vanness Pens, who drove over from Little Rock for the event! Follow the hashtags #pelikanhubs and #pelikanhubs2018 on social media (including my Instagram @gentlemanstationer) for additional pics from the Nashville hub and other events around the world.

All Pelikan Hubs attendees receive a bottle of the Pelikan Edelstein “Ink of the Year,” which this year is Olivine, a very nice dark green that I’m looking forward to using.

Don’t forget, as part of a special Pelikan Hubs weekend “bonus,” Vanness Pens is staying in the Nashville area for a meet-and-greet on Saturday from 1-4 p.m. at the Homewood Suites, 5107 Peter Taylor Park Drive, Brentwood, TN 37027. There’s a huge common area in the hotel and Vanness will have plenty of pens, inks, and paper to test, so if you’re in the Nashville area please stop by!

Finally, steps have been taken to formalize a Nashville-area pen club using Meetup.com. Sign up here to receive notifications of upcoming gatherings and events.

Pen Review: Montblanc M Ultra Black Fountain Pen

September 19, 2018

Once again, I’m a bit late to the party here in reviewing a pen that’s been out for a while - the Montblanc M by Marc Newson, a collaboration between the venerable (and somewhat staid) German brand and the industrial designer, most recently known for his status as a senior member of Apple’s design team. The version featured here is from Montblanc’s “Ultra Black” series, which means matte black resin and ruthenium trim - a combination that’s a personal favorite of mine. (This isn’t the first “Ultra Black” pen I’ve reviewed. You can check out some shots of my 146 Ultra Black here.)

As one would expect from the “Ultra Black” designation, this pen features a ruthenium/rhodium plated, two-toned 14k gold nib, available in fine or medium. The particular pen I’m reviewing here has a fine nib, which writes a relatively wet line with just a touch of tooth. I wouldn’t call it scratchy, just tactile. The textured ruthenium-plated section is comfortable to hold, and the metal ridges offer a nice gripping surface. The balance and overall ergonomics are also nice, though as I’ll discuss further below, you can’t post the cap.

There is a fairly significant step-down from the barrel of the pen to the grip section, which isn’t sharp, but I can still feel it when writing. Note the orange highlight, which adds a pop of color and stands out nicely on the otherwise dark design.

Two aspects of the pen’s design might make this one a no-go for many people. First, the Montblanc “M” Series is a cartridge-only fountain pen. While you may be able to find a shorter converter that fits the barrel, no converter ships with this pen and Montblanc markets this pen as cartridge-only. Second, there is absolutely no ability to post this pen due to the placement of the signature feature, the “plateau” on the back of the barrel emblazoned with the snowflake.

Where Montblanc has excelled, however, is the magnetic cap, which automatically aligns the clip with the “snowflake” logo on the “plateau.” It’s quite accurate, and fun to play with. The platinum-plated clip is different from what Montblanc normally uses on their pens, adds a modern, clean look, and has great tension so that it clips easily to a shirt pocket.

A shot of the split-pronged clip and the two snowflakes. Design-wise, this is certainly a pen that’s grown on me.

Takeaways and Where to Buy

The Montblanc “M” series draws strong opinions - people tend to love this pen or actively dislike it. I think part of that is the fact that it’s such a departure from Montblanc’s standard line that the pen doesn’t appeal to the “purists” - those drawn to the more traditional Meisterstuck pens and the special and limited editions based off the Classique, 146, and 149 models. On the whole, I like this pen, but it’s probably not one that will end up in my collection in fountain pen form. The step from the body to the section bothers me a little bit, and something about the form factor seems to lend itself more to a ballpoint/rollerball than a fountain pen. For longer writing sessions, I’m not sure that this pen would be my choice, but for short jottings at work with Montblanc’s excellent ballpoint and rollerball refills, I’m still considering picking one up.

Many thanks to site sponsor Appelboom for loaning me the pen featured in this review. The Montblanc “M” series currently retails at $540 for the fountain pen version, or $400 for the ballpoint and rollerball version. Prices listed here are approximations and subject to change due to the EUR/USD exchange rate.

Disclaimer: This post contains affiliate links, as TGS is a member of Appelboom’s Affiliate Network. For more information, please see our privacy and cookie policies.

A size comparison shot, from left: Franklin-Christoph Model 20, Montblanc M Ultra Black Fountain Pen, Montblanc 146 Ultra Black, and Platinum 3776 Oshino Demonstrator.

Testing Out "Tester Pens": What's the Role of the "Cheap" Fountain Pen?

September 15, 2018

You may have noticed that I’ve been trying to reintroduce ink reviews on the site by - well, reviewing more inks. A couple things make this a challenge for me. First, I do use my pens regularly outside of the work I do here on this blog. I have a writing-intensive job with an output that regularly exceeds 20 (typed) pages per day, and the way I work/think involves a lot of longhand note-taking and sketching out ideas before I even start on the computer. These notes are frequently shared among colleagues, and handwritten markups of documents scanned and e-mailed to clients. That’s a long way of saying that whatever ink I use in my daily writers needs to be something that I know is reliable and works well on cheap recycled copy paper, which limits my opportunities to experiment with new inks that I don’t know much about, not to mention properties like sheen and shimmer.

At the same time, I don’t like to write ink reviews based on a swab and a couple lines of writing with a dip pen. That doesn’t give me any sense of how the ink truly “performs,” and whether it’s something I could legitimately recommend for daily use - which is what I try to keep the focus on here. But I also don’t want to ink one of my favorite writers up with an “unknown” ink and just have it sit indefinitely (or stain, clog, melt, etc. if the ink turns out to be not-so-nice). So what to do? Enter the low-cost tester pen.

Earlier this year I discovered Wing Sung demonstrators. These inexpensive Chinese piston fillers were some of the best cheap pens that I’d used to date, and that impression has not changed. Even better, Wing Sung continues to release a steady stream of new models, often sold in packs of four or five pens that gets the price down to a few dollars per unit. This eliminates any risk of testing out “higher maintenance” inks in my nice pens.

Wing Sung 3008 Demonstrators, which I first learned about at this year’s DC Pen Show.

So right now I have a dozen or so Wing Sung demonstrators inked up with an equal number of inks I’m testing, sitting in a cup on my desk at home. Four of them are loaded up with various Colorverse “glistening” inks (Ham, Hayabusa, Brane, and Gluon). The rest contain various Noodler’s permanent and quick-drying inks and some highly saturated Private Reserve Colors. Surprisingly, the extra fine nibs on all of these pens are good writers, and I’ve found myself reaching for them at home quite a bit when I’m working at my desk there. If the inks turn out to be serviceable, I’ll slip one of the tester pens into my pen case and take it to work for the day, giving it a more extended “audition.” If I don’t like it, and it sits so long that it clogs or stains, so what? I’m liking my new system.

So Which Pens Am I Talking About, Exactly?

I’ve purchased all of my Wing Sung pens via Amazon, and the Sellers don’t always make the model number clear, so it can be difficult to know exactly which pen you’re buying. The piston fillers that hold the glistening inks are the Wing Sung 3008, which are sold in packs of four and feature different colored aluminum caps and trim. (I first learned about these because Ana had them at the 2018 DC Pen Show.) The rest of the pens are Wing Sung 3010 and Wing Sung 3001 demonstrators, which are cartridge-converter pens that feature a surprisingly good converter. (So good, in fact, that I’m going to see if this converter fits other pens. It seals really well, and includes a small spring in the barrel which breaks surface tension, ensuring good ink flow.)

So far, I’ve been pleased with all of these pens. Of course, at this price point I don’t expect them to last forever. In particular, the pistons and converters will eventually wear out, or the plastic will crack after repeated capping/uncapping. But in the meantime, enjoy them for what they are: fun demonstrator fountain pens that you can fill up with the craziest of inks, safe in the knowledge that if things don’t work out, at most, you’re out a couple bucks.

Disclaimer: This post contains links to paid sponsors and affiliates.