2025 San Francisco Pen Show Recap, Part III: My Pen Show Haul Video Walkthrough!

The third and final installment of my 2025 San Francisco Pen Show recaps is a walkthrough of the items I brought back with me from the show! I discussed these in a little bit of detail in Part I, but there are a few extras in this one, plus a writing sample with the glass pens. Be sure to check out the rest of the San Francisco recaps:

• Part I: General Show Impressions

• Part II: Takeaways from Workshops and Seminars

That concludes pen show season for me. See you at next year’s shows!

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2025 San Francisco Pen Show Recap, Part II: Panel Takeaways

In Wednesday’s general recap of the 2025 San Francisco Pen Show, I discussed how one of my favorite aspects of the San Francisco Pen Show is the content. The show offers a wide range of classes, workshops, and discussion panels on topics ranging from nib tuning to calligraphy to zentangling, and of course fountain pens, inks, and paper! Today I’ll discuss my observations and takeaways from the two I attended last weekend.

Thursday Evening Panel Discussion: Exhibitors from Singapore and Japan Discuss Their Preferred Inks, Pens, and Paper

For me, the show kicked off on Thursday night with a panel discussion moderated by Lisa Vanness of Vanness Pens. The panel featured four guests: Naoyuki Takeuchi, the head of Ink Planning and Development at Nagasawa Stationery in Kobe Japan; Daryl Lim of Atelier Musubi; Satoru of seY Pen; and renowned nib artisan Yukio Nagahara, who attended the show with his company The Nib Shaper. (I was lucky enough to snag a front row seat since I agreed to act as “Timer” and did my best to keep everyone on schedule.)

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Takeuchi-san discusses his favorite fountain pen while his translator Anastasia looks on. Photo credit to Matthew Chen / Vanness Pens.

The discussion (and the follow-on Q&A) continued for well over an hour, so a complete recap of all the topics that were discussed is impossible. That said, here are my top three takeaways that I found the most interesting/insightful:

1. How does Nagasawa come up with ideas for hundreds of inks? More on this below, but Takeuchi-san provided some insight into how he comes up with ideas for the nearly 200 inks in the “Kobe Inks” collection. Interestingly enough, he described being able to “see things in color,” meaning that when he sees a landscape or building or natural wonder, he sees the color, as opposed to the shape. All of the Kobe Inks are inspired by landmarks and scenery around Kobe Japan, and the colors they evoke.

2. Do different regions/countries have different paper preferences? Apparently, the answer is yes, and I found this part of the discussion fascinating. According to Daryl Lim of Atelier Musubi, the North American fountain pen market strongly prefers ultra smooth, coated papers such as Tomoe River and Cosmo Air Light, whereas the Asian and European markets prefer more absorbent/textured paper such as Midori MD Cotton and similar European products with higher cotton content. My personal observation is that the North American market (and particularly the U.S. market), is heavily influenced by the belief that unless paper has absolutely zero bleedthrough/showthrough/feathering, it cannot be considered “fountain pen friendly” and should not be used or sold as suitable for fountain pens. Other markets are apparently much more tolerant of different ink behaviors on different paper, and will even accept slight feathering on certain paper in exchange for the shorter dry times and more cushiony writing feel.

3. How was the Naginata/Kodachi nib developed? Another of my favorite answers, in which Yukio Nagahara was asked about the story behind the development of his father’s “Naginata” nib that was created for Sailor and now has taken on a life of its own, with Nagahara-san having named his particular version of the nib the “Kodachi”, and also having taught other nib workers such as Matthew Chen the grind so that they can add to the wealth of nib options out there. The metaphor he used was “water falling on a stone,” as the nib grinds evolve over time as each maker perfects their technique.

Saturday Ink Seminar with Nagasawa Bungu Center

On Saturday, Nagasawa representatives held their own seminar in which Takeuchi-san and his translator Anastasia discussed the history behind the Sailor Kobe inks and explained in-depth how the inks were created in the years following the Great Hanshin Earthquake that occurred in 1995 to raise the community’s morale by celebrating the city following the devastation that occurred. The inks are numbered in the order they were created, and according to Nagasawa, the first three remain among the most popular: No. 1 (Rokko Green), No. 2 (Hatoba Blue), and No. 3 (Old City Sepia). Seminar attendees were given an ink sample card with the opportunity to test dozens of different Kobe inks that Nagasawa had loaded into tester pens and passed around the tables.

The Nagasawa Team presenting on Saturday.

The seminar concluded with a Q&A session. While there were some insightful questions posed, and the Nagasawa team did a great job attempting to respond thoroughly to everybody, this session reinforced a personal frustration I have with the degree to which some fountain pen users get very wrapped up in the technical details of what is a strongly analog, inexact, and artistic product. The focus of the Nagasawa Seminar was the history behind the Kobe Ink Series, its strong ties to Kobe, Japan, and the artistry and creativity necessary to create 150 different inks inspired by specific places around a single city. Yet I was a little dismayed at the extent to which the initial questions focused on things like ink formulation, “ink safety,” color variation in bottles purchased years apart, etc. Even though the questions themselves were genuine and honest, they felt misplaced. The story being told focused on the history of a classic product that’s sincerely rooted in its community with a strong sense of place - something rare in today’s market and certainly a story you wouldn’t hear in another venue. It’s not how I personally would have chosen to pick the brain of the creator of one of the most famous ink lines in the world. Again, I was extremely impressed with how the Nagasawa representatives quite graciously answered all the questions posed, speaking through a translator and in light of the fact that the inks themselves are manufactured by Sailor, who handles things like ink formulation.

Takeaways from One of the Best Pen Shows I Have Attended in Years

The San Francisco Pen Show remains one of the best shows on the circuit in terms of content and variety of exhibitors. If you appreciate Japanese stationery, there is no better show in the United States. I’m not going to do a full discussion of show logistics, crowds, etc., as you can find that elsewhere. There certainly were issues with crowds, navigation, and the fact that the show has likely outgrown its current venue, but I still wouldn’t miss this one for the world. See you all next year!

Many thanks to everyone who made this trip to the San Francisco Pen Show possible, especially Vanness Pens for hosting us at their table! I definitely plan to return next year.

2025 San Francisco Pen Show Recap: Still The Best "Big" Show!

We returned this week from the 2025 San Francisco Pen Show, and what an awesome weekend! After having to cancel at the last minute last year due to a family emergency, it was great to be back and to have the opportunity to visit with so many of our readers and customers. Due to the number of international vendors who attend the show, San Francisco is truly an “international” pen show with both vendors and attendees from Japan, Taiwan, Singapore, Turkey, and more.

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I snuck in to get a shot of the ballroom as it was being set up on Wednesday night.

While the show is smaller than D.C. in terms of both physical footprint and number of vendors, there are things at this show that you simply won’t find anywhere else. This year’s international attendees included Nagasawa Stationery, Toyooka Craft, Drillog, Atelier Musubi, Stylo Art Karuizawa, Kyuseido, and seY pens, as well as a number of glass pen makers that included Glassophy, Hanabi Glass Studio, Glass Studio Aun, Glass Studio TooS, and more. It’s impossible for me to list and link to everyone here, as there are simply too many, but you can view the entire exhibitor list on the SF Pen Show website.

Representatives from Nagasawa Stationery (Nagasawa Bungu Center) presented at the San Francisco Pen Show on the history of their Kobe Inks.

What Makes the San Francisco Pen Show Great: People and Content

Ever since attending my first San Francisco Pen Show in 2021, I’ve enjoyed returning for two things: the people and the content (mainly classes and seminars). This year’s show continued the trend, with excellent workshops and classes of which I attended two. The first was a Thursday night panel that included Naoyuki Takeuchi, the head of Ink Planning and Development at Nagasawa Stationery in Kobe Japan; Daryl Lim of Atelier Musubi; Satoru of seY Pen; and renowned nib artisan Yukio Nagahara, who attended the show with his company The Nib Shaper. The wide-ranging discussion (moderated by my friend Lisa Vanness) included some generalized background about all the different companies represented, but also spanned topics as diverse as the role of stationery in different countries, paper preferences across regions, and personal pen, paper, and ink preferences.

The second seminar was held on Saturday afternoon, and was hosted by Takeuchi-san of Nagasawa and his excellent translator Anastasia, who walked through the history of Nagasawa’s Kobe Ink series and provided in-depth background regarding the development process and stories behind certain colors. I plan to do a separate recap discussing some of the topics from this and other seminars in the coming days, so stay tuned.

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Everyone who’s visited T.G.S. at the larger pen shows know that we’re somewhat selective in what we bring to shows, given the already diverse selection available across more than a hundred tables. As with the D.C. Pen Show, this year we only brought Roterfaden, the German clip-based binder system, and as you can see, we went from 16 to 4 Taschenbegleiters by midday Saturday!

Business Recap: So Long to All Those Roterfadens!

Everyone always asks me “how was your show?”, so let me say this: it was fabulous. Not only did we do well business-wise (taking some of the stress out of an otherwise expensive trip) but I love meeting readers and customers in person and hearing about how much they’re enjoying their stationery, especially when they stop by to tell me how they’re actually using it out there in the real world. While I only had five TGS_25 Roterfadens available at the show, at least twice that number of people came by to tell me how much they were enjoying theirs that they had bought online. (Some even wanted pictures, which was a new experience for me, as all my friends know I’m camera-shy :).)

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The Galen Leather “Dentist” Nib, which is a fine architect that’s super-smooth.

We had teamed up with Vanness Pens at their table in the Oak Room (at the back of the entrance hallway), and were joined by Ana Reinert of the Well-Appointed Desk and Galen Leather, who brought not just their latest “Havana Brown” release, but also their exclusive fountain pens and custom nibs ground by Meltem (“Amphorastale” on Instagram). I had a few minutes on Saturday - or maybe it was Sunday, it’s all a blur - to test out their custom nib grinds and found them excellent. The next time you order one of the Galen Leonardos or another JoWo-compatible pen, consider adding a specialty nib. My favorite was the fine italic.

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My San Francisco Pen Show Haul, Plus things I did not buy because infinite money is not really a thing

As I mentioned above, those looking for high-end glass and dip pens did not come away from San Francisco disappointed. Unless you waited too long, that is. The San Francisco Pen Show is notorious for product selling out on Friday morning, since weekend pass-holders queue-up early to get access to the most in-demand products. This time around it was mainly glass pens, and I heard that people arrived at 5 a.m. to get in line. Despite not being able to be part of the initial rush since I was behind the table, I still managed to pick up a couple of fun pieces on Saturday: a glass pen from Glass Studio Aun with a broad nib, and a Drillog 2.0 with a .5mm tip size. You can read my original (somewhat critical) review of the Kickstarter Drillog here, but I have to say that this new version delivers on the original vision and more. It’s super smooth, and since there are additional channels cut into the nib, it delivers sustained ink flow. Drillog also switched to titanium, which has improved performance. I plan to post a full follow-up on this one.

My glass pen from Studio Aun (left) alongside my Drillog. I chose the short nib.

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Schon DSGN has released a new pen: the Monoc EVO, which is a piston-filler fountain pen with an integrated nib.

This year’s special release from Pilot will arrive in October. This Custom 74 will be available in four special nib sizes, including Soft Fine, Soft Fine-Medium, Soft Medium, and Double Broad.

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The Drillog setup at the San Francisco Pen Show. Customize to your heart’s content.

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Marty brought all the Retro 51s!

A tiny Pelikan fountain pen (M300?) alongside a Kaweco Liliput Kolibri.

That’s a Wrap for 2025 Pen Shows: On to Pelikan Hub, Fountain Pen Day, and In-Store Events!

My goal was to bring T.G.S. to three or four pen shows in 2025, and I did four, so check that annual performance goal off the list! In addition to San Francisco and D.C., we attended Arkansas and Atlanta back in the Spring, and already are planning adventures for 2026 and beyond. We’re now entering the fall season, which will include the annual Pelikan Hub, Fountain Pen Day, and even a few special events we are planning to host in our own space. Stay tuned and I hope to see you soon in Nashville!

We are back to a normal in-store schedule, so come see us from 1-6pm Thursday and Friday and 10am-6pm on Saturdays. Please check this page here for information on our store location and up-to-date information on hours, etc.

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They may be sold out by the time you read this, but as of publication we still have a couple remaining TGS_25 Roterfadens!

San Francisco Pen Show Saturday Update: Come See Us If You Can Fight Through the Crowds!

Greetings from San Francisco! We’re tucked into Oak Room, which is straight down the entrance hall, all the way to the back on the left. We’re sharing table space with our friends at Vanness Pens and Galen Leather, so please do come see us.

San Francisco is one of the busiest pen shows I’ve attended in years. Please take it slow, be patient and kind, and accept up front that things are selling out very, very quickly so you may have to hunt for some of the more unique items. Regardless of whether you can purchase on site, there’s still a LOT of fun stuff to see because many vendors have demos, like the Drillog table shown above.

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Hmmm.

If you’re looking for a Roterfaden TGS_25 at the show, those unfortunately sold out in a few hours on Friday morning, but there is very limited stock still available online. (I’m posting this link here at the request of several show attendees so people know exactly where to go.)

Please note that our Nashville Shop is closed today due to travel, and will reopen next week. Updated hours can be found here.

Thursday Drops: Labor Day Weekend Arrivals from Roterfaden and TWSBI, Plus More Correspondence Cards!

It’s San Francisco Pen Show Week, and I’m super excited because the San Francisco Show is always one of my favorite annual events. I unfortunately had to miss last year’s festivities, but I’ll be set up in the Oak Room sharing table space with Vanness Pens and Galen Leather! Note that we don’t have a full show setup, just Roterfaden, including a handful of the TGS_25 A5 Slim Binders. Be sure to come by early on Friday if you’re looking to pick one up in person, but the easiest way to be sure that you get one is to order online. Over half of this shipment has sold within 24 hours of being made available for purchase, and while I expect it to slow down some, I can’t guarantee that anything will be available through the weekend. I’ve also brought a fairly large selection of Roterfaden A5 Taschenbegleiters with me, and I’ve split the stock so that most of these will remain available for online purchase as well as in-person in San Francisco.

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If you miss out on the stock available at the table in San Francisco, I will have my personal Roterfadens available for attendees to check out in person.

We also have the new TWSBI Diamond 580 ALR Affogato, which pairs a deep brown expresso finish with TWSBI’s Onyx Trim, as well as a restock of the Pilot Custom 823 fountain pen, Lamy Dark Dusk AL-Stars, and Well-Appointed Desk Letterpress notepads in new designs. Happy Shopping!

Please note that our Nashville Brick-and-Mortar Store is closed this weekend due to Pen Show Travels. Thanks to everyone who came by for special hours on Tuesday. We will reopen the week of 9/2 for normal hours, and online orders will continue to ship in the normal 2-3 business day time frame. Kindly remember that Monday is Labor Day, which is a business/postal holiday.

1. Roterfaden TGS_25 Special Edition Restock. The second round of our collaboration with Roterfaden has arrived and is now available for purchase! This A5 Slim Taschenbegleiter fits most Traveler’s Standard refills, as well as the Lochby Voyager notebooks that contain 68g Tomoe River.

2. Roterfaden Replacement Elastics. Many of you who are interested in the TGS_25 expressed interest in replacement elastic bands. These thinner bands will fit A5 and B6 Taschenbegleiters, and are sold in two color sets each containing three different cords.

3. TWSBI Diamond 580 ALR Affogato with Onyx Fountain Pen. The latest release from TWSBI’s “Breakfast Collection” has arrived, and this one is a stunner, pairing espresso-colored anodized trim with the black onyx plating.

4. Lamy Safari Multi Color Special Editions. The latest Lamy Special Edition release features an All-Black and All-White gloss Safari, paired with a multi colored finial and swappable bands that you can use to customize your pen. (I went with the All Black Safari and paired it with a Saffron/Orange band, which looks amazing.)

5. Pilot Custom 823 Fountain Pens. At long last, we received a restock of the Pilot Custom 823 in Amber and Smoke. Between the three available colors, we have most nib sizes available.

6. Lamy “Dark Dusk” and “Mint” AL-Star Fountain Pens. Our allocation of the Dark Dusk fountain pens sold out nearly immediately and I had to reorder. While the midnight blue Dark Dusk has been the most popular by far, the cool green “Mint” pen should also prove popular.

7. Uni Signo RT1 Gel Pens. The RT1 is Uni’s upgraded retractable gel pen that features its signature fine tips but with a soft textured barrel that’s comfortable to hold. Ink is vibrant and dries quickly.

8. Yamamoto Ro-Biki Canvas Cover in Mint. The Ro-Biki notebook system uses another “A5 slim” style refill that’s slightly narrower than standard Traveler’s/TN. We have the Ro-Biki canvas cover available in a new Mint Green. To see how this system works, check out this YouTube video where I do a walkthrough demonstration.

9. Well-Appointed Desk Memo Pads. These letterpress memo pads from the Well-Appointed Desk/Skylab Letterpress now come in additional designs, including the popular “Side Quests” and all T-Rex/Velociraptor motifs.

10. Well-Appointed Desk and Skylab Letterpress Greeting Cards. As noted above, we continue to build out our correspondence and greeting card offerings in their own shop page. These vintage-inspired greeting cards are available individually or as an assorted pack of four, with one of each design.

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