Vintage Pen Primer, Part V: What About Just Opting for a Vintage Nib?

September 8, 2021

Many pen enthusiasts love the styling of vintage pens, enjoy tinkering with their unique (and sometimes temperamental) filling systems, and look forward to the routine maintenance and occasional repair as part of a vintage pen’s charm. Others focus on the nibs, preferring the performance and feel of vintage 14k and 18k nibs that often write (much) better than their modern equivalents, sometimes at a lower price point. If, like me, you fall into the latter group, there’s an option that doesn’t get as much attention as it should: using vintage nibs in a modern pen body, which allows you to avoid certain inconveniences of vintage while enjoying the unique writing experience.

There are a couple of different ways you can go about using vintage fountain pen nibs in a modern pen. A few years back, my friend Leigh Reyes, who regularly scouts pen shows for loose vintage nibs, wrote an excellent article on fitting vintage nibs into modern pens such as Kaweco Sports and Franklin-Christoph Model 45s. This approach takes some leg work, as you have to pay close attention to things like stress and wear on the nib over time if the modern housing, feed, and/or section aren’t a perfect fit for the nib. (Please read the article and do as much research as you can before you try this - as Leigh points out, it’s possible to damage both your pen and your nib if you’re not careful.)

Peyton Street Pens Custom

PSP Custom with 18k Cartier Nib

The other option is having a brand new pen or section custom made to fit a specific vintage nib (or, like my friend Thomas, having one pen made with multiple different sections sized to fit different nibs). While you will have to discuss with your penmaker of choice whether this is even a possibility, Shawn Newton (Newton Pens) has done this sort of work in the past, as has Jonathon Brooks of Carolina Pen Company. Teri Morris of Peyton Street Pens also regularly makes pen bodies to house vintage nibs from companies such as Sheaffer, Cartier, and Eversharp.

Peyton Street Pens Custom Ebonite

PSP Custom with 14k Eversharp

When I was in San Francisco, I had the opportunity to visit the Peyton Street Pens table and picked up two new additions to my collection that feature excellent vintage gold nibs: an 18k Cartier nib ground to a smooth cursive italic, and a 14k Eversharp stub that’s slightly springy in a way you only really see in vintage nibs. Both are on original feeds, so I’ve experienced zero issues with ink flow. Peyton Street Pens currently has some similar offerings for sale in the “Peyton Street Exclusives” section of their store.

Many vintage nibs are set to write much wetter than what modern pen users are accustomed to, especially if you’ve been using standard stainless steel nibs from JoWo and Bock. For the best experience, be sure to use fountain pen friendly paper. Writi… — Many vintage nibs are set to write much wetter than what modern pen users are accustomed to, especially if you’ve been using standard stainless steel nibs from JoWo and Bock. For the best experience, be sure to use fountain pen friendly paper. Writing sample shown here is on a Write Notepads Spiral Notebook

As is always the case with vintage anything, your mileage may vary based on the specific pen and/or nib at issue. I highly recommend visiting a pen show, if circumstances allow, so that you can inspect and/or write with the nib you’re considering. Of course, this may be impossible when you’re buying a loose nib that’s not currently installed in a pen, or when you’re asking someone to build a custom pen for you. Often, however, penmakers at shows will have examples of their work at their tables, and will work with you if you have problems with your pen. Sometimes it takes a few tweaks and adjustments to get things writing perfectly.

Back to Work Check-In: What I'm Using (2021 Edition)

August 25, 2021

Despite it becoming clear over the past several weeks that the pandemic is not over, due to work circumstances beyond my control I’ve found myself working outside my house regularly for the first time in over a year. As a result, I’ve had to adjust my stationery “work rotation,” so I thought it would be interesting (for both me and the readership) to do a back-to-work/back-to-school check-in since I assume many of you are in the same boat. I also get a lot of regular questions about what notebooks I carry on a daily basis, so I wanted to be responsive to those who are interested. This post only discusses my notebooks and pen cases, so while my pen and ink usage has changed as well, that’s a topic for a separate post.

Main Work Notebook: Standard Traveler’s Notebook in Blue. My primary work notebook remains the Traveler’s Notebook standard-size cover. The various refills and accessories that I use can vary depending on exactly what’s going on at the moment, but the “Slim A5” format of the Traveler’s Notebook system tends to fit my style of planning and notetaking perfectly because I make a lot of lists. I use a heavily modified bullet-journal system to take notes, which is idiosyncratic and probably makes sense only to me. I’d show you here, but a lot of my notes are confidential and can’t be photographed.
Stalogy 1/2 Year Graph Notebook (Cut Down to Traveler’s Size). Before this year, I had not used Stalogy paper, and it took some getting used to, but now I’m a convert. I’ll definitely do a full review at some point, but Stalogy paper manages to be both extremely thin and more absorbent than Tomoe River while still handing fountain pen ink relatively well. Yes, there’s can be some show-through with very wet fountain pens, but the trade-off is a much quicker dry time and, in my opinion, softer texture and a better writing feel. Please note that I have modified this notebook to fit the Traveler’s Notebook cover. You can read more here.
Traveler’s Company Undated Planner Refill. I’m a die-hard fan of undated planners, since I don’t necessarily use a paper planner every month - just when it gets busy - and I hate wasting paper. I filled up a Traveler’s Notebook Weeks + Memo insert during the first half of the year, but when I moved to the Stalogy because I needed more room for notes, I incorporated an undated monthly calendar so that I could do more high-level overviews of my schedule.
Superior Leather Co. Pen Roll. A new addition to my collection that I absolutely love, this olive green leather pen roll from Superior Labor was purchased from Baum-kuchen in Los Angeles. It might be the softest leather pen roll that I’ve ever used, and since it matches my Filson bag perfectly, it has not come out of rotation. I also tuck document flags, post-its, and other miscellaneous stationery items into the larger pocket.
Nock Co. Sinclair Three-Pen Case. Perhaps the most consistently featured piece of stationery in my arsenal, this particular black waxed canvas/burgundy piece (an Atlanta Pen Show pickup from several years ago) has become a true ride-or-die item. I’ve told Brad for years that the waxed canvas Sinclairs are a winner, and now they’re back!

Yes, I’m still using favorites such as the Nanami Paper Cafe Note in B6 slim and the Write Notepads Spiral notebook, but those tend to stay home as I use them more for journaling and personal writing. My personal journals (I keep several) are ANOTHER topic that warrant a separate post, but the “system” I use is kind of complex, so I’m struggling a bit to describe it coherently. Stay tuned….

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Mini Collections, Part II: All the Red Inks

July 21, 2021

My stationery “collection” doesn’t really have a central theme, in that it’s not built around a specific brand. Rather, I tend to accumulate what I like to use, which has given rise to what I refer to as “mini-collections.” The first of these that I wrote about includes several models of the Parker Sonnet, what I consider a vastly under-appreciated pen. The second is on the ink side, which revolves around a rather large stable of red inks, mostly dark reds and burgundies.

Why Red Inks, You Might Ask?

It’s pretty simple. Dark red is just one of my favorite colors. It’s no coincidence that one of the first bottled fountain pen inks I ever purchased was Noodler’s Antietam, that the main color scheme of the T.G.S. website is burgundy and black, that I review red pens whenever I have the option, and that both of the exclusive editions I’ve released through the shop include red somewhere, whether it be the “Aged Red” Penwell or the recent Sunderland mk1. As you can imagine, I have accumulated a LOT of red ink over the years.

I don’t subscribe to the stigma that writing in red ink is somehow too loud, or should be considered “angry” or offensive. There are various shades of red, and I’ve always enjoyed a darker burgundy or red-black for everyday writing. My favorite, of course, is Montblanc’s legendary Alfred Hitchcock, a limited edition ink that many have tried to duplicate over the years. My personal “grail quest” hasn’t necessarily involved a pen, but rather finding a suitable replacement for this favorite ink, given that I only have half a bottle remaining. What I’ve never done, however, is swab ALL of my current stable of red inks and compare them side-by-side, to get a sense of whether I’ve accomplished my goal (or even whether I still want/need to).

The Process for Standardizing My Ink Samples

Taking inspiration from Anthony over at UK Fountain Pens, I wanted to use a menu-style format for the comparison with a simple cotton swap + dip pen writing sample combination, on bright white paper from a Write Notepads dot-grid memo pad. I chose this paper because it showcases the ink color quite well, including any shading and sheen, and absolutely will not feather or bleed even with most very wet ink swabs. The whole process took me approximately three hours on a Saturday, and I wound up with three sheets containing 43 different red inks. I laminated these sheets for posterity, and plan on doing similar comparisons with other ink colors in my collection.

Takeaways from My Red Ink Collection, Including Replacements for Hitchcock and Other Cult Inks

I’ve spent a few days thinking about this, and there’s a lot to unpack here, not least that I have more red ink than I can ever use in my lifetime, including a lot of similar shades. Here are my takeaways.

Hitchcock Replacement. So far, no one has been able to come up with what I’d consider a true match. In terms of reasonably priced “everyday writers,” both Diamine Oxblood and Monteverde Passion Burgundy are very close. Vanness and Joey Feldman collaborated on “Good Evening,” an attempt to develop a similar shade of dark red, but I find it to be a touch darker (though still a great ink). The trouble with matching Hitchcock is that the color tends to look much different in wet writers than it does in narrower nibs. I managed to come up with a Platinum mix-free combo that looks very similar in a fine or medium nib writing sample.
Other Matches for Limited Edition or Discontinued Montblanc Inks. Montblanc makes excellent inks, but their best colors tend to be limited or special editions that are made for a year or so and then discontinued. When I was live-posting this project on Instagram in real-time, I received questions about potential matches for Corn Poppy Red, William Shakespeare, and Bordeaux (the predecessor of “Burgundy” in the standard lineup). For Corn Poppy Red, consider Color Traveler Mihara Daruma Red. For William Shakespeare, consider Leonardo Red Passion or Robert Oster Red Candy. And while I don’t think the old Bordeaux is that far off from current Burgundy (maybe slightly darker), Diamine Burgundy Rose (from the “Flowers” set) and Pennonia No. 27 “Mustvoros Young Wine” are close.
My Overall Favorite Red and Burgundy Inks for Everyday Writing. While this category keeps changing, since I’m constantly finding new shades that interest me, I’ve also rediscovered a bunch of inks in my collection that I had forgotten about. The ones that basically leapt off the page were Leonardo Red Passion (Leonardo makes exceptionally good but under-appreciated inks), Montblanc Corn Poppy Red, and Robert Oster Red Candy. You will likely see more of these in my rotation in the future.
I’m Not Going To Use Certain Colors and Need to Purge Some Ink. It’s been over a year since my last ink sale, and I need to let 10 or so of these bottles go. I don’t use pink inks or reds that lean heavily pink, including many of the Pilot inks other than Iroshizuku Yama-Budo. Now that I have these inks swabbed for posterity on a laminated sheet, there’s no need to keep them around solely for comparison purposes. As always, Patreon subscribers will get first crack at whatever I decide to sell off, via the Patreon Sale page, and if anything’s left it will move over to the “Gently Used” stationery page, which is separate from the T.G.S. Curated Shop but can be combined with shop orders for free shipping purposes.

This was a highly satisfying project, and as I mentioned, I plan to repeat with other colors in the hopes of identifying my favorites, (re)discovering some hidden gems, and letting go of a bit more excess. Stay tuned for more fun! If anyone is interested in viewing these sheets in person, I will bring the color sheets with me to the D.C. Pen Show, where I will be behind the Vanness Pens table.

I still have a lot of back editions of Write Notepads and Field Notes limited edition notebooks that I’m still working my way through. Yes, I use them.

Stationery Trends: Subscription Services Today, Do You Still Use Them?

June 23, 2021

A few years ago, subscription services were all the rage, and it seems like every stationery company had one. Field Notes started the trend, originally known as the “colors” series. Write Notepads and Baron Fig got in on the game, launching a separate subscription service for each of four different product lines (pens, pencils, and hard and softcover notebooks). Blackwing launched its “Volumes” series, where they would issue a quarterly limited edition pencil that subscribers could receive before anyone else had a chance to buy. Supposedly, the rationale behind these subscriptions was that they would allow small makers to have a guaranteed revenue stream up front from subscriptions, which they could then use to make smaller runs of more experimental products that would otherwise be too speculative or cost-prohibitive. Originally, this was a good idea. It allowed Field Notes to test ideas for pocket notebooks beyond the original Kraft Paper design, and now the special and limited run products make up a majority of the Field Notes line. Similarly, the Volumes program allowed Blackwing to “field test” different pencil finishes and graphite grades that eventually made their way into the standard lineup. (Hello, Blackwing Natural and the Extra-Firm graphite!)

The last four editions of Blackwing Volumes, from left in no particular order: Blackwing 3 (“Ravi Shankar”); Blackwing XIX (“19th Amendment”), Blackwing 6 (“Neon”), and Blackwing 223 (“Woody Guthrie”).

So where do things stand today? Honestly, apart from Blackwing and Field Notes, it seems like the subscription model could be losing momentum. Write Notepads and Baron Fig discontinued their subscription programs after 1-2 years, in favor of releasing special editions on their own schedules. This could partly be due to the businesses stabilizing and becoming established in the industry, and there for no longer needing to rely on subscriptions to fund their manufacturing, but I can’t help but wonder whether the market for this sort of subscription product is saturated by one or two companies. For example, how many pocket notebooks or pencils does one person actually need? I’m sure there are people out there who go through six or more notebooks and a dozen-plus pencils per quarter, but it can’t be the majority of subscribers. Plus, as companies like Field Notes and Blackwing become established (if not omnipresent in mainstream retailers), the key rationale that drove many to subscribe - that you have to support your favorite small brands through a “guaranteed revenue” program - becomes less compelling. I’m sure that both Field Notes and Blackwing continue to have legions of hardcore fans and healthy subscriber bases, but given how large some of these recent runs are, I do wonder whether the majority of the sales from the special editions comes through retail channels or direct sales to non-subscribers. Are even the Field Notes and Blackwing programs becoming less relevant?

Field Notes recently released “Fifty,” their fiftieth limited edition release. (Disclaimer: The Gentleman Stationer does retail select Field Notes Products) — Field Notes recently released “Fifty,” their *fiftieth* limited edition release. (Disclaimer: The Gentleman Stationer does retail select Field Notes Products)

Personally, the only subscription service to which I still belong is Blackwing Volumes, but even that I’m questioning. Not that I don’t like Blackwing, it’s just that I have so many pencils I would prefer not to receive them by default and only purchase those editions that really strike me as special. My recent favorite special editions have actually been the Blackwing store-exclusives, “Eras” releases, and non-Volumes “Blackwing X” collaborations, such as the Third Man Records pencil and the “Hardest Job in the World” edition. While I think the last four Blackwing Volumes pencils have been “good,” I can’t help but wonder why they are moving so much good stuff outside of the subscription program, away from those who are, presumably, their most devoted fans?

I’d be curious to know how many of you still subscribe to stationery subscription services. What do you like and dislike about the option to subscribe? What keeps you coming back?

(This is not “market research”, just genuine curiosity. I have no desire to launch or participate in any sort of subscription service, so I’ll get that out of the way up front. As you all know, I’ve previously written on what sometimes feels like the stationery industry’s fixation on limited and special releases, so this post is intended to continue the discussion along those lines.)

Mid-Year review: Personal Favorites

June 6, 2021

While I thought I wasn’t going to get any time off this summer, the opportunity came up, due to some cancelled meetings at work, to take several days and visit family I haven’t seen in over a year. So, this week I’ll be finishing my mid-year “recaps”, as I originally intended, though you may notice that the schedule is a little different. With that out of the way, the second part of mid-year review takes a look at five of my favorite posts from the first half of 2021, in addition to those featured in Part I, Reader Favorites. Don’t take these as any sort of ranking - they appear in no particular order.

Filling Systems: Pros and Cons of Piston Fillers, Vacuum Fillers, and Cartridge/Converter Fountain Pens. What draws us to certain filling mechanisms? It really depends on why you write with a fountain pen in the first place. For example, if you value ink capacity, you’ll prefer higher-capacity piston and vacuum fillers (or maybe even eyedroppers). On the other hand, if you’re a serial ink changer, you may be fine sticking with a cartridge/converter.
Review Revisited: Is the Pilot G2 Still a Good Pen? One of my major “themes” for the blog, now seven years old, has been revisiting past reviews and opinions to see whether they still “stick”. Here, I took at look at what had previously been my favorite gel refill - the Pilot G2 - and confirmed that it’s still a great option.
Take Five: Favorite Traveler’s Notebook Refills. I haven’t used many notebooks other than My Traveler’s Notebook system this year. I’ve enjoyed having everything in one compact place, and not having to worry about whether the paper will be good or not, since my favorite refills use the excellent Midori MD.
Organizing a Pen Collection: Pulling It All Together. This year, another theme has been one of consolidation and appreciation rather than additional accumulation. I’m in the process of pruning a lot of unused pens, pencils, notebooks and other stationery from my supply, and thinking hard about what it is that I want to keep.
Scribo Feel Fountain Pen and Scribo Ink Reviews. Every year I tend to discover one new brand that sticks with me, and this year it may be Scribo. While I wasn’t much of an OMAS fan, I’ve found myself drawn to Scribo, a “legacy” company founded by former OMAS employees. I’ve especially enjoyed their inks and ink bottles, and have more inks from that line in the queue for review.

A Note on Shop Orders: Due to my travel schedule, orders placed between Friday 6/4 and Saturday 6/12 will ship on 6/13, after my return. Thank you for understanding, and I’ll be sure to thrown in a little something extra for your trouble.

Further Reading

Why Red Inks, You Might Ask?

The Process for Standardizing My Ink Samples

Takeaways from My Red Ink Collection, Including Replacements for Hitchcock and Other Cult Inks

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