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The Gentleman Stationer

Vintage Living in the Modern World.
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Jetstream Edge .28mm and .38mm Refill

.38mm (left) vs. .28mm (right) Uniball Jetstream Edge

When Does "Fine" Become "Too Fine"? Finding the Sweet Spot for Extra-Fine Pens

August 16, 2023

I have relatively small handwriting, though I’m something of a special case since I tend to change my handwriting depending on what exactly it is that I’m working on. For standard writing and journaling, I’ll adopt a larger hand for which a medium nib is more suitable, but as I’ve mentioned before, a large portion of the writing that I do involves marking up and annotating documents that can contain very fine print. For work like this, I’ll typically need at least an extra-fine nib fountain pen, though this is where I tend to incorporate fine tip gel pens and ballpoints into my workflow.

My fine writing lineup, from left: Uniball Jetstream 4+1 Multi Pen, Anterique Brass .5mm Ballpoint, Uniball Jetstream “Tokyo Bike” 4+1 limited edition, two Jetstream Edge ballpoints in .38mm and .28mm, Uniball Jetstream 3 Multipen in .38mm tip size, Pilot Hi-Tec-C Coleto Multi Pen, and the Pilot Custom Heritage 912 with a PO Nib.

How fine can I go? Pretty Fine, But There Are Practical Limits.

On the fountain pen side of things, it’s difficult to get a nib that writes as fine as most .28mm or .38mm gel or ballpoint pens. Even if you’re using the Pilot PO (“Posting”) nib, Platinum’s UEF (Ultra Extra-fine), or a Saibi Togi-style nib, water-based fountain pen ink tends to spread on paper, so unless the pen writes fairly dry or you select a drier ink, you may have trouble obtaining the desired line width. For this reason, most of my annotation work is done with a finer gel pen or, more recently, low-viscosity ballpoint pens. I get a lot of questions about the best pen for “fine writing,” so I thought it might be interesting to talk a bit about the different options I rotate through on a regular basis and what my preferences are:

The Pilot PO nib leaves a line that’s roughly equivalent to a .38mm gel or ballpoint, provided you use good paper like the Midori MD pad pictured here.

  • Fountain Pens. My all-time preferred option for is the Pilot PO (“Posting”) nib, originally intended for addressing mail. It’s a VERY fine, slightly downturned nib that’s relatively dry and, when paired with an ink like standard Pilot Blue-Black, holds a fine line pretty well as long as you are using decent paper. On cheap office paper, however, even this ink tends to spread, which costs you the benefit of the finer point, which is why at the office I always have a gel or ballpoint pen with me.

  • Gel Pens. I rarely go finer than a .4mm Pilot Hi-Tec-C refill, since below that tip size I tend to run into drying/skipping/clogging issues, plus the writing experience becomes scratchy. My pen of choice is the Pilot Hi-Tec-C Coleto multi pen, which allows me to carry up to four different colors in a single pen body (or three plus a mechanical pencil). Lately, I’ve also added the .4mm Pilot Frixion to the rotation, and have been pleasantly surprised with how well it’s performed. The ink isn’t as dark as other gel pens, but it’s better than it used to be, and I plan to write up a full review of the Frixion once I’ve had more longer-term experience with it.

  • Ballpoint Pens. Honestly, where I’ve been spending most of my “fine-writing” time these days is in the hybrid/low-viscosity ballpoint category, since I generally find the writing experience smoother and more reliable, even if you go down to the .38mm tip size. I recently posted about my trip to New York City, where I visited Kinokuniya books and picked up a fistful of Uniball Jetstream multi pens, including a .38mm version that I had never seen before. While some claim to have experienced skipping and scratchy writing with the .38mm Jetstream cartridge, I’ve used this pen for years and never had an issue. That said, there’s no denying that a .5mm low-viscosity ballpoint refill is smoother, and unless I need to write really small, my pen of choice is the .5mm Uniball Jetstream (typically loaded into a multi pen) or the one of the .5mm Anterique “Mach Ball” pens.

The Anterique Mach Ball .5mm writes something more akin to a .4mm line - it’s narrower than the Jetstream .5mm despite having the same nominal tip size.

But What's the Absolute Finest I Can Go?

I used to say .38mm, but last month at Kinokuniya I picked up the .28mm Jetstream “Edge”, which features a Rotring-style hexagonal barrel and rounded grip section that some might find more comfortable than your typical technical pen. Check out the difference in tip size from the writing sample below:

Comparing the range of Jetstream tip sizes.

The shocking thing to me is that even at .28mm, you don’t lose that much smoothness or visibility compared to the .38mm. That said, I’m not sure that the .28mm gives you meaningfully more versatility than a .38mm refill for actual writing, as opposed to technical drawing or art where the subtle differences between line widths actually make a difference. Even if the .28mm is usable (which it is!), I’m not sure that there’s a benefit beyond novelty for most people. .28mm probably sets the floor for me personally!

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. This post does not contain paid advertising or third-party affiliate links.

In Pens, Editorial Tags Uniball Jetstream, Small Writing
4 Comments

No More Grail Pens: Hunting Fun Nibs at the 2023 D.C. Pen Show

August 12, 2023

Though not as much anymore, the concept of a “grail pen” was something you once heard discussed a lot in the pen community, particularly at shows. “Grail pen” generally refers to one of two things: (1) the specific pen you are currently looking to add to your collection - i.e., the current subject of “the hunt”; or (2) the pen that you believe will complete your collection - i.e., the prize that you spend most of your time online and at shows searching for. Personally, I don’t really subscribe to the idea that “grail pens” in this second sense exist (because most people’s preferences are always changing), and I don’t really even hunt specific pens at shows anymore. These days, I mostly enjoy allowing pens to “find me”, and my show purchases involve special collaborations and exclusives designed by friends, oddball products and materials, and more adventurous nibs than I’ve tried in the past.

This year I’ve been picking up flex pens left and right, using them mainly for journaling and playing around with inks. Some inks just look exceptionally good in a softer nib, like the new Iroshizuku Sui-Gyoku, a vibrant teal.

Early on in my pen “collecting,” show-attending career, I would visit shows looking to try and acquire specific pens I had never used before: the Montblanc 146, the Pilot Vanishing Point, the Pilot Custom 74, the Sailor Pro Gear, the Pilot 823, etc. Personally, I think this is a critical process for most people who want to get really into pens and develop a deep knowledge of the hobby, because it lets you understand the differences between major brands, models, and styles. But eventually you’ve tried more or less every standard pen out there, and you move on to explore new things like limited and special edition finishes. My next step was the Montblanc 146 Ultra Black, one of the Leonardo Momento Zero “Maestro” sets, and more.

In lieu of adding yet more pens, I’ve worked to upgrade my pen displays and accessories, with items like these trays from Japanese woodworkers Toyooka Craft.

This stage of the hobby can be quite fun, and I still make these kinds of purchases regularly if there’s a finish or material I find compelling. But what draws me in these days is creativity and makers who think outside the box. There are so many new independent makers and smaller brands experimenting with different designs and nib grinds that I’ve largely lost interest in what some of the bigger companies are doing. (I can’t tell you the last time I purchased anything from Montblanc, and my 149 is currently “in the shop” getting the Studio Bokumondoh Urushi treatment, so it won’t be a “standard” pen for much longer.)

It doesn’t get much more vintage looking than red ripple ebonite!

This year’s D.C. Pen Show Haul was no exception. I talked about what I brought home in my main show recap posted earlier this week, but I wanted to add a bit more context to some of these purchases. My first show acquisition was a Daedalus 3.2 from Pierre Miller’s Desiderata Pens, which is a new riff on one of Pierre’s early designs. This pen is a piston-filler that takes either standard JoWo No. 6 nibs or the Zebra G flex nib fitted to a red ebonite feed that allows you to do truly vintage-style flexible writing. I’ve enjoyed Pierre’s work for years, and this special red ripple ebonite version was a must-have.

The second acquisition, which I teased on social media, is the second collaboration between Vanness Pens and The Good Blue Co. in a black Cerakote finish with “Vanness Green” splatter. Only 30 of these pens were made, and since I purchased the last Vanness x Good Blue pen with their titanium flex nib, this time I opted for their new “Zoom” nib, which is a somewhat oddball hybrid between Sailor’s version of a “Zoom” nib and a Naginata/Kodachi style nib. Both allow you to change the line width by modifying your writing angle - I would say the Zoom has more extreme variation between angles and isn’t as “smooth” in the transitions as a Kodachi. It’s a cool nib and I can see myself using it often for daily writing.

I made sure to get one of the pens with lots of green splatter, as I mentioned.

I mean, can you resist that nib? Mine came exceptionally well-tuned.

Finally, I snagged one of Evan at Penquisition’s “Touchstone” collaborations with Ben Walsh of Gravitas. Evan set out to make a pocketable pen that was full-sized when posted. Not only does the Touchstone fit that bill, but the color combinations are excellent. I went with the blue and red version (blue pen, red grip), and the blue is more vibrant in person - almost a cerulean/turquoise - than it appears in photos.

View fullsize Penquisition Touchstone Posted
View fullsize Penquisition Touchstone Unposted

It’s been a long time coming, but I finally bought a stacked nib. There will be more.

Circling back to how I began this post - I’ve found that once I let go of the idea of searching for a specific pen or hitting the show with a list, I started opening myself up to trying pens and nibs that I never would have thought I’d liked. I’ll close with my last pen/nib purchase of the show: a double-stacked crosspoint-style nib by Jim Crawford (Pensloth on IG and most other socials). I’ve not had this much fun with a nib in quite some time! What can I say, I thought my Tucker pen in Damascus/Purple from Jason Neil Penworks needed a fun nib to match.

My two oddball nibs from the DC Pen Show: the Pensloth stacked nib and the Good Blue Zoom nib.

Even though my bank account is in pain right now, I can’t wait to see what I’ll find in San Francisco! (Assuming I sell some pens between now and then.)

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. Also, once pen show season starts, I periodically thin out shop samples and underused items from my personal collection in our “Gently Used” page, which is offered to Patreon Patrons first and then to the general readership. You can check it out here.

In Editorial, Pen Shows Tags DC Pen Show 2023, Editorial, Pen Show Haul, Pen Shows
2 Comments

2023 Bag Dump, Part II: Travel Edition and Pen Show Packing

July 29, 2023

August is usually a big month on the road for me. In addition to two of the largest pen shows in the world (the D.C. Pen Show from August 3 - August 6, 2023, and the San Francisco Pen Show later that month from August 25-27, 2023), our family sometimes tries to take one last summer trip before school’s back in full swing, and I occasionally have a 1-2 night trade show with some day-job work travel mixed in. I actually do love being on the road and meeting new people, but this is a lot even for me.

As both a travel and stationery enthusiast, I spend a fair bit of time thinking through what I pack for trips (especially business trips and pen shows). It’s a delicate balance between packing far too much - encumbering yourself in ever-shrinking airports, planes, and hotel rooms - and leaving yourself without the tools you need to do your work, and a modicum of comfort on the road. Today I’ll walk through what I tend to pack, with a focus on pen show travel.

The Rickshaw Banzai Bag is slightly smaller than a 13-inch Macbook Air, making it conveniently small enough to carry over your shoulder in crowded event spaces.

I Bring Two Bags to Pen Shows

Let’s assume that all of my clothing and toiletries go into a carry-on roller bag, and that any shop merchandise I’m bringing to the show goes into checked luggage. There’s not much leeway there in terms of what I can and cannot take, so the focus will be on my “personal items” (to use airline terms). My current travel backpack is an older North Face Surge II (black with red trim), which I like not just because of my signature colors, but because it has a sturdy laptop compartment and more than a half-dozen different compartments for smaller items like headphones, chargers, notebooks, etc.

Inside my backpack (or possibly in my carry-on), I’ll pack my Rickshaw “Banzai” bag, which is a bag that Rickshaw specifically designed for pen and stationery carry, with shows in mind. I did a Banzai-specific post earlier this year, which showcases just how much you can fit inside this relatively small shoulder bag.

But why bring two bags to pen shows? DON’T BE THAT PERSON WHO WEARS A HUMUNGOUS BACKPACK IN A CROWDED BALLROOM. If you don’t want your bag to hit other attendees in the head and/or knock valuable merchandise off vendor tables when you inevitably get jostled, bring a smaller shoulder bag or tote to carry around during the day. The Rickshaw Banzai is perfect for this role.

Believe it or not, by comparison with many people who will be attending, this is a relatively small number of pens to bring to a pen show! All of this fits inside the Rickshaw Banzai with room to spare.

What Goes Into My Pen Show Bag?

This year, I plan on bringing the following stationery gear with me to the D.C. Pen Show, and my San Francisco Pen Show carry will likely look similar if not identical:

  • Lochby Field Journal to Carry Personal Notebooks. I always travel with my personal journal, a notebook for morning pages, and at least one blank “scratch paper” notebook.

  • Plotter A5 Binder. This is my “T.G.S. Notebook” for post ideas, pen and ink testing, notes from meetings with vendors and suppliers, and recent ink swatches for comparison purposes.

  • Plotter Mini 5. If I really want to lighten the load and walk a show with no bag at all, I’ll grab the pocketable Mini 5 with a pocket pen and go. The Plotter paper is exceptionally fountain pen friendly and great for testing any pens and inks, and the Mini 5 pulls double duty as a wallet.

  • Multiple Pen Cases with Pens to Share. I always bring a lot of inked pens to shows for after-hours show-and-tell, and this year will be no exception. I’m currently in the process of packing a Lochby Tool Roll and Quattro, a Rickshaw Sinclair Model R, and a Rickshaw 6-pen roll and three-pen sleeve. The shocking part is that all of these cases will fit inside the Banzai Bag at one time, allowing me to carry up to 30 pens to the after-hours meetups in the hotel bar (though I’ll likely leave at least a few slots open to carry new finds home).

Our table setup from last year.

2023 D.C. Pen Show Details

This year you can find me sharing table space with our friends at Vanness Pens. TGS won’t have a stand-alone table, but I’ll be bringing a handful of items with me, including Lochby cases and notebooks, washi tape, and whatever stock remains from the TGS-exclusive Penwells and Hinze Collaboration pens. While I plan to have a full table setup in San Francisco, I tend to use the D.C. Show to visit with people and scope out new releases. Note: If you have your eye on something from the shop and want me to bring it to the show for you to pick up, you can select “Local Pickup” at checkout to drop the shipping charge and send me a message to arrange for delivery. Just be mindful that I probably won’t be able to bring heavier orders (i.e. 5 or 6 notebooks) due to airline weight restrictions.

Pen Show Primer Series

Every year when I start getting ready to attend the “big” pen shows in Washington, D.C. and San Francisco, I link back to a series of articles I’ve written including Volume 1: Why Visit a Pen Show; Volume 2: Getting Ready for a Pen Show; and Volume 3: Tips for Surviving the Pen Show. While these particular articles have some age on them, I stand by pretty much all of the advice! (You’ll also note that “get a good pen show bag” has remained consistently high on the list of tips for a positive pen show experience.)

This post does not contain paid advertising or third-party affiliate links. The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program.

In Bag Reviews, EDC, Editorial, Pen Shows Tags Bag Dump, Pen Show Primer, Pen Shows, DC Pen Show 2023
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2023 Travelogue: What I Consider When Visiting Pen Stores and Shopping at Smaller Retailers in General

July 22, 2023

As you may have seen from my Instagram feed, I took a short trip to New York City to visit family for the long weekend, and as usual ended up with a bit of free time. I have a solid list of 3-5 stationery stores in NYC that I regularly try to visit when I’m in town, including Yoseka Stationery, Kinokuniya, Goods for the Study, and sometimes Fountain Pen Hospital. As someone with fairly easy access to pretty much any stationery products I want to see, I often get asked what I look for when shopping in person.

  1. Exclusive Items. These days, so many things are easy to find online that when I’m traveling, I spend most of my time on the lookout for store-exclusive items, including product collaborations. As I’m well-aware, lots of work goes into developing these products - they can require large minimum quantity orders and a huge leap of faith - and I often go out of my way to pick one up if it’s something that even remotely interests me. Consider it my way to do what I can to support other retailers in the community. For example, when I visited Yoseka Stationery back in January, I made sure to pick up one of their exclusive Yoseka Green Stalogy 365 Days notebooks.

  2. Products I Want to Learn More About. Sometimes I need to see a product in person to understand it better before I decide to purchase. Case in point: this trip I picked up one of the Uniball Kuru Toga Dive mechanical pencils at Kinokuniya. I’ve been following the hype/controversy surrounding this fairly pricey capped mechanical pencil - which not only includes the Kuru Toga rotating lead mechanism but also an auto-feed that advances the lead automatically - and was hesitant to purchase one “for science” with the online prices ticking up past $100 on the secondary market. (For those who have not been following this “drama”, the pencils first launched in the U.S. at around $60, and apparently were promptly snapped up by scalpers, which then prompted a general price hike by Uniball.) The design of the pencil intrigued me enough in person to pick one up at a price point in between the launch price and secondary, and I’ll be posting a review at some point in the future.

  3. Stuff That May Not Be Exclusive, But Not Typically Sold Online. While you can find almost anything online these days, many store exclusives and brand collaborations are more difficult to locate at reasonable prices, and some stores simply don’t list all of their less common stock online. Kinokuniya in NYC often has interesting multi pens (including variations of the Uniball Jetstream) and other versions/colors of the Kuru-Toga mechanical pencils. I’m sure some of the items pictured here have been around for a while, but they’re new to me, and I don’t spend a ton of time in online forums or on Reddit so if I hadn’t visited Kinokuniya in person I might not have discovered them.

I have another day of exploration ahead of me! If you have a favorite NYC-area stationery store that’s not mentioned here, leave a comment and let me know!

This post does not contain paid third party affiliate links. The Gentleman Stationer is supported entirely by purchases through the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program.

Kinokuniya Kuru Toga Dive Display
In Travel, Editorial Tags Travel, NYC Stationery Store
1 Comment

2023 Bag Dump: What Do I Carry to Work?

July 19, 2023

Bag dump posts are insanely popular, whether on the internet or social media. I think mainly it’s because people (1) are generally nosy, and love to glean insights into other people’s lives via the things they carry with them; and (2) at least in the stationery community, would like some reassurance that they are not the only insane person who carries 12 fountain pens, three pads of A4 paper, a traveling inkwell, and 300 Post-it notes everywhere they go.

The main reason I’ve not done many true “bag dumps” in the past is because they can be difficult to photograph, and also because I have to be careful to protect the confidentiality of a lot of the papers, etc. that I carry with me for work. This is less of an issue recently since I’ve successfully taken a more paperless approach to certain work materials and try not to retain nearly as much in hard copy. More on that later! Meanwhile, here’s today’s bag dump:

Bag: Filson Original Twill Briefcase.

My go-to work carry remains my standard Filson briefcase in Otter Green. I love this bag not just because of its durability - it’s going on at least six years old - I find the interior well-organized and just big enough to fit all of my “daily needs” gear without becoming unwieldy. If I’m traveling for work or there’s a day when I need to carry larger physical files or other larger, heavier items like a bigger computer, I also have a Filson Zippered Tote.

My fountain pen carry from yesterday, from left: Pilot Custom 74 in Blue Stone, Sailor 1911 Large Black Luster, and my personal T.G.S. x Hinze Elementar.

Pens and Pencils: Versatility Is Key

For my workday, it won’t surprise you that I use many different pens, pencils, and highlighters. Currently, I’m carrying either a Rickshaw Bagworks three-pen sleeve or six-pen roll (both my own customized designs), or one of my Nock Co. Sinclair pen cases. As I’ve mentioned, I keep a lot of different fountain pens inked up, so if I want to switch out what I’m using on a daily basis I’ll typically just grab a different pen case that has new pens in it and rotate between them throughout the day. This week I’ve been carrying my Rickshaw Bagworks 3-pen sleeve with a Pilot Custom 74 in Blue Stone, a Sailor 1911 Large in Black Luster, and my personal T.G.S. x Hinze Pen Elementar (complete with the now-available Crimson nib).

Subtle matching.

Permanent residents in my work bag include a fistful of Pilot gel pens (currently Frixions, which I’ve enjoyed using, especially in the .4mm tip size), a Penco “Prime Timber” leadholder in Navy Blue, two Anterique click ballpoints, a Caran d’Ache “Black Code” ballpoint, a Caran d’Ache striped Paul Smith collaboration (no longer available, sorry!), and a pack of Kokuyo “Beetle-tip” Highlighters, which are a specialized Japanese highlighter that allows you to highlight in different line widths.

Notebooks and Paper: Paring it Back

One major difference you’ll notice is that I’ve pared back the number of notebooks I carry with me to work. Not only did I find that I wasn’t using them during the workday, but I felt less enjoyment mixing work and play by bringing my personal journals, etc. to the office, which isn’t really a “happy place” for me. I have a dedicated “work planner,” which is my William Hannah A5 in Agave/Mustard. While I plan to do a fuller write-up of this particular notebook system in the future, I generally love ring and disc-based planners/notebooks, and this one is mostly compatible with the Levenger Circa and Filofax refillable systems I use to archive work papers.

View fullsize William Hannah A5
View fullsize William Hannah A5 (Internal)

My Cortex Brand “Sidekick” covered notepad has been traveling to and from home with me, and it typically sits under my keyboard and serves as a repository for fleeting ideas and action items that I need to archive elsewhere. Once the page fills up, I’ll transfer these notes to another notebook/planner or digital app. I also carry one A4 pad (currently a Midori MD Grid) and one A5 pad (currently one of the Color Pads in blue), and I tend to burn through these pretty quickly so there is a lot of turnover.

I’ve really been leaning hard into the blue stationery lately, especially blue paper. From left, two Patreon thank-you notes on the way courtesy of G. Lalo Vergé de France, and the recently arrived Midori Soft Color Pad.

What I won’t get into here in any detail is tech/electronic products that I carry. It’s beyond the focus of the blog, though I may talk about it over on the Patreon in the future. That said, the computer sleeve (for my 2020 MacBook Air) is a Rickshaw Bagworks Horizontal Sleeve. My tablet of choice these days is a Remarkable 2 with the Typefolio (which I’m enjoying so far).

It looks like my last detailed bag dump post was from 2021, and while certain pieces of stationery I carry have been rotated out (probably not permanently), it’s comforting to see general overall consistency, which I take as an indication that I’m sticking to stuff that I use and not chasing trends. I’m on the road for a long weekend starting tomorrow, so Saturday’s post may look at my travel carry!

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. This post does not contain paid third-party affiliate links.

In Bag Reviews, Editorial Tags Bag Dump, Editorial, Workflows
4 Comments
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