Year-End Review, Part I: Five Favorite Acquisitions of 2023

Every year towards the end of December I take some time to reflect on some of my favorite content from the previous year, as well as on favorite new acquisitions. Today I’ll start out by mentioning five of my favorite pick-ups from 2023, which includes four pens and one paper product/organizer. These are in no particular order - I review and acquire a fair bit of stuff throughout the year, all of it different, so it’s nearly impossible to do a fair ranking beyond a “Top 5”. Enjoy!

1. Schon DSGN Monoc (Fine Nib). One of two big purchases from this year’s San Francisco Pen Show, the fine-tip Monoc features an architect-like grind on the reverse side, making it an extremely versatile writer (in addition to being a stunning visual piece, especially with the anodization).

2. Kyuseido Kakari Fountain Pen. Kyuseido’s take on the syringe filler, designed in partnership with Ben Walsh at Gravitas Pens, has been perpetually inked since San Francisco. Yes, San Francisco was an expensive show for me. And yes, I have a review of the Kakari in the works. It’s a somewhat complex review to write of a very specialized pen, but if you love highly engineered filling systems you will enjoy this one.

3. Montblanc 149, Studio Bokumondoh Edition. Earlier this summer I sent my plain black Montblanc 149 to Tokyo for an urushi treatment at Studio Bokumondoh, and received it back around two weeks after returning from San Francisco. (Did I mention August/September hurt my bank account?) I will likewise plan to write up this one in the coming year, with more details on the design, etc. The link is to my original review of the 149.

4. Kaweco Art Sport in “Terrazzo” Acrylic. I was thrilled to see this year’s Art Sport fountain pen released with the same integrated clip from the older (and now discontinued) “Sport Luxe” collection. While I enjoy all four colors, The Terrazzo and Hickory Brown spoke to me the most, and I added these two to my personal collection alongside my original Navy Blue Art Sport from several years ago.

5. Roterfaden Taschenbegleiter A4 Portfolio. I’ve had an A5-sized Roterfaden Taschenbegleiter for years, but I’ve always wanted a larger portfolio that can hold both an A4 or letter-sized pad as well as an A4 notebook. This has been an excellent solution. While we are mostly sold out of the larger Taschenbegleiters at the moment, we plan to bring them back and restock around the end of the month.

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Stay tuned for more Year-in-Review content! I’ll be doing favorite my 5 favorite reviews from 2023 next week.

The Gentleman Stationer is supported by purchases from the T.G.S. Curated Shop, as well as pledges via the T.G.S. Patreon Program. This post does not contain paid third-party advertising or affiliate links.

TGS Responds: How To Get the Best Writing Experience with Shimmer Inks

Maybe because it’s Inkvent Season, but over the past several weeks I’ve received a few different e-mails asking a version of the same question:

I love shimmer inks, and want to use them in my fountain pens, but I’ve been experiencing lots of hard starts and instances where the ink clogs the nib. Is there any way to prevent this and have a better writing experience?

First, I have to admit that I’m not a shimmer ink aficionado, though I have reviewed them and tested them out a bit over the years. They are NOT, however, part of my regular writing rotation, so my experience is more limited than many. That said, I believe I’ve used them enough to offer some advice here.

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A dark burgundy ink with red/gold shimmer? Diamine Bah Humbug (Inkvent Day 12) might be my favorite so far!

1. Accept that some flow issues are inevitable. You’re using an ink with large particles suspended in the ink, so eventually, you will probably experience some instances of clogging and skipping when using these inks, especially if the pen is left unused for longer than a week or so. While there are steps you can take to minimize problems, which I’ll address below, shimmer inks are never going to behave exactly the same as standard writing inks. That said, newer shimmer inks flow much better - and generally dry faster with less smearing - than the first batch of inks released several years ago. The “ink technology” has gotten a lot better and each new shimmer ink release that I’ve tried has written better than the last, with fewer issues.

2. Clean/flush your pen regularly. While you can leave most standard inks in a pen for months without serious problems, the inevitable evaporation will make a shimmer ink thicker and cause more frequent issues. As liquid evaporates in the pen, the shimmer particles make up a larger proportion of the ink, creating a thicker consistency that doesn’t flow as well. Also, any ink that dries up in the feed will leave shimmer residue behind, causing clogs. If you ink up a pen with a shimmer ink, I recommend writing that pen dry within a week or two, and cleaning it out as soon as you begin experiencing any issues with ink flow.

3. Relatedly, use pens that are easy to clean. Cartridge-converter pens, Japanese-style eyedroppers, and piston fillers that can be disassembled are all great options because they allow you access to the internal parts of the pen where you can flush them out with a syringe or run them through an ultrasonic cleaner.

4. Use a broader nib. I’ve always had much better luck with shimmer inks in broader nibs - both round broad nibs and stubs are good options. Not only will you use up the ink faster, but you’ll put more ink on the page which gives you a smoother-feeling writing experience and also allows you to enjoy the shimmer effect since the shimmer tends to pool in the broader lines. My go-to shimmer ink pen is any sort of TWSBI with a broad nib.

5. Use smoother paper with less texture. Smooth, bright white paper not only shows off the color best, but you avoid having paper fibers contribute to any clogging issues, something that can happen with heavily textured paper. I enjoy using Clairefontaine, Write Notepads, and of course Tomoe River papers with shimmer inks.

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Believe it or not, most pen companies did not design their pens to accommodate the amount of shimmer many ink manufacturers now offer!

Finally, it goes without saying that writing with shimmer inks is supposed to be pure fun, so don’t take the process too seriously. A fountain pen is a higher-maintenance writing instrument to begin with, which requires some level of attention to things such as pen cleaning and ink/paper combinations. Using specialty inks such as shimmer inks, heavy sheeners, multichromatics, etc. introduces new factors into the equation, so be prepared to experiment to find what works best, and remember that experimentation is part of the fun in this hobby! It’s also important to remember that most pen manufacturers do not make shimmer inks and accordingly, do not design their pens to use these inks. If a specific pen “doesn’t work well with shimmer,” it doesn’t mean that the pen is “defective,” just that the specific design of that pen is incompatible with how you personally want to use it.

Shimmer ink lovers - I want to hear from you! What are your tips for enjoying shimmer inks in fountain pens? Leave a comment or send a message through the contact link!

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. If you’re looking for gift ideas, check out our 2023 Holiday Gift Guide!

Checking in at Year-End: My Five Most-Used Non-Pen Stationery Items

I’ve been doing a lot of “checking in and thinning out” lately, with the goal of reducing both physical and mental clutter by keeping tidier workspaces and focusing on having close at hand those specific items that I use the most. The reason for this is twofold: (1) Towards the end of the year, I always take stock and try to figure out what might be eliminated, replaced, or improved; and (2) It’s been a busy holiday season - possibly the busiest I’ve ever had - and I’ve needed whatever edge I can to make it through the past several weeks, even if that’s just a few extra seconds in the morning of not having to sort through a jumble of junk on my desk. For this morning’s post, I asked myself: What are the five stationery items - other than pen/pencil and paper - that I touch every day?

1. My 30-Minute Hourglass. The first thing I interact with after I wake up. Every morning I try to read for 30 minutes and then write in my journal for 30 minutes. Two flips of the hourglass. Later in the day, when I’m doing periods of focused work, I try to maintain 30 uninterrupted minutes of effort between short breaks. While I currently only have one hourglass in rotation, I will likely add another to avoid tempting fate by repeatedly moving the hourglass across the room from my desk to my reading chair over hardwood floors with three (yes, three) dogs underfoot. For more ways on how to use analogue timing devices - of which I’m a big proponent - check out this post.

2. A Cutting Tool. Whether it’s breaking down boxes and packaging, cutting tape, snipping loose threads, or opening mail, a good pair of scissors or a small penknife is essential. Personally, I have four items I use regularly: My Allex fluorine-coated desk scissors that I’ve owned for years and which we now carry in the shop, a pair of discontinued Write Notepads Pocket Scissors, smaller Allex “Mini Scissors” that fit into a stationery pouch, and a pocketknife (rotating brands, depending on whether I’m at a desk or in the warehouse that day).

3. A Bookmark. My accumulation of bookmarks is somewhat embarrassing, second only to pens (and maybe notebooks), but I have a wide range of paper, metal, leather, and even cloth bookmarks that I use regularly, ranging from cheap bookstore and promotional freebies to quality, slightly overengineered metal ones. For some reason I hate dog-earing pages in books. I’d much rather use a bookmark while I’m actively reading, with sticky notes and Book Darts marking those passages I want to flag for long-term reference and/or archiving in my commonplace system.

4. My Classroom Friendly (Carl Angel-5) Pencil Sharpener. When I read, I annotate and take notes in pencil. At home, this relatively inexpensive hand-cranker remains my long-point sharpener of choice. The blades leave as sharp a point as ever, five+ years into its lifespan.

5. Toyooka Craft Pen Trays. I have two Toyooka Craft six-pen trays. One on my personal desk at home, and one at work. Both sit next to my keyboard and hold the pens/pencils that I’m working with at any given time. Typically, this will include 2-3 fountain pens, a ballpoint, a rollerball, and a mechanical pencil. Once I have this rotation set for the day, I don’t go rooting around in my bag or pen case for something “new” and instead just focus on the work at hand.

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If there’s one thing I’ve learned over the years, it’s that you can’t use “all the things” all of the time - at least not if you want to get anything done during the day because you’re spending all of your time and effort picking out your tools. Set your core workhorse lineup and run with it. Periodically evaluate and make changes. If you like to rotate stuff, do it regularly (or at least semi-regularly, just not on a whim). And if you don’t use something, pass it along!

The Gentleman Stationer is supported by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. We don’t just write about and sell pens! Lately we’ve been expanding more into non-pen (but still stationery-related) content and goods. You can read more about our “stationery philosophy” here.

TGS Responds: How Do You Curate Your Shop?

Today’s post is the second installment in a series of answers to questions that I regularly get in my mailbag (both “snail” and virtual). I had so much fun with the first round of Q&A that I went ahead and did another addressing questions about how I choose to stock the shop and my overall retail philosophy. Here goes!

What is your shop philosophy, and in general, why have a shop at all?

What actually drew me into the world of “curated retail” was a frustration with emerging retail and marketing trends in the greater online pen community. As pens and other analogue tools have grown in popularity over the past decade, this higher profile was accompanied by an increase in analog-related internet content - some of it thoughtful and high-quality, but a lot of it simply FOMO and acquisition-driven noise that amounted to little more than paid advertising for inferior products and/or affiliate link farms. As someone who had been working mainly as a blogger/reviewer for several years, manufacturers and retailers were sending me products that I didn’t feel added much to the larger picture, and which weren’t nearly as good as products already on the market. I didn’t enjoy reviewing them as much as I enjoyed writing about things like the joy of finding a Workhorse Pen or experimenting with notebook systems. Morever, it felt as though the proliferation of review and social media content on “the next big thing” was starting to drown out more helpful content targeted to those primarily looking for a reliable “first” pen or a daily driver that they intended to use for everyday writing.

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Towards the latter half of 2019, I decided to let paid advertising expire on the blog and unlinked my affiliate accounts, with the goal of becoming 100% self-sustaining. I opened a Patreon account, placed an order for Book Darts and Write Notepads (thanks guys!) and took a table at the 2020 Baltimore Pen Show. While running a shop involves a LOT more daily work than relying on income generated by referrals, I prefer this method of operating for three reasons that are very important to me personally:

1. Independence. I no longer have to navigate the politics of offering a negative or lukewarm opinion on a product given to me by a paid monthly sponsor or advertiser. While there’s always going to be some degree of tension - I still review products made or provided by those I consider friends and colleagues - the lack of a paid relationship removes a layer of complications. I can choose to write my own content and/or review what I want, when I want, without having to worry about preserving a business relationship or ensuring that my site remains appealing to potential advertisers. If someone loans or gives me a pen that I want to review on a one-off basis, I simply disclose that fact. In a bit of internet heresy, I ignore site analytics as they have little value to me. Knowing whether people choose to support me by buying from the shop or pledging Patreon is enough.

2. Accountability. If I recommend a pen and you purchase it from a third-party advertiser or referral source, I have no control over the customer experience, whether at retail or in after-market customer service. On the other hand, if I’m selling directly, I can do whatever I can to ensure the customer experience is positive, and address any customer service or warranty issues that may arise myself.

3. Transparency. In my opinion, selling directly and not relying on third-parties is one of the most transparent ways to generate revenue. Any business has to navigate conflicts of interest, particularly when reviewing products or offering opinions, but under my current model you all know exactly how I get paid: through the shop or Patreon. If I write about a product or brand sold in the T.G.S. Curated Shop, I try to be as objective as possible, but to the extent there is a conflict of interest readers know exactly what that is. Third-party relationships with affiliate networks and advertisers get murky, and in my opinion many blogs and websites (not just in the pen world but all across the internet) fail to adequately disclose both the existence of these relationships and the extent/nature of the financial compensation being paid. I’m not throwing shade - the “rules” (where they exist at all) are murky and involve all sorts of judgment calls. Personally, it felt like the right choice to just remove the issue from my own business model as much as I possibly can.

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Has Your Philosophy/strategy Evolved or Changed over the years?

I first launched the T.G.S. Curated Shop in early 2020, with the goal of offering a small selection of handpicked goods that best reflected my philosophy of how I use stationery. In short, I chose practical, well-made goods within a moderate price range, targeted to those who use their stationery on a daily basis for work and study. Over time, in response to reader/customer feedback and what I perceive as the needs of the market, I’ve branched out a bit to include some special editions and products that are just “pure fun,” but at the end of the day I would say that the mix of products in the shop is weighted 80/20 to my original philosophy, and occasionally I find myself dialing it back to return to my original focus.

What’s The Plan for T.G.S. in 2024? Do You Plan to Open a Physical Shop?

Right now, my family and I are just trying to survive the holiday season, but if I had to set a goal for 2024, it would be to further grow the shop while refining the product selection, including more custom and exclusive items. Our collaboration with Hinze Pens was extremely successful, we sold out of our second run of the T.G.S. Penwell, and in October we were proud to become one of a handful of retailers in the U.S. to carry Roterfaden. If I had to point you to an area of the shop where we test product categories and experiment in areas where we are actively considering expansion, check out the “Reading and Desk Accessories” page, which also offers a lot of insight into my own personal interests and hobbies. We are also looking to expand our selection of woodcase pencils, in response to what we perceive as a gap in the market. And while we almost certainly will have a permanent physical location in 2024, it remains to be seen exactly what that will entail as so much depends on a local real estate market that is incredibly unfriendly to small business.

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My house is basically a museum of the analog life.

In terms of content, I don’t review as many “new releases” as I used to, and this is by design. Longtime readers may wonder why I often circle back to pens I’ve previously reviewed, such as the Lamy 2000, Pilot Custom 74, or Pilot Custom 823. The reason relates to what I alluded to above - there are new users entering this hobby every day, and the internet (and social media) often suppresses older content in favor of the new and shiny. Those searching for a “best first fountain pen” can miss out on an excellent recommendation because the reviews of said pen were published eight years ago. While it’s important to stay current on new trends, the priority of T.G.S. is to offer a well-rounded perspective on what’s out there as a whole, which includes regularly coming back to the basics.

I do get a lot of mail, and unfortunately there just aren’t enough hours in the day for prompt responses. Please know that I read everything! I try to get back to everyone eventually, but as the readership grows it may not be possible logistically to do personalized replies.

Personal Collections: The Three Most Worn Stationery Items in Regular Rotation

I’ve been doing some pruning and sorting lately, as I often decide towards the end of the year what stationery items and other “gear” I will keep in rotation, and what I plan to move on from. Given the nature of what I do, I cycle through stuff often, and the items that truly get “used” to the point where they show signs of significant wear are few and far between. That said, three particular items jumped out at me, and none of them are fountain pens.

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1. Traveler’s Company Brass Ballpoint, San Francisco Pen Show 2022 Limited Edition in Olive Green. I pre-ordered this pen at the same show where I purchased the Plotter Mini-5, and once it arrived a few months later, I clipped it directly to the pen slot in the Plotter and it’s been in my pocket ever since. The “bullet pencil” has never really caught on with me, mainly due to having to carry a hand sharpener, but this pocket ballpoint uses the same convenient format with an excellent needle-tip refill. I do wish that Traveler’s made the color versions part of their regular lineup, but the standard brass develops a warm patina with age.

2. Lamy 2000 Ballpoint, “W. Germany” Edition. Ok, so this one may be cheating a bit, as it had some history on it when I bought it, but my early 1980s-era Lamy 2000 ballpoint pen showcases what the black Makrolon Lamy 2000 can look like after decades of regular use. The grooves are more or less worn completely smooth, lending the pen a shinier appearance, but the knock still functions with a solid click and this one remains a workhorse. For those looking for a sharp gift for a non-fountain pen user - particularly someone who might work in a stuffy office and therefore prefers something fun yet understated - the standard pens and mechanical pencils in the Lamy 2000 line are excellent options and will last a very long time.

3. Plotter Mini-5 Binder/Wallet. Believe it or not, this used to be grey leather. Compare the photo shown at the top with the photo below, taken immediately after I purchased it. All of the grey leather products I’ve owned over the years transition to a greyish brown, which may or may not be your preference but I enjoy the patina. This Plotter Mini has gone in my pocket nearly every day, and in addition to serving as my emergency notebook, I use the card holder for my work access pass and a couple of credit cards.

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What’s your most “well-loved” stationery item? I’m interested to hear different stories, as everyone’s daily users vary depending on individual needs and preferences.

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. This post does not contain third-party affiliate links or paid advertising.