The Best Pens List, Updated for Nine Years of T.G.S.!

April 12, 2023

I can’t believe that next year (2024), The Gentleman Stationer will be ten years old! Each year, to celebrate our “blogiversary,” I update the “Best Pens” list. While this list hasn’t changed much over the past couple of years, I always find one or two things to add, and this year mainly features some surprise additions to both the “Disposable Pen” section and the “Refillable Ballpoints” section. Be sure to check them out, and as always, past lists remain available so that you can see how my preferences and recommendations have changed over time.

So why do I think the lists have remained the same? Probably because as far as mainstream pens are concerned, there really hasn’t been much in the way of true innovation, but rather a focus on fine-tuning existing designs. In my opinion, much of the creativity these days comes from independent makers, who I’ll never include on a “ranked” list like this simply due to the highly individualized, bespoke nature of their work. I plan to write more on this in the future. Happy reading!

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. To the extent third parties are linked to in the Best Pens list or elsewhere, it is being done on a non-affiliate basis.

Introducing Newbies to Pens, step one: Don’t start with pens!

Five Things You Can Do To Introduce New Users to Nice Pens

April 5, 2023

This is a bit of a different post this year, following up on trips to three different pen shows (Baltimore, Arkansas, and - this past weekend - Atlanta), all of which had a large contingent of new users. If you saw me at the show this past weekend, you probably noticed that I had my own “new user” in tow, as my nine-year old daughter accompanied me to her first pen show (well, really the first pen show that she can remember). It was a big hit, especially judging from our haul below! I thought it might be fun to do a post in which I discuss my own thoughts on introducing new users to this passion of ours. And if you’re a new user yourself, hopefully you can find something here that might interest you!

Start with Paper. There are many more people interested in notebooks and planners than there are people really into pens. I’ve found that one of the best ways to show someone why I’m so passionate about stationery is to ask them to write with a good notebook or writing pad, and compare it to the paper they’ve been using that they either stole from their office’s supply cabinet or picked up for a couple of dollars at a big-box outlet. My favorite brands for this sort of experiment are Maruman Mnemosyne and Clairefontaine, since these brands are less intimidating both price and design-wise, making newbies less nervous about using them (and buying more).
Start with a Non-Fountain Pen. Retro 51 is a great “gateway brand” for nice pens, featuring both fun designs and a quality refill. (My daughter’s first pen was one of Brad’s Shiba Retro 51 rollerballs.) Ballpoints are also great. At this year’s San Francisco Pen Show, I ordered personalized Traveler’s Company Ballpoint Pens in limited edition colors for all of my family members, and they were a huge hit. Again, the goal here is to start someone with a pen that’s not intimidating and where there’s little-to-no learning curve from something that they’re already familiar with.
Give Someone a Pen from Your Collection. If they’re insistent on trying a fountain pen, give them a pen from your collection that you’re not using anymore. One of my colleagues at work bugged me for weeks to let her try a fountain pen, and I finally decided to just give her a Lamy Safari that I had at home and hadn’t inked up in a while. She loves it. For someone who hasn’t used a fountain pen at all, and is on the fence about them, gifting that person a pen may work out better in the long run because you remove the frustration that might result from someone feeling like they “wasted money” while they figure things out.
Take Someone to a Smaller Pen Show or a Beginner-Friendly Store. This is especially important if you’re trying to introduce a child to fountain pens. Smaller shows tend to be easier to navigate, and aren’t so large that they’re overwhelming to new users like D.C. or San Francisco. Vendors and attendees both seem less stressed, and can take the time to explain things to children (and new users in general). If you have a local “beginner-friendly” store - meaning that the store has both a friendly, helpful proprietor as well as products available for people to hold and try - that’s a great place to start. For this reason, the Arkansas Pen Show is an excellent show for first-timers, as you have both the show itself and Vanness Pens available to visit locally.
Don’t Treat Your Pens as “Ultra-Precious” Around Others. I always keep a Platinum Preppy, Platinum Plaisir, or TWSBI Swipe fountain pen inked up and available for people to try if they ask. I also make sure that people see me using my stationery, whether it’s my beat-up Traveler’s Notebook, or my ink-stained Nanami-paper Café Note and Lochby Quattro. Anybody who visits me at my house is free to sort through the piles of stuff I have in my office, with anything truly fragile or valuable put safely away to just avoid the issue entirely. If people see pens, paper, and related accessories as tools to be used in the real world, as opposed to fussy fetish objects to be collected and babied, they’re more likely to develop an interest themselves.

That said, you may want to just disregard everything I said above. My daughter visited the Atlanta Pen Show and after spending an entire day there wanted nothing other than vintage dip pens, and eyedropper fountain pen, and inks with extreme shimmer and sheen.

To read more on my pen recommendations for beginners, check out the T.G.S. “Best Pens” list, which is in the process of being updated for 2023 and should be slightly refreshed sometime this month. Also, if you’re interested in learning more about paper (and specifically, fountain pen-friendly paper), check out this post, which has a vibrant comments section with tons of recommendations in addition to the brand that I discuss. Now excuse me while I’m off to ink up someone’s new eyedropper….

The Gentleman Stationer is supported entirely by purchases through the T.G.S. Curated Shop and Pledges via the T.G.S. Patreon Program. This post does not contain affiliate links or paid third-party advertising.

Pen Show Adventures: Dipping Back into Vintage, or Pursuing Vintage-Style Modern Pens?

March 25, 2023

Up front, I will admit that I’m neither a vintage collector nor even a vintage pen enthusiast, and my knowledge of most brands and specific models pale in comparison to others in this community. So take whatever I say regarding vintage pens and the vintage market with a (very) large grain of salt. That said, I attended both the Baltimore and Arkansas pen shows - and particularly Arkansas - looking to pick up a few vintage pens for my collection, mainly to replace certain models I wish I hadn’t let go during “catch and release” phases over the years.

Smaller shows like the Arkansas Pen Show make excellent opportunities to shop for vintage pens. Larger shows like D.C. can feel overwhelming, and because the shows are both crowded and geared towards higher-end collectors and sales between dealers, they can be difficult for the newbie or the casual buyer to navigate. Pens also tend to be more expensive because they are either more pristine collectors pieces, or outright overpriced. (I also advise people to adopt a “buyer beware” attitude at these larger shows. In my early days of collecting, I had more than one experience at D.C. where I purchased a vintage pen that later turned out to be “not as advertised,” to put it politely. More on this later, as I plan to update my vintage pen resources.)

My two vintage Parker 51 fountain pens, one of which includes a stub nib.

Vintage Pens Parker 51 Aurora 88 — I enjoy interesting vintage pens that I can still use on a daily basis, including both the Parker 51 and the Aurora 88.

Smaller shows - particularly shows run by a local pen club - are friendlier, with many of the “dealers” being club participants and collectors selling for “show money”, to rotate pens out of their own collection, and/or to help grow the hobby. Many are happy to talk with new enthusiasts, and will give you honest appraisals of pens, flaws and all. If you have to deal with the same show attendees and club members year after year, reputation matters. At the Arkansas Pen Show, I purchased two Parker 51s from Danny Fudge (aka “The Write Pen”), both of which are excellent “user grade” pens, expertly restored, with character. One had a broader nib that I had Matthew Chen shape to a semi-Naginata, and the other sports a hammered gold fill finish (“possibly by Ariel Kulloch”) with an excellent stub nib. The first pen cost me $100, and the second $175, which I consider to be very fair pricing for functional vintage pens restored by a reputable dealer.

The Tibaldi Bononia Vintage in Pomegranate (top) and Honeycomb (bottom). These are piston fillers with 18k gold nibs. The top is an oblique medium and the bottom a 1.1mm stub. Not sure if these two are going back to Vanness….

If You Don’t Want to Fiddle with Actual Vintage pens, the Current Market Has a TON of Vintage-Style Options

While vintage pens like the Parker 51 are fairly durable, easy to repair, and timeless, other models don’t translate as well to the experience sought by many modern users. For example, I’ve always admired the oversized Sheaffer Balance fountain pens, and have even owned a few over the years, but found the material prone to cracking and I’m not a huge fan of lever-fillers. Fortunately, these days you have a wide range of modern options in a similar “vintage” style, and I spent many hours next to the Vanness Pens table eyeing (1) the Tibaldi Bononia Limited Editions; (2) the modern Conway Stewart lineup in their classic materials; and (3) both the modern Onoto Magna and Scholar fountain pens, which have garnered rave reviews and which I’m in the process of reviewing. If you appreciate vintage design, but perhaps not the “adventurous” nature of writing with an actual vintage pen, you have plenty of options!

From left, the Tibaldi Bononia in Pomegranate, the Onoto Scholar in Mandarin, and the Tibaldi Bononia in Honeycomb

Lately, this trend has even started to extend beyond fountain pens. I wrote the entire first draft of this review on a series of airplane flights and in the back row at a work conference using an Anterique “Mach Ball” click pen. I love the aesthetics of vintage Bic Clic-style ballpoints, but generally can’t stand the refill. Anterique uses a .5mm low-viscosity hybrid gel-ballpoint ink refill that even fits some actual vintage ballpoints.

Stay tuned, because Anterique is doing some really fun stuff, and I just received a big box in the mail….

If you’re not a purist, you can sometimes find the best of both worlds: vintage-style design without the unpredictability of finicky filling systems or refills. As a user of fountain pens and other writing instruments, as opposed to a collector, I’m equally drawn to both vintage writing instruments and quality modern alternatives. It certainly offers a wider range of options to enjoy everyday writing!

This post does not contain paid third-party affiliate links or advertising. Vanness Pens did loan me certain of the pens pictured in this review. I am not being compensated for content, and The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program.

"Boring" Can Be Better: In Defense of Standard Stationery

March 1, 2023

Sometimes what’s fun from a hobby perspective isn’t always what’s best for everyday use. That multichromatic triple-shading ink with shimmer? Probably not the best choice for quick meeting notes or signing closing paperwork on your mortgage. That triple-broad double-eagle reversible stub architect nib? That’s gonna bleed through a legal pad. While most of us enjoy our crazy stationery, it can’t take us everywhere.

The most common questions I get, both here on the blog and in-person when I’m behind a table at a pen show, concern what pen/ink/paper I can use everyday, without worrying how it’s going to perform. I often recommend that those planning on using their pens for everyday writing keep at least a couple of “workhorses,” or pens designed to write, without regard to unique design, collectibility, etc. I feel so strongly about this that I’ve devoted an entire series of articles on the blog to this topic, which I’ve compiled into an archive that’s constantly being updated.

So-called “safe”- dare I say “boring” - inks don’t have to be ugly, especially if you like muted shades. It’s when you get into super-saturated colors and special properties when things get tricky.

But while pens get the most attention, more critical components of “everyday writing” are ink and paper. With fountain pens, I would say that ink is the key variable, since you often cannot control the paper you’re forced to use in a context such as the office. You therefore need to have a handful of “workhorse” inks in addition to your “workhorse” pens, that you can use knowing that they will likely perform decently on most paper options. Back in 2020, I even put together a sample pack of some of my favorite inks, including Waterman Blue, Sheaffer Skrip Red, and Lamy Black. While I may consider running that one back in the future, I’m not sure that recommending specific inks is all that helpful or necessary. For the most part, standard inks made by major pen company such as Waterman, Lamy, Sheaffer, Pilot, TWSBI, etc. will generally be “safe” to use in most pens and on most papers, and even boutique lines such as J. Herbin and Diamine - both made by ink companies that have existed for a very long time - are extremely reliable provided you stick to the water-based core lineup for your office writing, as opposed to inks with special properties such as shimmer that can be unpredictable on anything other than high-quality paper.

“Boring” is relative. I’d consider all three of the inks pictured here to be “safe” inks in the sense that they water-based inks from longstanding, well-regarded brands. The Herbin “Vert de Gris” is a new discovery that I spent all day yesterday using at the office.

Advantages and Considerations When Using So-Called “Boring” Inks

So why don’t quality, reliable inks get more attention? Honestly, the fountain pen internet and social media tends to be driven in large part by people who either don’t actually write with their pens everyday, or use their inks for art and journaling where practical considerations are less relevant. When those creating the content consider the inks “boring,” they don’t get promoted and fall by the wayside. But I’m here to tell you that sometimes “boring” has a lot to offer! Consider:

Ease of Cleaning. While some exceptions exist (pinks and purples in particular tend to be hard to clean no matter what), I value inks that flush out of pens quickly when you refill or change colors. Most of the brands I mentioned above take little to no effort to flush, and shouldn’t stain most materials, vintage or modern.
Expense. Looking for an ink that you’re going to use a lot? While ink isn’t the most expensive part of this hobby, if you write through several converters a week like I can when I’m really busy, you probably don’t want to be stocking up on ink at $50 per bottle. Most of the inks I consider workhorses are less than $20 for 30-50ml.
Permanence. People tend to treat “permanence” (more specifically, the lack thereof) as a negative rather than a positive when it comes to fountain pen ink, but I’ve come to believe it’s overrated. While it’s nice to have some water resistance, I can count on one hand the number of times I’ve spilled water or a drink on some notes, and completely lost what I had written. On the other hand, I’ve frequently spilled ink when filling pens, when a pen leaks during travel, or when I accidentally drag a shirtsleeve across some writing that’s not quite dry. If it’s permanent ink, it’s probably going to stain. On the other hand, a few weeks ago I spilled a sample vial of Iroshizuku Tsukushi onto the rug in my office. I ran the rug through the washing machine and the ink washed out completely on the first try. On the other hand, I spilled a bottle of permanent blue-black on some carpet several years back and had to recarpet the room. Personally, I’ll take the safe/impermanent/washable option for those inks I plan to use everyday, but I’m also a klutz.

Now here’s the part where I sort of contradict myself: When I first entered this hobby, it used to be a reliable rule-of-thumb that if you were looking for a “safe” ink (i.e., to use in a finicky, valuable, or vintage pen) any ink made by a “pen company” was generally suitable. Today, I still get e-mails from people asking whether “X” shimmer ink is safe for vintage pens, since it’s made by “X” pen company. Having seen the rapidly expanding market for fountain pen ink, including inks that shimmer, sheen, and multi-shade, pen companies are expanding into these more specialized offerings. So while you can take the “pen company manufacturer rule” into account, it’s no longer something you can solely rely upon, and you have to do some homework. I generally advise people that if you want to purchase a particular ink for use everyday, and you want the ink to be versatile enough to use in as many different pens, on as many different papers as possible, it’s wise to avoid inks with special properties.

Come Visit Us At an upcoming pen show!

As I mentioned above, I’m getting ready to visit this year’s Baltimore Washington International Pen Show, as well as the Arkansas Pen Show the following week, and at both shows I’ll be conducting a free workshop tentatively titled “Stationery for Daily Use with the Gentleman Stationer,” in which I plan to discuss pens, inks, paper, and notebook systems appropriate for managing your daily life and work. The class will be similar to the “Everyday Writers: Choosing the Best Pens for Home and Office” seminar that I held at the last Baltimore Show I attended as a vendor, back in 2020.

We will also plan to bring a curated selection of pens, inks, and notebooks with us to both shows, so you’ll have the opportunity to test out many of the goods in our shop in person. We hope to see you there!

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program, and is an authorized retailer of all brands sold, including certain ink brands mentioned in this article.

Triangular Grip Pens: Love 'em or Leave 'em?

February 25, 2023

In the world of pens, there are a handful of highly polarizing products, and I’d place “molded grip” or “triangular grip” pens in the top five. The most well-known, of course, is the iconic Lamy Safari, with the Lamy AL-Star, TWSBI ECO-T, Kaweco Perkeo and others falling into this category. So why do pen companies opt for this type of design? How big of a “real world” issue is it? And how has it affected my own ability to use these pens?

The Lamy Safari’s grip gives rise to strong opinions.

Triangular Grip Pens: Origins and Purpose

Before they went hipster mainstream (j/k), pens like the Lamy Safari were intended for students - particularly students learning to write with a fountain pen for the first time. Most molded grip sections are shaped similarly to those slide-on pencil grips that teachers in the 1980s would force on those of us who refused to hold our pencils “correctly,” in order to guide our hands into the “proper” position. These days, Lamy markets the Safari/AL-Star pens to a market beyond students, billing the section as an “[e]rgonomically shaped grip area to enable writing for long periods of time without tiring,” but as with most things ergonomic, these pens don’t work for everyone. While I’ve not done any sort of survey, anecdotally, lefties tend to have more issues with the grip, since they’re designed with the right-handed majority in mind. And even those righties with nontraditional finger placement can have a difficult time with a shaped section.

The Lamy AL-Star grip section, left, vs. the TWSBI ECO-T. The AL-Star features a grip similar to the Safari, but due to the difference in materials doesn’t feel quite as sharp, at least to me. The TWSBI ECO-T has a subtly triangular shape that I don’t really notice much at all, though it is there.

My Own Personal Handwriting Struggles and Preferences

I have a history of handwriting struggles. Until I entered college, I used what could charitably be described as an “unusual” pencil grip. Nobody could understand how it worked, how I learned it, and why I continued to write that way. Despite the fact that I was generally a good student, with visually excellent script, I regularly received a “C” or “D” in “handwriting” on my report card, solely due to how I held my pencil. I had one elementary school teacher dub my grip “The Claw”, and made it their personal mission in life to change it. They failed.

I had another teacher in high school “jokingly” offer to break my right hand so that I could relearn how to write as a lefty. (I went to an all-boys high school. It was a different time.) Honestly, I’m really not sure how I ever wrote like this, much less for hours at a time. I certainly would never have been able to use a fountain pen like this.

At some point The Claw became a matter of personal pride, not to mention practicality. If you grip your pen or pencil a certain way for years, you reach a point in high school where you can’t change it because to do so would sacrifice speed. (To add some context, I graduated from high school in 1998, which dates me but it’s necessary here. I was probably one of the last classes where e-mail and internet access was available to us, but not required, and all of our examinations and most of our homework, including research papers, had to be handwritten as opposed to typed. Handwriting speed was therefore a factor. I understand that this changed at my school a couple of years after I graduated.) It wasn’t until late college/early law school, when I started transcribing most of my lecture notes on a laptop, that I was able to change my grip because I had the luxury of slowing down.

So why did I change? RSI issues in my hand and wrist, as well as a semi-deformed right ring finger that had a huge, painful callous that only completely disappeared three or four years ago - nearly 20 years after I changed my handwriting style. While my current grip isn’t “textbook,” it’s closer to what’s contemplated by most molded-grip pens, and if I’m honest, probably could have saved me a lot of trouble over the long-term if I hadn’t been so stubborn.

My new grip works fairly well with the Safari and most other molded-grip pens.

How to Use a Triangular or Molded-Grip Pen

Unfortunately, the truth is that unless you’re willing to change your grip, these pens either work for you or they don’t. Some pens, like the TWSBI ECO-T and the Kaweco Perkeo, feature a “softer” triangular grip that’s much more forgiving. The sharper edges of the Safari and AL-Star tend to cause more problems for people. While the Lamy pens aren’t a perfect fit, and for this reason have never become “favorite” everyday writers, they’re not incompatible with my current grip because I can rest my index finger on the top ridge, similar to how I’m able to rest my finger atop the clip of a Pilot Vanishing Point and Decimo. The good thing is that these pens are relatively inexpensive to test out, coming in at $35 or less. If you’re considering a more expensive pen like one of the retractable nib Pilot pens, I’ve found that how one’s hand holds the Safari approximates how you would have to grip a Vanishing Point or Decimo, so if you can’t get to a pen show and try one of these in person, picking up a less expensive pen with a triangular grip might save you from a more costly mistake.

A shot of the TWSBI ECO-T (right) vs. the standard TWSBI ECO (left). You can barely make out a ridge (more like a ripple) on the ECO-T, which shows you how subtle the shape is. Honestly, I might prefer the ECO-T to the ECO, but again that’s personal preference.

I’m interested in hearing: How many of you can’t use these types of pens at all? Also, I rarely hear from anyone who purchases a pen with a shaped grip specifically for that section, but does anyone particularly enjoy this feature? Personally, I’ve really been enjoying the the ECO-T, which has a much more subtle grip shape, and I have plans to get my hands on another Kaweco Perkeo soon.

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop, and pledges via the T.G.S. Patreon Program. While this post does not contain third-party affiliate links or paid advertising, the Gentleman Stationer is an authorized retailer of certain brands discussed in this article. Please view the shop for the full range of brands sold, which is subject to change.