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The Gentleman Stationer

Vintage Living in the Modern World.
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A New Take on an Old Favorite: The Kobe Affection Kyomachi Legend Blue 1911L Fountain Pen

November 8, 2023

Well, that’s quite a name! As I may have mentioned, one of the many things I got to see first-hand during my August pen show excursions was the development of a new partnership between our friends at Vanness Pens and Nagasawa Stationery in Kobe, Japan. What does that mean to me? Well, for starters I have access to a ton of exclusive Nagasawa Stationery special edition Sailor fountain pens to review, including the “Kobe Affection Kyomachi Legend Blue 1911L Fountain Pen,” a royal blue and gold-themed fountain pen that adopts the same general format as the Sailor 1911 Black Luster, a long-time favorite and one of my more comfortable everyday writers.

The gold flecks in the blue acrylic make for a stunning, yet still understated, material.

Three Things That Make This Pen Stand Out from the Rest of My Collection

Three things make this particular fountain pen something of an outlier for me personally, almost to the point where I’m surprised I chose to review it. (Almost.)

  1. The pen not only has gold trim, but gold flecks throughout the royal blue acrylic, creating a shimmery appearance or, per the current lingo, “chatoyance.” I typically don’t go for gold, but I couldn’t pass up this combination and it literally grew on me within minutes of inking it up.

  2. The pen has a broad nib. While medium (or a medium stub) is typically as wide as I’ll go with my everyday writers, lately I’ve experimented with broad nibs and this broad Sailor 21k nib might be the best of the lot. More on that below.

  3. The pen has a metal section. While I don’t consider a metal section “disqualifying”, I tend to be quite picky about which metal sections I’ll use. At a minimum, they need to have some texture, and I find the plating on Sailor’s metal sections to have a more tactile feel that avoids slippage during longer writing sessions.

I reviewed the Sailor 1911 Black Luster back in 2017, and everything I enjoy about that pen still holds true today, especially with respect to the weight and balance. The only difference I would call out is that for whatever reason, the non-black-ion-plated Sailor 21k nibs (such as the gold one here) feel much more substantial and less “fragile”. As I noted in my prior review, I’ve bent two black Sailor nibs in the past with minor bumps and table drops, but this broad seems more durable and less “soft” for lack of a better term, though I still wouldn’t describe it as a stiff nib.

The Sailor Kobe fountain pens are also notable because they feature Nagasawa’s weathervane logo. I enjoy this design, probably more than the standard Sailor scrollwork.

With respect to the nib, I love how it writes. When most people think of Japanese fountain pens, they focus on the extra-fine and fine nib sizes, but often neglect the mediums and especially the broads. I find such oversights unfortunate. If you’re a fan of medium 14k nibs from German makers such as Bock and JoWo, the Sailor broad nib has similar line width yet offers a smoother writing experience. I’ve heard the same about Pilot, and I’ll be looking to try one of their broad nibs soon.

For those who will ask, this paper ruling is Clairefontaine Seyes-Ruled, or “French Ruled”. The review ink is Sailor Souboku pigmented blue-black. Here, I’ve compared a writing sample from the Sailor 21k broad nib to a writing sample from a JoWo extra-fine Stainless Steel nib. While noticeable, there’s much less of a difference between a German stainless EF nib and a Japanese 21k Broad nib than I would have expected.

Notes on the Name: Why “Kyomachi Legend Blue?”

The name “Kobe Affection Kyomachi Legend Blue” continues Nagasawa’s trend of naming their special edition pens and inks after specific locations in Kobe, Japan and the immediate vicinity, which is where Nagasawa Stationery is based. Per the information provided by Nagasawa, Kyomachi is the area where the Kobe City Museum is located. If there’s one thing that will catch my interest about a line of limited edition fountain pens or inks, it’s when the product has a strong sense of “place” and reflects something of its designer/creator. Every time I research a Nagasawa product, I learn something new about Kobe, which makes me want to visit all the more. (If you’re curious, the popular “Sailor Kobe Ink” series is also developed for Nagasawa, and you learn a lot researching the origin of the various names in the lineup and how the specific colors were carefully matched to each theme or location.)

The balance of this pen, when posted, is nearly perfect for my hand size and writing style.

Takeaways and Where to Buy

Like the 1911 Black Luster, I love this pen and it makes for a great daily writer. That said, you’ll have to really love Sailor and their Japanese special editions in order to spring for it. Sailor pricing is what it is, and doesn’t seem to be changing anytime soon. Once I have one of their pens in hand, however, I tend to forget about the cost. Sailor delivers a quality high-end writing experience and the “Kyomachi Legend Blue” is no exception.

With the Black Luster priced at $392, the Nagasawa Kyomachi Legend Blue in the 1911L format tops that and goes for $450. The 1911S (“standard” or “slim” size) version lacks the metal section and is priced at $300, and, yes, there is a King of Pen version (again without the metal section) priced at $880. Vanness Pens is the exclusive U.S. retail partner for Nagasawa Stationery, and you can view the rest of their current stock here.

Further Reading

If you’d like to see a video of this pen, including a writing sample, please check out this short video that I filmed for our YouTube channel. For reviews of other Sailor Pens, check out the “Sailor” page in our Fountain Pen Review Archive.

The Gentleman Stationer is supported by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. As always, many thanks to our friends at Vanness for providing this pen for review.

In Pens Tags Nagasawa, Sailor 1911, Vanness Pens, Pen Review
2 Comments

Pen Review: The Good Blue R615 "Titanium Blue" Vanness Exclusive Edition Fountain Pen

June 10, 2023

The pen I'm reviewing today is part of my ongoing effort to break out my fountain pen comfort zone and try things that I wouldn't typically purchase to use at work, but rather pick up just for fun. The Good Blue is a London-based company that specializes in flexible-nib fountain pens paired with a unique feed system designed to ensure and adequate supply of ink to the nib, which is where most "modern flex" pens have underwhelmed. So how does The Good Blue R615 perform? Honestly, very well.

I absolutely love the color of the Cerakote on this pen. Read more on the history of the pen design and materials used directly on The Good Blue website.

Pen Design and Aesthetics

This particular model, the R615 "Titanium Blue" is a special edition collaboration between our friends at Vanness Pens and The Good Blue. The pen features a streamlined, 6082 Aluminum body with "Titanium Blue" Cerakote coating, paired with a section machined from untreated CZ121 brass. The body of the pen is deceptively comfortable - I expected the step down from the pen body to the section to be too steep and severe for my taste, but as it turns out the grip area is long enough that this is not an issue.

The brass section will patina due to both your grip and exposure to ink. Note the porous feed and compare to the photo of the un-inked pen below.

While the R615 has no clip, the streamlined body features a facet on one side, which acts as a roll-stop. It's a simple, practical design. The brass components, per the company's website, are untreated and "precision textured with a surface roughness for ergonomic grip." Note that the untreated brass will absolutely patina, and may also change color due to exposure to ink. This doesn't bother me at all, and I find it to be part of the charm of the pen.

The pen doesn’t post, given the design, but is very well balanced in the hand.

Nib and Writing Experience

As I mentioned above, the main issue that people run into with so-called "modern flex pens" is ink starvation. Namely, modern plastic feeds have a difficult time maintaining ink flow sufficient to write broader lines as you flex the nib from extra-fine to double-broad. The Good Blue appears to have solved this issue by using in-house polymer feeds made from an absorbent material that not only absorbs the ink to keep the feed saturated but changes color to match the ink (helpful if you, like me, often forget what ink you have in a pen.)

The engraving on the nib says “For the love of flex.” These nib units are in JoWo-threaded housings and therefore interchangeable with pens from other brands.

The Good Blue offers several different nib options. There are, of course, standard stainless steel nibs available, but with a company known for flex, I had to try the titanium flex nib. Once broken in, the titanium nib lays down a ton of ink, and line width ranges from a bouncy fine/medium, writing with little pressure, to around a double broad if I really try to push things. (By “broken in,” I mean that the nib will soften with use. Mine was fairly stiff when I first received it, but has gradually opened up to where I can get significantly more line variation.) I have experienced zero "railroading" as long as I use moderately wet inks, and have only had issues with a couple of drier or extremely saturated shimmer inks.

Writing sample on Write Notepads paper with Iroshizuku Asa-Gao fountain pen ink.

Takeaways and Where to Buy

I didn't intend to purchase this pen, but after playing around with the demo model at the Vanness Table at the Arkansas Pen Show (dangerous table neighbors there), I couldn't pass it up. My R615 has remained inked ever since March, and while I don't write with it every day, it sees regular use in my journal and written correspondence, as well as when I'm doodling around with ink - something I've tried to do more of for the simple joy of it. The Good Blue makes one of the best modern "stock" flex nibs I've used, and I'd like to try their calligraphy and 14k nibs in the future.

Because this particular pen is exclusive to Vanness Pens, you can only purchase it through them (though it is currently out of stock as of the time of writing). Vanness does carry other versions of the R615, including the acetate and Ultem versions, as well as a selection of the standard and flex nibs. Prices start at $140 and increase depending on your choice of materials and nib, with the pen shown here coming in at $220 for the special finish plus the titanium flex. The pens and various specialty nibs (including 14k flex and untipped "Calligraphy Flex") can also be ordered directly from The Good Blue, though they will ship from the U.K.

I purchased this pen from Vanness Pens with my own funds for my own collection, though I received a discount for review purposes. This post does not contain affiliate links or paid advertising. The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program.

In Pens Tags The Good Blue, Vanness Pens, Flex Nib, Titanium Nib
1 Comment

Merry Christmas to Me! Esterbrook Estie "Rocky Top"!

December 22, 2020

I haven’t purchased a new pen for my own collection in a while, and I finally gave in, ordering one I couldn’t pass up: the Esterbrook Estie “Rocky Top” featuring Diamondcast Alumilite from McKenzie Penworks. Gotta show that Tennessee pride! “Rocky Top” contains swirls of Tennessee orange, silver, gold, and white that show off the depth of the material and the real reclaimed diamond dust mixed in. Read more about Diamondcast here.

As I’ve mentioned before, I love the shape of the Estie, and the standard pen has such excellent weight and balance that I’ve never had a reason to go to the oversized model (though they’re now available in nearly all materials). What’s new about this particular pen is that I added a “Journaler” nib, developed by Gena Salorino from Custom Nib Studio in collaboration with Esterbrook and offered as an add-on at select Esterbrook retailers. While I haven’t had much time with this nib, I’m liking it so far, and I would say that it writes like a soft cursive italic, with medium width.

I could’ve gone with an orange ink, but instead I decided to try Scribo Classico Seppia, and earthy brown ink that works just as well.

Journaler Nib Writing Sample, on Midori MD Cotton Paper.

Vanness Pens still has Diamondcast Esties in stock, in both “Rocky Top” and “Peacock” finishes, as well as Journaler nibs. Diamondcast pens are bit more expensive than standard Esterbrooks, given the makeup of the material, and retail for $280 for the standard version and $316 for oversized. The Journaler nib adds $50 to the price. Through December, if you order an Esterbrook from Vanness, you will also receive an Esterbrook rubber stamp (while supplies last)!

I’d share a sample of the rubber stamp but I don’t have an ink pad, unfortunately! The packaging on Rocky Top is top-notch, btw.

Disclaimer: Vanness Pens is a paid sponsor of this blog. While I purchased this pen with my own funds, for my own collection, I did receive a discount.

In Pens Tags Esterbrook Estie Rocky Top, Diamondcast, Vanness Pens, Esterbrook
1 Comment

Happy Holidays: A Review of Ferris Wheel Press Peppermint Drop / "Tourbillon de Menthe"

December 2, 2020

I’m officially declaring post-Thanksgiving “Cyber Week” over (at least for me), and it’s time to get back to business as usual. What better way to kick off December and the holiday season with an ink called “Peppermint Drop,” from a brand I’ve never reviewed before?

If you spend any time at all on stationery social media, you’ve probably heard of Ferris Wheel Press, a Canadian company based in Toronto that launched on Kickstarter back in 2018. While I appreciated the carefully crafted, vintage look of the brand, I didn't think the products themselves would be for me. I had heard mixed reviews about the initial batch of inks, with reports of feathering, bleed-through, and slow dry times. Ferris Wheel Press also had introduced a fountain pen, the “Brush,” which I found aesthetically interesting but too slim for my taste. Since then, Ferris Wheel Press has expanded their line of products to include more than a dozen inks, notebooks, paper, and other stationery accessories, and apparently they’ve also perfected their ink formulations.

Yet again, I’m a perfect example for why you should occasionally venture outside of your comfort zone. Lisa Vanness was kind enough to send me a 38ml bottle of Ferris Wheel Press “Peppermint Drop,” (or, “Tourbillon de Menthe”, for the francophones out there). Not only is the Ferris Wheel Press ink bottle exquisitely crafted, but I’ve had nothing but good experiences with the ink itself, and to the extent there have been issues with other colors, Peppermint Drop behaves well and might be the perfect green to use in December. I’d describe it as a “true green” with slight hints of teal, and you may get a minor degree of red sheen in swabs or wetter nibs.

Again, while the ink itself is quite good, equal attention needs to be paid to the bottle. Ferris Wheel Press originally received a lot of attention and press in the pen world for their larger, 85ml balloon-shaped bottles, but they have since introduced a smaller, 36ml bottle reminiscent of a vintage perfume bottle (or even a flask). Each bottle has a brass cap, which combined with a rubber interior seal should be durable and minimize leakage. The flat profiles on these bottles also makes them easy to store.

Takeaways and Where to Buy

I’m glad that Vanness sent me this ink to review, because Ferris Wheel Press is one of those brands that I probably would not have chosen to review myself. I suspect a lot of pen enthusiasts have taken a pass due to the brand’s conscious branding and social media promotion, which they take as a sign that these accessories aren’t for serious writers. That’s not the case. Peppermint Drop is an excellent ink that dries quickly, even on coated paper like Clairefontaine, and doesn’t feather or bleed at all. I could easily use this ink as an everyday writer and I’m interested to see if the other options in the Ferris Wheel Press lineup follow suit.

Our friends and sponsors at Vanness Pens carry the full line of Ferris Wheel Press inks, including the ink featured in this review. As I mentioned above, Ferris Wheel Press inks are available in two different bottle sizes: a larger 85ml bottle and a smaller 38ml bottle, priced at $36 and $18 respectively.

Disclaimer: The ink featured in this review was provided by Vanness Pens free of charge, for review purposes. Many thanks to Vanness for making this review possible!

In Ink Reviews Tags Ferris Wheel Press, Ink Review, Vanness Pens
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Ink Review: Vanness Pens / Joey Feldman "Inktober" and "Good Evening"

November 2, 2019

Most people know Vanness Pens in Little Rock, Arkansas as the go-to resource for rare and unusual inks. They have one of the largest selections of fountain pen inks in the world, and are always the first to import new lines of ink from Japan, Korea, the Netherlands, the Philippines - you name it. As experts in the subject, I guess it was only a matter of time before they started mixing their own inks! Today I’m reviewing two inks developed in collaboration with artist Joey Feldman: a black ink called Inktober 2019, as well as a red/burgundy called “Good Evening,” which you might find reminiscent of a certain highly coveted limited edition ink from around 2013. (It’s intentional.)

Let’s start with Inktober. For those of you unfamiliar with the term, #inktober is an online challenge in which participants post one drawing per day for the month of October. As someone with zero artistic ability who assumes that people will be easily bored by an endless array of stick-figure cartoons, I’ve not participated, but I always enjoy seeing the amazing work that everyone else can do.

As the name implies, the Inktober ink was formulated as a black ink for sketching during the month of, well, Inktober. It’s impermanent by design - many of the #inktober entries have featured brush and ink-wash techniques that take advantage of this ink’s ability to shade when diluted. That said, I absolutely LOVE this ink as a black ink for writing. I’d compare it to Lamy Black or Rohrer & Klingner Leipziger Schwarz, which are both interesting black inks with different tones to them. I do think that the Inktober dries quicker and feathers less on inexpensive paper, and of course, with these two inks you don’t get a bottle featuring Joey Feldman artwork.

I think I like Joey’s caricature better.

“Good Evening” is easily my favorite of these two releases, which should come as a surprise to no one. It’s a rich red ink that I could alternately describe as “burgundy red” or “blood red,” depending on the light. Both the name and the design on the bottle should give you a good idea of the inspiration for this particular ink, and it’s absolutely amazing to see someone come EXTREMELY CLOSE to duplicating what I consider one of the best red inks ever made. Good Evening also makes for an excellent writing ink, and given that it writes relatively wet and flows well, the lack of feathering and bleedthrough surprises me. (The writing sample featured here was done with a firehose broad nib on a Lamy 2000.)

Some of the difference here is the lighting, and the fact that the Montblanc Hitchcock is still wet, but the ink on the left has a bit more red in it than the “Good Evening.” Once the inks are thoroughly dry, the match is closer, but not exact.

Another picture taken after the ink swatches are dry. You’ll notice that the Good Evening still has slightly more purple/blue, while the Hitchcock has more red. Hitchcock can also have a slight gold/brown sheen to it (the “dried blood” effect).

Takeaways and Where to Buy

Inktober and Good Evening both have the potential to become favorites, and I’m looking forward to more special edition runs and, hopefully, a standard lineup from Vanness in the future. Right now, you can purchase the Inktober 2019 Limited Edition Ink and “Good Evening” for $15 per bottle on the Vanness website. If I didn’t already have a gazillion bottles of ink sitting in a cabinet in my home office, I’d be buying multiples. These inks are that good.

Also, don’t miss the Vanness Fountain Pen Day Orange Ink, made to match the Limited Edition FPD Franklin-Christoph 31 pen released yesterday! Vanness still has both pens and ink in stock, though the pens are a limited run of 88 so I’m not sure how long they will last. Also, be sure and check out yesterday’s Deals & Drops post, which highlighted this and several other Fountain Pen Day promotions. At least one sale (Pen Chalet) has been extended through Sunday.

Disclaimer: I received the two bottles of ink featured in this review, free of charge, from Vanness Pens for review purposes. This post contains links to paid sponsors and affiliates.

In Ink Reviews Tags Vanness Ink, Vanness Pens, Joey Feldman, Ink Review
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