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The Gentleman Stationer

Vintage Living in the Modern World.
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The five pens on the left in the Toyooka tray were acquired in a single inexpensive eBay lot! All are salvageable, and 4/5 have 14k nibs.

My Personal Approach to Vintage Fountain Pens

October 21, 2023

My acquisitions at this year’s pen shows have leaned decidedly more vintage-heavy. There are a few factors playing into this. First, for the most part I’ve been uninspired by many of the modern releases from mainstream pen companies - not necessarily because the pens are bad, but simply because we’ve reached a point where innovation has plateaued. Thus, in addition to focusing on those smaller makers who continue to experiment, I’ve started looking backwards to an aspect of the hobby that I’ve dabbled in yet haven’t fully embraced: the vintage world.

All five pens from this lot are salvageable, and 4/5 have 14k nibs. The Kaweco is a new pen to which I added a vintage Mabie Todd 14k nib that I had in my parts bin .

Second, given the amount of time that I now devote to writing about and retailing stationery, I need to carve out some aspect of this hobby that’s pure fun for me. I plan to attend the Ohio Pen Show in a couple weeks, which is one of the premier vintage shows in the country, and is actually the first pen show I attended way back in 2012. In advance of this trip I thought it might be fun to not only show off some of my newer vintage acquisitions, but also provide some insight into how I approach vintage pens in general.

A close-up of the Olive Kaweco Sport with a vintage Mabie-Todd nib. Read more on what I’m doing here below.

My Recommendations For Enjoying Vintage Pens

  1. Don’t Worry About Locating “Mint” Pens or Valuable Collectibles. Nearly all of the vintage pens I own would be deemed “user grade” by a serious collector. I’m totally fine with that. A 75+ year-old pen that’s served as a functional writing instrument for nearly a century should have some dings, scratches, and signs of use. Not only do they make me less reluctant to use a pen for fear of damaging it, these marks add character. In certain vintage watch circles, it’s considered a faux pas to overly restore and polish a vintage watch to where it looks like new, and I take the same approach to my pens. (User-grade specimens of common vintage pens like Sheaffer Snorkels and Parker 51s are also much easier on the wallet than new-old-stock or “mint” condition versions, and you can get them at extremely low prices if you purchase unrestored examples.)

  2. Learn How to Restore Pens Yourself. To get seriously into vintage pens - and arguably, to have the most fun with them - it helps to learn a bit of basic pen repair. Most vintage pens use some variation of a sac-based filling system, which may need to be serviced periodically. Learning how to restore your own pens not only saves you money (and the inconvenience of having to ship off pens to get fixed), but in the course of doing your own work, you also learn how pens are made, the intricacies of vintage filling systems, and how they differ from the modern filling systems we use today. Repairs can range from simple and straightforward (lever filling pens like Esterbrooks) to time consuming and more complex (such as a Sheaffer Snorkel, some of which you can see in the stories on my Instagram profile). Many vintage pens are incredibly durable, including the Parker 51, 51 Special, and Super 21, and often require no restoration beyond a flush with water or bath in an ultrasonic cleaner to remove dried ink.

  3. Swap Vintage Nibs into Modern Pens. While I would strongly advise against purchasing your first vintage pens on eBay or Etsy (unless you absolutely know the seller is reputable), it’s sometimes fun to buy a big lot of unrestored vintage fountain pens sold “as-is” or “for parts”. Usually you can get one or two salvageable fountain pens out of these lots, and the rest you can scavenge for spare parts for other restorations or - my favorite - for nibs and Frankenpens! Many vintage pens, even inexpensive ones, featured 14k gold nibs, some of which are compatible with the feeds and sections used today. You will need to experiment, and it will most certainly void your warranty, but this is a great way to add a luxurious gold-nib writing experience to a less expensive modern pen like a Kaweco Sport. As shown in the picture below, I swapped a Mabie-Todd No. 2 gold nib directly into a modern Kaweco Sport nib unit, so now my Olive Kaweco Collection pen has a 14k gold nib.

  4. Don’t Baby Your Pens - Write with Them! As you can probably tell, I am not a traditional vintage pen collector. I purchase pens both to use them and to help me learn more about the history of writing instruments in general. Because I acquire user-grade pens and have a basic knowledge of restoration and repair, I’m much less hesitant to use my vintage writing instruments and carry them with me semi-regularly. (Most don’t handle airplane travel well, however. Fly with them un-inked.)

  5. Learn About Your Pens. My interest in history, antiques, and “old” technology is what led me to the pen hobby in the first place, so it’s a bit ironic (and inexcusable) that I’ve let this part of the hobby slide. One thing I’ve started doing recently is keeping a “pen journal” about pens I’ve acquired - vintage and modern. For the vintage pens, I note the make, model, and approximate date of manufacture, as well was where I acquired it and how it was restored. I’ll also make notes about why I acquired each pen, what I know about its history, and why I found it interesting enough to add to my “collection.” I’m also considering adding photographs, keeping both a digital archive and a printed copy using my Fuji Instax or similar printer.

The Sheaffer Snorkel from the eBay lot shown above, disassembled and ready for restoration. While a Snorkel is a sac-filling pen, it has a more complex - yet fun - filling system that also requires the replacement of a gasket and an o-ring.

Further Reading

The internet serves as a repository for decades of vintage pen knowledge. Surf the forums at Fountain Pen Network, and/or visit dedicated vintage pen websites by specialists such as David Nishimura or Richard Binder. If you prefer to have a physical book or manual, Andy Lambrou’s “Fountain Pens of the World” is a great general resource that can be found secondhand, and there are several published guides that will walk you through the repair and restoration process.

I’ve written less about vintage pens over the years than I have about more modern writing instruments, but I did do a series titled “Vintage Pen Primer” in which I discussed some specific models. Check out Vintage Pen Primer, Part I; Part II (The Parker 51); Part III (Inks for Vintage Pens); Part IV (The Parker Vacumatic); and Part V: What About Just Opting for A Vintage Nib?

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. This post does not contain third-party advertising or affiliate links.

In Editorial, Vintage Pens Tags Vintage, Vintage Nibs, Vintage Pens, Editorial
4 Comments

The Best Paper for Everyday Writing, Part VI: Legal Pads

October 18, 2023

While I had originally envisioned “The Best Paper for Everyday Writing” as a five-part series, based on reader questions, I thought it made sense to expand it to include a stand-alone article on “Legal Pads”. I’ve placed the term in quotation marks because it’s regularly used to describe several very different types of stationery, ranging from the traditional 8.5” by 14” U.S. “legal-sized” pad of paper to any writing pad that is glue-bound on top and features detachable perforated sheets. I use the broader definition, since in my experience as an attorney fewer and fewer people are using actual legal-sized paper each year, and most of the legal pads I see in everyday practice now feature either letter (8.5” x 11”) or A4 (8.3” x 11.7”) sizing.

The main question I get from readers is very straightforward: What is the best fountain pen friendly legal pad available today? The answer, however, is NOT so obvious, because people prioritize different things. For example, many office workers will churn through a lot of legal pads (think three or four per week), so they look for the least expensive option with acceptable fountain pen performance. I don’t go through as many pads as I used to, so I no longer take this approach myself. Therefore, I’m not up to date on which Amazon or eBay brand of inexpensive legal pad is currently using decent paper - batch performance tends to change from year to year or even month to month. I tend to stick with slightly more expensive paper that delivers consistent performance with fountain pens, rollerballs, and fineliners, and that is how I’ll approach this post.

In my mind, a classic “legal pad” has to allow you to easily fold sheets over the top, and feature a backing board sturdy enough to permit notetaking while standing up. In order to write on both sides of the page, you will have to tear the page out (hence, perforations).

My Favorite Fountain Pen Friendly Legal Pads

  1. Clairefontaine “Pupitre” Writing Tablets. My long-time favorite for a legal-style writing pad remains the classic Clairefontaine “Pupitre” series. Available in A4 and A5 sizes, this durable writing pad is both glue and staple-bound across the top, and features a wrap-around cover in addition to a thick chipboard back for maximum durability and ease of use while standing. The combination of paper quality and high-end construction has kept this pad at the top of my list for many years, and I can’t recall a time when I didn’t have at least three of these in my office desk.

  2. Rhodia A4 Dot Pads. The reliable Rhodia Pad can be found pretty much anywhere these days, including in big-box art supply and craft stores, so they get extra points for availability when you may not have a brick-and-mortar pen store nearby and need quality paper quickly. Also, when I’m looking for dot grid paper, which can easily be turned sideways to use in a “landscape” orientation, Rhodia is my go-to. Of course, Rhodia pads are available in other rulings and a wide range of sizes. I place them at No. 2 on this list, essentially tied with Maruman Mnemosyne, for the same reasons discussed below.

  3. Maruman Mnemosyne A4 Pads. Basically, Maruman Mnemosyne pads tie with Rhodia after Clairefontaine in my book, with Clairefontaine given the edge due to the slightly sturdier build. Rhodia edges out Mnemosyne based on availability. That said, Mnemosyne paper is excellent quality, and if you enjoy having a dedicated space for a header at the top of the page, their layout makes it very easy to organize your notes. Maruman also makes a range of portfolios/padholders across a range of price points, including both PVC and vegan leather options.

  4. Write Notepads Memo Pads. Featuring excellent paper and versatile layouts that include a “Meeting” format, these memo pads are sold in packs of two and therefore also offer good value. While the Write Memo Pads have a backing board, they don’t have a cover like the first three pads on this list, so they’re not quite as durable for portable use, but I’ve absolutely used them in a portfolio. Note that these are letter-sized (8.5” x 11”) and not A4.

  5. Plotter A4 Pads. DesignPhil’s proprietary paper is exceptionally fountain pen friendly, but the A4 writing pad itself is (1) tailored toward users of the Plotter system, and (2) suffers from durability issues that will keep most people from using this as an everyday legal pad. You can use the Plotter A4 pads in either traditional “portrait” or “landscape” mode (i.e., horizontally or vertically), and the paper comes hole-punched for an A5 Plotter binder along the top edge. Because A5 is exactly half the size of A4, you can simply fold the sheet in half (or do a tri-fold) to carry with you in your binder. As a fairly heavy Plotter user, I’ve been experimenting with one of these pads in my A4 Roterfaden, and the primary drawback is that the pad doesn’t have a sturdy backing board or binding and falls apart fairly easily. This product appears to be designed primarily with desk use in mind, where you tear the sheets out one by one as you use them.

Honorable Mention: Midori MD and MD Cotton Writing Pads

Intended more as a desk pad than a traditional legal pad, the Midori MD and MD Cotton pads are glue bound on two sides (crosswise and lengthwise), which ensures the paper lies flat and prevents “curling” of pages as you get to the end of a pad. I include these as honorable mention because, while you can’t use them easily in a portfolio or padholder without breaking the binding, they are excellent pads of paper and can absolutely be used to take legal pad-style notes as necessary.

Thick backing boards on the Clairefontaine Pupitre (top), the Write Notepads Memo Pad (middle), and Maruman Mnemosyne (bottom).

Further Reading

To catch up on the rest of the “Best Paper for Everyday Writing” series, check out our “Best Paper” Resource Page. I may need to do yet another post in the series in response to several reader requests for recommendations on pads for letter writing and written correspondence, which is an entirely different category (though again there may be some overlap). Stay tuned!

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. This post does not contain third-party advertising or affiliate links.

In Editorial, Paper Products, Top 5 Tags Best Paper, Legal Pad, Editorial
1 Comment

I was able to get a LOT of writing done this week.

Back from Vacation! Recapping The Year In Pen Show Travel, Upcoming Shows, Etc.

October 14, 2023

Since we are back in town today, any orders placed over the past week should start shipping out this afternoon, and you will see labels and tracking numbers being generated over the weekend. Remember - all orders placed in the shop through 11:59pm Sunday (10/15) will receive some of the new/restocked T.G.S. Swag that I recently ordered! Many thanks for continuing to support us while we were out on this much-needed break!

To recap 2023 a bit: I attended a lot of pen shows! If you’ve missed reading about my year in pen-related travels the first time around, I’ve linked to most of my show recaps below.

  • NY NOW and Shoppe Object (Trade Show, not a Pen Show, but it was still fun!).

  • 2023 Baltimore Pen Show

  • 2023 Arkansas Pen Show

  • 2023 Atlanta Pen Show

  • 2023 Washington, D.C. Fountain Pen Supershow

  • 2023 San Francisco Pen Show

Maybe I’m looking forward to hunting more vintage in Ohio?

I don’t currently plan on doing any additional shows as a vendor this year, though as I mentioned I may attend the Ohio Pen Show during the first weekend of November. Other shows taking place during October include the Colorado Pen Show (this weekend!) and the Detroit Pen Show next weekend (October 20-22, 2023). The Scriptus show also takes place in Toronto on October 29. You still have several opportunities to get a pen show in before things shut down in November and December. Stay tuned as I will continue to be off from the day job through the first week of November, and have a bunch of fun content planned!

In Editorial, Travel Tags Pen Shows, Travel
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Adventures in Pen Travel and Pens for Vacation, 2023 Edition

October 11, 2023

Now that I’ve had a few days to decompress, It seems like a good opportunity to talk a bit more about my travels over the past two months, the ongoing “hard reset” of my work and personal life, and, of course, my marathon pen cleaning session last week.

I recently announced that I’m changing day jobs, which is a big move for me. I held my old position for nearly 10 years, and while I won’t be changing employers, I’m stepping into a role that (1) involves less of an overall time commitment; and (2) has fewer administrative responsibilities. One reason for the shift is the rapid growth of T.G.S. - while it’s not yet a full-time project, it requires more attention each month, and I’m of course more than happy to rearrange my working life to accommodate the expansion. That said, it’s likely going to require a complete reorganization of my workflows and how I go about my daily working life if I want to keep things manageable.

These two pens - shown here with a new ink I tested at the Dallas Pen Show - stayed in rotation!

The biggest change is the lack of formal structure. My new duties are primarily project-based, allowing me to work mostly remotely, on my own schedule. Outside of the posting routine that I’ve fallen into over the years, T.G.S. also doesn’t have a “schedule”, so my greatest concern about the new arrangement involves my ability to structure my time in a way that ensures that (A) I get everything done, and (B) I keep work confined to “regular” hours as much as I can, allowing me to have a greater semblance of a personal life that includes picking back up other hobbies and interests that I’ve necessarily had to let slide. Case-in-point: I’ve not done nearly as much personal writing and journaling as I would have liked over the past year, despite having a half-dozen notebooks “in rotation” and 30+ fountain pens inked up.

The 10 pens I took with me on vacation, identified and discussed below from left.

Current Setup: Fountain Pens

While of course there’s a lot that I’m thinking through and working on that I can’t publicly discuss here, I CAN tell you what I’m doing about my pen problem. The first order of business was to flush 20 or so pens, most of which had been inked for the Washington, D.C., San Francisco, and Dallas Pen Shows. The cleaning process was aided considerably by the Schon DSGN Luer Syringe Cleaning System, which Ian kindly gifted me in San Francisco to test out. The system consists of a series of fittings designed to attach to the section and/or nib unit of your pen, with different attachments made to fit JoWo, Bock, Pilot, and Sailor (with more to come). You can then thread a 1cc syringe into the fitting and easily flush out a pen in much less time than it would take you to clean using a converter, and with less mess than a bulb syringe. I left nine pens inked up, which I’ll identify from the photo above, listed from left:

  • Santini Libra in Blue Swirled Ebonite: This pen is on loan from a friend, and I left it inked because I need to write with it and get it reviewed so I can return it to her! Santini pens have long interested me because they are made entirely in-house, nibs included! Though Santini visited this year’s D.C. Pen Show, I was disappointed that I didn’t have the chance to visit their table.

  • Leonardo Momento Zero in Bohemian Twilight Resin. Jonathan Brooks’ Bohemian Twilight material is one of my favorites, and I couldn’t resist the opportunity to pick one of these up since I didn’t yet have a pen in this material in my personal collection. The ink I chose to pair with this pen? Queen Alexandra’s Birdwing Butterfly Green, from the recently released Anderillium Lepidopteran Series. It’s a slightly brighter dark green than the swirls in the pen, which complements it perfectly.

  • Conid Bulkfiller Kingsize. I’m torn on Conid, and I’m still trying to figure out how I feel about the brand, especially compared with the Kyuseido Kakari (discussed more below). While extremely well-constructed, I’m not loving the Bock Titanium nib, and I hope to soon procure a gold nib option because I need more consistent inkflow and less of a “squeaky” writing experience. This pen is currently inked with Nahvalur “Dark Forest,” an excellent ink that I plan to review in more detail as soon as I’ve had the opportunity to try more from the series.

  • Sailor Pro Gear “Moonlight over the Ocean”. I’ve long loved the form factor of the Sailor Pro Gear, and odd name aside, this edition spoke to me so I picked one up for my personal collection. It’s inked with Anderillium Atlas Moth Brown, also from the Lepidopteran Series. For some reason I thought this pen needed a good brown-black ink?

  • TWSBI Diamond 580 ALR “Sunset Yellow”. I always have a TWSBI inked and in rotation, and the one I haven’t been able to put down is the recently released “Sunset Yellow,” - really more of an orange gold. The matching ink is Monarch Butterfly Orange, from yet again, the Anderillium Lepidopteran Series.

  • Montblanc 149 in Rose Gold with Bokumondoh Urushi Work. This pen will stay inked for the foreseeable future because it’s beautiful, and the result of a year spent on the Studio Bokumondoh wait list. Fittingly, when I reviewed this pen nearly three years ago I was on vacation in the same spot I’m sitting in now typing this list.

  • Kyuseido Kakari Fountain Pen. The Kakari is the first pen release from Kyuseido, the new company recently started with C.Y. of Tokyo Station Pens and the Tokyo Inklings podcast. I chose the black PVD titanium version, with a Sankakusen nib grind. It’s worth reading Kyuseido’s description of the “Pump-Piston” filling mechanism - you’ll see why this pen is of interest to so many people. The pen is currently inked with unobtanium: Diamine “Suman” created especially for this past year’s Manila Pen Show that a friend was kind enough to gift to me.

  • Nagasawa Kobe Affection Kyomachi Legend Blue Sailor 1911L. My friends at Vanness Pens are now the exclusive U.S. retail partner for Kobe Japan-based Nagasawa Stationery, and I couldn’t resist taking home two of their current Sailor collaborations from the Dallas Pen Show. The first is the 1911L version of the “Kyomachi Legend” pen, which features a metal section similar to that on my 1911 Black Luster. Currently I have this pen inked with Sailor Souboku in cartridge form. Perhaps the most surprising aspect of this pen is the broad nib I chose. I’ve never used a Sailor Broad (which frankly writes very much like a JoWo medium), and I’m enjoying it.

  • Nagasawa Kobe Pro Gear Mini “Mouette”. The two-toned grey on this one got me, along with the fact that this edition of the Pro Gear Mini doesn’t have threads on the end of the barrel, allowing for quicker deployment. I inked this one up with Taccia Hiroshige-Ainezu, a beautiful grey that I’m enjoying.

Current Setup: Notebooks

I took four notebooks with me: My Roterfaden A5 kitted out with my Laconic Monthly Calendar and two Plotter pads; my older (and now-discontinued) Traveler’s-sized Roterfaden with a few blank Traveler’s Midori MD refills; my Midori 5-Year Diary, and a Bank Paper journal from Atelier Musubi. As I mentioned above, I haven’t done much personal journaling and want to experiment with different formats. So far I’ve managed to write each day for at least an hour! What didn’t I bring? My Plotter notebooks. I use them more as binders to organize papers by topic, and since I’m not actively working on any projects this week I decided to leave them at home as I can incorporate pages from the Plotter notepads as necessary upon my return.

One goal of mine is to streamline my everyday carry. As I journal more, I want to finish up several notebooks “in progress” and limit what’s active going forward.

I hope you enjoyed this little tour of my current stationery life! As you might imagine, things are a bit chaotic right now, but in a good way, as I’m excited about what’s to come. Stay tuned as I have much more to announce over the coming month!

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. This post does not contain paid advertising or third-party affiliate links.

In Editorial, EDC, Travel Tags Travel, Editorial, Notebooks, Pens
4 Comments

From left: Schon DSGN Pocket 6, Sailor Pro Gear Sapporo Mini Mouette; Kaweco AL Sport, and Traveler’s Company Brass Fountain Pen (Factory Green Special Edition).

Pocket Fountain Pens, Part II: Further Reflections on Pocket Carry

October 4, 2023

Back in January, I wrote a piece in the “Workhorse Pens” series that I had been thinking on for quite some time, titled the “Considerations and Pitfalls of High-Capacity Pocket Fountain Pens.” The specific focus of that article was what I refer to as “pocket ink tanks,” namely high-ink-capacity pocket pens with either a piston, vacuum, or eyedropper filling system. While it can be extraordinarily convenient for those of us who do a lot of writing to carry a full 4ml of ink around in our pocket - and some of these pens do indeed seemingly write forever - there are all sorts of caveats that you need to consider in order to avoid a pocket ink-splosion.

Yes, pocket pen converters do exist! Kaweco (left) and Sailor (right).

But what about pocket fountain pens that use a standard ink cartridge-converter filling system? Are they any “safer”, and to what extent are they subject to the same risks and considerations as the so-called ink tanks? The short answer is that cartridge-converter pocket pens are fairly low-maintenance and easy to use, but still require some attention in order to ensure an enjoyable writing experience. A few thoughts and observations:

  • Because cartridge-converter pens hold less ink, there’s proportionately less risk of a mess, but still a risk of a mess. Trust me, if a fountain pen ink cartridge explodes, it will cause a big mess. (Especially if you put it through the washing machine.) But it’s not 4ml worth of mess, and the ink is doubly contained, both within the cartridge, and then again within the barrel of the pen. If your pocket fountain pen has o-rings set into the cap and barrel threads, you’re even less likely to ruin your bag or clothing provided you’re always careful when uncapping the pen after travel.

  • Cartridge-converter pocket pens are less prone to burping and leaking into the cap. Because the ink is held inside the cartridge or converter, which in turn is inside the barrel, it’s more insulated from temperature fluctuations, which can cause “burping” - i.e., what happens when warming ink expands and gets pushed out of the nib and feed. There’s no way to eliminate the risk entirely, especially if you carry a fountain pen in your pants pocket, but I’ve had much less trouble with cartridge-converter pens than those that use the barrel itself as the ink reservoir.

  • Be mindful of condensation in the cap and the pen getting jostled around. No matter how careful you are, you can’t outsmart the laws of physics and thermodynamics. If you carry a fountain pen in your pocket, it’s really just a plastic or metal tube of ink that writes via a “controlled leak” through the nib and feed. If the pen gets bumped, or you’re particularly active, a drop or two of ink might leak out into the cap or onto the nib. If the pen warms up in your pocket, you might see some inky condensation on the nib. There’s no avoiding these things, so no matter what kind of pocket fountain pen you are using, use some caution when you uncap it for the first time to avoid getting any stray drops onto your clothes, desk, bag, etc.

The nib on the Sailor Pro Gear Mini Sapporo - you can see some dried ink that leaked out onto the nib when I was carrying it on my Plotter Mini 5 in my pocket on an airplane. It’s minimal, to be sure, and there was no real mess, but it’s a factor to consider.

A Few Examples of Low-Maintenance Pocket Fountain Pens

I pocket carry fountain pens all the time, both cartridge-converter pens as well as the pocket ink tanks. I generally won’t hesitate to carry any of my more compact fountain pens in my pocket as long as I’m conscious of not doubling up with keys, knives, etc. Of course, the quintessential cartridge-converter pocket fountain pen is the Kaweco Sport, which has a low barrier to entry and ease-of-use, as well as tons of different materials and finishes to choose from. Honestly, if you hear the term “pocket fountain pen,” most people immediately think of the Sport, to the degree that pen has almost become synonymous with the product category.

Two-toned grey? Sign me up.

It’s not the only option, however. A favorite of mine - though at a higher price point - is the Schon DSGN Pocket 6, which comes in a wild array of finishes, is compatible with Ian Schon’s in-house Monoc Nib, and features durable metal construction (complete with o-rings to protect against leaks). I’ve also had good luck with the Traveler’s Company Brass Fountain Pen, based on a traditional “bullet pencil” design. And of course I recently reviewed the Wingback Fountain Pen.

So what inspired this article? This past weekend at the Dallas Pen Show, I picked up a Sailor Pro Gear Sapporo Mini from my friends at Vanness Pens, who I was helping at their table. They are the exclusive U.S. retail partner for Japanese stationer Nagasawa, and brought with them a wide range of Nagasawa-exclusive Sailor pens that included this Pro Gear Sapporo Mini in “Mouette” two-toned grey. (“Mouette” is the French word for seagull, and the pen is adorned with a couple of different seagull motifs, including on both the nib and cap finial.) This particular Sapporo Mini came with a smaller Sailor converter (win!), and it clips perfectly to the pen loop on my Plotter Mini 5. I’ve been carrying this pen all week in my pocket alongside the Mini 5, which doubles as my wallet, and so far I’ve had no issues. This version of the Sapporo Mini doesn’t have a threaded end-cap, so it posts easily for quick deployment, likely earning it a key role in the pocket rotation going forward.

Sailor Sapporo Mini on the Plotter Mini 5, and as you can see, there are no threads on the end cap of this version.

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. This post does not contain paid advertising or third-party affiliate links.

In Editorial, Workhorse Pens Series Tags Pocket Pen, Pocket Fountain Pen, Sailor, Kaweco, Schon DSGN, Traveler's Company, Workhorse Pens
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